"Fox, dressed as a Tudor monarch, starts from a low couch on which he has been lying, his eyes staring in horror. In his right hand he grasps a sword inscribed 'Injustice'. Round his neck, on a ribbon inscribed 'Order of Blacklegs', is a medallion bearing a dice-box and dice. At his feet is a helmet (right) with a closed visor inscribed 'Helmet of Unrighteousness', and various documents inscribed respectively 'Petn Kirkwa[ll]' ; 'Westminster Election'; 'Private list 2500 bad votes on my side of the Question'; 'Ways and means P-- W-- [Prince of Wales] Newmar[ket] Brooks's--Dutchess--North--D-- de Chart[res] &c. &c. &c. &c'; 'India Bill For the better security Of power to me and my Friends'. Fox wears a ruff, slashed doublet and trunk-hose, an ermine-bordered cloak, and slashed shoes. A curtain hangs on each side of the couch; it partly conceals (left) a framed portrait-head of the Duchess of Devonshire in profile to the right, wearing at her breast a 'Fox' favour. Above the design is etched: 'If we be conquerd, Let men conquer us, And not these Bastard Britons, whom my Father Has in their own Land, Cheaten, spurn d and trod 'on And left them on record an Heir of Shame. Are these men fit to be the Heirs of England?'"--British Museum online catalogue
Alternative Title:
Charles III, King of all the Orkneys and would be monarch of the East and Effects of a bad conscience
Description:
Title etched below image., Temporary local subject terms: Emotions -- Male costume: Tudor dress -- Allusion to gambling -- Tassels -- Curtains -- Allusion to William Shakespeare, Richard III, v. 3., Partial watermark bottom center of sheet: fleur-de-lis., and Mounted to 33 x 40 cm.
Publisher:
Pubd. June 16th, 1784, as the act directs, by S. Fores, 3 Piccadilly
Subject (Geographic):
England) and London.
Subject (Name):
Shakespeare, William, 1564-1616., Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, Great Britain. Parliament, and East India Company.
Subject (Topic):
Elections, 1784, Fear, Draperies, Picture frames, and Political elections
Title etched below image., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., Five lines of text below title: A lady's age happening to be questioned, she affirmed she was but forty and called upon a gentleman who was in company for his opinion ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Curtain.
"Lady Hertford, seated regally on a small sofa, cuts locks from the head of the Regent who reclines against her knees, asleep. The locks already cut are on the ground inscribed respectively 'Sheridan', 'Norfolk', 'Moira', 'Holland', 'Erskine'. She is about to shear off one inscribed 'Grenville'; the last, 'Grey', is still on his head. The Prince, who is conventionally handsome, and wears uniform, holds a paper signed '[Gren]ville / Grey'; his garter, inscribed 'Honi so . . .', is loose, and his left hand hides the star on his breast. Lord Yarmouth (right) stands holding a guttering candle; he points to the uncut lock, saying, "Don't forget that lock laying [on] the shoulder its Grey dy'ye see!" In his pocket is a pamphlet: 'Art of Milling' [see British Museum Satires No. 11842]. To leave no doubt as to his identity, a basket of fish is beside him inscribed '[Y]armouth Herrings'. Lady Hertford is heavily handsome; a small crown, which might pass as a tiara decorates her head; one foot rests regally on a footstool. A pillar and drapery behind her suggest regal state. On the sofa beside her is a rolled document headed 'Road to Hertford from Pall Mall'. On the ground (left) are empty wine-bottles; on a book by the Prince's feet, 'Economy of Human Life', lies a broken bottle from which wine pours. Behind (left) stands Perceval in his Chancellor of the Exchequer's gown, watching from behind a curtain which he holds aside; Castlereagh stands behind him, saying, "By Jasus, but she's as pretty a Barber as ever I clap't my eyes upon." Perceval answers: "Hush! Hush! you'l wake him before they are all cut."."--British Museum online catalogue
Alternative Title:
Delilah depriving Sampson of those locks in which consisted his strength
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed., and Album paper pasted over edge of plate at top.
Publisher:
Pubd. Feby. 1812 by Walker and Knight, No. 7 Cornhill
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842, Castlereagh, Robert Stewart, Viscount, 1769-1822, Perceval, Spencer, 1762-1812, Erskine, Thomas Erskine, Baron, 1750-1823., Grey, Charles Grey, Earl, 1764-1845., Sheridan, Richard Brinsley, 1751-1816., Grenville, William Wyndham Grenville, Baron, 1759-1834., Norfolk, Charles Howard, Duke of, 1746-1815., Holland, Henry Richard Vassall, Baron, 1773-1840., Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826., Samson (Biblical judge), and Delilah (Biblical figure)
Title etched below image., "No. 45 of R. Ackermann's Repository of Arts &c. Pubd. Septr. 1, 1819"--Below image., Imperfect; sheet trimmed within plate mark resulting in loss of text from bottom edge and upper right corner. Missing text supplied from a more perfect impression., and Plate numbered in upper right corner: Plate 15, Vol VIII.
A domestic scene in a dressing room with a maid assisting a lady as she dresses, placing ornaments in her mistress's hair. A young girl sitting in a chair reads to a little boy who leans on her knee and looks lovingly into her face. A hat box rests on a high boy (left); another hat box and hair accessories sit on a table and chair to the right
Description:
Title engraved below image. and Sheet trimmed within plate mark.
Publisher:
Published April the 7th, 1789, by Ino. Matthews, No. 441 Strand
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Conversing.
