"Six brutal-looking men, much caricatured, sit round a table in a cellar, listening with apprehensive intentness to their chairman, who reads a paper: 'State Arrests - O'Conner Binns Evans Quigley'. He sits in an arm-chair, a grotesque ragged creature with sleeves rolled up; in his right hand is a candle taken from a candle-stick on the table. Beside him is a tankard inscribed: 'Tom Treason Hell-Fire Celler Chick Lane'. Against his chair leans an open book: 'Proceedings of the London Corresponding Society Ts Firebrand Secretary - Delegates - Forging Sam Barber Joe Dick Butcher Dissenting Nick Sheepshead Will Cut down Lary'. These names belong to the persons depicted: a barber sits on an upturned tub on the chairman's left, a comb in his ragged hair, a pair of tongs leaning against the tattered hat which lies beside him. Next (left) is a butcher, his steel hanging from his waist. All are grotesque denizens of the underworld. Two prints are on the brick wall, bust portraits of 'Horne Tooke' and 'Tom Payne'. Through an open door (right) is seen a flight of stairs, steeply ascending."--British Museum online catalogue
Alternative Title:
London Corresponding Society alarmed
Description:
Title etched below image., "Price 1 sh., 6"--Below imprint., Sheet trimmed within plate mark., and Temporary local subject terms: Trades -- Barber -- Butcher -- Allusion to the planned French invasion of Ireland -- Interiors: cellars -- Dishes: tankards.
Publisher:
Pubd. April 20th, 1798, by H. Humphrey, 27 St. James's Street
Subject (Name):
Paine, Thomas, 1737-1809, Tooke, John Horne, 1736-1812, and London Corresponding Society.
"Lord Moira, in regimentals, stands stiffly in profile to the left on the edge of a headland; in his right hand is an unstrung long-bow, much taller than himself. Across the water (left) is a fantastic night-scene in Ireland. Two soldiers by the waterside are seated over a large dish containing an infant which one is carving. The other, his hand on a barrel of 'Whiskey', drains the contents of a skull; human bones lie beside them. A little drummer beats his drum with bones. A soldier siezes a woman and is about to stab her with his bayonet. Behind this group a (?) woman is suspended by one wrist from three gigantic spears forming a tripod. Beside them (right) is a thatched cottage with a figure in distress just discernible through the door and with a lighted candle in the window. At this candle Moira is directing a blast (resembling a searchlight) from his pursed-up lips. On a cliff above the cottage a man supports in his arms a huge oak, in whose branches are many swans, some of which fly away to the right. Three frightened cows gallop off. Through the air, between Moira and the tree, gallops (right to left) a ram on which sits an old witch holding up a broom supporting a bonnet-rouge ; in her right hand she flourishes a bunch of serpents, emblem of discord or sedition. In the sky (right) behind Moira's head is a full moon with a grinning face which illuminates a semicircle of clouds surrounding Moira's head, its reflection making a broad path on the sea. ..."--British Museum online catalogue
Description:
Title etched below image., "Price 1 sh. plain, 2 sh. col." -- Following imprint., Three columns of text below title: Oh, my Lords, a man who walks erect like me, can plainly discover ..., One line of quoted text above image: "He had it from his father, who would tell you fifty in a breath--ay, & tell them,--'till he believ'd them all himself.", Sheet trimmed mostly within plate mark., and Temporary local subject terms: Ireland -- Soldiers: Irish soldiers -- Literature: George Ellis's Ode to Lord Moira -- Magazines: Anti-Jacobin -- Story of Moll Coggin -- Witches -- Emblems: serpents as symbol of discord -- Animals: rams -- Cannibalism -- Birds: swans -- Moon -- Spirits: whiskey.
