"After the title: 'fully accow [crossed out and replaced with a 'u'] --tred the Hero lay.' Above the design: 'Review--PI 2.' Wellington, sword in hand, falls from his horse, his white trousers crashing into a patch of cow-dung. He wears (in place of his field-marshal's cocked hat) a bearskin so enormous that it may well have overbalanced him. His horse stands beside him, pawing the ground. Behind (right) a group of mounted officers watch the accident. On the left two privates in huge bearskins stand at attention."--British Museum online catalogue
Alternative Title:
Oh what a falling off was there
Description:
Title from caption below image., The "w" in "accow-tred" in subtitle is scored through and a "u" etched above it., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... sole publisher of P. Pry caricatuers., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 211.
Publisher:
Pub. May 29, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Daggers & swords, Hides & skins, Horses, Military officers, British, and Military uniforms
Title from caption below image. and Temporary local subject terms: Macaronies -- Nosegays -- Domestic service: valet -- Hairdressing implements: curling papers -- Street scenes -- Paris: rue d'Enfer.
Publisher:
Printed for Robt. Sayer, No. 53 Fleet Street, & J. Smith, No. 35 Cheapside
Leaf 83. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A black man, dressed as a macaroni except for his tightly curled natural wool, walks in profile to the right. His right hand holds a cane, his left is on the hilt of a short curved sword or sabre with an ornamental hilt affected by macaronis."--British Museum online catalogue and "Perhaps a caricature of Jeremiah Dyson, always called Mungo after the name had been given him in a debate by Col. Barré, 29 Jan. 1769. Mungo was a negro slave in the comic opera 'The Padlock' by Bickerstaffe, and the name implied that Dyson was kept at dirty jobs for the Government."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. III: Characters, macaronies, & caricatures. [London] : Pubd. by MDarly, 39 Strand, 1773., and Plate numbered "v. 4" in upper left corner and "14" in upper right corner.
Publisher:
Publish'd according to act by MDarly, 39 Strand
Subject (Geographic):
England and England.
Subject (Name):
Dyson, Jeremiah, 1722-1776
Subject (Topic):
Black people, Clothing & dress, Dandies, British, Politicians, Staffs (Sticks), and Daggers & swords
Leaf 83. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A black man, dressed as a macaroni except for his tightly curled natural wool, walks in profile to the right. His right hand holds a cane, his left is on the hilt of a short curved sword or sabre with an ornamental hilt affected by macaronis."--British Museum online catalogue and "Perhaps a caricature of Jeremiah Dyson, always called Mungo after the name had been given him in a debate by Col. Barré, 29 Jan. 1769. Mungo was a negro slave in the comic opera 'The Padlock' by Bickerstaffe, and the name implied that Dyson was kept at dirty jobs for the Government."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. III: Characters, macaronies, & caricatures. [London] : Pubd. by MDarly, 39 Strand, 1773., Plate numbered "v. 4" in upper left corner and "14" in upper right corner., Second of three plates on leaf 83., and 1 print : etching on laid paper ; plate mark 17.6 x 12.8 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Publish'd according to act by MDarly, 39 Strand
Subject (Geographic):
England and England.
Subject (Name):
Dyson, Jeremiah, 1722-1776
Subject (Topic):
Black people, Clothing & dress, Dandies, British, Politicians, Staffs (Sticks), and Daggers & swords
"Satire on the election for County Durham, 14 April 1784: Sir Thomas Clavering and Sir John Upton, one headless, holding a caption labelled 'The Irish Faction for ever' and carrying the other, who has no feet, on his back, who says 'I serv'd you as long as I could stand' and carries captions lavelled 'Coal owners Bill' and 'A command in India'; both seated on an ass facing left, which brays 'Thus I go to Parliament and am not the first Ass that has farted for preferment, but this is dirty work and hard Labour' and which has a collar labelled 'I speak for my Master / Populus me sibilat at plaudo ipse domi' and strips at the saddle labelled 'Curse all Pitts / But a Coal-Pitt'; with the ass' droppings falling on a crest with the motto 'Diem Perdidi'; a mitre, crozier and sword and label 'At rest' on the ground in the centre, playing cards and papers labelled 'Turnpike Speech / Election Speech' to left; a milestone to right labelled 'From Durham / T: C / J: E / 14 April 1784'."--British Museum online catalogue
Alternative Title:
Northern ass
Description:
Title etched below image., Attribution to W. Hutchinson from annotation on verso of British Museum impression. See British Museum online catalogue, registration no.: 1865,1014.456., Date of publication from British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., and Watermark in the center of sheet.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Clavering, Thomas, Sir, 1719-1794, Eden, John, Sir, 1740-1812, and Great Britain. Parliament, 1783-1784.
