Title from item., Date derived from subject matter., Place of publication derived from publisher's street address., In margin upper right: Actualité 61., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Politics, French.
Publisher:
En vente chez Grognet Edit. 16, r. des Ecoles
Subject (Geographic):
France
Subject (Topic):
Pulse, Sick persons, Physicians, Medicines, History, and Politics and government
Title from item., Date derived from printmaker's date of death., Place of publication derived from street address., Above image: Actualités. 100., Published in Le Charivari., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
A de Vresse R Rivoli 55 and Lith Walter Fres. R Paradis Pre. 28.
Subject (Geographic):
France
Subject (Topic):
Medical education, Sick persons, Physicians, History, and Politics and government
Title from item., Date supplied by curator., Place of publication derived from street address., Above image: La Caricature (Journal.); No.65., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Politics, French.
Publisher:
On s'abbone chez Aubert, Galerie Véro dodat and Lith de Delaporte
Subject (Geographic):
France
Subject (Topic):
Soldiers, Riots, Military decorations, History, and Politics and government
Byron, Frederick George, 1764-1792, attributed name
Published / Created:
July 8, 1790.
Call Number:
790.07.08.01+
Image Count:
1
Resource Type:
still image
Abstract:
In a large room French aristocrats crowd across a table from Pitt who is taking money while handing a pen to the man opposite who holds a crown in his left arm as he throws coins toward Pitt's grasping hand. Above Pitt stands George III behind podium, gavel in one hand and another crown extended toward one of the many bidders shouting comments and prices. The King calls out, "This is a lot, gentlemen, of superior brilliancy to the last. This, this raises you above your fellows in a very high degree indeed. I pity your distresses from my soul, what, what, what was that you were saying about jewels, Madames, too high. You may ride over the necks of half the nation with this upon your coach. You may get in debt as fast as you please and never pay. Mind that gentlemen, never pay." The Queen walks up a ladder behind the King to retrieve more crowns from the shelves behind the King's podium, turning her head to say, "Pay some attention to that Lady's jewels, my love."
Alternative Title:
English coronet auction by King, Pitt & Co., or, Comfort for the late French noblesse and Comfort for the late French noblesse
Description:
Title etched below image., Attributed to Frederick George Byron by Andrew Edmunds., Publisher's advertisement below imprint: In Hollands Exhibition Rooms may be seen the largest collection in Europe of humourous prints. Admtce. 1 shillg., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Irregular sheet, trimmed at an angel in lower left. Backed with blue paper.
Publisher:
Pubd. by Willm. Holland, No. 50 Oxford Street
Subject (Geographic):
Great Britain., France, and France.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, and Pitt, William, 1759-1806
Subject (Topic):
Refugees, History, Avarice, Auctions, Corruption, Crowds, Crowns, and Nobility
Manuscript on paper of 1) Noël de Fribois, Abrégé des croniques de France, presented to King Charles VII of France in 1459. 2) Simon Gréban, Epitaph for King Charles VII. 3) Catalogue of the library of Jaspar Scaeck, apparently a lawyer in northern France. The manuscript also includes a number of moral aphorisms. The manuscript consists of three parts of different ages
Description:
In French., Script: Part I (ff. 1-76), ca. 1450, copied by a single scribe in Gothica Semihybrida Libraria (Bastarda). Part II (ff. 77-88), between 1490 and 1500, copied by a single scribe in Gothica Semihybrida Currens (Bastarda). Part III (ff. 89-113), after 1613, written in documentary Gothica Cursiva Currens., Manuscript on paper of 1) Noël de Fribois (d. 1467/1468), Abrégé des croniques de France, presented to King Charles VII of France in 1459. 2) Simon Gréban (d. ca. 1473), Epitaph for King Charles VII (1461). 3) Moral aphorisms in the form of distichs. 4) Moral aphorisms in French after the manner of the Disticha Catonis, perhaps by the same author as article 3. 5) Catalogue of the library of Jaspar Scaeck, apparently a lawyer in northern France (Lille?). The 57 books, listed without a clear order, are almost all in French and were printed between 1534 and 1595, with one book dated 1495; they mostly were produced in Paris, Lyons, Douai and Antwerp. For each the owner gives a full transcription of the title page, reproducing its layout (exceptionally also the colophon); for the last two items also a note on the binding., Watermarks: Part I, ox, Briquet 2786?? Part II, letter P, var. Briquet 8576??, and Binding: circa 1500?: blind-tooled leather over wooden boards. Spine with four raised bands. On the front cover a parchment label with the sixteenth century inscription in Northern Gothica Textualis Formata "Cronicques / abreigiés".
