"A man stands on a rostrum (left) reading nearsightedly from a book, with the expression and gesture (right fist clenched) of a ranting actor. The audience are much moved. Two men try to lift a fainting lady, resembling Mrs. Wells, from her chair (right). A man seated near her astride a bench inspects her through a quizzing-glass with amusement; his neighbour (? Topham), also astride, gapes at her with consternation. On the rostrum are two placards: 'Tomorrow | As you like it, with Select | Poems and To Night, First | Orlando Furioso, | Second | The Victim | with Part | of Mr Sheridans | Speech in | Westminster Hall' (see BMSat 7331). On the wall are three framed pictures or prints (left to right): a fox looking in at a window; an actress raising a dagger to stab herself; two cupids, one raising an axe to strike the other who lies prostrate."--British Museum online catalogue
Description:
Title from caption below image., Imprint from impression in the New York Public Library., Description based on imperfect impression; sheet trimmed within plate mark with loss of imprint., Companion print to: Comic readings., Mounted on modern secondary support., and Added in later hand above title: June 1810.
Publisher:
Publish'd Feby. 25, 1791, by C. Knight, Brumpton [sic], and W. Dickinson, No. 158 New Bond Street
Volume 2, page 76. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Description:
Title from text below image., Sheet trimmed to plate mark., Plate from: Annals of horsemanship ... London : Printed for W. Dickinson ..., 1791., For a brief mention of the illustrations to Annals of horsemanship, see page 446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Mounted on page 76 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd March 25, 1791, by W. Dickinson, No. 24 Old Bond Street
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Dancing lessons --Violins -- Costume: female child's costume -- Furnishings: busts -- Pictures -- Trades: dancing masters -- Expressions of speech: tol lol de rol., Watermark (partial) : initials G R under part of armorial shield., and Imprint partially altered: publication day changed from '2' to '1' in contemporary hand. '91' in 1791 also appears to have been changed, possibly from '90.'
Publisher:
Publish'd 1 April, 1791, by W. Fores, No. 3 Piccadilly
Subject (Topic):
Ballrooms, Interiors, Mirrors, and Musical instruments
An admission ticket to the 1791 Handel commemoration held in Westminster Abbey, engraved with symbolic figures, one playing a spinet or harpsichord
Alternative Title:
Admittance either of the following days, May, the 23rd ...
Description:
Title engraved above image. and With the signatures of Samuel Arnold and John Montagu, Earl of Sandwich; affixed with two paper seals in red ink, partially legible: one the seal of the Royal Society of Musicians, and the other the seal of Sandwich with the motto "Post tot naufragia portum." For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Handel, George Frideric, 1685-1759. and Royal Society of Musicians (Great Britain)
Title from caption below image., Numbered '273' in lower left of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Trades: apple venders -- Wheelbarrows -- Architectural details: garden walls -- Young men -- Bludgeons.
Publisher:
Publish'd 26th Sept. 1791 by Robt. Sayer & Co., Fleet Street, London
"A burlesque of Fuseli's well-known picture illustrating 'Macbeth', i. 3. The three witches are Dundas, Pitt, and Thurlow, in profile to the right instead of to the left. Fuseli's drapery is replaced by clouds, and the three gaze with reflective and apprehensive intensity at the moon (right): the Queen's smiling profile in a brightly lit crescent faces them, enclosing the old moon, the darkened head of the King (eclipsed), with closed eyes in profile to the right. Each witch presses the fingers of his left hand (drawn with much expressiveness) to his lips (- 'each at once her choppy finger laying upon her skinny lips'); the outstretched left arm of Fuseli's picture is absent: they appear to be seeking knowledge of the future from the moon, not foretelling it."--British Museum online catalogue
Alternative Title:
Wierd sisters, ministers of darkness, minions of the moon and Weird sisters, ministers of darkness, minions of the moon
Description:
Title etched below image., Printmaker from British Museum catalogue., Dedication etched above image: To H. Fuzelli Esqr. this attempt in the caricatura-sublime, is respectfully dedicated., One line quotation below title: "They should be women! and yet their beards forbid us to interpret, that they are so.", and Mounted.
Publisher:
Pubd. Decr. 23d, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Dundas, Henry, 1742-1811, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Fuseli, Henry, 1741-1825, and Shakespeare, William, 1564-1616.
Subject (Topic):
Adaptations, parodies, etc, Regency, Politics and government, Eclipses, Moon, Politicians, Sun, and Witches
"A burlesque of Fuseli's well-known picture illustrating 'Macbeth', i. 3. The three witches are Dundas, Pitt, and Thurlow, in profile to the right instead of to the left. Fuseli's drapery is replaced by clouds, and the three gaze with reflective and apprehensive intensity at the moon (right): the Queen's smiling profile in a brightly lit crescent faces them, enclosing the old moon, the darkened head of the King (eclipsed), with closed eyes in profile to the right. Each witch presses the fingers of his left hand (drawn with much expressiveness) to his lips (- 'each at once her choppy finger laying upon her skinny lips'); the outstretched left arm of Fuseli's picture is absent: they appear to be seeking knowledge of the future from the moon, not foretelling it."--British Museum online catalogue
Alternative Title:
Wierd sisters, ministers of darkness, minions of the moon and Weird sisters, ministers of darkness, minions of the moon
Description:
Title etched below image., Printmaker from British Museum catalogue., Dedication etched above image: To H. Fuzelli Esqr. this attempt in the caricatura-sublime, is respectfully dedicated., and One line quotation below title: "They should be women! and yet their beards forbid us to interpret, that they are so."
Publisher:
Pubd. Decr. 23d, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Dundas, Henry, 1742-1811, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Fuseli, Henry, 1741-1825, and Shakespeare, William, 1564-1616.
Subject (Topic):
Adaptations, parodies, etc, Regency, Politics and government, Eclipses, Moon, Politicians, Sun, and Witches
Title from item., Numbered '146' in lower left of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Women -- Fashion, 1791 -- Street-cleaners -- Reference to Ways and Means.
Publisher:
Printed for Robert Sayer ..., No. 53 Fleet Street, as the act directs
"A man seated full face on an upright chair, left leg thrust forward, his arms folded, holding his hat. His head, turned in profile to the left, has a grotesque expression of rage. He is fashionably dressed. An outline sketch."--British Museum online catalogue
Description:
Title in manuscript above plate mark. and Temporary local subject terms: Frenchmen -- Male costume, 1791.
Publisher:
Pub. Augt. 13, 1791, by H. Humphrey, N. 18 Old Bond Street
