Subject Heading: Fighting / Subject (Topic): Interiors - Yale University Library Search Results

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1. A peep behind the curtain The tempest; She stoops to conquer ; The rivals / [graphic]

Creator:: Heath, William, 1737-1814, printmaker
Published / Created:: [26 November 1810]
Call Number:: 810.11.26.01+
Image Count:: 1
Resource Type:: still image
Abstract:: Four scenes in one plate, each with a separate title, each showing a marital or courtship scenes with monkeys and cats and pictures on the walls that amplify the domestic scene
Description:: Title from caption below image., Text following imprint: Folios of caricatures lent for evening., Sheet trimmed to plate mark on two sides., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:: Pub. Nov. 26, 1810 by S. W. Fores, 50 Piccadilly
Subject (Topic):: Cats, Couples, Courtship, Fighting, Spouses, Draperies, Fireplaces, Interiors, and Monkeys
Found in:: Lewis Walpole Library > A peep behind the curtain The tempest; She stoops to conquer ; The rivals / [graphic]

2. A pugilistick club [graphic]

Creator:: Barlow, Inigo, printmaker
Published / Created:: Decr. 1, 1789.
Call Number:: 789.12.01.01
Image Count:: 1
Resource Type:: still image
Alternative Title:: Pugilists club
Description:: A celebration in a sporting club. In the center of the room before a large table, a man in a hat (with a black eye?) raises a gavel in an attempt to bring order as two members begin a fist-fight and others converse and laugh. One member restrains a woman as she attempts to hit a man on the head with a tankard; the man appears already unconscious and injured. Boxing gloves, tankards and glasses, hats, and a stick are scattered on the floor in the foreground. The room is lighted by the candles in a candelier. On the walls are a clock, two pictures of fighers -- one of Humphrys and the other of Mendoza; a broadside "Rules" (damaged); a broadside entitled "Last dying speech & confession of W[...]st the Boxer" with a picture of a gallows at the head; and, a picture of two men boxing (the pictures amplifying the subject). On the table are several tankards, wine glasses and punch bowl, smoking pipes, a broadsheet torn in two (World Diary), and a book "Rules for boxing"., Title and printmaker from British Museum catalogue., The left portion of the plate was later published as 'Frontispiece' (no date) in Carlton House magazine with the title: The ending of the old year., Sheet trimmed within plate mark, with loss of title, printmaker's signature, and partial loss of imprint., Plate from: The Attic miscellany, v. 1, p. 81., Title added in a contemporary hand on the mount below the image: Odd-Fellows-Lodge., and Mounted to 24 x 32 cm.
Publisher:: Published as the act directs, by Bentley & Co.
Subject (Name):: Topham, Edward, 1751-1820, Mendoza, Daniel, 1764-1836, and Humphries, Richard, d. 1827
Subject (Topic):: Boxing (Sports), Chandeliers, Clocks, Clubs, Fraternal organizations, Fighting, Interiors, and Pipes (Smoking)
Found in:: Lewis Walpole Library > A pugilistick club [graphic]