Subject (Geographic):
Connecticut, New Haven., and France
Subject (Name):
Charles VII, King of France, 1403-1461. and Fribois, Noël de, active 1400-1468.
Subject (Topic):
Didactic literature, French, French poetry, Manuscripts, Medieval, and History
Design in two compartments contrasting on the left the poverty and depravity of "French Liberty" with the opulence of the British on the right "British Slavery." The thin, ragged sansculotte with a liberty cap on his head, warms his bare, talon-like feet before a fire, while eating his dinner of raw onions. Behind him snails overflow his chamber pot; above the fireplace a "Map of French Conquests". At his feet a sword lies across a violin like a bow. He extolls the virtues of the National Assembly and new won liberties. In contrast on the right, an obese, red-faced Englishman sits in a luxurious room before a table laden with a tankard of hock and a large joint of beef. His shoes are slashed to relieve his bloated, gouty feet. A gold statute of Britannia adorns the wall above him. He curses his ministry for imposing taxes and starving the British people
Alternative Title:
British slavery
Description:
Title etched below image., Two images on one plate., 1 print : etching on wove paper, hand-colored ; plate mark 25.2 x 35.5 cm, on sheet 27.7 x 39.7 cm., and Mounted on leaf 21 of volume 3 of 12.
Publisher:
Pubd. December 21st, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
France, France., and Great Britain.
Subject (Topic):
History, Taxation, Britannia (Symbolic character), Liberty, Poverty, Rugs, Taxes, and Wealth
Design in two compartments contrasting on the left the poverty and depravity of "French Liberty" with the opulence of the British on the right "British Slavery." The thin, ragged sansculotte with a liberty cap on his head, warms his bare, talon-like feet before a fire, while eating his dinner of raw onions. Behind him snails overflow his chamber pot; above the fireplace a "Map of French Conquests". At his feet a sword lies across a violin like a bow. He extolls the virtues of the National Assembly and new won liberties. In contrast on the right, an obese, red-faced Englishman sits in a luxurious room before a table laden with a tankard of hock and a large joint of beef. His shoes are slashed to relieve his bloated, gouty feet. A gold statute of Britannia adorns the wall above him. He curses his ministry for imposing taxes and starving the British people
Alternative Title:
British slavery
Description:
Title etched below image. and Two images on one plate.
Publisher:
Pubd. December 21st, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
France, France., and Great Britain.
Subject (Topic):
History, Taxation, Britannia (Symbolic character), Liberty, Poverty, Rugs, Taxes, and Wealth
An allegorical representation of France with Liberty as a young woman bound and being dragged from a temple, Libertas, by French soldiers to face a angry mob, two decapitated heads at the base of the stairs. One soldier breaks a staff with a liberty cap at the top. A woman kneels a fire which consumes a spinning wheel and is fed books carried by laborers. A crowd of artists, musicians, carpenters, smiths, weavers and other tradesmen are roughly pushed away from the temple by a soldier. In the background a church which has been turned into a theatre attracts a large crowd to a production of "The massacre at Paris."
Description:
Attributed to John Nixon. See British Museum catalogue, no. 8334., Trimmed within plate mark on top and bottom., One line of text below title: This print is most respectfully dedicated to every true hearted Briton who's a friend to his king and country., Four lines from Churchill's poem, Independence, printed in two columns on each side of title: O thou poor country, weak and overpow'rd, By thine own sons, eat to the bone, devour'd ..., Nine lines of explanatory text below image: Liberty is torn from her temple by a hired band of ruffians ... ., and Sheet trimmed to plate mark on bottom with loss of contemporary ms. annotation.
Publisher:
publisher not identified
Subject (Geographic):
France and France.
Subject (Name):
Paine, Thomas, 1737-1809.
