"Lord Eldon sits at a high desk above a table, with mace, &c., at which two barristers are writing. He raises his arms in astonishment at the sight of a still (left) inscribed 'The Q--n's Double Destlled [sic] Essence of Bergamot' [with 'ot' scored through and replaced by 'i']; from this the Queen's head emerges, facing the head of Bergami, which issues from an arm of the still. This is surrounded by smoke and stands on a bench, behind which on a low platform stand Louise Demont and Majocchi, pointing at the object, the latter saying: "Non me Ricordo." A barrister, probably Copley, stands near them, saying: "It's a strong proof but froieng [sic] brew'd and out of our power to discover the Makers." Eldon, dropping his pen, says: "This is cuesed [sic] strong it is certainly doubled proof of their Private works." A profile (? Liverpool) leans forward from the left margin, saying: "My L--ds he can swear to the Smell and Taste." Peers, some astonished, some amused, are seated on benches between Chancellor and witnesses. Only the Duke of York can be identified; he says: "I'll have one made for my Travelling Carriage." A bishop: "We must get Bergami to calk it up."."--British Museum online catalogue
Alternative Title:
Peer-les examination of the Royal private works in Italy and Peerless examination of the Royal private works in Italy
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 32 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Several of the depicted figures are idenitifed in pencil on mounting sheet; the names "Caroline & Bergami" and "Dukes of York & Clarence" are written below print, while "Eldon" is written to the right.
Publisher:
Pubd. by H. Fores, 16 Panton St., Haymarket
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Eldon, John Scott, Earl of, 1751-1838, Demont, Louisa, active 1814-1820, Majocchi, Theodore, active 1820, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Ceremonial maces, Stills (Distilleries), Smoke, Benches, Lawyers, Witnesses, Politicians, Bishops, and Hand lenses
"Mrs. Clarke (left) bestrides a large cannon on a gun-carriage, her back to the muzzle, hammering a spike into it with great gusto; she says: "A Wise General shoud make good his Retreat". The Duke of York kneels on the ground (right), looking over his right shoulder at her, and exclaiming, "Alas! Alas for ever ruined and Undone, / See See she has spiked my great Gun". His cocked hat and sword lie on the ground. In the background (left) two military officers followed by a parson run away to the left, and on the right Mrs. Clarke beats a drum, playing the 'Rogues March', while tiny soldiers flee before her."--British Museum online catalogue
Alternative Title:
Darling angel's finishing stroke
Description:
Title from caption below item., Printmaker identified in, Sheet trimmed to plate mark on one side., and Mounted to 29 x 42 cm.
Publisher:
Pubd. March 13th, 1809 by Thos. Tegg No. 111 Cheapside
Subject (Name):
Clarke, Mary Anne Thompson, 1776-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Depiction of George IV in a rage against family members (Frederick and William) who are unwilling to lend their support for his divorce from Caroline; he kicks a man (Bloomfield?) while pursuing his brothers, who are in uniform and seen fleeing on the right side of the design. Papers inscribed "Protocol" and "No devorce [sic]" fly in the air. A toppled chair rests on the floor to the left of the King; a bottle of wine falls off a table behind him, upon which fruit (including pineapples) rests. A John Bull figure watches the scene from the background on the left, an astonished look on his face
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 50 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bloomfield," "P. Leopold," and "D. York" identified in ink at bottom of sheet; date "30 July 1820" written in lower right corner.
Publisher:
Pub. by H. Fores, Panton St., Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Divorce, Adultery, Anger, Kicking, Brothers, Pineapples, Military uniforms, and British
Title etched below image., Eight lines of verse in two columns on sides of title: When he came to the Court, oh, what giggle and sport ..., Temporary local subject terms: Costume: Turkish costume -- Plenipotentiaries -- Eye-glasses -- Court -- Turks -- Alllusion to Barbary Coast -- Wands: Lord Chamberlain's wand -- Naval uniforms: admiral's uniform -- Ministers: Turkish minister., and Matted to 41 x 56 cm.
