Authors of the Catholic Reform Bill, Wellington and Peel are dressed in tall conical caps and tied to the back of chair carried by Eldon. A fat bishop, probably Howley, walks behind, carrying the legs of the chair, as the head of Cumberland with gapping mouth appears behind him. A fat John Bull character looks on the scene from the left foreground. The group is met on the right by an angry Irish ragamuffin wearing a barrister's wig and waving his fist and a shillelagh, suggesting that he is O'Connell
Alternative Title:
Don't you remember the fifth of November
Description:
Title etched below image., Lower right corner, device of Paul Pry, pseudonym of William Heath : a figure with hat and cane., Publication date from British Museum catalogue., and Publisher's advertisement following imprint: Political & other caricatuers [sic] daily pub.
Publisher:
Pub by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Ernest Augustus, King of Hanover, 1771-1851, Howley, William, 1766-1848, O'Connell, Daniel, 1775-1847, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Politics and government, and John Bull (Symbolic character)
A stem of a violet with the heads in profile of eight figures -- Sir Walter Scott, Duke of Cumberland, Lord Brougham, King William, Queen Adelaide, Princess Victoria, Napoleon Buonaparte, Duke of Wellington -- are hidden amongst the leaves, stems, and blossoms
Description:
Title from item. and Date range for publication from the cataloged impression in the John Johnson Collection of Printed Ephemera, Bodleian Library, shelfmark: Puzzle pictures folder 2 (8b).
Publisher:
Published by R. Gilbert, 31 Oxford St. and W. & J.O. Clerk, litho., 202 High Holborn
Subject (Name):
Scott, Walter, 1771-1832,, Brougham and Vaux, Henry Brougham, Baron, 1778-1868,, Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849,, Napoleon I, Emperor of the French, 1769-1821,, Ernest Augustus, King of Hanover, 1771-1851,, William IV, King of Great Britain, 1765-1837,, Victoria, Queen of Great Britain, 1819-1901,, and Wellington, Arthur Wellesley, Duke of, 1769-1852,
"Sheridan, fat and grotesque, dressed as Pizarro, strides to the front of the royal box, followed by the King and Queen in Court dress. He holds out a guttering candle in each hand and shouts towards the stage: "Stand by there, move that Stone out of the Way hollo Music there play God Save the King d'ye hear take care Sire mind that Step, louder there Music make room for the best of Kings & wisest of Sovereigns! Encore." The King says to the bejewelled Queen: "No! no! no Jacobins here all Loyal all Loyal, Charming Man the Author eh! charming Man, never saw him in such a good light before." Three princesses follow; one says: "bless me I never saw that General at Court". Behind are two princes in uniform with gorgets, evidently the Dukes of York and Cumberland. On the floor by Sheridan are two papers: 'Maidstone Loyalty' [see British Museum Satires No. 9245, &c], and '[Tomorr]ow Evening performed a new play called the Loyal Author to which will be added a Peep behind the Curtain Vivan[t] Rex et Regina'. The curtain is down; on the proscenium, replacing the usual 'Veluti in Speculum', is 'Anti Jacobin House'. Two men stand in the pit, waving their hats towards the royal box; one is Fox."--British Museum online catalogue
Alternative Title:
Pizarro a new play, or, The Drury-Lane masquerade and Drury-Lane masquerade
Description:
Title etched below image; the letter "N" in "New" is etched backwards., Tentative attribution to Ansell from the British Museum catalogue., Attributed to Charles Williams in local card catalog record., Sheet trimmed within plate mark., Printseller's announcement in lower right: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Theatrical costume: Spanish don -- Gorgets -- Songs: God Save the King -- Anti-Jacobin House -- Queen Charlotte's jewels -- Female dress: Queen Charlotte's dress., Watermark: Strasburg lily., and Mounted to 28 x 42 cm.