3. Congressional pugilists [graphic].

Published / Created:: [1798?]
Call Number:: 798.02.15.01
Image Count:: 1
Resource Type:: still image
Abstract:: A crude portrayal of a fight on the floor of Congress between Vermont Representative Matthew Lyon and Roger Griswold of Connecticut. The row was originally prompted by an insulting reference to Lyon on Griswold's part. The interior of Congress Hall is shown, with the Speaker Jonathan Dayton and Clerk Jonathan W. Condy (both seated), Chaplain Ashbel Green (in profile on the left), and several others looking on, as Griswold, armed with a cane, kicks Lyon, who grasps the former's arm and raises a pair of fireplace tongs to strike him. Below are the verses: "He in a trice struck Lyon thrice / Upon his head, enrag'd sir, / Who seiz'd the tongs to ease his wrongs, / And Griswold thus engag'd, sir."
Description:: Title etched above image., Below image in lower right corner: Congress Hall, in Philada., Feb. 15, 1798, S.E. Cor. 6th & Chestnut St., Four lines of verse in two columns below image in center: He in a trice struck Lyon thrice, upon his head, enrag'd sir, who seized the tongs to ease his wrongs, and Griswold thus engag'd, sir., Three of the spectators are identified by numbered references etched on left and top of plate, outside image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Interiors: Pictures amplifying subject: cock fight., and Mss. annotation above plate "from Mr. McAllister, 30 August 1859, his father has the plate."
Publisher:: publisher not identified
Subject (Geographic):: United States.
Subject (Name):: Griswold, Roger, 1762-1812, Lyon, Matthew, 1749-1822, Dayton, Jonathan, 1760-1824, Condy, Jonathan Williams, 1770-1828, Green, Ashbel, and Congress Hall (Philadelphia, Pa.),
Subject (Topic):: Politicians, Fighting, and Interiors
Found in:: Lewis Walpole Library > Congressional pugilists [graphic].

4. Marriage a-la-mode. [graphic] / Plate V

Creator:: Ravenet, Simon François, 1706-1774 printmaker
Published / Created:: [1 April 1745]
Call Number:: Sotheby 20++ Box 300
Collection Title:: Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:: 1
Resource Type:: still image
Abstract:: In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:: Marriage a-la-mode. Plate 5
Description:: Title engraved below image., State from Paulson., and After the painting "The Bagnio" in the National Gallery, London.
Publisher:: Wm. Hogarth
Subject (Topic):: Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:: Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

5. Marriage a-la-mode. [graphic] / Plate V

Creator:: Ravenet, Simon François, 1706-1774 printmaker
Published / Created:: [1 April 1745]
Call Number:: Folio 75 H67 800 v.2 (Oversize)
Collection Title:: Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:: 1
Resource Type:: still image
Abstract:: In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:: Marriage a-la-mode. Plate 5
Description:: Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., Ms. note, and On page 119 in volume 2. Sheet trimmed to: 38.1 x 46.1 cm.
Publisher:: Wm. Hogarth
Subject (Topic):: Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:: Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

6. Marriage a-la-mode. [graphic] / Plate V

Creator:: Ravenet, Simon François, 1706-1774 printmaker
Published / Created:: [1 April 1745]
Call Number:: Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:: Leaf 20. Album of William Hogarth prints.
Image Count:: 1
Resource Type:: still image
Abstract:: In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:: Marriage a-la-mode. Plate 4
Description:: Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., and Formerly on page 118 in volume 2. Removed in 2012 by LWL conservator.
Publisher:: Wm. Hogarth
Subject (Topic):: Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:: Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

7. Marriage a-la-mode. [graphic] / Plate V

Creator:: Ravenet, Simon François, 1706-1774 printmaker
Published / Created:: [1 April 1745]
Call Number:: Folio 75 H67 764 (Oversize)
Collection Title:: Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:: 1
Resource Type:: still image
Abstract:: In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:: Marriage a-la-mode. Plate 5
Description:: Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:: Wm. Hogarth
Subject (Topic):: Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:: Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

8. Marriage a-la-mode. [graphic] / Plate V

Creator:: Ravenet, Simon François, 1706-1774 printmaker
Published / Created:: [1 April 1745]
Call Number:: Folio Greenberg 75 H67 753
Collection Title:: Leaf 20. Album of William Hogarth prints.
Image Count:: 1
Resource Type:: still image
Abstract:: In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:: Marriage a-la-mode. Plate 4
Description:: Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 20 in: Album of William Hogarth prints.
Publisher:: Wm. Hogarth
Subject (Topic):: Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:: Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V

9. Marriage a-la-mode. [graphic] / Plate V

Creator:: Ravenet, Simon François, 1706-1774 printmaker
Published / Created:: [1 April 1745]
Call Number:: Folio 75 H67 764 (Oversize)
Collection Title:: Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:: 1
Resource Type:: still image
Abstract:: In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:: Marriage a-la-mode. Plate 5
Description:: Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:: Wm. Hogarth
Subject (Topic):: Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
Found in:: Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V