"Fox, dressed as a watchman, stands full-face, his right hand grasping his staff (inscribed 'Uprightness'), his left on his hip. Over his head is the word 'Liberty'; his lantern stands on the ground beside him sending forth rays inscribed 'Truth'. His dog (left) is 'Vigilance'. Zigzag flashes of lightning among clouds, inscribed 'Ministerial Thunderbolts', threaten him from all sides. In the background (right) two sham watchmen are running off to the right holding staves and dark lanterns, which contrast with that of Fox, which sheds its rays in all directions. The foremost is Sir Cecil Wray in military uniform, saying, "For Chelsea Ho a"; the other wearing a hooded cloak over his naval uniform is Lord Hood saying, "For Greenwich Ho a". They are followed by two dogs. Beneath the design is etched, 'To the Independent Electors of Westminster This Print of their Staunch Old Watchman The Guardian of their Rights and Privileges is dedicated by a gratefull Elector.' This is followed by an engraved inscription: 'N.B. Beware of Counterfeits as the Greenwich and Chelsea Watchmen are upon the look out!"--British museum online catalogue
Description:
Title etched below image., Printmaker and publication date from British Museum online catalogue., Sheet trimmed within plate mark., Below image: To the independent electors of Westminster this print of their staunch old watchman the guardian of their rights and privileges is dedicated by a gratefull elector ..., and Print from: The history of the Westminster election.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, Wray, Cecil, Sir, 1734-1805, and Great Britain. Parliament
Subject (Topic):
Elections, Hospitals, Dogs, Lanterns, Military uniforms, and Watchmen
"Fox, dressed as a watchman, stands full-face, his right hand grasping his staff (inscribed 'Uprightness'), his left on his hip. Over his head is the word 'Liberty'; his lantern stands on the ground beside him sending forth rays inscribed 'Truth'. His dog (left) is 'Vigilance'. Zigzag flashes of lightning among clouds, inscribed 'Ministerial Thunderbolts', threaten him from all sides. In the background (right) two sham watchmen are running off to the right holding staves and dark lanterns, which contrast with that of Fox, which sheds its rays in all directions. The foremost is Sir Cecil Wray in military uniform, saying, "For Chelsea Ho a"; the other wearing a hooded cloak over his naval uniform is Lord Hood saying, "For Greenwich Ho a". They are followed by two dogs."--British Museum online catalogue
Description:
Title etched above image., Printmaker and date of publication from British Museum catalogue., Dedication etched below image: To the independent electors of Westminster this print of their staunch old watchman the guardian of their rights and privileges is dedicated by a gratefull elector., Text at bottom of plate: NB. Beware of counterfeits as the Greenwich and Chelsea watchmen are upon the look out!, and Mounted to 30 x 40 cm.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, Wray, Cecil, Sir, 1734-1805, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813., Great Britain. Parliament, 1783-1784., and Great Britain. Parliament
Subject (Topic):
Elections, Hospitals, Dogs, Lanterns, Military uniforms, and Watchmen
"Melville (l.) stands by a pile of bricks, each marked with a coronet (except one with a mitre), and the words 'Not Guilty'. These he is hurling with great vigour at (some of) the managers of the impeachment who flee in disorder, to the right., putting up their arms to fend off the missiles. He wears Highland dress with a magnificently feathered bonnet; his plaid swirls out. He says, the words in a large label: '"Self-preservation's Heaven's eldest law. "Imprest upon our Nature with our life, "In Characters indelible, who shrinks "From this great cause is wanting to his righteason: "But when our Honor is traduc'd and stab'd at, "T'is Virtue, t'is heroic Fortitude, "Then to encounter violence with Force.' His bricks are stacked on a fringed carpet on which is the motto 'Dieu et m[on] Droit'. Sheridan, the hindmost, protects himself with his hat, and says: "Why Charley! I am afraid we have drank too much of this cursed Entire." Just in front of him is Whitbread, an 'Essay on Brewing' [cf. BMSat 10574] projecting from his coat-pocket. Fox, next, turns to protect himself; in front Howick (Whitbread's brother-in-law) grovels on the ground, grasping the edge of a large upright cask of 'Whitbread's Entire' [see BMSat 10421]. Into this Lord Temple, one of the Managers of the Impeachment, is plunging head first, displaying bulky breeches inscribed 'Temple of Hymen'. Behind stands a man in gown and bands, evidently Dr. Laurence. Beside Whitbread and Howick are overturned tankards of 'Whitbreads Entire' [a few letters only of the inscription being visible], spilling their contents. In the background, against the corner of Westminster Hall, whose doorway is behind Melville, is a rectangular tank: 'Brown Stout Cooler'; in this men are frantically splashing. The sun emerges from a gap in dark clouds irradiating Melville; in its disk is the profile head of George III. After the title: '"And Haman prepared a Gallows 100 Cubits \ "high for Mordecai, but behold Haman was \ "hanged thereon himself - '."--British Museum online catalogue
Alternative Title:
Managers poisened with a beer of their own brewing and Managers poisoned with a beer of their own brewing
Description:
Printmaker from British Museum catalogue. and Watermark: Strasburg Lily.
