"A drawing room with a young woman seated at a piano at right, gazing seriously into the eyes of her tutor, who has his arm around the back of her chair; an older couple seated at the fireplace at left, the man dozing with his dog at his feet, the grotesque old woman, startled, just noticing the lovers."--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark at top., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Fortepianos -- Fireplace screens -- Music sheets -- Allusion to adultery -- Windows., Watermark: Ruse & Turners 1818., and Number "5" in publication year changed to a "6" in contemporary hand.
Publisher:
Pubd. June 15, 1795, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
A grossly elongated figure is caricatured as a devil's darning needle presumably making humorous reference to both the dragonfly and the evil of the unidentified subject
Description:
Title from caption below image., Artist statement and date etched over fainter impression of earlier state; imprint is lightly etched or partially burnished from plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title below image., Printmaker identified from an original drawing in the Huntington Library., Two lines of text below title: On my knees dear lady let me intreat you ..., Plate numbered '160' in lower left corner., One of a series of Drolls., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Irishmen: fortune hunters -- Legal documents -- Clubs: Shillelagh -- Allusion to Middlesex prison -- Bailiffs -- Pictures amplifying subject -- Pets: King Charles spaniel.
Publisher:
Published 4th Sepr. 1795 by Laurie & Whittle, 53 Fleet Street, London
"A scene on the Steine at Brighton. A small, fashionably dressed man carries (left to right) a large and muscular man, who sits astride his back, naked, holding his hat to shield his person. Two ladies (right) walking together stare at him, one holding up a fan and looking through the fingers she puts across her eyes. A dog (right) snarls at the naked man. On the left the Prince of Wales stands full-face, legs astride, arms akimbo, ogling a lady who stands (left) in profile to the right, staring at him immodestly (Lady Jersey?). Another lady smiles at the Prince. In the background are promenading couples, and a house with a circular bow window. Beneath the title: 'NB The singularity of the Spectacle & the Largeness of the Object caused much mirth among the Ladies - Lady C------ [Cholmondeley?] Exclaimed with a Sigh oh it is too much for any Man!!'"--British Museum online catalogue
Alternative Title:
Strong lad of Brighton taking off the Princes chum and Dwarf and the giant
Description:
Title from caption etched below image., Sheet trimmed within plate mark., One line of text below title: NB. The singularity of the spectacle & the largeness of the object ..., Publisher's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Mounted to 32 x 42 cm, matted to 47 x 62 cm., Printmaker's and subjects' names printed on mat below image., and Watermark.
Publisher:
Pub October 5, 1795 by S.W. Fores, N 50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, and Cholmondeley, Georgina Cholmondeley, Marchioness of, 1764-1838
"A sequel to British Museum satire no. 8608: the two chief figures resembling the embracing couple: the Frenchman (right) holds against his person the baggy breeches of the Dutchman; coins stream from the pockets and are piled on the ground. The Dutchman (left), standing with bare thighs, scratches his head in dismay, saying, "Oh my Dollars & Ducats D------n their Citizenship; A fellow here calls me Frere Citoyen and takes away all my Property". His hat and (broken) pipe lie on the ground. On the left, and in profile to the right, a ragged Frenchman in Dutch breeches, wearing a bonnet-rouge, capers delightedly, holding to his mouth a square 'Gin' bottle. Coins pour from the breeches. He says: "They may talk of the Coldness of this Country but by Gar here is the Warm Liqour for De inside & de Warm breeches for de out side". In the foreground (right) a dwarfish Frenchman sits on a pile of sacks inscribed 'Dollars for the use of the National Convention'. He dips in his hand and stuffs coins into his coat-pocket. In the background (left) an almost naked Frenchman capers delightedly, waving a hat-full of coins, and saying: "Aye Aye, Equality is the order of the Day la Liberté for the Carmagnoles." On the extreme right a sansculotte embraces a delighted fat Dutchwoman. Three barelegged Dutchmen are behind; one says: "I dont like this Equality business I wish we had not Invited theese Plundering Fellows here, I suppose they'll make use of my Frow next." A Frenchman wearing Dutch breeches (cf. BMSat 9034) smokes a pipe in an experimental manner."
Alternative Title:
Sans culotts become touts cullots
Description:
Title etched below image., Printmaker from British Museum catalogue., Watermark: in center of sheet., and Printseller's stamp in lower right of plate: S.W.F.
