Depiction of the dance probably performed by the Illinois to strengthen peace between the tribes. The Calumet, a large pipe, was usually presented to the honoured guest. The tribe surrounds the circle in which two men dance with arrows above their heads; the circle includes arrangements of bows and arrows and tomahawks
Description:
Title etched below image., From a series of plates by the caricaturist William Elmes depicting shipwrecks and maritime disasters, attacks by native Americans and by other indigenous peoples and pirates, ceremonies, punishments and torture: The mariner's marvellous magazine, or, Wonders of the ocean; containing the most remarkable adventures and relations of mariners in various parts of the globe. [London] : Published by Thomas Tegg ..., 1809., Numbered '21' in upper right corner from:, and Sheet trimmed within plate mark.
Publisher:
Pub. by T. Tegg
Subject (Topic):
Indians of North America, Social life and customs, Arrows, Bows (Weapons), Dance, Pipes (Smoking), Rites & ceremonies, and Tomahawks
Title from caption below image., Heading above design: The minuet., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Violin -- Dancing instruction -- Children.
"An intricate design with small inset scenes, the background being walls of a room covered with free copies of caricatures against George IV, chiefly relating to the Queen. On the extreme left is an open door, showing Napoleon as a tiny colossus on the summit of St. Helena (see British Museum Satires No. 12611, &c.), a steep rock. In the centre George IV, his forehead inscribed '0', stands in deep dejection, looking down; he has ass's ears, and from his fob, in place of seals, hang bottle, corkscrew (cf. British Museum Satires No. 13299), pie, &c. Loops of rope hang from his pockets. He stands on thorn-branches, as do his Ministers and brother-sovereigns, orientals excepted. No. '1' (a small scene in the background). Six Ministers dance round Britannia who is chained to the ground: Castlereagh, Sidmouth, Liverpool, Bathurst, Melville, and Wellington (names from initials); they say: "We have put him in a pretty Situation." Answer: "Laugh & Rejoice I have New Years Gifts for you in my Pockets." (He threatens them with dismissal for their failure to obtain his divorce.)The next are '2, K--g of Pru--a', a very tall officer wearing a mortar-board cap (see British Museum Satires No. 12283) who points derisively at George IV, saying: "Stupid Ass he is right enough to be ashamed of himself"; '3. Em--r of R--a', adapted from British Museum Satires No. 13010, and laughing as in that plate, but wearing a barber's bowl (Mambrino's helmet) inscribed 'New Don' [Quixote]; he says: "It is enough to set one mad"; '4. Em--r of A--a', thin and shrivelled, with his grandson, '18, Napoleon 2', a tiny figure in his pocket who says: "I wish I could move this bowl"; Francis says: "What a face." George IV's answer to the three sovereigns is "Go to School before you laugh at me Small Heads upon Tall Bodies had it not been for me you would have been on the Parish, a long time ago [an allusion to British subsidies, cf. British Museum Satires No. 12875]. Come Come you are as black as myself or our Infernal Brother." He answers 'Napoleon 2': "Be comforted, in a little time you will roll it." '5' and '6', seated together cross-legged in the foreground, are 'Great T--k' and 'Em--r of P--a', who say "Turn Turk then since thy wife no longer pleases thee" and "Prends garde qu'on ne te mette en perce." The King answers them: "For a long time I have had a great mind to do it" and "That is what I Dread." Nos. '7' to '12' are sovereigns standing in a row behind '2' and' 3'. '7 The K--g of S--n' says: "For this long year I pity but cannot help laughing in seeing you"; answer: "We shall see who will laugh the last" (Ferdinand VII since early in 1820 was in the power of revolutionaries); '6. K--g of Na--s', his head a block of 'Naples Soap', says: "My brother in misfortune speeks [sic] the truth." (There was revolution in the Two Sicilies, cf. British Museum Satires No. 14132.) Answer: "Nay all the little Dogs will Bark look at this Cake ['cake' (slang) = fool, gull, or blockhead, cf. British Museum Satires No. 10750] of Naples soap you would do better to eat your Macaroni and come and Drink with me to comfort us." '9. K--g of B--a', "It would have been better to have said nothing"; answer: "I confess it would have been better." '10. K--g of W--g'. "Clamour in such cases is wore [sic] than silence"; answer: "Experience has taught it me." '11. K--g of S--x--y.' "I in your case would have taken my wife and lived politically with her"; answer: "It would have been the most advisable Plan." '12. K--g of N--ds.' "Gratitude compels me to pity you" [see British Museum Satires No. 12102, &c.]; answer: "Think rather to preserve the Administration of thy Cheeses" [a remark borne out by the Belgian revolution of 1830]. Even bulkier than George IV is '14. L--s. tout de Suite [XVIII]', who sits on thorns, and has cloven hooves for feet and hands, animal's ears, and a small black cap or tonsure; from his shoulders hangs a long rosary with a dangling cross. Looking up at George IV with a cynical smile he says: "Poor fool"; answer: "At last comes the Kick of the Ass, But I have a Dish ready forhim." Behind Louis is '13. Em--r of Ch--na', saying: "You look a thousand times more like a Chinese than myself in your B--s pavillion"; answer: "Thou art the only one I could not deceive." Standing in the doorway are three well-dressed young men who are 'People', they are 15-17, and look at the King with smiling contempt; the third points to Napoleon. '15.' "You are the laughing stock of your faithful brothers who are no better than yourself"; answer: "It is true when too late I have open'd my eyes, but look at my pockets and you will find Ropes for my M--n--st--rs and my Brothers." '16' "We have found you out at length in spite of your mask do us justice or we shall give you your deserts Whitehall is not gone and there is room for you all" [an allusion to Charles I's fate, cf. British Museum Satires No. 13269]; answer: "Do it yourselves, it will be the shortest way." '17.' "Boney Boney you alone deserve our tears your fall has been as fatal to them as to ourselves your return would save us all." Answer: "He is a Man I must allow it." (For 18 see under 4.) '19' is "Green Bag [see British Museum Satires No. 13735], inscribed Milan Commission [see British Museum Satires No. 13755]; it says: / am cruelly thrown aside and fallen into very bad hands" [see British Museum Satires No. 13986]; answer: "However all my hopes are in the [sic]." Prints (uncoloured), or ad hoc designs, completely cover the walls; only a few can be identified. The lunette under the domed ceiling contains apotheoses of Queen Caroline; these are flanked by designs, both on the vaulted ceiling, depicting the joy of John Bull (left) and Britannia (right) on her return to England, cf. British Museum Satires No. 13743. Below, on the three walls, are thirty-one prints copied or adapted regardless of the size of the originals. The two largest, in the upper left corner, are from British Museum Satires No. 13843 (simplified and perhaps combined with British Museum Satires No. 13764) and British Museum Satires No. 13786. Others are British Museum Satires No. 13210, reversed and simplified; British Museum Satires No. 13998, reversed and altered, or a similar plate; British Museum Satires No. 13830, simplified, or a similar plate; British Museum Satires Nos. 13851, 13901, 14012; the King from British Museum Satires No. 13848 (throwing mud, the Queen not depicted, the right of the plate hidden by George IV). British Museum Satires No. 13508, a small woodcut, appears as a full-sized print; British Museum Satires No. 14029 is simplified and the domes of the Pavilion are introduced. The origins of twenty others have not been traced. On the floor behind Louis XVIII (left) are partly rolled caricatures, and on the right is a print (coloured) of Castlereagh standing behind a huge pie from which he carves portions for four supplicants, evidently the King of Prussia, the Tsar, the Emperor of Austria, and (?) Bernadotte (cf. British Museum Satires No. 13619). As a pendant to this is a battle scene: the statue of Napoleon presides over an empty throne; beside it stands a woman who offers crown and sceptre to a little boy (his son) who runs to take it, holding the hand of a Grenadier, beside whom is another soldier (cf. British Museum Satires No. 12707)."