Publisher:
Pubd. June 24th, 1806 by S.W. Fores, 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Sheridan, Richard Brinsley, 1751-1816, Whitbread, Samuel, 1764-1815, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and George III, King of Great Britain, 1738-1820
An obese Charles Fox with a beard, dressed as Falstaff, stands against the wall of a building inscribed, "Gt. Ormond Street," holding on his shoulders the Prince of Wales. The Prince reaches up with an open sack to receive the Great Seal from a man standing in the window, possibly Richard Fitzpatrick. Watching the scene are a courtesan and Mrs. Robinson (Perdita), whose hat is inscribed, "Perditi," an allusion to the status of both women, as well as to Fox's unenviable political situation
Description:
Title from item., Sheet trimmed within plate mark., and Printmaker and date of publication from British Museum catalogue.
Publisher:
Publishd by J. Boyne, No. 2 Shoe Lone [sic], Fleet St.
Subject (Geographic):
Great Britain and England
Subject (Name):
George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806., Robinson, Mary, 1758-1800., and Fitzpatrick, Richard, 1747-1813.
Subject (Topic):
Politics and government, Robberies, Courtesans, and Clothing & dress
"A balloon about to rise from the ground encircled by three tiers of galleries or narrow platforms, protected by railings. Behind the railings sit the passengers. In the highest tier are three ladies notorious at that time for their amours ...: Grace Elliott or Eliot, née Dalrymple, known as 'Dally the tall', she holds a fan, turning her head in profile to the left, towards Perdita (Mary Robinson), who clasps her hands ecstatically; Lady Worsley sits on the right. In the centre gallery sit ex-ministers: North (left) and Fox (right) in the centre, North's arm on Fox's shoulder; Fox turns his head to North with an expression of satisfaction. Each rests his right hand on the railing in front of him, and these hands hold an inconspicuous thread which is attached to the nose of the Duke of Portland (left), who turns in profile to the right. On the right, a little apart, sits Burke dressed as a Jesuit (see British Museum Satires No. 6205) looking in profile to the right towards the Pope, who stands on the gallery, emerging from behind the curve of the balloon. He wears furred robes and his triple crown; as a pendant to him on the extreme left is the Devil looking towards the ministers with a pleased expression; over his arm he holds a net. In the lowest gallery sit celebrated quacks and other London characters. These are (left to right) "Vestina', the goddess of Health who advertised the virtues of the celestial bed (incorrectly said to have been Lady Hamilton), sits next her employer, Dr. Graham; they look at each other; she holds a sceptre wreathed with a garland. Jeffery Dunstan, Mayor of Garrat, stands, knock-kneed, with his sack over his shoulder in his accustomed attitude when calling 'old wigs'. Sam House sits resting a foaming tankard of porter on the railing in front of him, the tankard inscribed "House Ward[our] Stre[eet]". Katerfelto, turned in profile to the right, gazes up at the moon through his telescope; in his left hand is a paper, "Wonders, Wonders Most Wonderfull Wonders", the usual heading of his advertisements, cf. British Museum Satires No. 6162. His black cat sits on the railing facing him, saying, "are there Mice in the Moon Master". In the upper right corner of the design is the moon, a crescent-shaped profile inset in a circle, looking down at the balloon. The balloon is encircled longitudinally by eight ropes which meet in a knot beneath it and are there attached to four stouter ropes attached to the four corners of a platform which rests on the ground, from which the balloon appears about to ascend. On this platform is a tub inscribed "Vanity", bubbling over with soapsuds inscribed "Froth". Beside the platform (right) stands a Frenchman capering on one leg and flourishing a knife. He says, "Oh Begar dis be von fine Cargo." ... In the background are the roofs and spires of London, St. Paul's being prominent on the left, the Monument on the right. ..."--British Museum online catalogue
Description:
Title etched below image., "Hanibal Scratch" might be a pseudonym of John Nixon; see Catalogue of prints and drawings in the British Museum, v. 5, page 842., Text beneath title: Setts out from Swan with two Necks Lad Lane every Monday morg., Sheet trimmed within plate mark., and Twenty lines of verse in four columns below image, etched above and on either side of title: Who choose a journey to the Moon, may take it in our Stage Balloon ...
