"The Prince of Wales falls from an overturning phaeton or curricle. He is about to fall on the prostrate body of Mrs. Fitzherbert (left), who lies on her back, her breasts exposed, in an attitude intended to be indecorous. She lies under a steep bank or rock beside a country road. The horse rears behind the Prince."--British Museum online catalogue
Alternative Title:
Fall in Fitz, Princes disastar, or, A fall in Fitz, and Princes disaster, or, A fall in Fitz
Description:
Title etched at bottom of image., Questionable attribution to John Boyne from dealer's description., Date of publication from the British Museum catalogue., Watermark., Original price written in pencil in lower right corner of sheet: 2 [shillings]., and Matted to 33 x 43 cm.
Publisher:
Published by James Aitken, Little Russell Court, Drury Lane
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Fitzherbert, Maria Anne, 1756-1837
Protestant St. George too much for all the talons, or, the beast with seven heads and Beast with seven heads
Description:
Title from item., Sheet trimmed within plate mark., Watermark: Strasburg Lily., and Mounted to 29 x 38 cm.
Publisher:
Pub. by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Spencer, George John Spencer, Earl, 1758-1834, Lansdowne, William Petty, Marquis of, 1737-1805, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and Grenville, William Wyndham Grenville, Baron, 1759-1834
"Design in an oval. Thirteen heads arranged in four rows, the first, second, and fourth having three heads, the third four. In the uppermost row the Prince of Wales (left) and the King (right) face each other in profile; the likeness between them is stressed. Between and slightly above them is Queen Charlotte, in profile to the left, her hair inscribed 'Queen of hearts', cf. British Museum Satires No. 6978. In the next row Fox, full-face, is the central head of the design; Mrs. Fitzherbert (left) (unrecognizable) wears a low crown inscribed 'Queen would be', and the feathers of the Prince of Wales; George Hanger, in profile to the left, wears the large cocked hat made familiar by British Museum Satires No. 6924, &c. The next four heads are (left to right): Mrs. Siddons, wearing a low crown inscribed 'Queen Rant', looking wildly over her shoulder to the right; Burke, wearing spectacles and a cap or turban, his back turned to Pitt who is in profile to the right; on the left in profile to the right is the Duchess of Devonshire, wearing a low crown and a collar which are inscribed 'Queen of Fox'. In the lowest row the central figure is the broad back of North wearing his ribbon; on the left is Mrs. Abington, a ribbon in her much-curled hair inscribed 'Queen Scrub' (see British Museum Satires No. 7053); on the right, in profile to the left, is the Duke of Richmond."--British Museum online catalogue
Description:
Title etched below image., Initials "W.M." identified in British Museum catalogue as those of William Mansell., and Characters identified in pencil.
Publisher:
Pub. 26 March 1786 by W. Humphrey, Lancaster Court
Subject (Name):
Charlotte, consort of George III, King of Great Britain, 1744-1818, George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Abington, Mrs., 1737-1815 (Frances Barton),, Burke, Edmund, 1729-1797, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Fox, Charles James, 1749-1806, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, and Siddons, Sarah, 1755-1831
"The Prince of Wales falls headlong, but gracefully, from his high phaeton, and is about to land on Mrs. Fitzherbert, who lies face downwards on the ground, on hands and knees, her petticoats over her head, leaving her posteriors bare. The reins have broken, the horses, which are drawn with much spirit, are running away (right to left). In the background is a wall, over which appears the head of an interested military officer. A yokel seated on the wall lifts his hands in astonishment."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Two lines of quoted verse following title: "Th' imaginary bride with beauty glows, "for envy magnifies what e'er she shows. Ovid., Temporary local subject terms: Quotation from literature: Ovid, 43 B.C.-18 A.D. -- Vehicles: Phaeton capsizing., and Mounted to 33 x 44 cm.
Publisher:
Pub. July 1st, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Fitzherbert, Maria Anne, 1756-1837
"One of a set of prints by one or more artists on the marriage of the Prince of Wales and Mrs. Fitzherbert. The interior of a well-furnished room. The Prince of Wales (left) takes the hand of Mrs. Fitzherbert and is about to put the ring on her finger. The officiating minister (left), Weltje, stands in profile to the right holding a book inscribed 'Matrimony' and 'Hoyle's Games'. From his pocket issues a paper, 'Weltjie's Natn Bill'. A cork-screw and another implement hang from his waist by a jewelled chain, simulating a rosary and cross; he wears a long gown over fashionably cut clothes. Next Mrs. Fitzherbert (right) stands George Hanger, giving her away; he wears regimentals with a huge cocked hat; under his left arm is a bludgeon (cf. BMSat 7116). The Prince wears the insignia of the Garter, Mrs. Fitzherbert (poorly characterized) wears a triple ostrich plume in her hair with the motto 'Ich dien'. On the wall are two pictures: a three quarter length portrait of Mrs. Fitzherbert, and (right) a Leda and the Swan, partly concealed by a curtain which fills the upper right corner of the design. Beneath the Leda is a semicircular table on which are vases and a book, 'Love's Last Shift' (Cibber's play). A hanging candelabra is part of the design."--British Museum online catalogue
Alternative Title:
Marriage of Figaro
Description:
Title from item., Sheet trimmed within plate mark., In lower right corner: Price 2s. 6d., Subjects of character identified by inscriptions on their clothing., Temporary local subject terms: Prussian officers' uniforms -- Furniture -- Pictures that amplify subject -- Literary allustions: Love's Last Shift by Colley Cibber -- Holcroft's Follies of the Day., Watermark in center of sheet., and In manuscript on verso: Horace Walpole sat 8:2.