Publisher:
Pubd. June 11th, 1799, by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Jacobins, Theaters, Interiors, Costumes, Stages (Platforms), Candles, Jewelry, and Military uniforms
The work documents the travels of Maximilian Prinz zu Wied and Karl Bodmer, primarily in the Missouri River Valley, 1832-1834, with descriptions and depictions of the Indigenous people of the region, including the Mandan, Hidatsa, Assiniboine, Dakota, and Cree
Alternative Title:
Title of volume 3, on printed wrappers
Description:
BEIN ZZc20 839wi copy 1: Plates are colored., BEIN ZZc20 839wi copy 2: Plates are uncolored. Bookplate: From the library of Dr. Otto L. Schmidt, 1863-1935, Chicago. Acquired with: Wied, Maximilian. ALS to [Samuel G. Morton]. Neuwied : 1841 Feb. 20. 2 L., and a transcript in an unidentified hand, 2 L. (WA MSS S-2144;W634)., BEIN 2003 Folio 86: Unbound sheets; plates are uncolored. With 8 original printed wrappers for text, for Hefts 3-4, 5, 6-7, 12-13, 14, 15-17, 18, 19-20; Heft numbers written on wrappers in ms. All plates (both Kupfern and Vignetten) unbound in 10 original printed wrappers for Hefts 1-2, 3-4, 5, 6-7, 8-11, 12-13, 14, 15-17, 18, 19-20; Heft numbers written on wrappers in ms.; number of plates in each wrapper also written in ms.; printed title on wrappers is: Kupfer zu Prinz Maximilians von Wied Reise durch Nord-Amerika. Bookplate of Paul Mellon., Includes 81 plates, largely in aquatint, after drawings by Karl Bodmer, each bearing his blind stamp. Vignettes I-XXXIII are bound in with the text; tableaux 1-48 are bound in the third (atlas) volume, along with the folding map., "Verzeichniss der resp. Herren Subscribenten"--Volume 2, pages [v]-xvi., "Sprachproben verschiedener Völkerstämme des nord-westlichen Americas"--Volume 2, pages [455]-653., Includes bibliographical references., and BAC Folio B 2023 4: Plates are hand-colored. Includes the plan of Fort Clark, the table of temperatures at the fort, the folding map showing the route of the expedition, and the key plate to tab. 21 (all often lacking). From the library of Ernest Augustus, King of Hanover, with his ink stamp. Bound in contemporary black quarter calf and black cloth, with the original printed wrappers of volume 3 (the atlas volume) bound in.
Publisher:
Bei J. Hoelscher and Gedruckt bei Dubois und Werle
Subject (Geographic):
United States, Missouri River Valey, Great Plains., Missouri River Valley., and United States.
Subject (Topic):
Description and travel, Mandan Indians, Hidatsa Indians, Assiniboine Indians, Dakota Indians, Cree Indians, Indians of North America, Languages, and Natural history
"A cock with the head of Wellington stands tied to a peg, on a round board, supported on a low post (right). A short truculent-looking woman in a man's patched coat, with a bundle of sticks under her arm, stands beside the bird, which is undamaged and in fine feather; she invites its enemies to throw: 'Shy away he's a real good un.' An angry cleric, in shovel hat and apron, stands with a bundle of sticks under his arm; he says : 'I'll have every tenth throw.' "Paul Pry", one hand resting on his umbrella, stoops forward, about to throw a stick topped by a little figure of Wellington as a coachman, touching his hat, as in British Museum Satires No. 15731; his face is hidden by his raised arm. Behind him, three men confer conspiratorially, each with a stick, inscribed respectively 'Chronicle', 'Times', 'Herald'. In the foreground on the extreme left Cumberland, in hussar uniform, is in conversation with Eldon, who points over his shoulder with his thumb, and exclaims 'Lost my Stick!!!'."--British Museum online catalogue
Description:
Title etched below image., Possibly by Robert Seymour; see British Museum catalogue., and Date of publication from the British Museum catalogue.
Publisher:
publisher not identified
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Ernest Augustus, King of Hanover, 1771-1851, and Eldon, John Scott, Earl of, 1751-1838
"After the title: 'Dedicated to the enlightened and temperate Protestants of the united Kingdoms--.' The 'Bugabo' is held up by an Irishman in the centre of the design: a huge sheaf of straw to which is tied a mask inscribed 'Inquisition' with glaring eye-balls and fanged mouth; from the sheaf project a cross and a lighted church candle. The Irishman peeps from behind it, saying, 'Hurra! by Jasus! a'rnt I a comeing.' He terrifies a crowd of 'old women' (right) who flinch, flee, and fall. The foremost is Eldon, wearing a cap over a Chancellor's wig, and holding a 'Petition of the Old Women of Petty France Westmr against Catholic Emancipation' [cf. BM Satires No. 15716]. He says: 'Avaunt and quit my sight! Hence! Horrible shadow Hence! Hence without Hesitation!!' A little boy exclaims: 'D'ont be frightened Mother! why i'ts only straw!' A woman, holding a big birch-rod, to show that she is (?) Joseph Birch, M.P. for Nottingham, exclaims: 'Oh! this is the consequence of that fatal Thursday! O that I could give them their deserts I'd make them remember Birch!!' Of the remaining six women, one exclaims 'Indeed Sir it was not me that cried No Popery'; two others wear ducal coronets: Cumberland (moustached) says: 'Only let me catch you in Cumberlan thats all!' Newcastle (unrecognizable) adds: 'Aye or at Newcastle we'd make Pickle Salmon of him.' On the extreme left are Wellington and Peel; the Duke, who is in uniform with cocked hat, sword, and boots, says to Peel: 'That many would be frightened at straws is no more than I anticipated my worthy Colleague! -- but depend upon it they will find the Hearts of his Majestys Catholic Subjects contain as much Honor Loyalty and Gratitude as those of their fellow Countrymen of a different persuasion --and in time they will find I have made no Mistake!!' Peel, who walks hat in hand, carrying a box of 'Candi[ed] Peel', answers: 'It is with this conviction I have candidly acknowledged my change of former sentiments assured that your measures as leader of His Majesty's Government will prove as conducive to the Peace and Happiness of these realms as your Tactics when Leader of his Armies.'"--British Museum online catalogue
Alternative Title:
Bugabo for old women and children
Description:
Title from caption below image., Printmaker and date from British Museum catalogue., Text following title: Dedicated to the enlightened and temperate Protestants of the united kingdoms., Sheet trimmed to plate mark., Temporary local subject terms: Irishmen -- Reference to Inquisition -- Emblems -- Cross -- Church candles -- Grotesque masks -- Chancellor's wigs -- Ducal coronets -- Birch, Joseph, fl. 1829., and Numbered in ms. at top of sheet: 172.
