"A hand-coloured plate divided into four compartments. Waiting for Dinner: an impatient diner shows his servant the time as the servant uncorks a bottle; At Dinner: a man heartily eats as the servant pours wine; After Dinner: A man leans back in his chair as a maid clears the table; Preparing for Supper: A maid puts a napkin on a diner who is guided into his chair by a servant."--Royal Collection Trust online catalogue
Description:
Title from collective title etched at bottom of plate., Artist signature below lower left design; printmaker signature below lower right design., Four designs on one plate, each individually titled within an etched and aquatinted border., Description based on impression in the Royal Collection, RCIN 810354., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : aquatint and etching on laid paper, hand-colored; sheet 21 x 26 cm., and Imperfect; only lower left design entitled "After dinner" present. The three other designs on plate, the collective title, and the imprint statement have been trimmed from sheet.
Publisher:
Pubd. Octr. 22, 1789, by S. Alken, No. 2 Francis Street East, Bedford Square
Subject (Topic):
Bottles, Bowls (Tableware), Dining rooms, Fireplaces, Glassware, Interiors, Obesity, Pipes (Smoking), Stairways, Tableware, Tobacco, Wine, and Women domestics
Title from item., Attribution to Cruikshank in British Museum catalogue., Twelve lines of verse in six columns below image: Hatfields fair hostess prompt by wit, To arch'ry chosen few ..., and Matted to 47 x 72 cm. ; several of the subjects identified on mat in an unknown hand.
A domestic scene in a dressing room with a maid assisting a lady as she dresses, placing ornaments in her mistress's hair. A young girl sitting in a chair reads to a little boy who leans on her knee and looks lovingly into her face. A hat box rests on a high boy (left); another hat box and hair accessories sit on a table and chair to the right
Description:
Title engraved below image. and Sheet trimmed within plate mark.
Publisher:
Published April the 7th, 1789, by Ino. Matthews, No. 441 Strand
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Conversing.
Publisher:
Published April 7th, 1789, by Jno. Matthews, No. 441 Strand
Title from item., Printmaker from British Museum catalogue., Engraved text "W. Holland , No. 50 Oxford Street" following the date "March 10th" crossed out and Humphrey's name supplied in manuscript on right below image., Sheet trimmed within plate mark., and Temporary local subject terms: Allusion to Regency crisis -- Thrones -- Crowns -- Pictures amplifying subjects -- Homage.
Publisher:
Pubd. March 10th 1789 as the act directs H. Humphrey, No. 51 New Bond St.
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806 and Alvanley, Richard Pepper Arden, Baron, 1745-1804
"A lady, partly hidden by a sheaf of corn, reclines against a tree. The Duke of York, wearing regimentals and a mitre, prods her with the end of his crozier. She holds an open book inscribed 'Monody on the Death of the D- of R-d' [Rutland]. In the middle distance and on the extreme left a military officer stands on guard holding a sword and pistol: he says, "I am allways ready to Pimp or Bully."--British Museum online catalogue
Alternative Title:
Babes in the wood with Rawheadon, bloody bones
Description:
Title etched below image., Sheet trimmed within plate mark at bottom., and Matted to 47 x 62 cm.
Publisher:
Pubd. by W. Fores, No. 3 Piccadilly
Subject (Name):
Rutland, Mary Isabella Manners, Duchess of, 1756-1831, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Rawdon-Hastings, Francis, Marquess of Hastings, 1754-1826.
"A design in two compartments. On the left the triumph of Necker in a land of 'Freedom', in the other that of Pitt in a land of 'Slavery'. Necker (full face), seated in an armchair is carried on the shoulders of distinguished personages, who wave their hats. He holds in his right hand the staff and cap of 'Liberty', in his left a royal crown. He is stout and benevolent. Above his head floats a laurel wreath, irradiated, inscribed 'Necker', and adding a touch of absurdity. Under his feet are a chain and an instrument of torture resembling a harrow. The naval officer (left) wearing a star, -who holds one pole of the chair, is labelled 'Orleans'; his companion, in regimentals, is probably Lafayette; both wave their hats. In the background is a cheering crowd and the massive but broken stone wall of the 'Bastile'. On the right Pitt, lean and arrogant, stands in profile to the left on a royal crown which bends under his weight (as in BMSat 7478). In his right hand is a banner on which are instruments of torture: a narrow, shackles, and scourges; in his left hand, which rests on his hip, are a headsman's axe and chains, the other ends of which are attached to persons who kneel humbly behind him, the most prominent of whom is the King. Other chains are attached to artisans, &c, who kneel abjectly before him. In the background are (left) a gallows from which hang seven nooses, and (right) a high scaffold on which stands a headsman with an axe. From Pitt's pocket projects a large tobacco-pipe inscribed 'Excise'.."--British Museum online catalogue
Alternative Title:
France, Britain, freedom, slavery and Freedom, slavery
Description:
Title from text in and below image., Printmaker from British Museum catalogue., Temporary local subject terms: Instruments of torture -- Cap of Liberty -- Staff of Liberty -- Transference of customs to excise -- Banners with instruments of torture -- Cheering crowds -- Laurel wreaths -- Chairing of Necker -- Kneeling slaves -- Emblems: pipe as tobacco tax -- Allusion to excise -- Crowns -- Gallows -- Bastille -- Executioners: headsman -- Artisans as slaves -- Emblems: slavery., and Watermark: countermark S. Lay.
Publisher:
Pubd. July 28th, 1789, by J. Aitken, Printseller, N. 14 Castle Street, Leicester Fields
Subject (Name):
Louis XVI, King of France, 1754-1793, Necker, Jacques, 1732-1804, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834, George III, King of Great Britain, 1738-1820, and Pitt, William, 1759-1806
Title etched below image., Imperfect; sheet trimmed within plate mark with loss of imprint statement. Imprint supplied from impression in the Library of Congress., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Regency crisis -- George III's prerogative, protected by British Lion -- Emblems: crown and scepter, prerogative -- British Lion: vigilant of prerogative -- Implements of execution -- Figure of Justice -- Emblems: Prince of Wales's feathers -- Whig frogs -- Double entendres -- Puns: "Son" -- Literature: Aesop fables -- Allusion to George III -- Dormant George IV., Watermark: S. Lay., and Mounted to 35 x 42 cm.
Publisher:
Pub. by J. Aiken, the corner Bare Street, Leicester Square
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
Subject (Topic):
Regency, Britannia (Symbolic character), Justice, and Frogs
