Title below image., Date derived from printmaker's date of death., Place of publication derived from printmaker's nationality and language of text., In upper margin center: Frontispiece to Hall's Encyclopedia., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Comparative anatomy.
Publisher:
publisher not identified
Subject (Topic):
Art and architecture, Science, Anatomy, Geography, Balloons (Aircraft)., Globes, Skeletons, and Forums (Discussion & debate).
"A magician stands full face with uplifted sabre held over the heads of two figures from the past whom he has called up, and who stand within a magic circle. He displays them to their modern descendants, a tall stout Frenchman plainly dressed, wearing cocked hat and military boots, who stands with his arm on the shoulder of a thin, wretched, shambling, Englishman, small, ugly, and foppish, his hand thrust through an empty pocket. The magician has a beard, but features, cocked hat, consular dress, and sabre indicate Napoleon. He asks: "Are you satisfied Gentlemen?" The apparitions (left) are a grossly obese Englishman in old-fashioned dress, a cane hanging from his right wrist, and an ugly, tall, cadaverous, and foppish Frenchman holding a snuffbox. They say, respectively: "Is that my Grandson Jack? what a skeleton!!!"; "Ah mon Cousin, vat you eat de Beef & Plum Pudding!!" Their surprised successors exclaim: "Bless me! why I am a mere Stump of a man to him!!! and viable my Cousin look like de Frog & John Bull look like de Ox but Grace a Dieu times are Changed!!" Beside the magician are symbols of his art: a globe, a crocodile, a scroll, a skull. Within the circle and beside the French apparition is a frog."--British Museum online catalogue
Alternative Title:
Review of old times
Description:
Title etched below image.
Publisher:
Pub. by T. Williamson, N. 20 Strand, London
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Magicians, Daggers & swords, Globes, Ethnic stereotypes, and Obesity
"Probably based on G. Cruikshank's 'Boney's Meditations . . .', British Museum Satires No. 12593 (1815), an adaptation of Gillray's 'Gloria Mundi', British Museum Satires No. 6012. The place of Napoleon is taken by George IV (right) who stands on the globe, staggering back from the rays of the sun which contains (in place of his own head) a bust portrait of the Queen (left). He repeats a parody of Milton's lines from 'Paradise Lost': "--To Thee, To Thee, I call!!! but with no friendly Voice & add thy Name oh Queen!! To tell thee how I hate those beams that bring to my Rememberance from what state I'm fallen." On the globe is a map with lines of latitude and longitude; the King's left foot is on a frontier between 'England' and 'Hanover' (towards which he staggers), as if to suggest that he will retire to Germany, cf. British Museum Satires No. 13974. A cherub flies above the Queen holding up a ribbon inscribed 'Innocent', and frowning down at the King. A woman resembling Mrs. Quentin in British Museum Satires No. 13897, emerging from behind the globe, tugs anxiously at the King's coat-tail."--British Museum online catalogue
Alternative Title:
Address to the Sun
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 38 of: George Humphrey shop album.
Publisher:
Pub. Oct. 20, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Quentin, Georgina
Title etched below image., Date supplied by curator., From an edition of "Het Groote Tafereel der Dwaasheid" or "The Great Mirror of Folly"., Below image are twenty-four lines of verse in Dutch., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Topic):
South Sea Bubble, Great Britain, 1720, Politics and government, Globes, Cradles, Dissections, Monkeys, Demons, and Dead persons
"View of the interior of the room; a group of gentlemen sit at a table in centre of room, a fireplace with roaring fire to the right with scrolls hanging on the wall above; directly behind the table a large globe sits on a shelf with slim book shelves on either side framed by Ionic pillasters, a large clock in an arch set above globe, windows on the left."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 3., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 16.
Publisher:
Pubd. 1 Jany. 1808 at R. Ackermann's Repository of Arts, 101 Strand
Full length portrait of philanthropist Thomas Coram who began his career in shipping and trading, both in America and England, gaining a wide knowledge of colonial affairs. Later became projector of the Foundling Hospital, shown sitting, directed, facing and looking to the left, wearing open coat over vest and cravat, holding gloves in his left hand and a medal in his right hand, hat on the floor by his right foot; surrounded by emblems representing his mercatilist and philanthropic activities, including a scroll lettered "The Royal Charter" and a globe on the right; column and view of the sea and boats behind
Description:
Title etched below image., Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand above print: Copy., and On page 107 in volume 2.
