"A counterblast to British Museum Satires No. 14110, and an imitation of its manner, in the guise of a companion plate. As in that plate, a zebra with a man's head stands in an oval bandbox, but in profile to the right. The head is (presumably) Lord Conyngham; the creature is grey, scraggy rather than plump as before, and with much longer (ass's) ears. On it sits Lord Francis Conyngham; in place of the Queen's bandbox is a larger box, torn to show that it contains fur, and inscribed 'Lady Eliza[beth's] Muff Box'; this covers the rider from chest to thigh. In his right hand is a rolled document: 'Bishop [of Londo]n's golden rule Kings can do no wrong' [see British Museum Satires No. 14133]. The zebra's neck is encircled by necklaces of jewels; in place of the sieve in British Museum Satires No. 14110, a hand (the King's) from the right margin holds out a plate of jewels close to its voracious mouth. The lid of the bandbox in which it stands is inscribed 'Hertford [lightly scored through] Cunningham' [see British Museum Satires No. 13847]. The box, which is patterned with roses, is full of papers: 'Essays by exalted writers bought by the Pall Mall Booksell[er]'; 'Croker Poetical Slanders'; 'Malicious Anecdotes for John Bull', and a newspaper headed 'John Bull Sunday Mag . . .' Behind (right) is the Cottage with a group of stag, doe, and fawn, and (left) Windsor Castle."--British Museum online catalogue
Alternative Title:
Companion to the Queens ass in a band-box
Description:
Title etched below image., Attribution to Charles Williams and date of publication from British Museum catalogue., Sheet trimmed within plate mark., Publisher's announcement at bottom of plate: NB. In a few days will be published a companion to the Black Ram by the same author., Mounted to 58 x 39 cm., Mounted on leaf 46 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Names of "George IV" and "Ld. Conyngham" written in pencil at bottom of sheet, the former an incorrect identification. Typed extract of eighteen lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by S.W. Fores, corner of Sackville St., Picadilly [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Conyngham, Francis Nathaniel Conyngham, Marquess, 1797-1876, Conyngham, Henry Conyngham, Marquess, 1766-1832, George IV, King of Great Britain, 1762-1830., Conyngham, Elizabeth Conyngham, Marchioness, -1861., Huntly, Elizabeth, Marchioness of, 1799-1839., Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834., Croker, John Wilson, 1780-1857., Howley, William, 1766-1848., and Windsor Castle,
Subject (Topic):
Adultery, Zebras, Boxes, Documents, Jewelry, Dwellings, and Castles & palaces
George IV stands at the center of the design, a smirk on his face and an arm around each of his two mistresses: Lady Hertford on left, and Lady Conyngham (who reaches up to touch his chin) on the right. Two pictures on the wall in the background identify the women: "Hertford Lodge" on the left, and "Cunningham Castle" on the right. Caroline looks in at the scene through a window on the right, her speech bubble reading "What do I behold." The King wears ornaments on his chest that include a corkscrew; a tapped barrel on wheels rests on a table on the left, a glass sitting underneath its spigot
Alternative Title:
Scene in The beggers opera wih a new cunning-m actress and Scene in The beggars opera wih a new Cunningham actress
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum., Watermark: Edmeads & Pine 1801., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 62 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Hertford," "George IV," "Lady Conyngham," and "Caroline" identified in pencil on mounting sheet below print; date "12 Aug. 1820" written in ink in lower right.
Publisher:
Pubd. Aug. 12, 1820, by John Marshall Junr., 24 Little St. Martins Lane
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834.
