"A caricature man shown half-length to left, wearing a frogged coat, hat and black cravat tied in a bow, grinning and clutching a bag of money with the ticket '£20,000'; republished state."--British Museum online catalogue
Description:
Title from caption below image., Possibly after Robert Dighton., "Given title [Jack and his money]" annotated from unverified source on verso side., Sheet trimmed with loss of imprint. Unclear which state. From British Museum catalogue: First state: lettered with the title and '326 // Printed for Carington Bowles, No. 69 in St. Paul's Church Yard, London. Publish'd as the Act directs, 12 Feb. 1781.' (Second state) republished; publisher's name altered to 'Bowles and Carver'. Third state: Date erased from the plate., No. 11 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Title from item., No. 6 from the series: Twelve prints representing the most interesting, sentimental and humourous scenes in Tristam Shandy / by R. Dighton., Printmaker from series title on plate no. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Fortifications -- Cannons -- Wheelbarrows -- Baskets -- Cannon balls -- Crutches -- Spades -- Pick-axes Military uniforms -- Corporals' uniforms-- Male costume, ca 1785.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Paul's Church Yard. Published as the act directs
No. 11 from the series: Twelve prints representing the most interesting, sentimental and humourous scenes in Tristam Shandy / by R. Dighton., Printmaker from series title on plate no. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Country houses -- Walking staves -- Military uniforms -- Female costume, ca 1785 -- Male costume, ca 1785.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Paul's Church Yard
785.06.28.01 Framed, shelved in Object Room Rack 1.
Image Count:
1
Resource Type:
still image
Abstract:
"An evening scene in Vauxhall Gardens. On the extreme left is the orchestra with the organ behind and performers on the kettledrums, string and wind instruments. The vocalist, Mrs. Weichsel, sings, in profile to the right, from the adjacent (and slightly lower) balcony, just above the heads of the crowd. A violinist and another musician are seated behind her. In the supper box beneath the orchestra is Dr. Johnson seated full-face, between Boswell and Goldsmith (d. 1774), who face each other in profile, both caricatured; of two stout women one is reputed to be Mrs. Thrale. Many groups fill the foreground and middle distance. The two centre figures are the Duchess of Devonshire and Lady Duncannon arm in arm. A naval officer with a wooden leg and a patch over one eye is reputed to be Admiral Paisley (Admiral Pasley, 1734-1808?). Major Topham, an excellent portrait, stands (left) in profile to the right staring through an eyeglass. Between Topham and the supper-box are two men, one of whom is identified as Lord Camelford. [In the reproduction in Angelo's 'Reminiscences'; to whom the name refers is not clear.] An elderly parson, [he closely resembles the parson of BMSat 7059 who is probably William Jackson of the 'Morning Post'] reputed to be Bate Dudley but not resembling him, gazes at the Duchess from behind a tree. Next him a man dressed as an officer in a Highland regiment with kilt and broadsword is supposed to be James Perry, editor of the 'Morning Chronicle'. On the right the Prince of Wales, conspicuous by his star, whispers to Mrs. Robinson (Perdita), though their liaison was ended. Her right arm is linked with an ugly and elderly little man, probably Robinson. On the extreme left an elderly couple advance arm in arm in profile. Behind the Prince is a group standing on a small platform (or tables), showing half length above the crowd. In the foreground (right) is a supper-table under trees where two cits entertain two courtesans. Lamp-lit trees and the covered way form a background on the right."--British Museum online catalogue
Alternative Title:
Vauxhall
Description:
Title from item. and Sheet trimmed within plate mark.
Publisher:
Publish'd June 28th 1785, by J.R. Smith, No. 83 Oxford Street
Subject (Geographic):
Vauxhall Gardens (London, England), London (England), England, and London.
