Title from caption below image., Sheet trimmed within plate mark on sides., Temporary local subject terms: Allusion to Dorothy Jordan, 1762-1816 -- Allusion to Marie Antoinette, queen of France, 1755-1793 -- Allusion to Daniel Mendoza, 1764-1836 -- Marriages: Duke of York's marriage, 1791 -- Levees., and Mounted to 37 x 56 cm.
Publisher:
Pub Novr 24, 1791, by S.W. Fores, N 3 Piccadilly
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Barry, Augustus, 1773-1818, Barrymore, Richard Barry, Earl of, 1769-1793, Bedford, Frances Russell, Duke of, 1765-1802, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, Dunstan, Jeffery, 1759?-1797, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Queensberry, William Douglas, Duke of, 1725-1810, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, and Weltje, Louis, 1745-1810
A lawyer stands in his office between two disconcerted litigants who are turned and walking away from him. As he brings a fork with an oyster on it to his mouth, he offers half of the empty oyster shell to the man on the right. A bald, worn-down looking man (left), looks down at his half of the shell, mouth agap. On the wall behind them are rolls of documents and a shelf of books; other papers are tacked on the wall above the desk. On the desk (right) is an ink well with feather pens. The center of the design at the lower edge is decorated with the musical symbols for sharps and flats
Description:
Title from caption below image., Numbered "604" in lower left corner., Companion print: A flat between two sharps., Sheet trimmed to plate mark., No. 42 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carrington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Customer relations, Desks, Inkstands, Interiors, Lawyers, and Offices
Title from item., Printmaker from British Museum online catalogue., Publisher's advertisement following imprint: where may be seen the greatest collectn of caracatures [sic] in the Kingdom, admitce 1 sh, likways [sic] the head & hand of Count Struenzee., Temporary local subject terms: Chelsea, King's Road -- West Bourne Stream -- Factories: Chelsea, Patent Floorcloth -- Plenipotentiaries -- Literature: allusion to Alexander Pope's Eloisa to Abelard -- Turks -- Musicians -- Carriages -- Dogs., and Watermark: fleur-de-lis on crowned shield with monogram W at bottom.
Publisher:
Londn. Pub. April 25, 1791, by S. Fores, N. 3 Piccadilly
Subject (Name):
Duncan, Mary Tufton, Lady, 1723-1806 and Pacchierotti, Gasparo, 1744-1821
Title from item., Attributed to Cruikshank based on George's attribution of a companion print to the same printmaker. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, 6, no. 8028., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Strolling actors -- Poverty.
Publisher:
Pub. Feb. 22, 1791, by S.W. Fores, N. 3 Piccadilly
Title etched above and below image., Printmaker from British Museum catalogue., Temporary local subject terms: Strolling actors., and Watermark (partial): initial W appended at the bottom of a shield.
Publisher:
Pub. Feb. 16, 1791, by S.W. Fores, N. 3 Piccadilly
Sheet trimmed to plate mark., Above title: The Lilliputian world, plate 5., Two lines of verse below title: through Lilliputian realms my banners are unfurl'd ..., Temporary local subject terms: Lilliputs -- Theatrical costume -- Military uniforms -- Trades: editors -- Walking staves., and Watermark: countermark I V.
"Burke stands full face, frowning; his right arm rests along a high pedestal inscribed 'G.R' which supports a bust of George III. In his right hand is a book: 'Burke on the French Revolution'. His left arm hangs by his side, in his left hand are the staff and cap of 'Liberty'. The right half of his dress is whole, the coat gold-laced, the pockets brimming over with coins. The left half is ragged, his empty pocket hangs inside out. The head of the King, in profile to the right, wears an arrogant frown. In the background is a mountain, evidently Parnassus, crowned with a windmill) on one sail of which Fame is precariously poised. Trees and foliage complete the background."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., One line of text below title: "I preserve consistency by varying my means to secure the unity of my end." Burkes Reflections, p. 354., Sheet trimmed within plate mark., and Temporary local subject terms: Monuments -- Busts: bust of George III -- Mountains: Parnassus -- Buildings: windmills -- Symbols: figure of Fame -- Literature: allusion to Edmund Burke's Reflections On The French Revolution -- Poverty -- Money: coins -- Spectacles.