Subject (Topic):
Adultery, Mistresses, Corkscrews, Barrels, Drinking vessels, and Pictures
King George IV and entourage laden with provisions, about to embark from Brighton in the Royal Yacht; representing the extravagant monarch's distressed retreat from England at the time of the Queen's trial and "George IV leads a procession to the waterside to embark in the royal yacht, preceded by the Attorney-General with a 'Green Bag' [see No. 13735] under each arm, and a bottle of 'Milan Brandy' [see British Museum Satires No. 13755, &c.] in each hand. The latter, much caricatured and with a malevolent countenance, says: "The Tide is against His Ma--je--ty but should He be able to clear Cuckolds Point [cf. British Museum Satires No. 13769] no doubt he will easily weather Cape Horn." The King, wearing sailor's trousers, rollicks along between Lady Hertford and Lady Conyngham (see British Museum Satires No. 13847), arm-in-arm with both and looking towards the latter. He holds in one hand a purse inscribed '2/6', in the other a bottle: 'Decoction of Bergamy', and wears a long watch-ribbon inscribed 'Non mi ricordo' [see British Museum Satires No. 13827]. Both ladies carry reticules inscribed '2/6' [half a crown, cf. British Museum Satires No. 13826]. Lady Hertford: "I hope your Ma--je--ty will not forget your promise (when in Hertford) to take a peep in Y--amouth [sic] Roads--as the Sea breezes might be beneficial." Lady Conyngham: "Don't doubt us your Ma--je--ty we shall never be wanting to lend a Hand to raise the Royal G . . . e." Behind walk Sidmouth and Castlereagh, the latter wearing a triangular hat, holding a scourge and fetters and with a package inscribed 'Irish Wiskey Triangular Proceedings' [see British Museum Satires No. 14135] under his arm. Sidmouth carries a 'Royal Medecine Chest' under his arm, with a clyster-pipe (cf. British Museum Satires No. 9849) inscribed 'Portable Soup'; on his head is a commode-pan inscribed 'Stink Pot for the Radicals'. He says: "Take care of the Green Bags, Stow 'em safe-- for should the Sea Water touch them they'll rot sooner than is expected--and his Ma--je--ty would run the chance of loosing half a Crown" [see British Museum Satires No. 13826]. They are followed by Liverpool and Canning, both wearing, like the King, top-hats ornamented with crowns, to show they are the King's servants. Liverpool has a pen behind his ear and carries two bags, one inscribed 'Pursers Profits', the other 'Nip Cheese 75 Per Cent'. He says "one and one makes two. Canning carries a weathercock (cf. British Museum Satires No. 13737) and says: "A fine Breeze and we shall soon be out of the scent of Cotton Yard [see British Museum Satires No. 13824] theres a kind of Vapour gathering in that Quarter that's likely to be very offensive, unless the rubbish is shortly removed!!" In the foreground on the extreme left walks Sir William Curtis, in the sailor's dress of the Walcheren Expedition, see British Museum Satires No. 11353, &c. He has a vast paunch inscribed 'The Orphans Fund' [see British Museum Satires No. 13706] and 'Blubber', and carries a large turtle, a knife, and a long spoon. He says: "Who so blythe so blythe as we to take a voyage a voyage to Sea Along with his great Ma--j--ty." Behind is a man carrying on his head a basket of kitchen 'Stores': gridiron, kettle, &c. The yacht 'Royal George' is in the background (right), flying the Royal Standard and with sailors in the rigging."--British Museum online catalogue
Description:
Title etched below image., Attributed to Robert Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark on three sides., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 78 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Curtis," "Liverpool," "Sidmouth," "Londonderry," "Hertford," "Conyngham," and "Eldon" identified in ink below image; date "Sept. 1820" written in lower right corner. Typed extract of six lines from the British Museum catalogue description is pasted above print.
Publisher:
Pubd. by E. Pritchard, Islington Green
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Gifford, Robert Gifford, Baron, 1779-1826, Conyngham, Elizabeth Conyngham, Marchioness, -1861, George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Castlereagh, Robert Stewart, Viscount, 1769-1822, Sidmouth, Henry Addington, Viscount, 1757-1844, Canning, George, 1770-1827, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Curtis, William, Sir, 1752-1829, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Canning, George, 1770-1827., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Castlereagh, Robert Stewart, Viscount, 1769-1822., Conyngham, Elizabeth Conyngham, Marchioness, -1861., Curtis, William, Sir, 1752-1829., George IV, King of Great Britain, 1762-1830., Gifford, Robert Gifford, Baron, 1779-1826., Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828., and Sidmouth, Henry Addington, Viscount, 1757-1844.