Publisher:
Pubd. March 12th, 1798, by H. Humphrey, 27 St. James's Street
Subject (Name):
Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
"Portrait of Marie du Deffand, after Carmontelle; half-length directed to left, her eyes closed, wearing dark hood and ruffled bonnet; in oval."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum online catalogue, registration no.: 1868,0808.2306., Engraved after a wash drawing by Carmontelle that was kept by Horace Walpole in the Blue Breakfast Room at Strawberry Hill., Mounted on page 65 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching on wove paper, hand-colored ; oval sheet 7.3 x 5.8 cm and sheet 1.1 x 6.8 cm., Imperfect; oval portrait and title text cut from sheet and mounted one on top of the other, with imprint statement trimmed away., and For further information, consult library staff.
Publisher:
Publd. Novr. 12 by S. Harding, 127 Pall Mall
Subject (Name):
Du Deffand, Marie de Vichy Chamrond, marquise, 1697-1780, and Strawberry Hill (Twickenham, London, England)
Consists of the "interior of a dispensary where the viscount has brought his child-mistress to visit M.de la Pillule whose remedy has not cured her venereal disease; a large, well-dressed woman (perhaps a procuress) looks angrily at the young man and opens a knife, while the quack polishes his glasses; the room contains numerous medical and scientific objects, including machines for straightening shoulders and for drawing corks, a dried crocodile, a narwhal's tusk, and two mummies."--British Museum online catalogue and After Hogarth's painting "The Inspection" in the National Gallery, London
Description:
Title engraved below image., In lower left corner: Size of picture 3 ft. by 2 ft. 4 in., Sheet trimmed to plate mark., No. 3 in a series of 6 images, known as "The inspection.", Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2717., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 160., and Copy of: Paulson, R. Hogarth's graphic works (1st ed.), no. 230.
Publisher:
Published Jany. 1, 1798, by J. & J. Boydell, N. 90, Cheapside ; & at the Shakspeare Gallery, Pall Mall, London
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Physicians, Prostitutes, Quacks, Rake's progress, Scientific equipment, Sexually transmitted diseases, and Skeletons
"A grand bedroom with the countess holding a morning levée attended by her hairdresser while the lawyer, Silvertongue, arranges to meet her at a masquerade; others in the room include a female friend and effeminate men who pay rapt attention to a castrato singer accompanied by a flautist, a young black man who serves chocolate to the party, and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid; playing cards and invitations lie on the floor."--British Museum online catalogue
Alternative Title:
Toilette
Description:
Title etched below image., After Hogarth's painting "The Toilette" in the National Gallery, London., In lower left corner: Size of picture 3 ft. by 2 ft. 4 in., No. 4 in a series of 6 images, known as "The toilette.", Series title engraved below image., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2375., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 161., and Copy of: Paulson, R. Hogarth's graphic works (1st ed.), no. 231.
Publisher:
Pub. Jany. 1, 1798, by J. & J. Boydell, N. 90, Cheapside & at the Shakspeare Gallery, Pall Mall, London
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays. The painting above the door, the mural on the back wall, and the portrait near the window illustrate the theme
Description:
Title engraved below image., In lower left corner: Size of picture 3 ft. by 2 ft. 4 in., After the painting "The Bagnio" in the National Gallery, London., Sheet trimmed to plate mark., No. 5 in a series of 6 images. Series title engraved below image., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2748., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 162., and Copy of: Paulson, R. Hogarth's graphic works (1st ed.), no. 232.
Publisher:
Pub. Aug. 1, 1800, by J. & J. Boydell, No. 90, Cheapside & at the Shakspeare Gallery, Pall Mall, London
"Mary Aubrey, dismembering her husband's body with a broad-bladed knife, encouraged by two demons behind; her twelve-year-old son holding his severed head at left; small image inset behind at left showing her being burnt at Tyburn."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Copy of an 1688 print, with the supplied title in the London Picture Archive (record no. 26631): Murder in Long Acre. The original print, with a transcribed title from the caption below the image: A representation of the bloody murder committed by Mary Aubrey, a French midwife, which was burn [sic] to death the 2d day of March 1687/8. Cf. London Metropolitan Archives collections, reference code SC/GL/PR/LC/42/021/p7500042., Text to the left of title: Her son 12 years of age acquitted as acting by compulsion., Text to the right of title: She was hanged & burnt at Tyburn., and Mounted to: 32.5 x 27.5 cm.