Publisher:
Pubd. 1829 by J. Chappell, Royal Exchange
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Ernest Augustus, King of Hanover, 1771-1851, Newcastle, Henry Pelham Fiennes Pelham Clinton, Duke of, 1785-1851, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Peel, Robert, 1788-1850
Published May 4, 1818, by G. Humphrey, 27 St. James's St., nephew & successor to the late Mrs. H. Humphrey
Subject (Name):
Elizabeth, Princess of England, 1770-1840, Frederick VI, Landgrave of Hesse-Homburg, Caricatures and cartoons., George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, William Frederick, Duke of Gloucester, 1776-1834, Mary, Duchess of Gloucester, 1776-1857, Augustus Frederick, Prince, Duke of Sussex, 1773-1843, Edward Augustus, Prince, Duke of Kent, 1767-1820, Ernest Augustus, King of Hanover, 1771-1851, and Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818
Subject (Topic):
Ethnic stereotypes, Dance, Obesity, Military uniforms, Drinking vessels, Musical instruments, Dogs, and Pipes (Smoking)
A woman in long, white flowing gown and veil which cascades over her shoulders and arms, stands in a profile to the left, her right arm raised toward the kneeling figure of a young man in regimentals. The man looks at her through an eye-glass in his right hand. The image is a reference to M.G. Lewis's popular play, Castle Spectre in which Mrs. Powell played the title role; the admirer is evidently Prince Ernest
Description:
Title from item.
Publisher:
Pub. by Willm. Holland, No. 50 Oxford Street
Subject (Name):
Ernest Augustus, King of Hanover, 1771-1851, Lewis, M. G. 1775-1818. (Matthew Gregory),, and Powell, Jane, approximately 1761-1831.
"Illustration to 'The Empire of the Nairs', pp. 175-9, referring to verses published in the 'Scourge', iii. 313-18, 456-61, 'The H- [Hertford] Dynasty, or the Empire of the Nairs', suggested by the romance of J.H. Lawrence, 'The Empire of the Nairs', 1811 (published in German in 1811, and afterwards in French), with an introduction seriously advocating the introduction of these customs into England. The Nairs (or Nayars) were a military caste of Malabar who practised polyandry. The plate is not elucidated. Lady Hertford reclines in an ornate bath, into which water gushes from the jaws of a monster which decorates the pedestal of a Venus. The bath is raised on a triple dais and backed by the pillars and canopy which frame the Venus forming the centre of the design. The Regent, in royal robes, ascends the steps of the dais, poised on his toes like a ballet-dancer, and places a crownlike marquis's coronet on the head of Lady Hertford who leans towards him, her enormous breasts appearing over the edge of the bath. She says: "I proclaim the Freedom of the Sex & the Supremacy of Love." Lord Hertford, who bestrides the pedestal, looks down delightedly from behind the statue of Venus. He has horns, and holds his Chamberlain's staff. The water pours from the bath through the nostrils of a bull's head with which it is ornamented, and falls in a triple cascade into a circular basin in the centre foreground. On each side of the statue of Venus and flanking the dais is a statue in a niche: 'Aspasia' (left) and 'Messalina' (right); both are disrobing. Near the fountain (right) a hideous hag, naked to the waist, crouches before a tall brazier in which she burns a 'Mantle of Modesty'. The building appears to be circular, an arc of the wall forming a background on each side of the centre-piece. On this are tablets inscribed respectively 'Hic Jacet Perdita' [Mary Robinson, the Prince's first mistress, see No. 5767, &c.]; 'Hic Jacet Armstead' [Mrs. Fox, who had been the Prince's mistress, cf. No. 10589]; 'Hic J[acet] Vauxhall Bess' [Elizabeth Billington, see British Museum Satires No. 9970; her mother sang at Vauxhall, see British Museum Satires No. 6853]. In the foreground on the extreme right a buxom young woman puts her arms round the Duke of Cumberland, saying, "I'll go to Cumberland"; he walks off with her, to the fury of an admiral just behind the lady who clutches his sword and is seemingly her husband. Cumberland wears hussar uniform with a shako and fur-bordered dolman, with a star and a large sabre. A meretricious-looking young woman (? Mrs. Carey) puts her arms round the Duke of York, saying, "And I to York." The Duke, who wears uniform with a cocked hat and no sword, looks down quizzically at her. Behind him a tall thin officer in hussar uniform