Publisher:
Pubd. Decr. 23, 1783, by Wm. Wells, No. 132 Fleet Street
Subject (Geographic):
Great Britain.
Subject (Name):
Elliott, Grace Dalrymple, -1823, Robinson, Mary, 1758-1800, Worsley, Seymour Dorothy, Lady, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Burke, Edmund, 1729-1797, Pius VI, Pope, 1717-1799, Graham, James, 1745-1794, Dunstan, Jeffery, 1759?-1797, House, Samuel, -1785, Katterfelto, Gustavus, -1799, and St. Paul's Cathedral (London, England),
"A winding river flows (left to right) towards a hill in the background surmounted by a temple of Fame. In the foreground (left) is a 'Dunghill of Republican Horse Turds'; in the stream float turds from the dunghill, while farther up are golden apples, crowned and inscribed. The foremost is 'English-Pippin', close behind are 'Imperial-Pippin' and 'Russian-Pippin'; they are followed by a (turbaned) 'Turkish-Pippin' and a small 'Neapolitan' [Pippin]. From a mass of floating dung emerges the profile head of Bonaparte, wearing a feathered cocked hat inscribed 'First Horse Turd'; this is the central and dominating object in the river; from his mouth issues a large label: 'A ha! par ma foi - how We Apples Swim!' Lumps of dung close behind him are inscribed 'Second Horse Turd' [Cambacérès], 'Third Horse Turd' [Lebrun], and 'Seyes' [sic]. They are followed by 'Massena', 'Jourdan', 'Talleyrand'. Bonaparte swims between 'Spanish-Pippin' and 'Prussian-Pippin', both in proximity to dung. Behind him float 'Papal P[ippin]', a triple crown, and 'Sardinian [Pippin]', both half submerged. Under water are submerged (or dead) turds: 'Robespierre', 'Marat', 'Condorcet', 'Roland'. A spreading column of thick smoke arises from the dunghill, which is composed of inscribed fragments, from which in the left foreground tiny heads emerge, the dominant one being Fox, who says: "Caira! Caira! - chacun à son tour! We shall all Swim in our turns"; next him is 'Envy'. Tierney, the second head, says: "Yes! Yes! - none of Us was born to be Drowned". The others are Sheridan, Nicholls, Erskine, and (slightly smaller) Burdett, Derby, Taylor. Those indicated by names only are: 'Voltaire', 'Rosseau' [sic], 'd'Alembert', 'Godwin', 'Price', 'Priestley', 'Holcroft', '(?) Darwin', close to (scarcely legible) 'Mo[rning] Po[st]', 'Morn. Chronicle', 'Courier [see BMSat 9194]. Larger turds are: 'Atheism', 'Falshood', 'Regicide', 'Egalité', 'Disappointment', 'Beggary', 'Poverty', 'Plunder', 'Paines Rights of Man' [see BMSat 7867, &c], 'Republican Faith', 'Theophilanthropy' [see BMSat 9240], 'Deceit [twice]', 'Lies', 'Licentiousness', 'Hypocrisy'."--British Museum online catalogue
Alternative Title:
Buonaparte among the golden pippins
Description:
Title etched below image., Two lines of text below title: Explanation. Some horse turds being washed by the current from a neighbouring dunghill, espied a number of fair apples swimming up the stream ..., Sheet trimmed within plate mark., and Temporary local subject terms: Reference to Second Coalition, 1798-1801-- Opposition: members of the Opposition -- Allusion to Voltaire -- Allusion to Rousseau -- Allusion to Paine's The Rights of Man -- Allusion to Robespierre -- Allusion to Marat -- Emblems: pippins.
Publisher:
Pubd. Feby. 24th, 1800, by H. Humphrey, 27 St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tierney, George, 1761-1830, Taylor, Michael Angelo, 1757-1834, Nicholls, John, 1745?-1832, Erskine, Thomas Erskine, Baron, 1750-1823, Burdett, Francis, 1770-1844, and Smith-Stanley, Edward, 1752-1834
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Coats of arms: royal arms -- Allusion to war with France -- Cap of liberty as bonnet rouge -- British Lion -- White Horse of Hanover -- Allusion to taxation -- Emblems: broken anchor -- Emblems: olive branch -- Mottoes: Prest [sic] pour mon pays -- Mottoes: Le roy & l'estat [sic].