Publisher:
Pub. Jany 29, 1795, by S.W. Fores, No. 3 Piccadilly
Volume 2, page 92. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A man leaning on a table at left at which a lady is seated, turning to look at the prince at right, his sword hanging on a chain around his waist, three girls watch the meeting through an arch behind; after a drawing by Henry William Bunbury."--British Museum online catalogue
Description:
Title from text below image, enclosed within parentheses., Sheet trimmed to plate mark., and Mounted on page 92 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Pub'd April 10, 1795, by W. Dickinson, No. 53 next York House, Piccadilly
A view of the gallery at Horace Walpole's villa Strawberry Hill; with paintings on the walls and busts on tables and pedestals; also decorated with sofas and rugs
Description:
Title etched below image., Original drawing started by Thomas Sandby and completed by Paul Sandby and Edward Edwards. See Horace Walpole's Strawberry Hill. New Haven : Yale University Press, 2009, p. 306., and Plate for: Lysons, D. Environs of London. London : Printed by A. Strahan, for T. Cadell, 1792-1796, vol. iii, opp. p. 570.
Publisher:
Published May 1, 1795 by T. Cadell Junr. and W. Davies
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Homes and haunts, Interiors, and Galleries (Display spaces)
"Britannia (left) grovels before a monster (right) representing the French Republic. Behind her stand Fox, Sheridan, and Stanhope, as sansculottes, joyfully hailing the apparition. Britannia on her knees, and bending forward, holds out her arms in a gesture of abject submission, pointing to her shield and spear, the crown and sceptre, and 'Magna Charta' which lie on the ground before her. She is on the edge of a cliff. The monster is supported on dark clouds; he is a man seated with arms and legs akimbo, one jack-boot is planted on the sun, a face in its disk looking from the corners of the eyes at Britannia with a dismayed expression; the other is on a crescent enclosing the old moon. His seat is the point of a huge bomb-shaped cap of 'Li-ber-tas'. His head is a black cloud on which grotesquely fierce features are indicated. Above his head rises a guillotine emitting rays of light. His dress is that of a ragged sansculotte with a dagger thrust in his belt. The British sansculottes are also bare-legged and wear belts in which a dagger is thrust; but they have nothing of the fierce arrogance of France. Fox, his stockings ungartered, and Sheridan, shambling forward with propitiatory gestures, remove their bonnets-rouges. Fox holds out two large keys labelled 'Keys of the Bank of England'; Sheridan proffers a document: 'We Promise the Surrender of the Navy of Great Brita[in] - of Corsica [see BMSat 8516] - of the East & West Indias [see BMSat 8599] - & to abolish the Worship of a God' [cf. BMSat 8350]. Stanhope, less deprecating, stands behind the others, waving his bonnet-rouge and a rolled document inscribed 'Destruction of Parliament'."--British Museum online catalogue
Alternative Title:
Britannia petitioning for peace
Description:
Title etched below image., Dedication etched below title: To the patriotic advocates for peace, this seemly sight is dedicated., Sheet trimmed within plate mark., and Temporary local subject terms: Monsters: French Republic as a monster -- Opposition: members of the Opposition -- Keys to the Bank of England -- Magna Charta -- Sansculottes -- Bonnet-rouges -- Sceptres -- Shields -- Crowns.
Publisher:
Pubd. Feby. 2d, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Stanhope, Charles Stanhope, Earl, 1753-1816
"A creature with the head of Sir Joseph Banks, a body defined by the ribbon of the Bath and roughly in the form of a chrysalis, and with the wings of a butterfly, rises (right) from a mud flat surrounded by sea. His head and body are decorated with trails of leaves; on his wings are sea-creatures: a shell, lobster, starfish, &c, and an (empty) cornucopia. He wears the jewel of the Bath with three insects (in place of crowns) in the centre. He is rising towards rays which radiate from a sun enclosing a crown in the upper right corner of the design. Caterpillars are emerging from the mud flat. Beneath the title: 'Description of the New Bath Butterfly - taken from the "Philosophical Transactions for 1795" - "This Insect first crawl'd into notice from among the Weeds & Mud on the Banks of the South Sea; & being afterwards placed in a Warm Situation by the Royal Society, was changed by the heat of the Sun into its present form------ it is notic'd & Valued Solely on account of the beautiful Red which encircles its Body, & the Shining Spot on its Breast; a Distinction which never fails to render Caterpillars valuable.'"--British Museum online catalogue
Alternative Title:
Great South Sea caterpillar transformed into a Bath butterfly
Description:
Title etched below image. and Temporary local subject terms: Reference to South Sea expedition, 1768-1771 -- Orders: Order of the Bath -- Crowns -- Reference to George III.
Publisher:
Pubd. July 4th, 1795, by H. Humphrey, No. 37 New Bond Street