Full length portrait of philanthropist Thomas Coram who began his career in shipping and trading, both in America and England, gaining a wide knowledge of colonial affairs. Later became projector of the Foundling Hospital, shown sitting, directed, facing and looking to the left, wearing open coat over vest and cravat, holding gloves in his left hand and a medal in his right hand, hat on the floor by his right foot; surrounded by emblems representing his mercatilist and philanthropic activities, including a scroll lettered "The Royal Charter" and a globe on the right; column and view of the sea and boats behind
Alternative Title:
Captain Thomas Coram
Description:
Title, artist, printmaker and imprint from later state., Later state with lettering below the image with title, continuing "who after 17 years unwearied application, obtained the Charter of the Foundling Hospital, / To the Governors & Guardians of the Hospital, this Print is humbly dedicated / by their obedient humble Servt / R. Cribb", production and publication details: "W. Hogarth Pinxt" "London, Published Dec. 1. 1796, by R. Cribb No 288 Holborn" and "W. Nutter sculpt"., Sheet trimmed to plate mark except at bottom., Ms. note in pencil in Steevens's hand at bottom of print: Not in Nichols's book. Proof impression., and On page 222 in volume 3.
Full length portrait of philanthropist Thomas Coram who began his career in shipping and trading, both in America and England, gaining a wide knowledge of colonial affairs. Later became projector of the Foundling Hospital, shown sitting, directed, facing and looking to the left, wearing open coat over vest and cravat, holding gloves in his left hand and a medal in his right hand, hat on the floor by his right foot; surrounded by emblems representing his mercatilist and philanthropic activities, including a scroll lettered "The Royal Charter" and a globe on the right; column and view of the sea and boats behind
Alternative Title:
Captain Thomas Coram
Description:
Title, artist, printmaker and imprint from later state., Later state with lettering below the image with title, continuing "... To the Governors & Guardians of the Hospital, this Print is humbly dedicated / by their obedient humble Servt / R. Cribb"., Sheet trimmed to plate mark except at bottom., Ms. note in pencil in Steevens's hand at bottom of print: Not in Nichols's book., and On page 223 in volume 3.
Publisher:
Published Dec. 1, 1796 by R. Cribb, No. 288 Holborn
Title etched above image., Date in British Museum catalogue: ca. 1700., Sheet trimmed within plate mark., Placement instructions in lower left corner of plate: P. 163, Voll. 1., and Plate from: The works of Mr. Thomas Brown, serious and comical. 5th ed. London: Printed for Sam Briscoe ..., 1719, v. 1.
Publisher:
S. Briscoe
Subject (Topic):
Alligators, Astrology, Books, Experiments, Fish, Globes, Medical procedures & techniques, and Physicians
"Scene outside a large apothecary's shop, both windows filled with large coloured jars. Above the door is the sign, a terrestrial globe on which scales are balanced. Outside, a doctor in old-fashioned dress, acts as usher with a long wand to a band of naked infants (left) who run eagerly towards him. In the jars fœtuses are indicated. Outside the other window stands an undertaker holding up his professional staff and doffing a hat draped with a mourning scarf towards a skeleton who advances from the background (right). Behind the skeleton is a church among trees."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state, with text "The World!" removed from lower margin and added (without exclamation mark) to the shop sign within image. Text beginning "Accoucheurs & apothecaries ..." below image has also been re-etched. For earlier state before these changes to the plate, see no. 14584 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Temporary local Medical Library subject terms: Pharmacies.
Publisher:
Pub. June 29, 1823, by G. Humphrey, 24 St. James's St. & 74 New Bond St.
Subject (Topic):
Death (Personification), Drugstores, Storefronts, Globes, Scales, Signs (Notices), Physicians, Infants, Containers, Undertakers, Staffs (Sticks), Skeletons, and Churches
