Title from caption below image., Text at top of image: "pindarici fontis qui non expalluit haustus" and "ob. 1667, aet. 49.", Date and place of publication surmised from data on similar print from the British Museum online catalogue, registration no.: K,59.4., and Description based on imperfect impression; sheet trimmed within plate mark with possible loss of text.
Page 126. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
The Hospital of Bethlem [Bedlam] at Moorfields, London; seen from the north, with ladies and gentlemen walking in the foreground. This is the second building of Bethlem Hospital, dating from 1675-6, before the addition of the side pavilions. The engraver has taken liberties with the gate statuary, showing a lion and unicorn couchant rather than the figures by Cibber of melancholy madness and raving madness. In 1814-1815 the hospital removed to St. George's Fields, Southwark, and the Moorfields building was subsequently demolished
Alternative Title:
Bedlam in Moorfields
Description:
Title engraved below image., Date supplied by cataloger, based on engraver Benjamin Cole's active dates., Not in Adams, B. London illustrated 1604-1851., Mounted to 26 x 32 cm., and Mounted on page 126 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
publisher not identified
Subject (Name):
Bethlem Royal Hospital (London, England), and Bethlem Royal Hospital (London, England)
Edward Vaughan fanmaker and Edward Vaughan marchand evantalists
Description:
Title etched within image., Formerly attributed to Hogarth., Text in English and French., Sheet trimmed within plate mark., Not in Paulson, R. Hogarth's graphic works (3rd ed.)., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and On page 5 in volume 1.
"Portrait half-length, in an oval, wearing a bodice with jewels and lace around the neck, wearing a diamond necklace and earrings, an ermine-trimmed cloak hanging from the left shoulder, head turned to right, looking towards the viewer."--British Museum online catalogue
Description:
Title from text below image., State from: Smith, J.C. British mezzotinto portraits., Date of publication from the British Museum online catalogue, registration no.: 1902,1011.1180., Mounted on leaf numbered 7 in an album of 49 prints: sheet 60 x 47 cm., and Bound in full red levant by Lloyd Wallis & Lloyd. For further information consult library staff.
Publisher:
Sold by Thos. Bowles in St. Pauls Church Yard & John Bowles at [the] Black Horse, Cornhill
"Portrait, three-quarter length, in profile to left, head turned to look towards the viewer, wearing robes and chain of state with erminse cape, hair in loose curls, right hand at breast, left hand on sword hilt, armour on wall to left behind him; after Davison."--British Museum online catalogue
Description:
Title from caption below image.
Publisher:
Sold by I. Faber at the green door in Craven Buildings, Drury Lane
"Tree of law in a frame decorated with a garland of leaves, surmounted by a portrait of Robert Price in an oval, wearing a long wig and judges' robes and bands, with banner lettered 'Legum Decus Patriae Que Is Erat'; to left and right, two female allegorical figures standing on pedestals; lettered in Latin on pedestals, banners and branches of tree."--British Museum online catalogue
Alternative Title:
Inutilis et sine fructu labor, non est legis, effectus
Description:
Title from item., Printmaker and date of publication from the British Museum online catalogue, registration no.: 1873,0809.1492, Portrait of Robert Price based on that by Kneller; see British Museum online catalogue., and Sheet trimmed within plate mark.
Publisher:
Sold by Ph. Overton in Fleet Street and J. King in the Poultry, Printsellers entered in the Hall Book, London
Title from text in image., Text in image above sitter's name: nat. 1632; denat aetat 68., Text in image below sitter's name: "... whose tunefull [sic] muse affords the sweetest numbers and the fittest words. Addison.", Caption below image: Praenobili dno. dno. Edoardo comiti Oxoniae, &c. ad archetypu[m] museo Harleyano asservatum qua[m] par est observantia[m], D. D. Vertue sculptr., Sheet trimmed within plate mark with possible loss of text., and Mounted on sheet: 326 x 257 mm.
Advertisement for the shop of Mary and Ann Hogarth (sisters of the artist), at the sign of the King's Arms, Little Britain Gate; a view of the interior of a clothing shop with two women serving parents and their young sons; surrounded by a frame with the royal coat of arms at the top
Alternative Title:
Mary and Ann Hogarth
Description:
Title from text below image., The British Museum suggests that the images may be portraits after the two sisters., Sheet trimmed to plate mark., Ms. note in pencil above image: Original., Ms. note in pencil below image: Sold for £8.8.0. See Biographical anecdotes, p. 417., and On page 3 in volume 1.
Publisher:
Wm. Hogarth
Subject (Geographic):
England and London
Subject (Name):
Hogarth, Mary, 1699-1741 and Hogarth, Ann, 1701-1771
Title etched below image., Sheet trimmed to plate mark., Ms. note in Steevens's hand on mount beneath print: Concert at St. Mary's Chapel. See Nichols's book, 3d. edit. p. 445. Sold at Gulston's auction, for £3.4.0., and On page 48 in volume 1. Mounted to sheet: 14.7 x 15.8 cm.
Title from first line of text below image., Formerly attributed to Hogarth., Sheet trimmed within plate mark., Not in Paulson, R. Hogarth's graphic works (3rd ed.)., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and On page 5 in volume 1.
