"Heading to a printed broadside. Three Ministers in court suits with bag-wigs and swords sing outside Carlton House. Castlereagh in the centre holds a scourge, turning towards Liverpool (left); the latter and Sidmouth have misshapen gouty legs. Sidmouth's clyster-pipe hangs from his pocket. Above the gate (left) George IV and a fat woman (? Lady Conyngham) are seen watching from a window. She says: "Your M--y how well they Chord, it is like one Person." John Bull, a yokel in a smock holding money-bag and cudgel, stands with his back to the gate, watching the singers. He says: "They may Chord to please his M .... y but dang me If I dont wish the Three was in One Cord." Alderman Curtis (right), with enormous paunch and nose, approaches from the right, in the sailor's dress of Walcheren Expedition prints, see British Museum Satires No. 11353. He holds a long spoon labelled 'Orphans Fund' [see British Museum Satires No. 13706] and a large pot; under the left arm is a turtle. He says: "Who's for a Royal Tuck-out with our Fat Friend [cf. British Museum Satires No. 14017], bring your Loyal Addresses and he'll make you as drunk as a Prince. ..."."--British Museum online catalogue
Description:
Title from letterpress text below image., Attribution to Robert Cruikshank and date of publication from the British Museum catalogue., Sheet trimmed to plate mark on top and left edge., Four numbered stanzas of verse in two columns below title, printed in letterpress: 1. Ye Radicals of England, who talk about reform, Whose object is to frighten us, by raising of a storm ..., "Price one shilling"--Below imprint., Watermark: D. & A. Cowan 1819., Mounted to 58 x 39 cm., Mounted on leaf 92 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV," "Liverpool," "Londondery [sic]," "Sidmouth," and "Curtis" identified in ink below image. Typed extract of thirteen lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Printed for O. Hodgson, 43, King Street, Snow Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Curtis, William, Sir, 1752-1829
Subject (Topic):
John Bull (Symbolic character), Gout, Politicians, Daggers & swords, Singing, Whips, Medical equipment & supplies, Gates, Windows, Staffs (Sticks), Spoons, and Turtles
"Heading to a printed broadside. Three Ministers in court suits with bag-wigs and swords sing outside Carlton House. Castlereagh in the centre holds a scourge, turning towards Liverpool (left); the latter and Sidmouth have misshapen gouty legs. Sidmouth's clyster-pipe hangs from his pocket. Above the gate (left) George IV and a fat woman (? Lady Conyngham) are seen watching from a window. She says: "Your M--y how well they Chord, it is like one Person." John Bull, a yokel in a smock holding money-bag and cudgel, stands with his back to the gate, watching the singers. He says: "They may Chord to please his M .... y but dang me If I dont wish the Three was in One Cord." Alderman Curtis (right), with enormous paunch and nose, approaches from the right, in the sailor's dress of Walcheren Expedition prints, see British Museum Satires No. 11353. He holds a long spoon labelled 'Orphans Fund' [see British Museum Satires No. 13706] and a large pot; under the left arm is a turtle. He says: "Who's for a Royal Tuck-out with our Fat Friend [cf. British Museum Satires No. 14017], bring your Loyal Addresses and he'll make you as drunk as a Prince. ..."."--British Museum online catalogue
Description:
Title from letterpress text below image., Attribution to Robert Cruikshank and date of publication from the British Museum catalogue., Sheet trimmed to plate mark on top and left edge., Four numbered stanzas of verse in two columns below title, printed in letterpress: 1. Ye Radicals of England, who talk about reform, Whose object is to frighten us, by raising of a storm ..., "Price one shilling"--Below imprint., 1 print : etching ; image 16.9 x 23.2 cm, on sheet 37.8 x 24.3 cm., Printed on wove paper with partially-trimmed watermark "D. & A. Cowan 1819"; hand-colored., Imperfect; sheet trimmed resulting in loss of imprint statement and price statement from bottom edge., Mounted to 58 x 39 cm., Mounted on leaf 66 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV," "Lady Conyngham," "Liverpool," "Londonderry," "Sidmouth," and "Sir W. Curtis" identified in pencil below image; date "1820" written in ink beneath lower right corner of image. Typed extract of nineteen lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Printed for O. Hodgson, 43, King Street, Snow Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Curtis, William, Sir, 1752-1829
Subject (Topic):
John Bull (Symbolic character), Gout, Politicians, Daggers & swords, Singing, Whips, Medical equipment & supplies, Gates, Windows, Staffs (Sticks), Spoons, and Turtles
