Print shows three fashionable dandies in a well-furnished room. One (left) sings, seated, and with a leg resting on a second (lyre-backed) chair; he leans sentimentally, hand on heart, towards a lutanist reclining on a (Regency) sofa playing an ornate curiously shaped instrument. The third stands behind the sofa, playing a flageolet, and admiring himself in a mirror above the ornate fireplace. The vocalist holds an open music-book: 'Love has eyes.' On the floor beside him are two others: 'The Lovesick Swain set to Music' and 'Our Warbling Notes and Ivory lutes Shall ravish every ear.' Two whole length portraits flank the mirror, one of a lady in quasi-Elizabethan dress, the other of a man similarly dressed, both having pinched waists and full busts. Below one is a picture of 'Vacuna' [Goddess of rural leisure], a blowzy woman lying under a tree; below the other, a grotesque 'Narcissus' admires his reflection. On the end of the sofa sits a grotesquely clipped (and dandified) poodle suckling puppies
Alternative Title:
Dandy trio and Hummingbirds, or, A dandy trio
Description:
Title etched below image., After a design by amateur caricaturist John Sheringham; see British Museum catalogue., Later state, with G. Humphrey's original imprint replaced. For an earlier state, see no. 13446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., A reissue of a print originally published 15 July 1819 by G. Humphrey. This later state was included in Thomas McLean's 1835 collective reissue of several Cruikshank etchings entitled "Cruikshankiana : an assemblage of the most celebrated works of George Cruikshank ...", and Sheet trimmed within plate mark.
Publisher:
Pubd. by Thos. McLean, 26, Haymarket
Subject (Geographic):
England, London, England., and London.
Subject (Topic):
Dandies, Fashion, Clothing and dress, British, Interiors, Musicial instruments, Musicians, Music, Parlors, and Poodles
"A lady stands in profile to the right, her hands in an enormous globular muff, on which rests the projecting gauze which covers her breast. Her petticoats project at the back in the fashionable manner, but scarcely balance the muff. Her wide-brimmed hat is even more exaggerated, and projects all round her like a tent. Her hair is puffed out at the sides with curls which rest on her false breast, and a looped and plaited queue which reaches nearly to her projecting petticoats."--British Museum online catalogue
Description:
Title etched below image. and Mss. note in ink on verso: No. 13, HW's (Horace Walpole) print in NYPL.
Publisher:
Publish'd as the act directs Feby. 20th 1786 by H. Humphrey, No. 51 New Bond St.
"A lady stands in profile to the right wearing an enormous false bosom covered with gauze, which is balanced by the projection of her petticoats at the back. The wide brim of her hat droops on to these excrescences. This inflated silhouette is supported on narrow low-cut slippers with high heels. Beneath the signature In the double-lined border, lower right corner, is engraved 'Fidei coticula Tactus'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., RR are the initials of R. Rushworth., and Watermark in center of sheet: G.R.
Publisher:
Publish'd February 1st, 1786 by [S.]W. Fores at the Caracature Warehouse No. 3 Piccadilly