Publisher:
Pubd. Novr. 16th, 1791, by H. Humphrey, No. 18 Old Bond Street
"Between the Prince of Wales and the Duke of York trips the tiny Duchess of York, holding a hand of each, her arms raised in order to do so. Behind the three stands a colossal man in Highland dress wearing a plaid, sporran (with the Prince of Wales feathers as a crest), and feathered cap. The Prince (left), who is in civilian dress, wearing a round high-crowned hat, says, "My Dear little Sister when you are tired Big Sam shall carry you!" The Duke, handsome in regimentals, turns to her, saying, "come my Love you shall see Papa driving the Pigs & Mama Milking the Cows". He points (right) to a distant scene, where the King in hunting dress chases two galloping pigs with a whip, saying, "Pig wont go", and the Queen is milking a cow."--British Museum online catalogue
Description:
Title from item., Neither speech label present on the British Museum copy is printed on the Lewis Walpole copy., Earlier state of No. 7905 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Queen Charlotte as a milkmaid -- George III as a farmer -- Male costume: Highland dress -- Emblems: Prince of Wales's feathers -- Military uniforms: officers' uniforms., and The Prince of Wales's speech label added in contemporary hand (possibly Cruikshank's) in upper left corner.
Publisher:
Pub. Octr. 1, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, and McDonald, Samuel, 1762-1802
Subject (Topic):
Costumes, Scottish, Cows, Farms, Giants (Persons), and Swine
"Lady Mount-Edgcumbe as a lean and ragged witch sits in profile to the right on a rocky mound overlooking the sea, her seat being a bundle of brooms. She supports her chin and nose on her right hand, the elbow resting on her knee. Her left arm is outstretched, pointing, her finger-nails are talons. Her hair blows out behind her from a bald forehead, and is on fire, the smoke rising into the sky. A frog at her feet (right) looks up at her. Behind is the sea with ships in full sail, indicating the view from Mount-Edgcumbe, Plymouth."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Witches -- Brooms -- Frogs -- Ships -- Eclipses -- Views: Mount Edgcumbe, Plymouth -- Travesty of Henry Fuseli., and Mounted to 30 x 21 cm.
Publisher:
Pubd. Octr. 17th, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Fuseli, Henry, 1741-1825 and Mount Edgcumbe, Emma Gilbert, Lady, 1729-1807
"Alecto, a fantastic hag (as in BMSat 7721), stands outside the Crown and Anchor tavern between a diminutive Sheridan (left), playing a fife, and Fox (right), a burly drummer, both wearing regimentals. She towers above them, holding a long pike surmounted by a cap of 'Liberty' and holding out to John Bull, a yokel (as in BMSat 8141), a handful of 'Assignats'. Hissing serpents form her hair and serpents suck at the pendent breasts which her ragged garments do not cover. She has webbed wings, and wears a French cocked hat with a tricolour cockade inscribed 'Liberty'. ... John Bull stands on the left, scratching his head with a puzzled grin; he wears a smock and very wrinkled gaiters; his hat and a pitchfork are in his left hand. ... Sheridan stands between Alecto and John Bull. ... Fox is much larger than Sheridan, both wear French Grenadier's caps. On his drum is the head of a Medusa (Discord) with snaky locks. He smiles, watching John Bull with a stare of eager calculation. ... Behind him and on the extreme right. Stanhope runs off to the right, stooping as if to conceal himself; in his right hand is a letter: 'To Lord Stanhop[e] from W. Pitt.' ... The door of the Crown & Anchor Tavern is immediately behind Fox and Alecto. From it issue flames and smoke in which imps and demons are flying."--British Museum online catalogue
Alternative Title:
Recruiting sarjeant enlisting John-Bull into the Revolution Service
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on lower edge., and Watermark: Hall & Taplin 1804.
Publisher:
Pubd. July 4th, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