King George IV and entourage laden with provisions, about to embark from Brighton in the Royal Yacht; representing the extravagant monarch's distressed retreat from England at the time of the Queen's trial and "George IV leads a procession to the waterside to embark in the royal yacht, preceded by the Attorney-General with a 'Green Bag' [see No. 13735] under each arm, and a bottle of 'Milan Brandy' [see British Museum Satires No. 13755, &c.] in each hand. The latter, much caricatured and with a malevolent countenance, says: "The Tide is against His Ma--je--ty but should He be able to clear Cuckolds Point [cf. British Museum Satires No. 13769] no doubt he will easily weather Cape Horn." The King, wearing sailor's trousers, rollicks along between Lady Hertford and Lady Conyngham (see British Museum Satires No. 13847), arm-in-arm with both and looking towards the latter. He holds in one hand a purse inscribed '2/6', in the other a bottle: 'Decoction of Bergamy', and wears a long watch-ribbon inscribed 'Non mi ricordo' [see British Museum Satires No. 13827]. Both ladies carry reticules inscribed '2/6' [half a crown, cf. British Museum Satires No. 13826]. Lady Hertford: "I hope your Ma--je--ty will not forget your promise (when in Hertford) to take a peep in Y--amouth [sic] Roads--as the Sea breezes might be beneficial." Lady Conyngham: "Don't doubt us your Ma--je--ty we shall never be wanting to lend a Hand to raise the Royal G . . . e." Behind walk Sidmouth and Castlereagh, the latter wearing a triangular hat, holding a scourge and fetters and with a package inscribed 'Irish Wiskey Triangular Proceedings' [see British Museum Satires No. 14135] under his arm. Sidmouth carries a 'Royal Medecine Chest' under his arm, with a clyster-pipe (cf. British Museum Satires No. 9849) inscribed 'Portable Soup'; on his head is a commode-pan inscribed 'Stink Pot for the Radicals'. He says: "Take care of the Green Bags, Stow 'em safe-- for should the Sea Water touch them they'll rot sooner than is expected--and his Ma--je--ty would run the chance of loosing half a Crown" [see British Museum Satires No. 13826]. They are followed by Liverpool and Canning, both wearing, like the King, top-hats ornamented with crowns, to show they are the King's servants. Liverpool has a pen behind his ear and carries two bags, one inscribed 'Pursers Profits', the other 'Nip Cheese 75 Per Cent'. He says "one and one makes two. Canning carries a weathercock (cf. British Museum Satires No. 13737) and says: "A fine Breeze and we shall soon be out of the scent of Cotton Yard [see British Museum Satires No. 13824] theres a kind of Vapour gathering in that Quarter that's likely to be very offensive, unless the rubbish is shortly removed!!" In the foreground on the extreme left walks Sir William Curtis, in the sailor's dress of the Walcheren Expedition, see British Museum Satires No. 11353, &c. He has a vast paunch inscribed 'The Orphans Fund' [see British Museum Satires No. 13706] and 'Blubber', and carries a large turtle, a knife, and a long spoon. He says: "Who so blythe so blythe as we to take a voyage a voyage to Sea Along with his great Ma--j--ty." Behind is a man carrying on his head a basket of kitchen 'Stores': gridiron, kettle, &c. The yacht 'Royal George' is in the background (right), flying the Royal Standard and with sailors in the rigging."--British Museum online catalogue
Description:
Title etched below image., Attributed to Robert Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark on three sides., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 78 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Curtis," "Liverpool," "Sidmouth," "Londonderry," "Hertford," "Conyngham," and "Eldon" identified in ink below image; date "Sept. 1820" written in lower right corner. Typed extract of six lines from the British Museum catalogue description is pasted above print.
Publisher:
Pubd. by E. Pritchard, Islington Green
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Gifford, Robert Gifford, Baron, 1779-1826, Conyngham, Elizabeth Conyngham, Marchioness, -1861, George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Castlereagh, Robert Stewart, Viscount, 1769-1822, Sidmouth, Henry Addington, Viscount, 1757-1844, Canning, George, 1770-1827, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Curtis, William, Sir, 1752-1829, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Canning, George, 1770-1827., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Castlereagh, Robert Stewart, Viscount, 1769-1822., Conyngham, Elizabeth Conyngham, Marchioness, -1861., Curtis, William, Sir, 1752-1829., George IV, King of Great Britain, 1762-1830., Gifford, Robert Gifford, Baron, 1779-1826., Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828., and Sidmouth, Henry Addington, Viscount, 1757-1844.