Subject (Name):
Billington, Elizabeth, 1765-1818., Boswell, James, 1740-1795, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821, Pitt, Thomas, Baron Camelford, 1737-1793, George IV, King of Great Britain, 1762-1830, Goldsmith, Oliver, 1730?-1774, Johnson, Samuel, 1709-1784, Pasley, Thomas, Sir, 1734-1808, Perry, James, 1756-1821, Piozzi, Hester Lynch, 1741-1821, Robinson, Mary, 1758-1800, and Topham, Edward, 1751-1820
Subject (Topic):
Social life and customs, Parks, Audiences, Concerts, Couples, Crowds, Musicians, Orchestras, Peg legs, and Singers
"Fox as Dr. Busby birches Pitt and his supporters in a lofty hall with stone walls. Fox (left) sits under a statue of Justice which is in an alcove above his head, a birch-rod in her right hand, in the left, her scales evenly balanced. Pitt lies across Fox's knee, his posteriors scarred; he says, "O pardon me & I'll promise you on my honor that I will Honestly & boldly endeavour a reform!" Fox, his birch-rod raised to smite, says, "That's all Twaddle! - so here's for your India Task! there! there! there! & there's for blocking up the old Womens Windows & making them drink Tea in the dark! - there! there! & there's for------O I've a a a hundred accounts to settle - there! there! there! there! there! there." Those who have been already chastised are borne off (right), a sea of heads, on the backs of the Foxite party ..."--British Museum online catalogue
Alternative Title:
Dr. Busby settling accounts with Master Billy and his playmates
Description:
Title etched below image., Printmaker from British Museum catalogue., Two lines of quoted verse below title: "Illustrious burns, might merit more regard ...", Sheet trimmed to plate mark., Mounted to 41 x 29 cm., and Watermark in center of sheet.
Publisher:
Pubd. Feby. 4th, 1785, by J. Ridgeway, Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Robinson, John, 1727-1802, Hill, Richard, Sir, 1733-1808, Sheridan, Richard Brinsley, 1751-1816, North, Frederick, Lord, 1732-1792, and Pitt, William, 1759-1806
Subject (Topic):
Sculpture, Justice, Scales, Buttocks, Chamber pots, and Spanking
No. 10 from the series: Twelve prints representing the most interesting, sentimental and humourous scenes in Tristam Shandy / by R. Dighton., Printmaker from series title on plate no. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Gardens -- Garden gates -- Cannons -- Cannon balls -- Pick axes -- Sentry boxes -- Wheelbarrows -- Baskets -- Weapons: battle axes -- Weapons: spears -- Quizzing glasses -- Crying -- Female costume, ca 1785 -- Male costume, ca 1785.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Paul's Church Yard
Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
Sir Watkin Williams-Wynn (1749-1789), politician and patron of the arts, held summer performances at his estate at Wynnstay, in North Wales. Bunbury incorporates into the design of this admission ticket the titles for the 1785 season: The Confederacy, As You Like It, The Agreeable Surprise, Venice Preserved, and Harlequin's Invasion. The titles are shown on banners held by the figures of Tragedy, Comedy, Pantomime, and Farce or draped over the branches of the tree. Bunbury uses Farce dressed as a harlequin holding a club labelled "invasion" to form a rebus of Garrick's play. In the background, the four figures are identified on the sails of a windmill. In the banner at the top of the oval is the name of the theatre and the year "1785"; at the top and bottom of the oval are the masks of comedy and tragedy
Description:
Title from item., Sheet trimmed to plate mark., Mounted on page 22 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : stipple engraving and etching on laid paper ; sheet 20.8 x 15.5 cm., and Imperfect; printmaker's signature has been mostly erased from sheet.
Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
Sir Watkin Williams-Wynn (1749-1789), politician and patron of the arts, held summer performances at his estate at Wynnstay, in North Wales. Bunbury incorporates into the design of this admission ticket the titles for the 1785 season: The Confederacy, As You Like It, The Agreeable Surprise, Venice Preserved, and Harlequin's Invasion. The titles are shown on banners held by the figures of Tragedy, Comedy, Pantomime, and Farce or draped over the branches of the tree. Bunbury uses Farce dressed as a harlequin holding a club labelled "invasion" to form a rebus of Garrick's play. In the background, the four figures are identified on the sails of a windmill. In the banner at the top of the oval is the name of the theatre and the year "1785"; at the top and bottom of the oval are the masks of comedy and tragedy
Description:
Title from item., Sheet trimmed to plate mark., and For further information, consult library staff.
Opposite page 51 in Essai sur l'art des jardins modernes ... Miscellanies - Strawberry-Hill - 1772
Image Count:
1
Resource Type:
still image
Abstract:
Depiction of a sphinx with a woman's head, facing right, sitting on a pedestal
Description:
Title devised by curator, taken from the footnote on page 51 of: Walpole, H. Essai sur l'art des jardins modernes ... Strawberry Hill, 1785., Date of publication from unverified data in local card catalogue record., Sheet trimmed to plate mark., Mounted to 18 x 24 cm., and Bound in opposite page 51 of Essai sur l'art des jardins modernes ..., in a volume with the binder's title: Miscellanies - Strawberry-Hill - 1772 1785.