Subject (Topic):
History, Artists, Book burning, Decapitations, Demons, Destruction & pillage, Fools & jesters, Liberty, People associated with manual labor, Trade, Revolutions, and Violence
A line of seven figures all caricatured with animalistic features, marching right to left, shown full-length. The first character blows a horn, carries a violin and bow in his hands and on a string around his waist another horn with smoke coming out hangs over his behind; he is wearing spectacles and a scarf aroung his head as well as a Roman-style pink dress; he has wings and appears to have a breast. In the text above his head: En avant la renommeé? Sur l'air: j'ai du bon tabac, dans Misantropie et repentir. The second figure is wearing Roman armour and carries a long-handled pan; he has claws for hands, a bird's face and tail feathers. On top of his helmet sits a rat. The text above his head reads: Tais toi! Geulard, vilain menteur de Constitutionel; j' t'ai dis que l'premier qui tomeroit sous ma griffe, il aura beau crier ... la mort ... aura.." The third figure with a large belly has a highly caricatured face with large, exaggerated features and fangs; he wears a bonnet. He is armed with a knife hanging in his belt as well as a long sword on a chain. Above his head are the words: Mais, mon Capitaine t'as dis qu't' allois les prendre en flanc j' l'aime bien, moi, l'flanc, tu m'en donneras? .. ain!" The fourth and fifth figures both have wolf-like faces. The one also has a tail and carries a hoe and a basket with a second wicker basket on his back. The writing above his head, " Qu' est-ce qu' en veut? Des lettres de falaise, en voulez vous d' la Chicorée?" The other's clothes are tattered and short, with a sash around his waist; he wears a straw hat and smokes a pipe. Above his head is written, "J' vons avertir not' Capitaine, qu' j'ons vu' à la Rapée des Goujons ... ultras. The final two, both with large snouts and fangs, surround a cannon, the one is pulling it and the other standing crossed-armed looking angrily at his companion in conversation with the figure ahead of him. Above their heads, first, "On dit qu' i' z'ont l'vent su' nous mais c'est qu' j' disque p'tite pluis abat grand vents" and last "On! si j' pouvois attraper l'beau local (l' bocal) aux Conichons ... Oh! c'est sure."
Description:
Title etched below image. and Description based on trimmed impression.
Publisher:
publisher not identified
Subject (Geographic):
France
Subject (Topic):
Royalists, History, Animals in human situations, Baskets, Cannons, Hand tools, Musical instruments, Soldiers, and French
In this anti-Jacobin, pro-Girondist print, seven prisoners, in various postures of distress and exclamation are seated on stools in a prison cell. Each one wears a feathered Liberty cap and each is tied to the cell wall by a rope around his neck. The cell is bare save a circular grated window in its top left corner. Speech bubbles hover above each prisoner reading: “Oh Damn it! Is this proper treatment for the Commissioners of a great nation?”, “Oh curse him this false Dumourier.”, “He has finaly trapt us”, “no hole to creep out at”, “Now I feel for the poor prisoners in the Temple”, “It’s all up. With us”, “Oh I could beat my brains out for making the motion that as brought us like asses to it”. The print alludes to the arrest of Charles Dumouriez who despite having played a key role in the victory of the Battle of Valmy in 1972 suffered a significant defeat in the Battle of Neerwinden (March 1793) at the hands of the Austrians which fuelled suspicion amongst the Jacobins of his loyalties. Believing that Dumouriez harboured royalist sympathies several commissioners representing the National Convention were sent to investigate him. Instead of cooperating with the investigation, Dumouriez turned against the deputies and the Minister of War (Pierre Riel de Beurnonville), arresting the commissioners and handing them over to the Austrian forces
Alternative Title:
Commissioners become hostages and French vermin in the German trap
Description:
Title etched below image., Date of publication inferred from the reference to events occurring in 1793., Reversed English copy, with English text, of a French print entitled "A qui Mal veut, Mal arrive." For the original French print, see Princeton University Library Graphic Arts Collection, call no.: GA 2012.01066., Text beneath title: Being a representation of the present situation of the commissioners, Bournonville, Memoire, Villeneuve, Camus, Lamarque, Luinette and Bancal who were sent to arrest Dumouriez, but the tables being turned upon them they were delivered up to the Austrians and by them imprisoned where they may reflect on the long and cruel confinement they subjected their unfortunate monarch to previous to his martyrdom., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pubd. by J. Aitken, No. 14 Castle Street, Leicester Fields, London
Subject (Geographic):
France and Austria
Subject (Name):
Dumouriez, Charles François Du Périer, 1739-1823.
Subject (Topic):
Girondists, Prisons, Cells (Rooms & spaces), Prisoners, Liberty cap, History, Campaigns, Foreign public opinion, British, and Foreign relations