"George IV sits in an arm-chair, his gouty right leg in a bulky swathing rests on a cushion; the left leg is tightly bound between calf and ankle with a narrow bandage. He wears a loose fur-collared coat or gown over breeches and waistcoat. He leans back reflectively, an open book, Diversions of Purley [by Home Tooke, cf. British Museum Satires No. 9020], in his right hand. Phases of his past life are illustrated in a series of W.L. portraits on the wall behind him. [1] As a handsome young man he stands holding a long-bow, as if at an archery contest. [2] He stands, slightly obese, in his Light Horse uniform, see British Museum Satires No. 8800 (1796). [3] He stands in back view as in BM Satires 12803, facing a wall on which is a portrait of the Hottentot Venus [Saartjie Baartman], see British Museum Satires No. 11577, &c. [4] He stands in hussar uniform, with high curled wig and whiskers. [5] He stands directed to the right in Field Marshal's uniform (as 'especially in 1814). [6] He stands on the deck of a ship in yachting costume wearing loose jacket and trousers, his hands in his coat-pocket. The profile and paunch of Sir William Curtis are behind and on the extreme left. [7] The picture is partly concealed by a curtain, but the King sits near a chamber-pot. [8] He stands in coronation robes holding orb and sceptre (see British Museum Satires No. 14199). [9] He is in Highland costume (see British Museum Satires No. 14386). At the King's left hand is a small cheval-glass topped by a crown. His appearance has changed, he has no whiskers, and has a wig of lightly curled natural hair, parted in the middle, so that in place of the pear- or pineapple-shaped head resulting from a crest of curls and whiskers, as from c. 1811 [In caricature. An engraved H.L. portrait by Schiavonetti after T. Phillips, pub. Cadell & Davis, 11 Oct. 1809, has whiskers and crest of curls], his face seems rounder, and, in many prints, younger. His dress is less formal, and his appearance (confirmed by portraits from 1820) suggests a determination to depart completely from the appearance and costume of caricature."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., and Temporary local Medical Library subject terms: Theater -- Hottentot Venus.
Publisher:
Pub. March 15, 1824, by S.W. Fores, 41 Picadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Curtis, William, Sir, 1752-1829., Shakespeare, William, 1564-1616., Tooke, John Horne, 1736-1812., and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Fashion, Costume, History, Gout, Recluses, and Dandies
Leaf 31. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"The pair, both very bulky in Highland costume, are back to back. The King (right), wearing a feathered bonnet, a huge sporran, and a sword, stoops to kiss a lady (see British Museum Satires No. 14384), hands clasped behind her neck; he says: "The Sweetest hours that 'ere I spent, it was among The Lasses O! Other ladies eagerly wait their turn. One, behind the King, covers her face with her fan. Curtis, grotesquely obese, and directed to the left, capers, snapping his fingers. He wears a turtle in place of sporran, and in his belt are knife, fork, and ladle. Round his neck is a double chain of sausages. He sings: "Georgie loves good ale & wine And Geordie loves good Brandy And Geordie loves to Kiss all the Girls As sweet as Sugar Candy"-- God save the King Huzza my Boys!! I'm the Boy for a bit of a Jollification! play up Piper!! A piper (left) with bare, thin, and misshapen legs plays and dances. A stout Highlander watches with a grin. Frontispiece, perhaps issued separately, to 'Kilts and Philibegs!! - The Northern excursion of Geordie, Emperor of Gotham: and Sir Willie Curt-his, the Court Buffoon, &c. &c.'"--British Museum online catalogue
Description:
Title etched below image., Restrike. For original issue of the plate, see no. 14389 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 607., Cf. Reid, G.W. A descriptive catalogue of the works of George Cruikshank, 1091., and On leaf 31 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published Sept. 3, 1822, by John Fairburn, Broadway, Ludgate Hill [i.e. Field & Tuer]
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Curtis, William, Sir, 1752-1829
"George IV, as Falstaff, sits in a high-backed chair with a grotesquely fat Doll Tearsheet (Lady Conyngham) on his knee. He holds a large glass of wine and looks at her with appraising melancholy. She pouts her lips to kiss. Their words are engraved below: Falstaff--hou dost give me flattering busses. Doll Nay, truly; I kiss thee with a constant heart. Fal-I am old, I am old. Doll-I love thee better than I love e'er a scurvy young boy of them all. --vide Shakspeare ['II Henry IV, II. iv.] Behind (right) stands Bardolph, with the head and nose of Curtis, talking to a lean Mrs. Quickly, who has the unmistakable profile of Lord Conyngham, behind whom a huge antlered stag's head looks down from the wall. Both women wear steeple-crowned hats, but the dress of one is flamboyant and ornate, of the other demure. A man looks in cautiously from the doorway. On the wall is a hanging on which is depicted the Prodigal Son turning his back on trough and swine to receive his father's embrace."--British Museum catalogue
Description:
Title from text above image., Print signed using William Heath's device: A man with an umbrella., Questionable publication date from British Museum catalogue., Text below image begins: Falstaff: Thou dost give me flattering busses. Doll: Nay, truly; I kiss thee with a constant heart ..., Sheet trimmed within plate mark., Numbered in ms. at top of sheet: 173., and Watermark: J. Whatman Turkey Mill 1827.