bends towards Princess Charlotte, taking her hand; he says: "Sure & I'll go to Wales." She runs eagerly towards him. As a pendant to these figures, Grenadiers stand at attention on the left, holding bayoneted muskets; they have huge noses, and smile at a buxom lady wearing spurred boots who addresses them with outstretched arm, saying, "And you for Buckinghamshire." At her feet is an open book: 'Slawkenberges Chapr on Noses' [from Sterne's Slawkenbergius, imaginary author of a Rabelaisian fantasy in 'Tristram Shandy']. They have a standard with the word 'Buckin ...' on it. Behind the Prince (left) stands Tom Moore, looking up at the coronation; he holds an open book: 'Little Poems / Ballad . . .' He says: "I'll give you one Little Song More [see British Museum Satires No. 12082]." Behind him stands Mrs. Jordan, placing a chamber-pot on the head of the Duke of Clarence, who wears admiral's uniform with trousers."--British Museum online catalogue
Description:
Title etched below image., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 4 (September 1812), page 173., and Sheet trimmed within plate mark.
Publisher:
Pubd. September 1st, 1812, by W.N. Jones, No. 5 Newgate St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Francis Ingram Seymour, Marquess of, 1743-1822, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, Charlotte Augusta, Princess of Great Britain, 1796-1817, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, Robinson, Mary, 1758-1800., Fox, Elizabeth Bridget, 1750-1842., Billington, Elizabeth, 1765-1818., and Venus (Roman deity),
"Plate to the 'Scourge', iv, before p. 349. An illustration to 'Elections in the Isle of Borneo', pp. 349-55, relating a dream in which the Prince chooses his Ministers and Household officers according to their proficiency in adultery. A sequel to British Museum Satires No. 11899. The Regent is enthroned under a canopy in the centre of a long platform backed by the pillars of Carlton House. Below is the cobbled street, with passers-by and spectators whose heads are just below the platform, so that the figures are arranged in two tiers. The Regent's throne is on a triple dais; he puts one arm round the waist of Lady Hertford who sits on his knee, holding at arms' length a brimming goblet. She puts her right arm round his neck, and also supports herself by placing a finger on the branching antlers of her husband, who stands in his chamberlain's robes, and holding his wand of office, beside the dais, at which he points with a complacent grin. He says: "My gracious Master is personelly acquainted with my merits, they live in his bosom, & he will reward me, according to my Deserts." Lady Hertford wears a spiky crown, and her vast spherical breasts are divided by a jewel in the form of the Prince's feathers with his motto 'Ich Dien.' The drapery over the throne is centred by the crowned skull of a stag, with wide antlers; in its nostrils is a ring from which a birch-rod hangs above the Prince's head. A grinning demon, standing on the antlers, straddles across the crown, holding up the drapery. On the left of the throne the Duke of York, in uniform with cavalry boots, his hand on his sword, stands swaggeringly. A woman clutches his arm and whispers in his ear; beside them is a basket containing three infants and inscribed 'Mother Careys Chickin' [see British Museum Satires No. 11050]. He says: "I was turned out of the Office I now solicit because I was too fond of a married Woman [Mrs. Clarke, see British Museum Satires No. 11216, &c.] & could not live without commiting Adultery I claim therefore to be once more elevated to the Office of Commander in Cheif." Behind Lord Hertford (and a pendant to Mrs. Carey) stands an elderly posturing peer, wearing a star, his hands deprecatingly extended. He says: "As for business I never had a Headfor't but I have laid the Country under a Massy load of Obligations in other respects Adultery is my Motto so give me ******ship of the H-." Next (right) is a group of three: the Duke of Cumberland in outlandish Death's Head Hussar uniform holding a sabre with a notched blade and seemingly dripping blood, though not so coloured. He stands between two young women; one, holding his arm, brandishes a razor over her head, the other holds a paper called 'Nugent'. The Duke says: "Considering my Exploits you cannot do less than make me a Field Marshal." On the extreme right is the Duke of Clarence in admiral's uniform