In a woodland setting Shelburne and Pitt sit smiling behind a cloth-covered table on which are coins and bags of money. A glum-looking Fox stands several feet distant with hands in pockets. A reference to Fox's exclusion from office while Pitt was Chancellor of the Exchequer during the Shelburne ministry. The title is a quotation from Paradise Lost
Alternative Title:
Aside he turned for envy, yet with jealous leer malign, eyed them askance
Description:
Title from text etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Dec. 12th, 1782, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, and Pitt, William, 1759-1806
Leaf 9. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
The Devil stands at the center of a mountain top with outstretched wings, dressed in lawyers wig and bands, but with horns on his head and feet with claws. On the left Fox kneels, eagerly receiving from Satan a dice box and dice, an allusion to his notorious gambling habit, while on the right Burke receives a scourge and rosary, a reference to his supposed Catholicism. A satire on the resignation of Fox and Burke after Shelburne's appointment
Alternative Title:
Old-orthodox restoring consolation to his fallen children
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added in lower right corner. For original issue published ca. August 1782, see no. 6027 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 41., and On leaf 9 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806 and Burke, Edmund, 1729-1797
Subject (Topic):
Devil, Gambling, Catholicism, and Clothing & dress
The Devil stands at the center of a mountain top with outstretched wings, dressed in lawyers wig and bands, but with horns on his head and feet with claws. On the left Fox kneels, eagerly receiving from Satan a dice box and dice, an allusion to his notorious gambling habit, while on the right Burke receives a scourge and rosary, a reference to his supposed Catholicism. A satire on the resignation of Fox and Burke after Shelburne's appointment
Alternative Title:
Old-orthodox restoring consolation to his fallen children
Description:
Title etched below image., Printmaker and approximate date of publication from British Museum catalogue., Possible remnants of burnished imprint in lower right, with the publisher name "E. D'Achery" faintly visible., Sheet trimmed within plate mark., and Mounted to 28 x 37 cm.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806 and Burke, Edmund, 1729-1797
Subject (Topic):
Devil, Gambling, Catholicism, and Clothing & dress
"Fox (left), with a fox's head and brush, directs the rays from the dark-lantern of a conspirator upon Shelburne (right), who is wrapped in a cloak, and carries a small sack inscribed "Treasury". Fox, who is out at elbows, his breeches unbuttoned at the knee, his stockings ungartered, his shoes dilapidated with his bare toes protruding, is saying, "Ah! what I've found you out, have I? Who arm'd the high Priests & the People? Who betray'd his Mas------" Shelburne, with a smile of complacent triumph, is saying, "Ha! Ha! - poor Gunpowder's vexed! - He, He, He! - Shan't have the Bag I tell you, Old Goosetooth!" (Cf. BMSat 5843, &c.) The background is shaded to suggest night, Shelburne's head and shoulders being brilliantly lit by the rays of the dark lantern."--British Museum online catalogue
Alternative Title:
Guy Vaux and Judas Iscariot
Description:
Title etched below image., Printmaker from British Museum catalogue., Questionable publication information from British Museum catalogue, which supplies the publication line from a probable earlier state: Pubd. Augt. 14th, 1782, by E. D'Achery, St. James's Street., Text following title: Dialogues of the dead: page 1782., Sheet trimmed within plate mark., and Mounted to 30 x 41 cm.
Publisher:
E. D'Achery?
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806 and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Politics and government, Lanterns, Foxes, and Clothing & dress
Smith, Charles Loraine, of Enderby, 1751-1835, printmaker
Published / Created:
[4 June 1782]
Call Number:
782.06.04.04++
Image Count:
1
Resource Type:
still image
Abstract:
"Musicians are grouped round a piano. Their names (some misspelled) are written in the margin. The pianist sits in profile to the right looking fixedly at his score; he is Ferdinando Bertoni, a Venetian composer who accompanied his friend Pacchierotti to England. The most prominent of the musicians is Pacchierotti, who stands behind the piano next the pianist, holding open a music book, but smiling at a lady, who sits (right) on a bench among the performers. She is Lady Mary Duncan, whose admiration for Pacchierotti's singing was the talk of the town, carried to the point of absurdity, and of discourtesy to other singers. (Walpole, 'Letters', xii. 141, 3 Jan. 1782, and xv. 16-17, 4 July 1791.) She is the largest figure in the design, out of scale with the other figures. She sits in profile to the right holding up a closed fan, gazing intently at Pacchierotti. Behind her stands the player of the bass, identified as Cariboldi. Seated on the bench next her, on her right hand and wearing spectacles, is a man playing the oboe, identified as Hayford. Seated in a chair in front of Lady Mary and on the pianist's right hand is the cellist, Cervetto, evidently the younger Cervetto (1747-1837), who played at the professional concerts at the Hanover Square Rooms from 1780. Behind the piano stand (left to right) a violinist, identified as Salpietro, an oboist, J. C. Fischer (1733-1800), who was a great attraction at the Bach-Abel and Vauxhall concerts, and another violinist, Langani or Langoni. To the right of the piano, blowing the French horn, stands Pieltain. In the foreground (right) in profile to the left sits Miss Wilkes on a stool, her hands in a muff, smiling at Dr. Burney, who stands bending towards her, his hands held out. He wears a bag-wig and sword, and appears to be deep in conversation in spite of the singing of Pacchierotti, a fashionable habit much condemned by his daughter Frances, see 'Cecilia'. Behind Miss Wilkes on the right stands another of the audience, holding his hat under his arm."--British Museum online catalogue
Description:
Title from item., Printmaker from attribution in the British Museum online catalogue., Publisher's name is fictitious., and Sheet trimmed to plate mark.