--British Museum online catalogue and "A Bonapartist satire in which the King's unpopularity and failure in the Queen's affair is related to the revolutionary state of Europe in 1820 (of which little specific knowledge is shown; cf. British Museum Satires No. 14113), and Louis XVIII is depicted as a priest-ridden fool. Cf. British Museum Satires No. 14050."--British Museum online catalogue
Alternative Title:
Dialogue between King Naughty and his Brothers Consorts, Caracature of all caracatures presenting the joke of the day, and To every one his due
Description:
Title etched below image., Manuscript imprint "Pubd. by John Milleville, Hampstead" added in ink in lower right portion of image. Impression at the British Museum has an identical imprint written in the same spot., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Below the title is the 'Dialogue' in parallel columns: (left) speeches of persons numbered '1-19'; (right) answers from George IV headed 'Answers of No. 0 (K--G Naughty)'"--British Museum online catalogue., Mounted to 58 x 39 cm., Mounted on leaf 52 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "1820" written in ink in lower right corner. Two typed extracts (comprising twenty-four lines total) from the British Museum catalogue description are pasted above and below print.
Publisher:
Pubd. by John Milleville, Hampstead
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Napoleon I, Emperor of the French, 1769-1821, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Melville, Robert Saunders Dundas, Viscount, 1771-1851, Wellington, Arthur Wellesley, Duke of, 1769-1852, Bathurst, Henry Bathurst, Earl, 1762-1834, Frederick William II, King of Prussia, 1744-1797, Francis I, Emperor of Austria, 1768-1835, Mahmud II, Sultan of the Turks, 1784-1839, Ferdinand I, King of the Two Sicilies, 1751-1825, Maximilian I Joseph, King of Bavaria, 1756-1825, Friedrich August I, King of Saxony, 1750-1827, William I, King of the Netherlands, 1772-1843, Louis XVIII, King of France, 1755-1824, and Jiaqing, Emperor of China, 1760-1820
Subject (Topic):
Britannia (Symbolic character), Politicians, Corkscrews, Dance, Military officers, Heads of state, Ethnic stereotypes, Prints, and Bottles
In a tavern, sailors in uniform are carousing; one dances with a woman in the centre, as another plays a violin on the left in front of diamond-patterned casement windows; others are drinking (mugs in hand) or smoking clay pipes. A couple kiss and embrace in the background. A ship model hangs from the ceiling. A fat dog (or cat?) lies at the feet of the musician
Description:
Title engraved below image., Imperfect; sheet trimmed within plate mark resulting in loss of imprint and verses. Missing text and sheet dimensions supplied from impression in the British Museum, registration no.: 2010,7081.1068., Below title is a song of sixty-nine lines in three columns 'A Sailor's life's a life of woe, ... And swig the flowing Can., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd 21st April 1791 by Robt. Sayer, No. 53 Fleet Street, London
Subject (Topic):
Dance, Eating & drinking, Kissing, Model ships, Musicians, Sailors, Smoking, and Taverns (Inns)
In two columns with the title in a ribbon atop a woodcut below stanza one. Stanzas 2 and 3 below image. A sailor at a seaside tavern (Jack Ocum) dances with a young woman as he holds his tankard. The fiddle music is played by a man who stands beside a woman in the tavern doorway. In the distance on the right is a sailing ship and along the shore, two men in a row boat
Alternative Title:
Oddities. Song
Description:
Title from item., One of the songs from Charles Dibdin's 'The oddities', first presented in 1789., First line reads: A sailor's life's a life of woe., Imprint transposed from above around lower edge of image and from the bottom of the sheet., Anonymous. By Charles Dibdin., and Not in ESTC.
