Title from item., Statement following date of imprint: ... of whom may be had the Battle of Hastings &c., Printmaker suggested in the British Museum catalogue., and Temporary local subject terms: Taxes -- Proposal to farm the tax on post horses, 1787 -- Personification: Liberty -- Personification: Property.
Publisher:
Pub'd as the act directs for the proprietor, by W. Moore, No. 48 New Bond Street, E. Macklew, No. 9, Haymarket, & W. Dickie, Strand
Subject (Name):
Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, and Melville, Henry Dundas, Viscount, 1742-1811
"Half length portrait of Samuel Parr (1747-1825) seated full-face behind a table; his right fist rests on a large book, 'Bellen[denus]'; in his left hand is the stem of a long pipe which he smokes, scowling. In the smoke are the words 'Damn τоν δεινα'. Beneath the title is etched: '"Fore tamen optandum est ut ad ultionem potius quam defensionem composita fiat Tabula" Vide Prœf. fo. xxxvii'"--British Museum online catalogue
Alternative Title:
Preface to Bellendenus
Description:
Title etched at bottom of image., 1 print : soft-ground etching on wove paper ; plate mark 172 x 140 mm, on sheet 21 x 22 cm., and Mounted to 38 x 26 cm.
"Half length portrait of Samuel Parr (1747-1825) seated full-face behind a table; his right fist rests on a large book, 'Bellen[denus]'; in his left hand is the stem of a long pipe which he smokes, scowling. In the smoke are the words 'Damn τоν δεινα'. Beneath the title is etched: '"Fore tamen optandum est ut ad ultionem potius quam defensionem composita fiat Tabula" Vide Prœf. fo. xxxvii'"--British Museum online catalogue
Alternative Title:
Preface to Bellendenus
Description:
Title etched at bottom of image., 1 print : soft-ground etching on wove paper ; plate mark 17.2 x 14 cm, on sheet 19.4 x 16.1 cm., and Mounted on verso of leaf 36 of James Sayers's Folio album of 144 caricatures.
"Half length portrait of Samuel Parr (1747-1825) seated full-face behind a table; his right fist rests on a large book, 'Bellen[denus]'; in his left hand is the stem of a long pipe which he smokes, scowling. In the smoke are the words 'Damn τоν δεινα'. Beneath the title is etched: '"Fore tamen optandum est ut ad ultionem potius quam defensionem composita fiat Tabula" Vide Prœf. fo. xxxvii'"--British Museum online catalogue
Alternative Title:
Preface to Bellendenus
Description:
Title etched at bottom of image. and Mounted on page 54 with one other print.
A pretty young woman carries an enormous fur muff above her head. A key hangs from a string around her neck
Description:
Title etched below image., Imperfect; sheet trimmed within plate mark on bottom edge with loss of imprint statement. Imprint supplied from impression at the Library of Congress, call no.: PC 3 - 1787 [P&P]., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to a strip of paper on lower edge.
Publisher:
Pubd. Jany. 1st, 1787, by J. Wicksteed, No. 30 Henrietta Str., Covent Garden
"The interior of a church (? the Chapel Royal) showing pulpit, side-gallery, and pews beneath the gallery. Wilkes (left) is the preacher, beneath him is his clerk, Pitt. At a right angle to the gallery is the royal pew (right), from which the King looks with earnest attention to the preacher. Queen Charlotte, her fingers to her mouth, also listens attentively. A lady-in-waiting and a courtier with a long wand (Lord Salisbury, the Lord Chamberlain) stand behind. The pew is decorated with the royal arms and has a canopy. In the centre of the gallery sit the Prince of Wales and Mrs. Fitzherbert; he turns away from the preacher, looking at her. Behind him stands George Hanger; behind Mrs. Fitzherbert sits a man looking at Wilkes through a spy-glass. Between him and the royal pew are three men in legal wigs and gowns: Pepper Arden, Dundas, and (?) Kenyon. Between the Prince and the pulpit sit North (asleep) and Burke, looking intently at Wilkes; a lady (? Duchess of Devonshire) attempts to wake North. In the seats under the gallery sit parties of citizens, in general asleep or inattentive. Below the royal pew stands Fox on a low stool as a penitent draped in a sheet; he wears a placard inscribed 'For Playing Cards on the Lord's Day'. A stout lady with an aquiline nose stands near Pitt; with a raised whip she chases a number of dogs out of the church. She has some resemblance to the Duchess of Gordon, a friend of Pitt. Immediately behind Mrs. Fitzherbert and between two Gothic windows is a wall-tablet inscribed: 'This Tablet is erected to the memory of the renowned Plenipotentiary who died by the bow string a short time after his return to Algiers. Two maiden ladies of this Parish who tasted exquisite felicity from his Prowess, dedicate this frail memorial to his loved memory'. Cf. British Museum Satires No. 7935, &c. Immediately behind Mrs. Fitzherbert and between two Gothic windows is a wall-tablet inscribed: 'This Tablet is erected to the memory of the renowned Plenipotentiary who died by the bow string a short time after his return to Algiers. Two maiden ladies of this Parish who tasted exquisite felicity from his Prowess, dedicate this frail memorial to his loved memory'. Cf. BMSat 7935, &c."--British Museum online catalogue
Alternative Title:
Wonderful effects of a proclamation
Description:
Title from item., Artist tentatively identified as Henry Wigstead; see British Museum catalogue., Printmaker formerly identified as Rowlandson, but an attribution to F.G. Byron (Andrew Edmunds, February 2021) is noted in the British Museum online catalogue, registration no.: J,4.101., The listed publisher "Paddy Whack" probably stands for William Holland; see British Museum catalogue., Temporary local subject terms: Congregations -- Piety Proclamation, June 1, 1787., and Mounted to 30 x 46 cm.