Publisher:
Pubd. 4th June 1782 by M. Rack, London
Subject (Name):
Bertoni, Ferdinando, 1725-1813, Pacchierotti, Gasparo, 1744-1821, Duncan, Mary Tufton, Lady, 1723-1806, Cervetto, James, 1747 or 9-1837, Fischer, Johann Christian, 1733-1800, Wilkes, Mary, 1750-1802, and Burney, Charles, 1726-1814
Subject (Topic):
Chandeliers, Concerts, Harpsichords, Musicians, and Musical instruments
Three men seated at the table, the one in the center with a fierce, 'boar-like' face. With his right hand he points to a paper "Ext-----y Gazette" which lies on the table, while with his left hand he literally button-holes the man on his left. The man on his right slouches in his chair as he dozes with his mouth open and his hand in his vest pocket
Description:
TItle from item. and On verso: Letter 'E' stamped in lower right corner.
A fashionably dressed young woman (left) stands before a very large bear (left) dressed in a military uniform, wig, and tricorne hat. She strokes his chin with her left hand as she gently clasps the tip end of the spear that the bear holds in his left hand
Description:
Title from caption etched below image., Sheet trimmed to plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. as the Act directs Jany. 10, 1782 by T. James, No. 14 Castle Strt. Oxford Market
Subject (Geographic):
England
Subject (Topic):
Bears, Clothing & dress, Couples, Military uniforms, British, and Wigs
Volume 1, page 26. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Three pedestrians are walking (right to left) into the teeth of a storm. In front is a very stout man with a globular figure, the lower part of his tightly buttoned coat blows backwards. He wears spurred top-boots, and his hands meet across his chest, holding a stick. He resembles caricatures of Captain Grose, see British Museum Satires Nos. 4683, 5511, 5787, 5802. The next man wears a cloak which streams behind him as does his wig; he has a laced coat and hat, with two large keys tied to his wrist. A lean man (right) puts his head down grimacing as he hastens along, his hair, queue, cravat, coat and breeches all blowing in the wind; his hands are clasped in front holding a stick which rests on his shoulder. Farther off, between the two foremost pedestrians, a man on horseback holds his nose, his bag-wig, cravat, and coat-tails blown by the wind. In front of him (left) a short man is crouching in the lee of a bush, his hat and wig have blown off, a paper flutters from his hand. The clouds extending diagonally from the upper right corner of the design indicate driving hail."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., and Mounted on page 26 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd April 19, 1782, by J.R. Smith, No. 83 opposite the Pantheon, Oxford Street
"Three pedestrians are walking (right to left) into the teeth of a storm. In front is a very stout man with a globular figure, the lower part of his tightly buttoned coat blows backwards. He wears spurred top-boots, and his hands meet across his chest, holding a stick. He resembles caricatures of Captain Grose, see British Museum Satires Nos. 4683, 5511, 5787, 5802. The next man wears a cloak which streams behind him as does his wig; he has a laced coat and hat, with two large keys tied to his wrist. A lean man (right) puts his head down grimacing as he hastens along, his hair, queue, cravat, coat and breeches all blowing in the wind; his hands are clasped in front holding a stick which rests on his shoulder. Farther off, between the two foremost pedestrians, a man on horseback holds his nose, his bag-wig, cravat, and coat-tails blown by the wind. In front of him (left) a short man is crouching in the lee of a bush, his hat and wig have blown off, a paper flutters from his hand. The clouds extending diagonally from the upper right corner of the design indicate driving hail."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with altered imprint statement, of a print originally published 19 April 1782 by J.R. Smith. Cf. No. 6145 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Watermark: J. Ruse 1799.
Publisher:
Publish'd April 19, 1802, by Jno. Harris, No. 3 Sweetings Alley, Cornhill, & 8 Old Broad Street
Title from item. and Possibly after Dighton; compare later Dublin impression described in: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5 , no. 6748.
Publisher:
Printed for & sold by Carington Bowles at No. 69 in St. Pauls Church Yard, London