Subject (Topic):
Elections, Donkeys, Defecation, Traffic signs & signals, Miters, Crosiers, Daggers & swords, and Playing cards
Leaf 68. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Full-face portrait of a man walking to right and looking to his right. His right hand is in his coat pocket, his left thrust in his waistcoat. He wears a looped hat, his hair or wig is in a long queue bound with black ribbon. He wears a sword, laced coat, ruffled shirt and cravat, low buckled shoes. A dog of greyhound type walks in front. He resembles portraits of Richard Grenville-Temple, 1st Earl Temple (1711-79)."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 2" in upper left corner and "11" in upper right corner., Temporary local subject terms: Macaronies -- The Temple -- ?Greyhound -- Queue wig bound with ribbon -- Little cocked hat., and Second of three plates on leaf 68.
Gulston, Eliza B., 1749 or 1750-1779 or 1780, printmaker
Published / Created:
May 19th, 1772.
Call Number:
Folio 724 776D
Collection Title:
Leaf 74. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man standing in profile to right, apparently caricatured for his old-fashioned dress and straight lank figure. His left hand is outstretched, his right holds a sword of which only the hilt is visible. He wears a wide flat hat and bag-wig. His long narrow coat hangs well below his knees."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Printmaker from the British Museum catalogue., Initial letters of publisher's name in imprint form a monogram., Ten lines of verse in two columns below title: An ugly face & staring hat, a carcase which has lost its fat ..., Plate numbered "v. 3" in upper left corner and "7" in upper right corner., For an earlier state, see no. 5009 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Macaronies -- Male costume: Macaroni hats., and First of three plates on leaf 74.
Brooke, William Henry, 1772-1860, printmaker, artist
Published / Created:
[1 September 1813]
Call Number:
813.09.01.02
Image Count:
1
Resource Type:
still image
Abstract:
"Plate from the 'Satirist', xiii. 193. In the text the title continues '. . ., "alias" War'. A satire on the Congress of Prague. Four sovereigns, completely unlike the men in question, in conference. The Tsar sits behind a small rectangular table on which are displayed implements of war in miniature: cannon, pyramids of cannon-balls, muskets, swords, drums, &c., and flags on one of which are fleurs-de-lis. On the left stand the King of Prussia and the Emperor of Austria, on the right is Napoleon. Alexander extends his hands rhetorically, turning to the left, with a puckered scowl, to say to the two Germans: "Come Gentlemen see first if you can agree--if not we'll all fight!" He has quasi-Kalmuck features, and wears an odd-shaped crown, an ermine-bordered robe, with a jewelled necklace and a Greek cross. Frederick William III, on the extreme left, clutches the hilt of his sword and puts his left hand to his cocked hat as if ready to doff it, he turns to Francis I, towards whom a label issues from his mouth: "I am ready to treat or to fight"; a second label floats to the left, inscribed 'Infernal Scoundrel'. Francis I, looking distracted, stands directed to the right, legs apart, and in his left hand is his sabre, the blade of which curves over the Tsar's head, but both hands touch his crown, and he says: "I will wear an independant Crown." He wears hussar uniform, cloak, sash, and elaborately embroidered tunic and pantaloons. Napoleon, tall and burly, with heavy whisker and aquiline profile, wears a plumed bicorne with tricolour cockade and very tattered uniform leaving his legs almost bare, with one dilapidated jack-boot and one damaged stocking; he has a long sword. He stands aggressively with arms dramatically extended, saying, "My Friends! all we wish is Peace." A chain is attached to each great toe, which is fastened to the necks of two miserable princes, tiny figures standing between his outstretched legs. One (left), Charles IV of Spain, wearing a crown and robe, grotesquely knock-kneed and despairing, stands full-face. The other, wearing a crown with uniform and sword, stoops in profile, looking up abjectly at Napoleon's legs. On the extreme right, in the middle distance, is a tall Spanish don, much emaciated, wrapped in a cloak. He looks down with folded arms at a fat British officer beside him, who says: "I ll countenance Austria into our interests." The Spaniard: "I'll be damned if I go to meet a Frenchman in Prague, while there is a Frenchman to meet in Spain!!!" Behind them in the background a tiny Napoleon, wearing a grotesque crown and holding a sword, marches downhill at the head of his soldiers carrying flags; he has a melancholy expression and approaches the edge of a precipitous descent."--British Museum online catalogue
Alternative Title:
Satirist 1st September 1813
Description:
Title etched below image., Date of publication from text above image: Satirist 1st September 1813., and Plate from: The satirist, or, Monthly meteor, v. 13, page 193.
Publisher:
publisher not identified
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Francis I, Emperor of Austria, 1768-1835, Charles IV, King of Spain, 1748-1819, and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Heads of state, Summit meetings, Cannons, Flags, Military uniforms, Daggers & swords, Crowns, and Chains
Volume 2, page 88. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A scene of the ancien régime: two elaborately dressed Frenchmen wearing swords stand 'chapeau-bras', facing each other in profile; one (left) wears a ribbon and rests his hands on a long cane. A monk (left) walks off in profile to the left. A stout elderly lady (right) holding a fan walks off to the right."--British Museum online catalogue
Description:
Title from text below image., Sheet trimmed to plate mark., and Mounted on page 88 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd as the act directs June 1st, 1794, by J. Jones, No. 74 Great Portland Street