Publisher:
Sold by J. Pitts, Great Saint Andrew St. ; Sold by C. Sheppard, Lambert Hill, Doctors Commons
Depicts a fox (Charles James Fox) hanging from a gibbet around which dance members of the Conway family, headed by a blindfolded General Conway who is led by the nose by Shelburne. The Conways are all depicted as rats, with the exception of General Conway and his brother Lord Hertford. Shelburne is shown Janus-like with two faces, his own and that of the Devil. Refers to the resignation of Fox after Shelburne's appointment and Conway's support of the latter. A sequel to British Museum satire 5966
Description:
Title from item., Printmaker from British Museum catalogue., and Temporary local subject terms: Hon. Edward Conway, Cannon of Christ Church, 1757-1785 -- Ministries: fall of Rockingham's ministry --Literature: allusion to Little Red Riding Hood -- Conway family as rats -- Mottoes: sic transit gloria mund.
Publisher:
Pubd. August 2d, 1782, by E. D'Achery, St. James's Street
Subject (Name):
Hertford, Francis Seymour Conway, Marquess of, 1719-1794, Conway, Henry Seymour, 1721-1795, Fox, Charles James, 1749-1806, and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Rats, Foxes, Blindfolds, Gallows, Devil, and Dance
A scene in a tavern cellar, with a young woman, gaily dressed, dancing a jig with a man wearing an apron; at left, a sailor playing the violin, at right, a sailor sitting on steps and leaning forward, smoking, resting his arms on a barrel, another beside him holding a bowl, a young woman standing behind them with a hand on the shoulder of each; behind, three amorous couples, including a sailor sitting on another barrel
Alternative Title:
Adieu to Old England
Description:
Title etched below image., Image size including ruled lines: 245 x 345 mm., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd January 20th, 1818 by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Great Britain. Royal Navy
Subject (Topic):
History, Caricatures and cartoons, Jig (Dance), Couples, Dance, Kissing, Smoking, and Taverns (Inns)
Leaf 43. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a tavern cellar, with a young woman, gaily dressed, dancing a jig with a man wearing an apron; at left, a sailor playing the violin, at right, a sailor sitting on steps and leaning forward, smoking, resting his arms on a barrel, another beside him holding a bowl, a young woman standing behind them with a hand on the shoulder of each; behind, three amorous couples, including a sailor sitting on another barrel
Alternative Title:
Adieu to Old England
Description:
Title etched below image., Restrike. For original issue of the plate, see British Museum online catalogue, registration no.: 1948,0214.808., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 363., and On leaf 43 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Publish'd January 20th, 1818, by Thos. Tegg, No. 111 Cheapside and Field & Tuer
Subject (Name):
Great Britain. Royal Navy
Subject (Topic):
History, Jig (Dance), Couples, Dance, Kissing, Smoking, and Taverns (Inns)
Satire on the excesses of certain Freemasons: a procession of masons emerge from a public house headed by elaborately dressed men described as the emperor of China, Confucius and two mandarins; an old woman sits on a ladder balanced on the back of a donkey and a mason, identified as such by his apron and gloves, stretches between the rungs of the ladder to kiss her bare backside; Don Quixote, in full armour and wearing a masonic apron and gloves, holds up his shield behind the donkey; in the foreground, to left, a man playing the bladder and string, in the centre, a dancing monkey with apron and gloves, and, to right, a butcher laughing at the scene while Sancho Panza gasps in surprise
Description:
Title engraved below image., State, publisher, and date from Paulson. British Museum catalogue dates the print 1742., Below the image, far left of the title, mock key identifying the leading figures, followed by twelve lines of verse beginning, "From Eastern Climes, transplanted to our Coasts ..."., Below the image, far right of the title, mock description: "Done from [the] original painted at Pekin by Matachauter, grav'd by Ho-ge and sold by [the] printsellers of London, Paris & Rome.", and Sheet trimmed within plate mark.