Publisher:
Pub. Janry 1, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Fitzherbert, Maria Anne, 1756-1837, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Salisbury, James Cecil, Marquess of, 1748-1823
"The Duke of York, in a pilgrim's gown, wearing a mitre and with a crosier for his staff, approaches the corner of a house where two women, Mrs. Clarke and Miss Taylor, look eagerly from an open window. Behind him his path, 'Road to destruction', leads down from a country house in trees, Oatlands. Beside the path is a stone: 'Stumbling Block'. Near the house the Duchess of York kneels imploringly, raising her arms towards the distant Duke. Behind her is one of her many pet dogs (see British Museum Satires No. 11023). The Duke tramples on two open books: 'Thoughts on Connubial Happiness' and 'Thou shalt not commit Adultery'. He says: "Now for a meeting with my Dearest Dear". On the house many bills are posted: 'Man Traps are placed every Night in these grounds'; 'Diamonds by Mrs Clarke Lapidary to his Highness'; 'This evening will be performed Duke and No Duke [by Tate, 1685] By his Majesties Servts . . .'; 'Agency Office business transacted on moderate Terms'; 'Leakes Pills by appoint. . Taylor'; 'Suppression of vice'; 'To all-Journeymen Taylors wanted'."--British Museum online catalogue
Alternative Title:
Pilgrimage from Surrey to Gloucester Place, or, The bishop in an extacy and Bishop in an extacy
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Oatlands Country house -- Mrs. Clarke., and Mounted to 42 x 29 cm.
Publisher:
Pubd. Febry. 27, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Title from caption below image., Sheet trimmed within plate mark on sides., Temporary local subject terms: Allusion to Dorothy Jordan, 1762-1816 -- Allusion to Marie Antoinette, queen of France, 1755-1793 -- Allusion to Daniel Mendoza, 1764-1836 -- Marriages: Duke of York's marriage, 1791 -- Levees., and Mounted to 37 x 56 cm.
Publisher:
Pub Novr 24, 1791, by S.W. Fores, N 3 Piccadilly
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Barry, Augustus, 1773-1818, Barrymore, Richard Barry, Earl of, 1769-1793, Bedford, Frances Russell, Duke of, 1765-1802, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, Dunstan, Jeffery, 1759?-1797, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Queensberry, William Douglas, Duke of, 1725-1810, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, and Weltje, Louis, 1745-1810
Title from item., Printmaker from British Museum catalogue., and Temporary local subject terms: Partial wigs: false curls -- Naval uniforms: sailors' uniform -- Guns: pistols -- Duels: Duke of York and Lt.-Col. Lennox, May 26, 1789 -- French hairdressers -- Hairdressing implements -- Military uniforms: lieutenant-colonel, 35th Foot -- Furniture: chairs -- Tables.
Publisher:
Pubd. by W. Dent
Subject (Name):
George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Richmond and Lennox, Charles Lennox, Duke of, 1764-1819, Winchilsea, George Finch, Earl of, 1752-1826, and Weltje, Louis, 1745-1810
"The Duke and Duchess of York face each other, a small table between them; he sits (left), with his hands clasped and resting on the table; she stands (right), a small jewel-box in her left hand, holding out to him a string of jewels. A paper inscribed '17,000 . . .' lies on the table beside the Duke, whose words are etched above his head: 'Henceforth my follies and neglects shall cease And all to come be penitence and peace, Vice shall no more atract me with her Charms, Nor pleasure reach me, but in those dear arms.' She says, "My Jewels? trifles! not worth the speaking of, if weigh'd against a husband's peace; but let 'em purchase that, and the world's wealth is of less value". She wears the Duke's miniature round her neck. Behind her is a chest of drawers, the top drawer open and full of jewels. On it stands a small coffer of jewels, marked with the Prussian eagle. Beneath the design is etched: 'Ye slaves of passion, and ye dupes of chance, Wake all your powers from this destructive trance! Shake off the shackles of this tyrant vice : Hear other calls than those of card and dice Be learn'd in nobler arts than arts of Play, And other debts than those of Honor Pay. No longer live insensible to Shame Lost to your country, families, and fame.'"--British Museum online catalogue
Description:
Title etched below image., Signed with printmaker Isaac Cruikshank's initials in center right portion of image., Eight lines of verse in two columns below image, four on either side of title: [The] slaves of passion, and [the] dupes of chance ..., Temporary local subject terms: Marriages: Duke of York's marriage, 1791 -- Furniture: chest of drawers -- Tables -- Upholstered chairs -- Furnishings: box with jewels -- Symbols: Prussian eagle -- Gambling debts -- Allusion to the Duke of York's gambling., and Watermark: [T?]aylor.