Publisher:
Pub. by Thos. McLean 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, and Curtis, William, Sir, 1752-1829
"Three men shear four rams with human faces and long spiral horns. The first (left), still unshorn, has the bottle-nose and drink-blotched face of Curtis; a large bell hangs from his neck; he bleats B A A A A A A. His shearer says: Come along you Blubber--alias Bell Weather S'Blood what a Cur 'tis; in his pocket is a paper: Quintus Curtius. He is Quin, who took an active part against Flower. The second, Councillor Waithman (a draper), holds Flower, the Mayor, labelled The Flower of the Flock, who is almost shaved; he says: Egad I have Cut them preelly [sic] close; his shears, like those of Quin, are inscribed Vox Popula [sic]. The third, Alderman Harvey Combe, uses a comb. He holds Alderman Price and says to Waithman: Ne'er Wait man I have Combed them well--. Price says: N'o Blubber Sperm fetches the best Price. Beside him is another ram (Shaw), completely shorn and dejected; it says: Pshaw I can never Stand upright in the presence of a great Mon but always Keep Booing, booing [cf. British Museum Satires No. 11306]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Isaac Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark., and Watermark: Ruse & Turners 180[5?].
"Seven Aldermen, with ass's ears, sit in conference (a meeting of the Court of Aldermen) in Guildhall wearing their furred gowns. The table is covered with a cloth on which are the City Arms and motto, 'Domine Direge [sic] Nos', but a turtle replaces the griffin as the sinister supporter. The arcaded wall, showing the lower part of the windows (with the City Arms), forms a background. The table is flanked by the statues of the giants, 'Gog' (left) and 'Magog' (right), on pedestals. The former, holding a staff with a spiked ball dangling from it, asks: "I say Brother what do you think of our City Asses." Magog, holding pike and shield: "Why I think Brother Gog they are a set of D--n'd Stupid Blockheads." Five Aldermen are on the farther side of the table. The other two sit facing each other at the opposite ends. In the centre sits Bridges; he says: "As late Mare I should be a Great Ass if I did not differ from those Radical Individuals who trust in their own confidence-- I say the Q--n must not go to St Pauls." On his right is Curtis, the largest and most prominent, who says with raised forefinger: "We shall have a speedy Revolution and soon [see British Museum Satires No. 11306], if she is allowed to come into the City-- I protest on my part against prayers of any description." The man at the head of the table says: "No Prayers by St Paul I say for one." The Alderman next him asks: "Where is our friend At--ns, he knows all about burning the Thames" [see British Museum Satires No. 13272]. The others (left to right) says: [1] "Let me see--Keep her out by all means." He stares through an eye-glass, shutting one eye. [2] "Oh dear we shall all be ruined if she comes." [3] "If the Q--n is prayed for we are all dished by Goles--I'll have the Caracatures taken out of the Windows." In the upper margin: 'List of the Wise Men--G. Br--s, Billy Blubber [Curtis], C. Fl--r. [Sir Charles Flower, see vol. viii], G. Sc--y [Scholey, see British Museum Satires No. 12038, &c.], S B--h [Birch, see vols. vi-ix], C. Ma--y [Magnay], W. H--y--e [Heygate].' [This list is in the order of the signatures to their letter of 28 Nov.]."--British Museum online catalogue
Alternative Title:
Seven wise men of the East, prophesying before Gog and Magog of a row in the city, November 29th, 1820
Description:
Title etched below image., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 36 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "Dec. 1820" written in black ink in lower right corner. Above the censored "List of Wise Men" at top of image are annotations in brown ink that name the men: Aldn. Bridges, Curtis, Flower, Scholey, Birch, Magnay, Heygate.