Publisher:
Published Jany. 1, 1798 by J. Caulfield
Subject (Name):
Hobry, Marie, -1688,
Subject (Topic):
Homicides, Criminals, Dismemberment, Burning at the stake, Knives, and Demons
Plate [104] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Vignette to Bowyer's edition of Hume's 'History of England'; a plate of seven coins shown from both sides, above inscribed "Mary I.", above insciption a larger coin with the portrait of Queen Mary I in profile to the left, surrounded by plantation and a snake; from top and surrounding the frame a garland in the shape of a chain, ending below in the middle with a torch, sceptre and cross turned upside down."--British Museum online catalogue
Alternative Title:
Mary the First and Coins of Mary the First
Description:
Title from text within image., Sheet trimmed within plate mark on three sides., and Plate [104] in a volume bound to 50 cm.
Reduced copy of Hogarth's satire in the form of a mock admission ticket; a masquerade consisting of debauched looking characters in costume; at left, 'A', 'a sacrifice to Priapus', an altar to Priapus decorated with ram's heads and antlers, in front of which the figure of Time is stabbed by a bishop and a butcher, his blood pouring into a bowl held up by a monkey in a surplice; opposite at right, burning hearts on an altar to Venus and Cupid decorated with doves and wigs; at the back of the room, a painting of a Bacchic subject, to either side shelves with jellies and cakes, labelled provactives, and two signs with the obscene pun 'Supper below'; to either side, 'B', two 'Lecherometers' in the form of barometers, at left labelled 'Expectation Hope Hot desire Extreem Hot Moist Sudden Cold', at right 'Cool Warm Dry Changable Hot moist Fixt'; above the design at centre, a clock with Heidegger's face at top, the hour hand 'Wit', the minute hand 'Impertinence', the second hand 'Nonsense', to either side a lolling unicorn and lion, stroking their tails between their legs. Cf. British Museum online catalogue
Description:
Title etched below image., "Page 325". Upper right corner. From Ireland's Supplement to Hogarth illustrated., Sheet trimmed to plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 108., Ms. note in Steevens's hand at bottom of print: From J. Ireland's Hogarth illustrated., and On page 46 in volume 1.
Publisher:
J. Ireland
Subject (Name):
Heidegger, John James, 1659?-1748
Subject (Topic):
Allegories, Animals, Goddesses, Gods, Erotica, Masquerades, and Sacrifices
"Beneath the title is etched on a separate plate: 'Description - A Row of English People in Tatters, and wooden Shoes, hoeing a Field of Garlic. A tall raw-boned Frenchman, with a long Queue behind, like a Negro Driver with a long Waggoner's Whip in each Hand, walking by their side. The People very sulky, but tolerably obedient & tractable for so short a Time ; John Bull being a bad Lad only when you are very good to him. The Group of the hoers are, a Husbandman, his Wife, a Manufacturer, a Curate, & an Old man; - in another Part of the Field [middle distance, left], four other English people, a Father & Son (Husbandmen) with two Seamen, in a Yoke, drawing a Plough ; a French Farmer guiding it with one Hand, & with the other flourishing & cracking a French Postillion's long Whip ; a French Boy walking by the side of the Yoke with a Goad, which has a Point as sharp as a Needle, the French Hoe-driver gives his Instructions thus: "Jacques Roast-Beef, hoe straight, deep, quick & rest not." - The Instructions of the French Holder of the Plough are - "Monsieur John Bull mon Ami", (in English) My Friend, Mr John Bull, pull hard, plough deep, trot quick, turn sudden, & rest not," - A Messager d'Etat, (in English) a Messenger of State in his Habit of Office, with a Letter in his Hand, comes to hurry on the work for the Exigencies of War. - In another part