Title etched below image., Publication information from unverified data in local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Devils -- Monkeys.
"A farmer, wearing his hat, John Bullish and intimidating, hand resting on a cudgel, stands in a plainly furnished room staring fixedly at a closed door, at which a dog is sniffing. A plumed cocked hat, sword, and boots, just outside the door, tell their story. He says to a terrified maidservant who holds a lighted candle: 'Hulloa Girl! what the devil's all this?--Bring the light this way.--Where's your Mistress?--'. She answers: '--Why, Sir, She--she--she--sh--e--e--e--e--e--e--'. Above the hearth are two small pictures: 'Virtue Rewarded' and 'Village Innocence'. A wall clock points to 10.30. Through a casement window is seen a violent zigzag of lightning."--British Museum online catalogue
Description:
Title etched below image., Lines of dialogue below title: Halloa, girl! What the devil's all this? Bring the light this way. Where's your mistress? ..., and Sheet trimmed within plate mark on lower edge.
Title from caption below center image., Nine designs on one plate, each individually titled., Sheet trimmed within plate mark., and One of six plates of a series entitled: Scraps and sketches / by George Cruikshank. Part the second. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, p. 239-240.
"The King's giraffe hangs limply from a sling which is suspended from a cross-beam supported on two uprights. George IV and Lady Conyngham push hard at a windlass to hoist up their pet. He has thrown off his coat and rolled up his shirt-sleeves; tight breeches define spherical posteriors. She looks up sentimentally at the animal, whose forelegs are swathed in stockings, with the feet in large shoes stamped with a crown. Beside it is an open chest of stoppered spirit bottles. A background of trees and grass indicates Windsor Park."--British Museum online catalogue
Description:
Title etched above image., Plate signed in bottom left corner using William Heath's device [image of Paul Pry]: A man with an umbrella., Date of publication from British Museum catalogue., Publisher's advertisement following imprint: ... where political and other caricature are dialy [sic] pub., Sheet trimmed within plate mark on left side., To the left of the small image of Paul Pry: I supose [sic] we shall have to pay for stuffing him next., and Text below image: Little hope is now entertaind. of the recovery of the giraffe - since the last attack he is unable to rise without the assistance of slings - every attention is paid him but tis fear'd without effect. Morning papers.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"A stout cylindrical shaft stretches across the upper part of the design, inscribed 'Manufactures & Commerce'. To this cling by both hands four ragged and desperate artisans, wearing aprons, but it has broken in the middle so that they, and others clinging to them, are about to fall into the swirling clouds at the base of the design. Two larger and stouter men, respectably dressed employers, cling frantically to the legs or garments of the four artisans. At the base of this inverted pyramid is a stout figure, half-bishop, half-King, clinging to coat-tails and pocket of the two men above him. A bloated episcopal face is half covered by a battered crown (right), while a large mitre tilts to the left, and the figure, Church and State, is clothed half in surplice (left), half in ermine-trimmed robe, with one episcopal leg, and one leg with a garter inscribed '[Hon]i Soit' [George IV as in British Museum Satires No. 15819 by the same artist]. Above the broken shaft is a large irradiated inscription: 'Manufactures & Commerce support the Workmen | they the Merchants & Masters who are the | chief tax payers & thereby support | The great tax eater Church-and- State.'"--British Museum online catalogue
Description:
Title etched below image., Possibly by Robert Seymour; see British Museum catalogue., and Matted to: 45.6 x 31.5 cm.
Publisher:
Publishd. by Thos. McLean, 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Artisans, Aprons, Crowns, Miters, Robes, Church & state, and Taxes
Title from caption below image., Title from dialogue in Shakespeare's The taming of the shrew: Tailor "The sleeves curiously cut." Petruchio "Ay, there's the villainy.", Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... sole publisher of P-Prys caricatures, none are original without this publication., Text following title: Vide Skakspeare., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. June 30, 1829, by T. McLean, 26 Haymarket ...