Publisher:
February 8, 1792, by S.W. Fores, 3 Piccadilly
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, and Moore, Edward, 1712-1757.
"A satirical representation of the duel between the Duke of York and Lennox. The Duke (left), calm and dignified, fires his pistol in the air; Lennox (right), his knees bending in obvious alarm, holds a pistol in each hand, saying, "I hope your H--gh--ss is satisfied now that I am a Man of Honor, by my firing thro' your hair? & that you will retract the opinion of my being a Coward". The Duke, whose hat is on the ground, answers, "Satisfied? yes I am satisfied! that your whole race are a set of dastards! - & you may fire at me till the day of Judgment, e'er I will retract my opinion - or honor a Coward, by putting him out of the World!" The seconds stand behind their principals: 'Lord Raw--n', in profile to the right, a pistol in each hand, says, "Gunpowder is disgrae'd when used upon such reptiles! make them eat their own words, till they are choak'd, thats the way to quiet Charles's-bastard-brood" (cf. BMSat 7507); 'Lord Wine--l--a' (right), looking very frightened, holds an arsenal of pistols under his left arm, a blunderbuss in his right hand, saying, "Would that I had not meddl'd in the business, or, that I could get over to the other side." All wear military uniform; Winchilsea was a Lord of the Bedchamber, Lennox Lt.-Col. in the Coldstream, the Duke's regiment. In the background stands an empty post-chaise."--British Museum online catalogue
Alternative Title:
Prince and a poltron
Description:
Title etched below image., Printmaker from British Museum catalogue., "Price 1 s./6 plain.", Sheet trimmed within plate mark., Temporary local subject terms: Duels: Duke of York and Lt.-Col. Lennox, 26 May, 1789 -- Guns: pistols -- Blunderbuss -- Military uniforms: lieutenant colonel, 35th Foot -- Military uniforms: Lord of the Bedchamber -- Coaches: post-chaise -- Poltroon: coward --Allusion to Charles II., and Watermark: countermark S. Lay.
Publisher:
Pubd. May 27th, 1789, by J. Aitken, Castle Street, Leicester Field
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Richmond and Lennox, Charles Lennox, Duke of, 1764-1819, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, and Winchilsea, George Finch, Earl of, 1752-1826
Leaf 26. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Heading to a rebus engraved below the design, giving the text of the sermon. An ugly parson (right) preaches in close proximity to the canopied pew of the Duke of York, in which the Duke sprawls, with one leg along the edge of the pew. Mrs. Clarke, between them, leans with folded arms on the edge of the pew, facing the Duke. O'Meara says: "Mrs Clark is the Text". The rebus or pictograph, sometimes anagrammatic, would be scarcely comprehensible without the key, unlike the usual 'hieroglyphic letter', e.g. British Museum Satiries No. 11228, &c. The text is on a printed slip: 'Grant me, I beseech you, O great and mighty Lord of the Land of Oats [Oatlands], a Bishopric; or, if it be more agreeable to your Royal Mind, let me be immediately made a Dean. O dearest Angel, Mrs. Clark! as you are my only Refuge in the Time of Trouble, and as you are the only Great Giver of Places in Church and State, let me entreat your Interest in my behalf! . . . [&c. &c.].'"--British Museum online catalogue
Alternative Title:
Sermon preached before royalty by the Reverend Mr. O'Meara
Description:
Title etched below image; second syllable of the name "O'Meara" is represented by an image of a mare within the letter "O"., Restrike. For original issue of the plate, published ca. April 1809, see no. 11294 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 26 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne, 1776?-1852, and O'Meara, Reverend, active 1809
