Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman.
Publisher:
Pubd. Octor., 20th, 1823 by John Fairburn Broadway Ludgate Hill
"Caricature of the Holy Alliance (the rulers of Russia, Spain, Austria and Britain) seated round a table plotting to restore Ferdiand of Spain to his throne"--British Museum online catalogue and Satire depicting the The Quintuple Alliance (Tsar Alexander I of Russia, Napoleon Bonaparte, Francis I, Emperor of Austria, Louis Antoine de Bourbon, duc d’Angoulême and the Duke of Wellington) debating the question of the Spanish succession and French intervention in Spain at the 1822 Congress of Verona. Losers in the negotiation are depicted as tiny doll-like figures trampled under the table. Masks are scattered on the floor and animal symbolism includes a bear, a monkey and a pair of bulldogs
Description:
Title from text above image., Print signed within lower left corner of image., Not in the Catalogue of prints and drawings in the British Museum., and Manuscript number "65" in upper right corner of sheet.
Publisher:
Published Feb. 1823 by J. Dickinson, 114 New Bond St.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, Wellington, Arthur Wellesley, Duke of, 1769-1852, Francis I, Emperor of Austria, 1768-1835, Angoulême, Louis-Antoine d'Artois, duc d', 1775-1844, Ferdinand VII, King of Spain, 1784-1833., and Congress of Verona
Subject (Topic):
Bulldogs, Monkeys, Bears, Masks, Flags, and Globes
"Portrait, three-quarter length, standing in front of a pillar and curtain, facing towards left, holding rolled-up papers in his right hand; after T.C. Thompson; state before changing the words of the lettering."--British Museum online catalogue
Alternative Title:
Right Honourable Viscount Sidmouth, &c. &c. &c.
Description:
Title etched below image., Samuel Cousins engraved the plate in conjunction with S.W. Reynolds, as indicated by the altered printmaker's statement on the third state. See Whitman., State from Whitman., Proof state, with the word "Proof" etched above imprint statement., Sheet trimmed within plate mark on two sides., and Bound in opposite page 588 (leaf numbered '19' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
"A wild turmoil of men and women in court dress or uniform outside Buckingham House, which is indicated in the background, with a covered way or awning leading to the doorway from the right. Two beefeaters stand before the door and above the crowd, holding up their arms and yelling: Keep back, Keep back Put off postponed till the first of next April. Prominent figures in the foreground are (right), a field-marshal (? Prince Leopold) with a hussar officer (? Prince Esterházy). The former steps on and tears the train of a lady who looks round in angry dismay. She and an absurdly dandified Lancer officer are the central figures in the foreground. Women and men are prostrate, and there are many incidents. A barrister with (?) Brougham's profile drives his elbow savagely into the face of a bishop. Plumed shakoes, helmets, and cocked hats tower above the crowd. An arm holds up a lady's feathered wig and curls on the point of a sword. Complaints are inscribed along the upper margin: [1] Have I not borrowed the Duchess's last Birth Day suit & had it transmogrified to prevent its being known again, at the expence of 1.13.9 & and only to be hustled. [2] ever since four Oclock this morning, under two men & three maids suffering purgatory to be made an April Fool of. [3] I never looked so bewitching in all my life. [4] What a cut. [5] have I been up all night, Dressing, perfuming, painting, & plastering to be served thus. [6] What after hiring all these dashing Diamonds & Jewels at such an extravagant price & not to be suffered to shew them insulting, provoking. [7] was to have been Presented now I suppose shall be Represented [? caricatured]. The last speaker is a fat lady who tugs at a man's bag-wig"--British Museum onling catalogue
Alternative Title:
Birthday hoax and April fools
Description:
Title from item., Printmaker from British Museum online catalogue., and Sheet trimmed to plate mark on one side.
Publisher:
Pub. April 24th, 1823 by S.W. Fores 41 Picadilly[sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Léopold I, King of the Belgians, 1790-1865, Esterházy, Prince, 1786-1866 v Caricatures and cartoons., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868
Subject (Topic):
Celebrations, Clergy, Crowds, Dandies, Military officers, and Nobility
"Carriages approach the east front of Buckingham House (left), watched by spectators. The first coach is stopped by a monster who stands on the shoulders of two beefeaters, wearing a cap inscribed Gout; flames issue from broad nostrils, barbed darts from his mouth; he has talons for hands and feet. He says: You may all return from whence ye came, and lay up your court dresses in Lavender; for, by the King's Great Toe I swear, you shall not enter here. High up under the pediment of the façade, stands a demon or blue devil, legs astride, who shouts: You have not got him all to yourself Signor Pinchtoe!! A beefeater holds up a placard on a pole: Bulletin. Notice Drawing Room postponed. Precisely at twenty two minutes five seconds past four this morning it was discovered (by a Lord of the Bed-Chamber) that the left side of his Majesty's Great Toe, on the right foot had suffered a slight accession of Inflammation--it is not yet accurately known to the faculty wether it is a bite from a Blue Devil [cf. British Museum Satires No. 14598] a Whitlow, or the Gout. Signed Tierney Halford. The foremost coachman, wearing cocked hat, powdered wig, and nosegay, reins in a pair of heavy horses and gapes at the monster; ladies put feathered heads from the coach windows; one addresses a fat elderly man who stands by the coach: It's not pretty behaviour however to disapoint so many merely on account of a trifling Pinch of the Great Toe. He answers: My dear Lady! it would be quite contrary to Etiquette for a King to be seen limping into a Drawing Room upon crutches with a swelled Foot and a big Shoe. The two footmen behind are run into by the horses of the next carriage, which has men in plain livery; one turns to strike at the horses. The lady looks out to say: Its very provoking to be hoax'd in this manner after being put to all the Trouble and Expence! Two Irishmen stand together in the foreground, one says: By Jasus i'll be after bringing a Bill into the House to enable his Majesty to see company in his slippers, does'nt ould King Louis hold a Drawing Room with both his legs bound up in flannel? The other answers: Poh! Sir Pheligm! it comes with keeping bad company, has'nt he caught the complaint of the Ould City Baronet [Curtis] think you? Two liveried chairmen (right) have grounded their sedan-chair; one raises the roof, the other addresses the lady within; he points over his shoulder with his thumb, saying, They say as how there is a Bul-let-in and he has trod upon his Majestys Great Toe, and that makes all the botheration my Lady! She says: It's an Irish Bull then I am certain!! Behind the Park railing (right) are tiny spectators."--British Museum online catalogue
Alternative Title:
Birthday hoax, or, The gout at court and Gout at court
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Additional attribution to Robert Cruikshank from ink annotation "I.R. Cruikshank fecit" on Yale Medical Library impression., and Temporary local Medical Library subject terms: Devils & demons.
Publisher:
Pubd. April 28th, 1823, by John Fairburn, Broadway, Ludgate Hill
Subject (Name):
Buckingham Palace (London, England),
Subject (Topic):
Gout, Carriages & coaches, Monsters, Honor guards, Crowds, Sedan chairs, and Servants
Title from caption above image., Sheet trimmed leaving thread margins., Cf. No. 14402 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Temporary local subject terms: Farming -- Farmers -- Wives -- Cattle -- Piano -- School masters -- Students -- Women's dress., and Watermark: Smith 1819.
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Publishd. Feby. 10th, 1823 by A.W. Fores, 41 Piccadilly