with trousers, pointing to a broken chamber-pot ('Jordan') decorated with a crown and containing seven children, two in uniform. Mrs. Jordan takes him affectionately by the arm. He points downwards, saying, "I have lived in Adultery with an actress 25 years & have a pretty Number of illegetimate Children. I hope you will make me an Admiral of the Fleets." On the extreme left McMahon, dwarfish and ugly, stoops over the edge of the platform, pouring coins from a bag marked 'P P' [reversed letters], for Privy Purse (or Pimp), into the apron of a hideous bawd who grins up at him. He says: "Let her be forty at least, plump & Sprightly." Next stands Lord Yarmouth, wearing a star, his hands in his pockets, scowling at a young woman who puts her hands on his shoulders; he says: "Confound my Wishers if Venus alias Fanny Anny [Fagniani] may not go to Juno----I'm Vice all over. Let me con tinue so." Next is a tall man wearing a long driving-coat with a star and a small rakish top-hat (? Lord Melbourne); one leg terminates in a cloven hoof. He stands between two disreputable women of the lowest St. Giles type, ragged and hideous, an arm across the shoulders of each; both offer him drink, one takes him by the chin. A third and younger woman sits on the ground at his feet, drinking from a bottle. He says: "As for me my Name is sufficient, I am known as the Paragon of Debauchery and I only claim to be the-s [Regent's] Confidential Friend." On the ground (left to right) are the bawd receiving money from McMahon, a ragged dustman with the curved shin-bones then known as 'cheese-cutters', a result of rickets; George Hanger, with his bludgeon under his arm (cf. British Museum Satires No. 8889, &c.), saying, "Hang her She's quite Drunk"; Augustus Barry, grotesquely thin and very rakish, with long coat, standing with widely splayed-out feet. These three stare up at the throne, Barry looking through an eye-glass. A ragged, sub-human creature picks Barry's pocket, taking a paper: 'A Sermon to be Preached at Cripple gate by Revd Honble A Newgate'. A blind beggar (? a sailor) walks with a stick, and a dog on a string, holding out his tattered hat. A Quaker-like figure stares up at the platform where the legs of the seated prostitute hang over its edge, as does a beggar boy with badly twisted legs. Next, a fashionably dressed man and woman shake hands, bending to stare into each other's face. He takes her left hand. His dress resembles that of the dandy of a few years later: shock of hair, exaggerated neck-cloth, hussar-pattern trousers, and long tail-coat. The centre figure in this lower row is John Bull looking up angrily over his shoulder at the prostitute, and pushing away to the right three young girls; he says to them: "Get away get away, if you go near the Platform you'll be ruined." His bull-dog looks pugnaciously up at the platform. A tall emaciated cavalry soldier speaks to a woman in a poke-bonnet, while a little ragged boy clasps the long horse-tail which hangs from his helmet. On the extreme right is Sheridan in (ragged) Harlequin's dress (cf. British Museum Satires No. 9916), moribund or drunk, supported between two top-booted bailiffs; one holds a writ and says "Poor fellow his Magic wand is broken." On the ground lies his wooden sword in two pieces, one inscribed 'M', the other 'P'; at his feet is a paper: 'Princely Promises'."--British Museum online catalogue
Alternative Title:
Election in the island of Borneo
Description:
Title etched below image., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 4 (October 1812), page 349., Sheet trimmed within plate mark., Window mounted to 36 x 51 cm., and Mounted opposite page 318 (leaf numbered '143' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published November 1st, 1812, by W.N. Jones, No. 5 Newgate Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, McMahon, John, approximately 1754-1817, Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842, Melbourne, Peniston Lamb, Viscount, 1745-1828, Hanger, George, 1751?-1824, Barry, Augustus, Honble., 1773-1818, Sheridan, Richard Brinsley, 1751-1816, and Carlton House (London, England),
Subject (Topic):
Harlequin (Fictitious character), John Bull (Symbolic character), Dustmen, Thrones, Canopies, Columns, Adultery, Antlers, Cobblestone streets, Demons, Military uniforms, Baskets, Infants, Daggers & swords, Poor persons, Pickpockets, Beggars, Staffs (Sticks), Prostitutes, Soldiers, and British