"Above the design: '"Take heed, have open eyes; for thieves do foot abroad [sic]. Shakespeare' ['Merry Wives', II. i] 'Render unto Seizer those things which are Seizers.' A bishop (right), wearing apron and shovel-hat, brandy-faced and scowling, walks to the right, using a cane. Dodging behind are Wellington and Peel as ragged pickpockets. The Duke wears a cap, a dilapidated military coat, and old white trousers; twitching a handkerchief from the bishop's coat-tail pocket he says: 'I say Bob-I'll have a dash at the Parsons now.' Peel, dressed as the "Cad" of BM Satires No. 15734, &c, says: 'Odd Rat 'em-I'm afeard on 'em.' The bishop claps his hand over his breeches pocket and scowls; he says: 'Two very suspicious looking fellows-dodging me about-I hope they are not going to pick my pocket.'"--British Museum online catalogue and A bishop wearing an apron walks to the right. Behind him Wellington and Peel dressed as pickpockets pull a handkerchief from his pocket
Description:
Title etched below image., The figure with hat and cane is a device of Paul Pry, pseudonym of William Heath., and Publisher's advertisement following imprint: "Sole publisher of Paul Pry caricatures."
Publisher:
Pub June 2d, 1829, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Peel, Robert, 1788-1850
"After the title: 'Dedicated to the enlightened and temperate Protestants of the united Kingdoms--.' The 'Bugabo' is held up by an Irishman in the centre of the design: a huge sheaf of straw to which is tied a mask inscribed 'Inquisition' with glaring eye-balls and fanged mouth; from the sheaf project a cross and a lighted church candle. The Irishman peeps from behind it, saying, 'Hurra! by Jasus! a'rnt I a comeing.' He terrifies a crowd of 'old women' (right) who flinch, flee, and fall. The foremost is Eldon, wearing a cap over a Chancellor's wig, and holding a 'Petition of the Old Women of Petty France Westmr against Catholic Emancipation' [cf. BM Satires No. 15716]. He says: 'Avaunt and quit my sight! Hence! Horrible shadow Hence! Hence without Hesitation!!' A little boy exclaims: 'D'ont be frightened Mother! why i'ts only straw!' A woman, holding a big birch-rod, to show that she is (?) Joseph Birch, M.P. for Nottingham, exclaims: 'Oh! this is the consequence of that fatal Thursday! O that I could give them their deserts I'd make them remember Birch!!' Of the remaining six women, one exclaims 'Indeed Sir it was not me that cried No Popery'; two others wear ducal coronets: Cumberland (moustached) says: 'Only let me catch you in Cumberlan thats all!' Newcastle (unrecognizable) adds: 'Aye or at Newcastle we'd make Pickle Salmon of him.' On the extreme left are Wellington and Peel; the Duke, who is in uniform with cocked hat, sword, and boots, says to Peel: 'That many would be frightened at straws is no more than I anticipated my worthy Colleague! -- but depend upon it they will find the Hearts of his Majestys Catholic Subjects contain as much Honor Loyalty and Gratitude as those of their fellow Countrymen of a different persuasion --and in time they will find I have made no Mistake!!' Peel, who walks hat in hand, carrying a box of 'Candi[ed] Peel', answers: 'It is with this conviction I have candidly acknowledged my change of former sentiments assured that your measures as leader of His Majesty's Government will prove as conducive to the Peace and Happiness of these realms as your Tactics when Leader of his Armies.'"--British Museum online catalogue
Alternative Title:
Bugabo for old women and children
Description:
Title from caption below image., Printmaker and date from British Museum catalogue., Text following title: Dedicated to the enlightened and temperate Protestants of the united kingdoms., Sheet trimmed to plate mark., Temporary local subject terms: Irishmen -- Reference to Inquisition -- Emblems -- Cross -- Church candles -- Grotesque masks -- Chancellor's wigs -- Ducal coronets -- Birch, Joseph, fl. 1829., and Numbered in ms. at top of sheet: 172.
Publisher:
Pubd. 1829 by J. Chappell, Royal Exchange
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Ernest Augustus, King of Hanover, 1771-1851, Newcastle, Henry Pelham Fiennes Pelham Clinton, Duke of, 1785-1851, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Peel, Robert, 1788-1850
Title from text above image., Imprint mostly burnished from plate; originally published by McLean in 1829., Two lines of text below image: Never mind if he does come Bob! We a've as much right here as him ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.