of the Plate [left] stand the Farm Offices ; a vast oak, withered, above them, - A Caldron boiling, on which is engraved, Soup Maigre, with a stack of Onions & Turnips close by it. On a large Board is painted - "Regulations of this Farm., - ["At Five o'clock in the Morning the Hogs & English Slaves are \ "to be fed; at Twelve O'Clock at Night they are to be suppered, \ "& littered up with the best Straw that the Scotch & Irish part \ "of the Slaves can steal from the neighbouring Farms, & then \ "locked up. But there are Holes in the Bottom of the Walls \ "for the Hogs to go out, & get the Benefit of Fresh Air. - \ "Punishment of Laziness, for the first Offence, five hundred \ "Lashes; for the second, the Guillotine. All other Crimes, ex \ "-cept those which affect Frenchmen, are forgiven on Promise \ "of Amendment." - A Ballad is lying on the Ground in the English Language, entitled, "Recantation of British \ & Irish Republican Husbandmen & Manufacturers. - The Burden of the Song is - "Oh, England, England! \ "King, Wife, Sons & Daughters of our King, of \ "whom the Sons are all brave, & the Daughters \ "all beautiful: Parliament & Judges, who covered \ "us with Blessings, which are repaid with Reproaches. \ "Clergy who taught us to die as well as to live for \ "our country - Landaff, Landaff. - Nobles & \ "Squires in whose Hospitality & Bounty we shared. - \ "St Vincents & Duncans. Merchants, Master Manufacturer[s] \ "who lived as simply as ourselves, but both of us well; "how could we forget you? You would not have de- \ "serted us; but we deserted you. - But with the same \ "Weapons which should have defended you, we will \ "punish ourselves. We despise Life, we could submit to \ "Misfortune, but cannot bear the Consciousness of \ "not having stood or fallen with you. Oh England, \ "England, Country of every Bliss, for ever farewell!' [Dalrymple, op. cit., pp. 5-6, 33-5.] The hoe-driver stands on the left of the line of hoers (right), who advance diagonally. The husbandman is a fat John Bull, his wife a comely woman. Beyond the 'old man' is a fifth man on the extreme right Gillray has added in the foreground a ragged hoer suspiciously like Fox, cf. BMSat 9180, &c. The four men yoked to the plough do not resemble seamen. The print otherwise follows the description; the 'Messager d'État' is dressed exactly as in BMSat 9213. All the Englishmen wear large wooden shoes, emblems of servitude."--British Museum online catalogue
Description:
Title etched below image., Publisher's name and publication date in imprint are scored through with lightly etched lines., "Price 6 d. Colourd. 1 sh. 3 d.", Smaller plate consists entirely of etched text and is printed below title of plate with image., Three columns of text on lower plate begins: Description. A row of English people in tatters and wooden shoes, hoeing a field of garlic ..., Sheet trimmed to plate mark on upper edge., Temporary local subject terms: Allusion to Duncan, Adam, viscount, 1731-1804 -- Allusion to St. Vincent, John Jervis, 1st earl, 1734-1823 -- Allusion to Watson, Richard, 1737-1816 -- Farming equipment: Plough -- Hoes -- French costume: Hoe driver -- French uniforms: Messenger of State -- Threat of French invasion -- Songs: 'Oh, England, England!' -- Literature: Allusion to Address to the people of Great Britain, by Richard Watson -- Frenchmen -- Farms -- Soup maigre -- Goads -- Caldrons -- Navy: Sailors -- French hoe drivers -- John Bull -- Wooden shoes -- Propaganda -- Husbandmen -- Clergy: Curate -- Hoers -- Whips: Postilion -- Food: Garlic -- Turnips., With: Gillray, J. Me teach de English republicans to work: scene, a ploughed field. London: Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street, [1 March 1798]., and Watermark: 1794 J. Whatman.
Publisher:
Pubd. March 1st, 1798, by Js. Gillray, 27 St. James's Street
