"A design in two compartments. On the left the triumph of Necker in a land of 'Freedom', in the other that of Pitt in a land of 'Slavery'. Necker (full face), seated in an armchair is carried on the shoulders of distinguished personages, who wave their hats. He holds in his right hand the staff and cap of 'Liberty', in his left a royal crown. He is stout and benevolent. Above his head floats a laurel wreath, irradiated, inscribed 'Necker', and adding a touch of absurdity. Under his feet are a chain and an instrument of torture resembling a harrow. The naval officer (left) wearing a star, -who holds one pole of the chair, is labelled 'Orleans'; his companion, in regimentals, is probably Lafayette; both wave their hats. In the background is a cheering crowd and the massive but broken stone wall of the 'Bastile'. On the right Pitt, lean and arrogant, stands in profile to the left on a royal crown which bends under his weight (as in BMSat 7478). In his right hand is a banner on which are instruments of torture: a narrow, shackles, and scourges; in his left hand, which rests on his hip, are a headsman's axe and chains, the other ends of which are attached to persons who kneel humbly behind him, the most prominent of whom is the King. Other chains are attached to artisans, &c, who kneel abjectly before him. In the background are (left) a gallows from which hang seven nooses, and (right) a high scaffold on which stands a headsman with an axe. From Pitt's pocket projects a large tobacco-pipe inscribed 'Excise'.."--British Museum online catalogue
Alternative Title:
France, Britain, freedom, slavery and Freedom, slavery
Description:
Title from text in and below image., Printmaker from British Museum catalogue., Temporary local subject terms: Instruments of torture -- Cap of Liberty -- Staff of Liberty -- Transference of customs to excise -- Banners with instruments of torture -- Cheering crowds -- Laurel wreaths -- Chairing of Necker -- Kneeling slaves -- Emblems: pipe as tobacco tax -- Allusion to excise -- Crowns -- Gallows -- Bastille -- Executioners: headsman -- Artisans as slaves -- Emblems: slavery., and Watermark: countermark S. Lay.
Publisher:
Pubd. July 28th, 1789, by J. Aitken, Printseller, N. 14 Castle Street, Leicester Fields
Subject (Name):
Louis XVI, King of France, 1754-1793, Necker, Jacques, 1732-1804, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834, George III, King of Great Britain, 1738-1820, and Pitt, William, 1759-1806
"A design in two compartments. On the left the triumph of Necker in a land of 'Freedom', in the other that of Pitt in a land of 'Slavery'. Necker (full face), seated in an armchair is carried on the shoulders of distinguished personages, who wave their hats. He holds in his right hand the staff and cap of 'Liberty', in his left a royal crown. He is stout and benevolent. Above his head floats a laurel wreath, irradiated, inscribed 'Necker', and adding a touch of absurdity. Under his feet are a chain and an instrument of torture resembling a harrow. The naval officer (left) wearing a star, -who holds one pole of the chair, is labelled 'Orleans'; his companion, in regimentals, is probably Lafayette; both wave their hats. In the background is a cheering crowd and the massive but broken stone wall of the 'Bastile'. On the right Pitt, lean and arrogant, stands in profile to the left on a royal crown which bends under his weight (as in BMSat 7478). In his right hand is a banner on which are instruments of torture: a narrow, shackles, and scourges; in his left hand, which rests on his hip, are a headsman's axe and chains, the other ends of which are attached to persons who kneel humbly behind him, the most prominent of whom is the King. Other chains are attached to artisans, &c, who kneel abjectly before him. In the background are (left) a gallows from which hang seven nooses, and (right) a high scaffold on which stands a headsman with an axe. From Pitt's pocket projects a large tobacco-pipe inscribed 'Excise'.."--British Museum online catalogue
Alternative Title:
France, Britain, freedom, slavery and Freedom, slavery
Description:
Title from text in and below image., Printmaker from British Museum catalogue., Temporary local subject terms: Instruments of torture -- Cap of Liberty -- Staff of Liberty -- Transference of customs to excise -- Banners with instruments of torture -- Cheering crowds -- Laurel wreaths -- Chairing of Necker -- Kneeling slaves -- Emblems: pipe as tobacco tax -- Allusion to excise -- Crowns -- Gallows -- Bastille -- Executioners: headsman -- Artisans as slaves -- Emblems: slavery., 1 print : etching on laid paper, hand-colored ; plate mark 27.3 x 45.8 cm, on sheet 29.1 x 46.9 cm., and Mounted on leaf 57 of volume 2 of 12.
Publisher:
Pubd. July 28th, 1789, by J. Aitken, Printseller, N. 14 Castle Street, Leicester Fields
Subject (Name):
Louis XVI, King of France, 1754-1793, Necker, Jacques, 1732-1804, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834, George III, King of Great Britain, 1738-1820, and Pitt, William, 1759-1806
Title etched below image., Imperfect; sheet trimmed within plate mark with loss of imprint statement. Imprint supplied from impression in the Library of Congress., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Regency crisis -- George III's prerogative, protected by British Lion -- Emblems: crown and scepter, prerogative -- British Lion: vigilant of prerogative -- Implements of execution -- Figure of Justice -- Emblems: Prince of Wales's feathers -- Whig frogs -- Double entendres -- Puns: "Son" -- Literature: Aesop fables -- Allusion to George III -- Dormant George IV., Watermark: S. Lay., and Mounted to 35 x 42 cm.