Publisher:
Published March 13th 1786 by S.W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, and Weltje, Louis, 1745-1810
"A fox with the head of Fox sits in profile to the right, one paw on the forehead of a life-like bust of the Prince of Wales, which he has carved; his mallet and chisels lie on the ground. He says: "What a goodly figure this makes! what a Pity that it should want Brains. Esops Fab." Two other pieces of sculpture stand on pedestals: (left) a whole length statue of a woman, kneeling on one knee in profile to the left, partly draped, having a certain resemblance to Mrs. Fitzherbert; a head (right) wearing a laurel wreath in profile to the left, looking up at Fox and the Prince; it has the long nose of Hanger, but is perhaps intended for Aesop."--British Museum online catalogue
Description:
Title from item., Attributed to George Townley Stubbs in the British Museum online catalogue, registration no.: J,4.57., Sheet trimmed to plate mark on right and left sides., and Partial watermark at top center of sheet.
Publisher:
Pubd. Augt. 2, 1786 by W.S. [sic] Fores at the Caracature Ware-House, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, and Fitzherbert, Maria Anne, 1756-1837
"A strip design. Beneath the figures are inscriptions indicating their identity. The procession is preceded on the extreme right by Hall the apothecary, one of Fox's chief supporters in Westminster, who holds the abortive 'Regency Bill'. A medical instrument protrudes from his coat-pocket; he is 'Apozem, Clerk, & Apothecary'. ... After him in priest's robes and wearing a Jesuit's biretta walks Burke, 'Ignatius Loyola' (cf. BMSat 6026), holding an 'Ode upon his Majesty Recovery'. ... The coffin is carried on the shoulders of six men with bulls' heads, hoofs, and tails, wearing coronets and shedding tears; three only are depicted, though the hoofs of the three on the left side of the coffin are indicated; it is 'The Body of the deceased supported by six Irish Bulls'. They wear a duke's, an earl's, and a baron's coronet, and say: "[1] Pullalaloo - Pullalalo - oh.', [2] Oh! - Ogh! - Oh!; [3] Oh Pullalalo - ogh". On the coffin is a coronet with the Prince's feathers flanked by an empty purse and dice and dice-box. Four ragged little girls holding nosegays walk as pall-bearers, two before the coffin and two behind it. They are '(bis) Unfledg'd Noviciates of Sf Giles's or, Charley's delight'. ... They are followed by Mrs. Fitzherbert in long trailing weeds, a rosary and crucifix hanging from her waist. She is 'Chief Mourner - The Princess of W-----s'. ... She clasps her hands despairingly. ... She is followed by Sheridan and Fox, wearing cloaks and carrying hats with mourning-scarves; they are: 'Second Mourners', 'The Rival Jacobites'. ... The next couple are Weltje and a hairdresser, Mails. ... The procession is followed by a nude and very emaciated demon (left), playing the fiddle and capering as he sings, grinning. He is the 'Blue and Buff Train Bearer.' ..."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., and Tempoary local subject terms: Bills: withdrawal of the Regency Bill -- Irish Commissioners.
Publisher:
Pubd. April 29th, 1789, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820., George IV, King of Great Britain, 1762-1830., Ignatius, of Loyola, Saint, 1491-1556., Hall, Edward, active 1784-1793, Burke, Edmund, 1729-1797, Fitzherbert, Maria Anne, 1756-1837, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Lothian, William John Ker, Marquis of, 1737-1815, and Weltje, Louis, 1745-1810
Subject (Topic):
Devil, Hats, Funeral processions, and Mourning clothing & dress
Three oval designs, two above with a larger one below, illustrating three satirical toasts: Honor and honesty; Love and loyalty; Fitz and good company. In the first, a man sits at a table, in his hand is a cup for rolling dice and on the table some coins and a playing card (the knave of clubs). In the second image (upper right) a man, pen in hand, writes a letter "No. 45 To the ...", on the table a book entitled "Essay on woman". In the image at the bottom, a couple (George IV and Mrs. Fitzherbert) embrace; on the table in front of the pair is a book "Morris's songs."
Description:
Title engraved below image. and Sheet trimmed within plate mark.
Publisher:
Published by S.W. Fores, October 20, 1786 at the Caricature Warehouse, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Fox, Charles James, 1749-1806, and Wilkes, John, 1725-1797