Publisher:
Published April 7th, 1789, by Jno. Matthews, No. 441 Strand
"A satire on marriage; An old man seated with one leg bandaged and raised on chair in front of him, being attended to by a maid; behind him his young wife is locked in an embrace with her younger lover."--British Museum online catalogue
Description:
Title etched above image., Publication date from a unverified data in local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Disease -- Cantharides -- Curtains -- Birds -- Furniture: upholstered armchair -- Cuckolds.
Publisher:
publisher not identified
Subject (Topic):
Gout, Adultery, Women domestics, Medical equipment & supplies, Medicines, Crutches, Clocks & watches, Draperies, Birdcages, Parrots, Chairs, and Bells
publish'd according to act of Parliament, May 1st, 1769.
Call Number:
769.05.01.01+
Collection Title:
Page 64. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Print shows an interior view of a room; a duke has arrived home drunk at 5 a.m. (as shown on the longcase clock beside the door) accompanied by two attendants and watchman only to find his bedchamber occupied by another man. Through the open curtains around the bed can be seen a bare-breasted duchess. On the floor near the bed is an open book, "Memoirs of a woman of pleasure" (a reference to John Cleland's Fanny Hill ...) beside the chamber pot. As the duke with sword drawn, staggers forward, his rival climbs through a window in the background, leaving his clothes behind on a chair. A monkey dashes onto the table near the window on the heels of the husband's rival but pulls down the tablecloth causing the items on the table to be strewn across the floor in the foreground; a book opened to pages “Chastity in the nobility a farce. Dedicated to their Graces the Duke & Dutchess xxx”, breaking a broken mirror, and sending the bottles and jars onto the floor. The bottles have labels "Viper drops" and "Surfeit water" and the jar is labeled "Lip salve".
Description:
Title engraved below image., Text preceding publication statement: A recent transaction., "Price 1s. but given gratis to the purchasers of the Court Miscellany."--Following imprint., Eight lines of verse beneath image, four on either side of title: Persons in exalted station, Should patterns be of imitation; But if a duke must have his punk, And from the bagnio ride home drunk. What wonder if her wanton grace, Invites another in his place? He draws his sword raps out his oaths, But what redress? his rival's cloaths., Not in the Catalogue of prints and drawings in the British Museum., The reference to the duke is probably Henry Frederick, Duke of Cumberland, 1745-90., and Probably a 19th century impression, based on the quality of the paper.
publish'd according to act of Parliament, May 1st, 1769.
Call Number:
Quarto 724 771N
Collection Title:
Page 64. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Print shows an interior view of a room; a duke has arrived home drunk at 5 a.m. (as shown on the longcase clock beside the door) accompanied by two attendants and watchman only to find his bedchamber occupied by another man. Through the open curtains around the bed can be seen a bare-breasted duchess. On the floor near the bed is an open book, "Memoirs of a woman of pleasure" (a reference to John Cleland's Fanny Hill ...) beside the chamber pot. As the duke with sword drawn, staggers forward, his rival climbs through a window in the background, leaving his clothes behind on a chair. A monkey dashes onto the table near the window on the heels of the husband's rival but pulls down the tablecloth causing the items on the table to be strewn across the floor in the foreground; a book opened to pages “Chastity in the nobility a farce. Dedicated to their Graces the Duke & Dutchess xxx”, breaking a broken mirror, and sending the bottles and jars onto the floor. The bottles have labels "Viper drops" and "Surfeit water" and the jar is labeled "Lip salve".
Description:
Title engraved below image., Text preceding publication statement: A recent transaction., "Price 1s. but given gratis to the purchasers of the Court Miscellany."--Following imprint., Eight lines of verse beneath image, four on either side of title: Persons in exalted station, Should patterns be of imitation; But if a duke must have his punk, And from the bagnio ride home drunk. What wonder if her wanton grace, Invites another in his place? He draws his sword raps out his oaths, But what redress? his rival's cloaths., Not in the Catalogue of prints and drawings in the British Museum., The reference to the duke is probably Henry Frederick, Duke of Cumberland, 1745-90., 1 print : engraving and etching ; sheet 22.2 x 33.1 cm., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., On laid paper. Folded to 22.2 x 25 cm; mounted to 32 x 26 cm., and Mounted on page 64 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Humphrey, William, approximately 1740-approximately 1810, printmaker
Published / Created:
1st Jany. 1772.
Call Number:
772.01.01.02+
Image Count:
1
Resource Type:
still image
Abstract:
A fashionably dressed young maid sitting in an ornate armchair by a round table with an almost empty wine bottle and glasses on it, is being embraced by a black manservant sitting on a stool in front of her. Another black servant is sitting sideways on a chair near them. He is tipping it perilously as he tries with a great effort to play a horn. An open book lies on the floor in the foreground and a painting on the wall in the background is partially covered by an ornate curtain
Alternative Title:
Mungo addressing himself to my lady's maid
Description:
Title from item., The printmaker's name from other prints signed by William Humphrey as 'Umfrey' and published by Sayer., Plate numbered '207' in lower right corner., One line of text below title: For wine inspires us, and fires us, with courage, love and joy, &c., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Black manservants -- Musical instruments: horn -- Furniture: round table -- Chairs -- Furnishings: curtain -- Painting -- Effects of wine., and Numbered in contemporary hand in upper right corner '155.'
Publisher:
Printed for Robt. Sayer, No. 53 in Fleet Street, as the act directs
Subject (Topic):
Blacks, Draperies, Musical instruments, Servants, and Women domestics