Publisher:
Pub. by J. Aiken, the corner Bare Street, Leicester Square
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
Subject (Topic):
Regency, Britannia (Symbolic character), Justice, and Frogs
"The Prince of Wales, seated in a ramshackle state coach, is drawn (left to right) by eight miserable hacks; the procession is watched by Ministers and others from windows. On the coach door are the Prince's feathers, upside-down. One wheel is broken, the hammer-cloth is ragged; the harness consists partly of rope, partly of chains; the horses are of grotesquely varying sizes and breeds, on one is a saddle. The one dishevelled postilion raises his whip to lash the off-leader, a veritable skeleton, which falls on its knees. The coachman and the two footmen behind the coach are lean and unsuitably dressed. An angry crowd follows the coach ..."--British Museum online catalogue
Alternative Title:
Picture of English magnificence!!!
Description:
Title etched below image., Questionable attribution to Rowlandson in British Museum catalogue and Grego., Publisher's advertisment below title: In Holland's exhibition rooms may be seen the largest collection in Europe of political and other humorous prints. Admttance [sic] one shilling., Sheet trimmed to within plate mark on top and bottom edges., Two large sets of monogrammed initials written in pencil in lower right, possibly in contemporary hand., and Mounted on leaf 66 of volume 3 of 14 volumes.
Publisher:
Pubd. by William Holland, No. 50 Oxford Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, La Luzerne, Anne-César, chevalier de, 1741-1791, Amherst, Jeffery Amherst, Baron, 1717-1797, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Hood, Samuel Hood, Viscount, 1724-1816, and Chatham, John Pitt, Earl of, 1756-1835
"Political satire; under a sinking sun in which is drawn a crown, with the words "Obscured, not lost", a masked figure with a crow-bar labelled "Begum Sophistry" and the Prince Regent with a broken axe labelled "Presumptive Rights" try to break down the door of the Treasury, while another picks the lock, labelled "G R" with keys labelled "Tropes"; behind them stands a man in black with a lantern labelled "Loyalty", a belt labelled "Truth" and a clapper labelled "Vox Populi"; from the window of the Treasury, Pitt attacks the house-breakers with a blunderbuss labelled "Constitution"."--British Museum online catalogue
Alternative Title:
Housebreaking before sunset
Description:
Title etched below image., "Pr. 1s."--Below image, lower right., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Pick axes -- Padlocks -- Swords -- Masks -- Guns -- Setting sun -- Watchman's lanterns -- Emblems: King's monogram on the padlock., Watermark: Fleur de lis on crowned shield, with initials G R below., and Mounted to 44 x 29 cm.
Publisher:
Published Jany. 6t 1789 by R. Butters, 79 Fleet Stt
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Thurlow, Edward Thurlow, Baron, 1731-1806, and George III, King of Great Britain, 1738-1820.
Two sailors, one in uniform, fall from a horse, its reins caught on a post on the road, causing both it and the riders to collapse
Description:
Title etched below image., Sheet trimmed within plate mark., Text below title: A horse running away with two sailors, the lad who rode behind, exclaim'd run her aground, run her a ground, avast reply'd the other, I can throw out the grapples. He accordingly manag'd to throw the reins over a post by the road side & so came safe to land., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: fleur-de-lis on crowned shield with initials G R below.
Publisher:
Publish'd May 7, 1789, by J. Kendal Bury
Subject (Topic):
Sailors, Horses, Horseback riding, Accidents, and Falling
"A cavalcade of ladies and gentlemen on horseback riding close together, the legs of the horses being cut off by the lower margin of the print. Beneath the title is etched: 'The World - and all the great "which it inherit" - was there - Equestrian motion, universal - we saw all - mark'd all! - the Duelist with one Curl, & the Fraternal, one degree higher, down to the intelligencers of the Low-Pnnts (who cast their eyes around, that witness'd huge affliction & dismay); all was splendid - who (& what dignity but contained in that monosyllable?) not present? - Becky - was there!! - attraction spontaneous! - Old Quiz, cast a single glance! - "O the days when I was young! - one pang arose! - we view'd the field - captivating - beautiful - most beautiful! - but - Bunbury - where was Harry Bunbury? - we return'd - as (craving appetites of Cheapside satisfied) cent. pr cent. Citz: - Mans-mercers & Womens-mercers, were arriving, to inhale the clouded Air - Heat - Dust - Ibid - Ibidem. -" Topham rides (left to right) in the foreground, enormously fat, looking through a quizzing-glass. Next him is a stout lady probably intended for 'Becky' (Mrs. Wells) though resembling Mrs. Fitzherbert; she wears a hat with a floating veil. Queensberry (left) rides behind her, holding up a bunch of reins in his right hand. The other persons mentioned, the Duke of York (the duellist, see BMSat7531, &c.) and the Prince, are not depicted, unless a very stiff and erect officer (right) is intended for the Duke. The shoulders of the ultra-fashionable Topham are sprinkled with powder, cf. BMSat 8190."--British Museum online catalogue
Alternative Title:
Both hemispheres of the world in a sweat
Description:
Title etched below image., Printmaker from British Museum catalogue., "Price 1 sh./6.", Sheet trimmed within plate mark., Temporary local subject terms: Satire on newspapers -- Newspapers: World, or Fashionable Intelligencer -- Horsemanship -- Cavalcades -- 'Cits' -- Hyde Park -- Costume: riding habits -- Allusion to the Prince of Wales -- Allusion to the Duke of York -- Allusion to Henry William Bunbury, 1750-1811 -- Wells?, Mary (Davies), fl. 1781-1812., and Watermark: Armorial shield with crown above and monogram SL below.
