A line of seven figures all caricatured with animalistic features, marching right to left, shown full-length. The first character blows a horn, carries a violin and bow in his hands and on a string around his waist another horn with smoke coming out hangs over his behind; he is wearing spectacles and a scarf aroung his head as well as a Roman-style pink dress; he has wings and appears to have a breast. In the text above his head: En avant la renommeé? Sur l'air: j'ai du bon tabac, dans Misantropie et repentir. The second figure is wearing Roman armour and carries a long-handled pan; he has claws for hands, a bird's face and tail feathers. On top of his helmet sits a rat. The text above his head reads: Tais toi! Geulard, vilain menteur de Constitutionel; j' t'ai dis que l'premier qui tomeroit sous ma griffe, il aura beau crier ... la mort ... aura.." The third figure with a large belly has a highly caricatured face with large, exaggerated features and fangs; he wears a bonnet. He is armed with a knife hanging in his belt as well as a long sword on a chain. Above his head are the words: Mais, mon Capitaine t'as dis qu't' allois les prendre en flanc j' l'aime bien, moi, l'flanc, tu m'en donneras? .. ain!" The fourth and fifth figures both have wolf-like faces. The one also has a tail and carries a hoe and a basket with a second wicker basket on his back. The writing above his head, " Qu' est-ce qu' en veut? Des lettres de falaise, en voulez vous d' la Chicorée?" The other's clothes are tattered and short, with a sash around his waist; he wears a straw hat and smokes a pipe. Above his head is written, "J' vons avertir not' Capitaine, qu' j'ons vu' à la Rapée des Goujons ... ultras. The final two, both with large snouts and fangs, surround a cannon, the one is pulling it and the other standing crossed-armed looking angrily at his companion in conversation with the figure ahead of him. Above their heads, first, "On dit qu' i' z'ont l'vent su' nous mais c'est qu' j' disque p'tite pluis abat grand vents" and last "On! si j' pouvois attraper l'beau local (l' bocal) aux Conichons ... Oh! c'est sure."
Description:
Title etched below image. and Description based on trimmed impression.
Publisher:
publisher not identified
Subject (Geographic):
France
Subject (Topic):
Royalists, History, Animals in human situations, Baskets, Cannons, Hand tools, Musical instruments, Soldiers, and French
A companion plate to Le Départ (British Museum satire no. 12362), satirizing the haste of the English to visit France in 1814 and their gluttony and bad dressing. The Frenchman who cooks a cat is a subject of English caricatures on the favourite theme of the beggarly Frenchman and well-fed Englishman. In this print. "A lean Englishman strides on to the quayside from an (invisible) gangway leading to the deck of a packet, which is seen below (right), covered with the heads of passengers, looking eagerly upwards. The furled sails and rigging are on the extreme right; a dove holding an olive-branch sits on a spar. A jovial French cook leads the Englishman, who grasps his left wrist; he points to a doorway on the extreme left, below the sign 'Au Bien Venu'. He holds the white cotton night-cap which was the cap of the French cook, but is not foppish as in English caricature, but manly and sturdy. The traveller is a grotesque figure wearing a hat shaped like a flower-pot, [this hat appears in almost all satires on English costumes in Paris, c. 1814; it is worn by a man dressed à l'Anglais in No. 53 of the 'Bon Genre Series' (? 1813): 'Cheveux à Cherubin. Chapeau en pot à fleurs. Redingote en Robe de Chambre'; cf. J.-P. de Bérenger, 'Les Boxeurs', 1814: Quoique leurs chapeaux sont bien laids / Goddam! moi j'aime les Anglais] long tail-coat, wrinkled breeches, and long ill-fitting gaiters on very thin legs. His profile has an absurdly heavy chin (cf. British Museum no. 12364), and he registers eager expectation. On a flap projecting from a window beside the door are peaches, grapes, pears, &c. Within a courtyard a second cook leans from an attic window, knife in hand, to catch a cat by the tail, one of several scampering from the ridge-pole."--British Museum online catalogue
Description:
Title from caption below image., Description from impression in the British Museum catalogue., Lettered "Déposé" below image left., Attributed to printmaker Godisart de Cari and publisher Martinet. See British Museum catalogue., This plate was deposited by Martinet on 1 February 1815, although his name is not actually lettered on the plate. It is a pair to 'Le départ' (British Museum number 1868,0822.7249)., and Sheet trimmed within plate mark, with loss of text at lower left and portions of the image at the corners: irregular sheet 18.8 x 23 cm.
Publisher:
Chez Martinet
Subject (Geographic):
France and France.
Subject (Topic):
History, Foreign public opinion, National characteristics, English, National characteristics, French, Cats, Cooks, Doves, Eating & drinking, Ethnic stereotypes, Gluttony, and Mail steamers
"French soldiers are being cooked or drowned in a big round vat built of stone, under which a fire is burning. Blücher (left) and Wellington (right) stand over the vat, holding long-handled perforated ladles with which they skim the surface of the water, fishing out the soldiers. Blücher (left), saying "Mon cher Welington je commence a écumer j'espere que vous me Seconderez," holds on his level ladle a hussar in large busby, braided tunic, and boots. Wellington holds up on his (tilted) ladle a man hanging head downwards. Beside the vat (right) is a rocky cone from a fissure in which the flames of Hell emerge; Cerberus, a monster with three serpentine necks and webbed wings, reaches from the opening towards Wellington's captive, and devours his legs with two of his great jaws. Wellington answers: "mon ami Blucher je sais pret a vous suivre mais surtout travaille fort cette nuit." Other soldiers struggle to get out or sink back hopelessly. An eagle (standard) projects from the water, on which float many tricolour cockades. Wellington's victim, who has a moustache, is not Napoleon, who is a subordinate figure, struggling to get out, and extending his arms towards Wellington."--British Museum online catalogue
Description:
Title etched below image., Possibly a copy of a print by George Cruikshank entitled "The last tub-full"; see British Museum online catalogue, registration no.: 1868,0808.8222., After the Battle of Waterloo, so after June 1815., and Sheet trimmed to plate mark.
Publisher:
publisher not identified
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Blücher, Gebhard Leberecht von, 1742-1819, and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Cerberus (Greek mythology), Cooking utensils, Generals, French, Military officers, Prussian, Soldiers, and Vats
A well-dressed young woman visiting her smallpocked uncle, delivers three oranges. Dressed in a robe and nightcap, he sits in a upholstered chair with his feet on a pillow, his face and hands covered in pustules; beside him is a table with a pitcher, glass and carafe. On the wall behind is a landscape; to the left a fireplace
Alternative Title:
Petite vèrole
Description:
Title engraved below image., An 'E' enclosed within a heart, etched lower left below image., Date from Bibliothèque nationale de France., "Déposé à la direction Gale.", and Mounted on secondary support.
Publisher:
Chez Gautier rue Poupée, no. 7
Subject (Geographic):
France.
Subject (Topic):
Smallpox, Diseases, Sick persons, Clothing & dress, Sick, and Visiting the sick