Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State from Paulson. Paulson and British Museum catalogue date the print as 1742, but Sayer did not move to 53 Fleet Street until 1760. See British Museum online catalogue., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern climes, transplanted to our coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", Sheet trimmed to plate mark., and Sheet trimmed within plate mark to 246 x 351 mm with loss of imprint signature; mounted onto an engraved map (with color) of Ireland (285 x 395 mm).
Publisher:
Printed for Robt. Sayer, map & printseller, at No. 53 in Fleet Street
Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State, publisher, and date from Paulson. British Museum catalogue dates the print 1742., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern Climes, transplanted to our Coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", Sheet trimmed within plate mark., Ms pencil note in Steevens hand above print: See Nichols's Book, 3d edit, p. 424., and On page 98 in volume 1. Sheet 250 x 354 mm.
Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State from Paulson. Paulson and British Museum catalogue date the print as 1742, but Sayer did not move to 53 Fleet Street until 1760. See British Museum online catalogue., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern climes, transplanted to our coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", Sheet trimmed to plate mark., and On page 98 in volume 1. Plate mark 247 x 350 mm.
Publisher:
Printed for Robt. Sayer, map & printseller, at No. 53 in Fleet Street
Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State from Paulson. Paulson and British Museum catalogue date the print as 1742, but Sayer did not move to 53 Fleet Street until 1760. See British Museum online catalogue., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern climes, transplanted to our coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", Sheet trimmed to plate mark., and On page 98 in volume 1. Plate mark 248 x 353 mm.
Publisher:
Printed for Robt. Sayer, map & printseller, at No. 53 in Fleet Street
A caricature showing a couple full-length as they dance. The older man with a very large and balding forehead holds the arm of a young girl; both are standing on their toes. She is holding a fan and looking away from the man
Description:
Title written in ink below image., Attributed to William Heath by curator., and William Heath, English caricaturist and illustrator, 1795-1840.
Verse - "Come all that love mirth, awhile lend an ear,"., In three columns with the title and three woodcuts above the first two; imprint at foot of the last column below a single rule; the columns are separated by columns of type ornaments., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Mounted on leaf 21. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
"A scene in Carlton House. The Prince of Wales, seated in a chair, holds a stout, good-looking lady (Mrs. Sawbridge) across his knees and chastises her with upraised hand; she holds out her arms imploringly. Alderman Sawbridge (right) faces her in profile to the left, playing a fiddle and dancing; from his pocket hangs a piece of music inscribed 'The Reform', a new Motion. On the extreme left Lady Archer stands in profile to the right, holding a driving-whip, and pointing angrily at the injured lady. A little girl (Sawbridge) stands full-face, clasping her hands in horror at the treatment of her mother. Behind are a number of onlookers: a very fat lady in profile to the left is Miss Vanneck. Mrs. Fitzherbert watches, not displeased; Fox, his arm round her shoulder, gazes amorously at her. George Hanger stands in profile to the left. The other figures are less characterized but a profile head (right) resembles Lord Derby. On the wall (right) is part of a three quarter length portrait, the head cut off by the upper edge of the design, inscribed 'Sir G° Van-Ne[ck]'. Beside it is a stag's head on which hangs a man's hat, just above Sawbridge. After the title is etched 'A Hint for a new Reform'. 'Black Jack' is Sawbridge, who was swarthy, and a consistent advocate of Parliamentary Reform. In the background (right) are persons dancing."--British Museum online catalogue
Alternative Title:
Black Jacks delight
Description:
Title etched below image. and Attributed to Gillray in the British Museum catalogue and by Wright.
Publisher:
Pub'd April 25, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, Smith-Stanley, Edward, 1752-1834, Fitzherbert, Maria Anne, 1756-1837, Sawbridge, John, 1732?-1795, Sawbridge, Anne Stephenson, Archer, Sarah West, Lady, 1741-1801, Neck, Gertrude van, -1798, Neck, John, 1732-1795, and Fox, Charles James, 1749-1806
Subject (Topic):
Couples, Dance, Musical instruments, Pleading (Begging), Spanking, and Politics and government
Satirical view of London life, with a riotous wedding party at the Tavern at Rederiff: for full description see Catalogue of prints and drawings in the British Museum
Description:
Title from item., John June identified as the printmaker in the British Museum catalogue,, Sixteen lines of verse in four columns below image: Jack, rich in prizes, now the knot is ty'd, sits pleas'd by her he thinks his maiden bride ..., and Temporary local subject terms: Officer's uniform -- Sailor's uniform -- Pictures amplifying subject: Skimmington procession -- Pictures amplifying subject: portrait of the Duke of Cumberland -- Pictures: portraits -- Creditors.
Publisher:
Publish'd according to act of Parliament, November [the] 10, 1747, by M. Cooper
Title from item., Sixteen lines of verse in four columns below image: Jack, rich in prizes, now the knot is ty'd, sits pleas'd by her he thinks his maiden bride ..., Temporary local subject terms: Pictures amplifying subject: Skimmington procession -- Pictures amplifying subject: portrait of the Duke of Cumberland -- Creditors., and Loose impression removed from the Kinnaird Coll.
Publisher:
Publish'd according to act of Parliament, November [the] 10, 1747, by M. Cooper
Subject (Topic):
Amputees, Bailiffs, Black people, Bowls (Tableware), Candlesticks, Clergy, Dance, Military uniforms, British, Mirrors, Musical instruments, Pipes (Smoking), Portratis, Prostitutes, Sconces, Servants, Tables, Violins, and Weddings