Publisher:
Pubd. June 1st, 1789, by J. Aitken, Castle Street, Leicester Fields
Subject (Name):
Topham, Edward, 1751-1820, Fitzherbert, Maria Anne, 1756-1837, and Queensberry, William Douglas, Duke of, 1725-1810
"A cavalcade of ladies and gentlemen on horseback riding close together, the legs of the horses being cut off by the lower margin of the print. Beneath the title is etched: 'The World - and all the great "which it inherit" - was there - Equestrian motion, universal - we saw all - mark'd all! - the Duelist with one Curl, & the Fraternal, one degree higher, down to the intelligencers of the Low-Pnnts (who cast their eyes around, that witness'd huge affliction & dismay); all was splendid - who (& what dignity but contained in that monosyllable?) not present? - Becky - was there!! - attraction spontaneous! - Old Quiz, cast a single glance! - "O the days when I was young! - one pang arose! - we view'd the field - captivating - beautiful - most beautiful! - but - Bunbury - where was Harry Bunbury? - we return'd - as (craving appetites of Cheapside satisfied) cent. pr cent. Citz: - Mans-mercers & Womens-mercers, were arriving, to inhale the clouded Air - Heat - Dust - Ibid - Ibidem. -" Topham rides (left to right) in the foreground, enormously fat, looking through a quizzing-glass. Next him is a stout lady probably intended for 'Becky' (Mrs. Wells) though resembling Mrs. Fitzherbert; she wears a hat with a floating veil. Queensberry (left) rides behind her, holding up a bunch of reins in his right hand. The other persons mentioned, the Duke of York (the duellist, see BMSat7531, &c.) and the Prince, are not depicted, unless a very stiff and erect officer (right) is intended for the Duke. The shoulders of the ultra-fashionable Topham are sprinkled with powder, cf. BMSat 8190."--British Museum online catalogue
Alternative Title:
Both hemispheres of the world in a sweat
Description:
Title etched below image., Printmaker from British Museum catalogue., "Price 1 sh./6.", Sheet trimmed within plate mark., Temporary local subject terms: Satire on newspapers -- Newspapers: World, or Fashionable Intelligencer -- Horsemanship -- Cavalcades -- 'Cits' -- Hyde Park -- Costume: riding habits -- Allusion to the Prince of Wales -- Allusion to the Duke of York -- Allusion to Henry William Bunbury, 1750-1811 -- Wells?, Mary (Davies), fl. 1781-1812., 1 print : etching on laid paper, hand-colored ; plate mark 24.9 x 35.1 cm, on sheet 27.0 x 37.2 cm., Price mostly erased from sheet., and Mounted on leaf 60 of volume 7 of 12.
Publisher:
Pubd. June 1st, 1789, by J. Aitken, Castle Street, Leicester Fields
Subject (Name):
Topham, Edward, 1751-1820, Fitzherbert, Maria Anne, 1756-1837, and Queensberry, William Douglas, Duke of, 1725-1810
"A procession of seven men riding galloping bulls; the leader (right) is a bishop (St. Patrick) wearing a mitre and carrying a cross; he has a beard, and says, "Make haste, my dear Honeys". The others are the six 'ambassadors'; all wear fool's caps, all flourish shillelaghs, and all carry sacks of potatoes at their backs. Their leader, who wears a ducal coronet, says "No Restrictions, by the Holy Cross of St Patrick!!!" His sack is labelled 'Leinster potatoes'. Next, wearing an earl's coronet, is Charlemont; he stoops over his bull's neck, saying, "We'll let the English see what Upright Members we have in Ireland; never lose an Inch in any Engagement!" His sack is labelled 'Ulster Potatoes'. The next 'Ambassador' says, "Christ Jasus how our majority will astonish the young King". The bull of the next man snorts and kicks ..."--British Museum online catalogue
Description:
Title etched below image., Questionable attribution to Rowlandson from British Museum catalogue., Date from British Museum catalogue., Publisher's advertisment in lower right: In a few days will be pubd. The return of the embassadors [sic]., Companion print to: The ambassadors extraordinary return on bulls without horns., and Mounted on leaf 48 of volume 3 of 14 volumes.
Publisher:
publisher not identified
Subject (Name):
Charlemont, James Caulfeild, Earl of, 1728-1799, Leinster, William Robert FitzGerald, Duke of, 1749-1804, and Patrick, Saint, 373?-463?