Publisher:
Pubd Jany. 25th 1798 by Dighton, Charg Cross
Subject (Name):
Pitt, William, 1759-1806 and Fox, Charles James, 1749-1806
"Fox and North stand in the pillory on a small platform supported on a post above the heads of a circle of spectators. Their heads only are confined; North is in back-view, Fox stands full-face looking to the left, his hands clasped. The spectators are three quarter length; Sam House is conspicuous (left) holding a foaming tankard and saying, "Come Charly here's to the Electors of Westminster one Good Turn deserves another". A woman in back-view holds a basket of eggs on her hip; she says, "Come Who'll buy my Plumpers Two a Penny Plumpers". A man next her (right) is about to throw an egg, saying, "Here goes a Plumper for Charly".--British Museum online catalogue
Alternative Title:
Coalition rondeau
Description:
Title etched below image., A satire on the Fox-North coalition, and on the Westminster Election., Coalitions: Fox-North, 1783., and Watermark in center of sheet: fleur-de-lis.
Publisher:
Publish'd June 28, 1784, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, House, Samuel, -1785, North, Frederick, Lord, 1732-1792, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Politics and government, 1760-1789, Crowds, Pillories, Spectators, and Street vendors
Title etched below image., Dated from Thurlow's impending dismissal and the introduction of Fox's Libel Bill., Description based on imperfect impression; sheet trimmed within plate mark with possible loss of imprint., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Allusion to John Horne Tooke, 1736-1812 -- Allusion to Honoré-Gabriel-Riquetti, comte de Mirabeau, 1749-1791 -- Allusion to Marie-Joseph-Paul-Yves-Roch-Gilbert du Motier, marquis de La Fayette -- Travestied slogans: God save the King -- Horace Walpole refers to subject in print, YW 34. 141-142, n. 5 -- Nicknames: "Sherry" for Richard Brinsley Sheridan -- "Renard" for Charles James Fox -- Allusion to National Assembly -- Literature: Allusion to Reflections on the French Revolution by Edmund Burke -- Allusion to The rights of man by Thomas Paine -- Bible quotation: "Mene, mene, tekel, upharsin," Daniel v. 25 -- Hand of Providence -- Royal money as weight -- Great Seal -- Revolutionary societies -- Thurlow's impending dismissal -- Bills: Libel Bill -- Parliamentary reform -- Allusion to French Revolution -- Travesties: French Revolutionary playbill -- Expressions of speech: George III's "What, what, what" -- French Revolutionary cockades -- Winged head of cherub -- Balance -- Whigs -- Tories -- Double entendres -- Allusion to Regency crisis -- Clergy: Allusion to leveling -- Jacobins -- Symbols: Scale of merit -- Pitt's usurpation of prerogative., Watermark: L.V.G., and Numbered in pencil in upper right corner of sheet: 449.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, and Sheridan, Richard Brinsley, 1751-1816
"Within a handsome room, whose roof is supported by Corinthian columns, is a medley of playing-cards: the whole suit of clubs headed by the king and queen. On the extreme right is the knave (Fox), who is being kicked out of the door by the toe of the king which protrudes beyond the lower right corner of the card. Fox looks alarmed, saying, "Now I must associate". The queen holds a shield on which are the arms of the City of London. A banner emerging from the cards is inscribed: 'Associations for preserving Liberty & Property against Republicans & Levellers'. Above the door (right) is a picture: 'Plan of a new Constitution'; a house of cards is being demolished by a blast inscribed 'Loyalty' which issues from a head in the upper left corner; the topmost (but dislodged) card is the knave of clubs. On the extreme left are two rats: one holds up a card, a ten of (mixed) clubs, diamonds, hearts, and spades; he says, "Association of the Dissenters" (the initial word 'loyal' has been scored through). The other rat watches him, saying, "As the Cards are against us we had better join the Clubs"."--British Museum online catalogue
Alternative Title:
Game of beat knave out of doors
Description:
Title etched below image., Signed with the monogram of James Sayers., Text below title: NB This game should be play'd with all the knaves of the pack., Temporary local subject terms: Associations: Association for Preserving Liberty & Property Against Republicans & Levellers -- Cards: Royal clubs -- Vermin -- Loyalty -- House of cards., 1 print : etching and aquatint on wove paper ; plate mark 20 x 23.8 cm, on sheet 21.7 x 25.5 cm., and Mounted on verso of leaf 56 of James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. by Thos. Cornell, Bruton Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Fox, Charles James, 1749-1806