Publisher:
Pubd. by Paddy Whack, Oxford Street
Subject (Geographic):
England and London.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Kenyon, Lloyd Kenyon, Baron, 1732-1802, Melville, Henry Dundas, Viscount, 1742-1811, Hanger, George, 1751?-1824, Salisbury, James Cecil, Marquess of, 1748-1823, Fitzherbert, Maria Anne, 1756-1837, North, Frederick, Lord, 1732-1792, Wilkes, John, 1725-1797, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Gordon, Jane Gordon, Duchess of, 1748-1812, Fox, Charles James, 1749-1806, and Chapel Royal (Saint James's Palace, London, England),
Subject (Topic):
Interiors, Churches, Religious services, Pulpits, Pews, Dogs, Whips, Signs (Notices), and Windows
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Poachers -- Pick axes -- Proclamations: allusion to piety on Sunday, June 1, 1787 -- Innkeepers -- Skittles -- Expressions: 'Grubbing up" -- Chequers.
Publisher:
Pubd. as the act directs for the proprietor by W. Dickie, No. Strand, E. Macklew No. 9 Haymarket and W. Moore, No. 48 New Bond Street
"One of a set of four, and a companion print to British Museum Satires No. 7177. A party of unsoldierly Dutch ragamuffins practises firing at the figure of a Prussian soldier (right) chalked on a high stone wall. They stand on the brink of a ditch close to the wall and are commanded by a man in civilian dress holding a pike, evidently a member of a Free Corps, who is directing the military training of the others. One man stands up to his knees in water; frogs are climbing up him. Other frogs stand on the bank holding weapons. A crowd of ruffians (left) watch the firing, some have muskets, one a blunderbuss, one blows a trumpet, another waves his hat; all exult at the success of their arms against the symbol of the Prussian army, at which a dog barks and ducks quack. The high stone wall has a ruinous gap which is filled with a windmill."--British Museum online catalogue
Description:
Title from item., DeGrey's ms. note on verso., and Watermark with initials R G below.
Publisher:
Publish'd Octr. 18th, 1787 by T. Harmar, No. 164 (opposite Bond Street) Piccadilly, London
Subject (Geographic):
Netherlands
Subject (Topic):
Foreign public opinion, Great Britain, Ethnic Stereotypes, Crowds, Weapons, Firearms, Frogs, Trumpets, Pipes (Smoking), and Military training
Two riders having trouble with their mounts on a country road with a sign on the left "to Rumpford 2." The rider on the left has lost his stirrups and is handing onto the horse's head. The rider to the right is taking a header and his horse has stumbled and gone down. At the extreme right is the cause -- a barking dog
Description:
Title from item., Printmaker from unverified data from local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Horses -- Riders falling off -- Sign post to Rumpford.
Publisher:
Pub'd Mar[c]h 15, 1787 by S.W. Fores at the Caricature Warehouse, No. 3 Piccadilly
Sherwin, J. K. (John Keyse), 1751-1790, printmaker
Published / Created:
[not before 1799]
Call Number:
787.04.10.01.2+
Image Count:
1
Resource Type:
still image
Abstract:
Seven men are gathered around a gambling table in a tavern, two of them playing at cards, others watching. The man on the far right is fast asleep, his dog's head resting on his knee. In the background, a barmaid tallies up the drinks inside a bar. The game is between a shrewd looking man on the left and a tallow youth on the right who is receiving bad advice from a man to his right, with a glass in hand. Behind the youth a broken mirror hangs tilted on the wall. Below it, one of the onloookers is leaning over the back of the settee peeking at the youth's cards. Standing in the center is an obese man holding a bowl and smoking a pipe
Alternative Title:
Countrymen defrauded
Description:
Title from item., Publication date inferred from publisher's dates of business at the address in imprint. See Maxted, I. The London book trades, 1775-1800, p. 169., Twelve lines of verse in two columns below image: Old Trusty with his town made friends ..., State with alternate title and undated. Cf. No. 9672 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Gambling: sharpers -- Furniture: card-table -- Bar -- Gambling: cards -- Taverns: tavern in Smithfield -- Broken mirror -- Animals: dog -- Countrymen -- Card players -- Barmaids -- Watches -- Pocketbooks -- Pipes -- Thomas Rowlandson as a sharper -- J.K. Sherwin as a country lad., and One of the subjects identified as R.W. King, in an unknown contemporary hand.
Publisher:
Publish'd by T. Palser, Surry Side, Westminster Bridge
Subject (Name):
Rowlandson, Thomas, 1756-1827 and Sherwin, J. K. 1751-1790 (John Keyse),