Publisher:
Published December 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Bridges, George, approximately 1762-1840, Curtis, William, Sir, 1752-1829, Flower, Charles, Sir, 1763-1834, Scholey, George, -1839, Birch, Samuel, 1757-1841, Magnay, William, 1767-1826, Heygate, William, Sir, 1782-1844, and Guildhall (London, England),
Subject (Topic):
Interiors, Tables, Robes, Coats of arms, Sculpture, Arms & armament, City council members, and Hand lenses
Leaf 31. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A scene in the Royal yacht. George IV kneels at the feet of 'Lady Hell-fling-stone' who is seated (left), expressing delighted acceptance. The King wears Highland dress with a very short kilt and cavalry boots (see British Museum Satires No. 14220) on bare legs. His (Garter) star is centred by a heart. He has a love-sick expression, right hand on his heart, his feathered bonnet in his left hand. On an ornate altar-like table are decanters and glasses. Curtis, even more burlesqued than before, enters (right) carrying a tureen of steaming (turtle) soup. He is in Highland costume with spoon, knife, and fork in the belt that encircles his paunch; a double chain of sausages (cf. British Museum Satires No. 14389) hangs from his shoulders, and he wears a fool's cap."--British Museum online catalogue
Alternative Title:
Try-o between Geordie, a northern lassie, and Sir Willey, O!!
Description:
Title etched below image., Attributed to George Cruikshank in the British Museum catalogue., Restrike. For original issue of the plate, see no. 14398 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 464., Cf. Reid, G.W. A descriptive catalogue of the works of George Cruikshank, 1092., and On leaf 31 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published Octr. 10, 1822, by John Fairburn, Broadway, Ludgate Hill [i.e. Field & Tuer]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Curtis, William, Sir, 1752-1829, Elphinstone, Janet, Lady, -1825, and Conyngham, Elizabeth Conyngham, Marchioness, -1861.
Subject (Topic):
Kilts, Pots & pans, Soups, Sausages, and Fools' caps
Chatham sits in an arm-chair attended by doctors; he wears a night-cap, and over his uniform and boots a patterned dressing-gown and holds a copy of 'The Times' in his right hand. He looks up at a hideous doctor (left), who feels his pulse, holding a watch. The doctor says: "Your Pulse is going with uncommon Expedition indeed my Lord, you have too much Blood in you. you must lose a few Ounces". Chatham: "Don't mention that word [Expedition] again Doctor, it brings an [sic] a Flushing in my face, and sets me in a palpitation". On his other side stands Sir William Curtis proffering a steaming bowl of soup on a salver; in his pocket is a 'Plan for a Jollyfication on the 25 Octr 1809'. He says: "You'll find my Soup, is the best thing in the world for palpitations, it always cures me speedily and soon. I hope you'll be well enough to come to our Jollyfication on the 25th. On the extreme right stands a stout John Bull, a 'cit' holding his hat; he looks across at the doctor on the left, saying contemptuously, "Pho Pho! Doctor your wrong! its only a Flushing in the face. for D-----e if I think he has a bit of Blood in him". Behind Chatham is a 'Camp Convenience' or travelling commode under which lie his cocked hat and sword; on it is a book of 'Military Tactics'. On the wall is a 'Map of Walch[eren]', showing 'Flush[ing]' and one of 'Quiberon Bay', both partly obscured by steam from Curtis's soup. On the ground are two books: 'Jack the Giant Killer' and 'The Seven Sleepers'. The doctor's cocked hat, gloves, gold-headed cane, and a large volume, 'Pharma-copiæ' are on a chair (left), behind which are a small writing-table and curtained bed. After the title: 'In one thing only, thats the Fee, Doctors you'll find will er'e agree'.
Alternative Title:
Regular and quack opinions on the flushing fever
Description:
Title from caption below image., Two lines of verse follow title: In one thing only, thats the fee doctors you'll find will erè agree., and For further information, consult library staff.
Publisher:
Pubd. Septr. 1809 by Walker, No. 7 Cornhill
Subject (Name):
Chatham, John Pitt, Earl of, 1756-1835 and Curtis, William, Sir, 1752-1829
Subject (Topic):
John Bull (Symbolic character) and Walcheren Expedition, 1809