"An adaptation of British Museum Satires No. 11904 (1812), by Cruikshank, reversed, with Lady Conyngham replacing Lady Hertford. The open barouche, with four galloping horses and the Cupid postilion, is closely copied. Behind the carriage, as footman, General Bloomfield replaces McMahon. Conyngham replaces Hertford on the donkey, with the antlers, dress, and (incorrectly) the staff of office of his predecessor. He says: "How fortunate am I to have a Handsome and Cunning wife or I should not wear those marks of Distinction!" Lady Conyngham repeats Lady Hertford's words: "We have had a glorious ride my Love! It is worth Half a Crown" [cf. British Museum Satires No. 13826]. George IV: "My Cunning-one I have not Half a Crown to give thee, Would that I had." The Devil drives, as before, but sits alone, instead of beside Lord Yarmouth; a long barbed tail has been added. The 'Female Asylum' (for discarded mistresses) is similarly drawn but less ramshackle; the women looking from the windows are altered; Lady Hertford replaces Mrs. Fitzherbert: the words are as before, but '. . . his Poor F' becomes 'his Poor H'. On the roof, in place of two cats as supporters of the inverted feathers and coronet, are three cats with a (heraldic) scroll and a chamber-pot. The tail of the procession (Sheridan and the wagon 'For Yarmouth . . .') is omitted. The signpost points 'To Brighton'; Ragley is replaced (left) by the domes and minarets of the Pavilion, burlesqued."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Three lines of quoted text following title: "For trifling sports I quitted grave affairs," "And let not wine or anger wrest," "Th' intrusted secret from your breast.", Mounted to 39 x 58 cm., Mounted on leaf 16 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Ld. Conyngham," "Geo. IV," and "[Lady] Conyngham" identified in ink below image; date "Nov. 1820" written in lower right corner. Typed extract of twenty-six lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by J.L. Marks, 28 Fetter Lane, Fleet St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Conyngham, Henry Conyngham, Marquess, 1766-1832, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, and Royal Pavilion (Brighton, England),
Subject (Topic):
Adultery, Mistresses, Carriages & coaches, Donkeys, Antlers, Devil, Pitchforks, Asylums, Cats, Chamber pots, Traffic signs & signals, and Official residences
"Folding frontispiece to "A Political Lecture on Heads, alias Blockheads!! A Characteristic Poem: . . .Drawn from Craniological Inspection, after the Manner of Doctors Gall and Spurzheim, of Vienna. By Don Juan Asmodeus. London. Printed for the Author, and Published by John Fairburn, 2, Broadway, Ludgate-Hill (Price One Shilling)." Ten half length caricature portraits arranged in two rows, and, except for the last two, in separate compartments, each illustrating a section of the verse-satire. The date is after Peterloo (16 August 1819), see British Museum Satires No. 13258, and before the King's death (29 Jan. 1820). [1] 'Derry-Down-Triangle', Castlereagh, with ass's ears, his head, adorned by a tiny gibbet, turned in profile to the left, holds up a scourge. On a scroll is the motto 'EIREN·GO·BRAY' (see British Museum Satires No. 13301). [2] 'State Jackal', Canning, directed to the left, holds a pistol in each hand. On his head is a triangle, bells hanging from its apex as from a fool's cap. Behind him is a package inscribed 'Lisbon 20.000 weight'. For his much-attacked mission to Lisbon see British Museum Satires No. 12872, for the duel with Castlereagh, British Museum Satires No. 11370, &c. [3] 'Quack Doctor' [cf. British Museum Satires No. 9849], Sidmouth, in profile to the left, holds a pike on which is speared a ball inscribed 'Circular Pills' [see British Museum Satires No. 13282, &c.]. On his head is a pestle and mortar inscribed 'Drugs for John Bull'. At his back is a large 'Bible' (like Liverpool he was an Evangelical). [4] 'Chancery Jack', the shoulders of Eldon, who scowls to the right, emerge from a 'Coal Tub' (as son of a Newcastle hoastman or coal-broker). He wears wig and gown, across his forehead is a bandage inscribed 'In Chancery'; from his mouth issues the word 'Equity'. [5] Liverpool, in profile to the left, spoons into his mouth liquid from a bowl of 'Water Gruel for the Poor' held in his left hand. On his head is a round tea-tray inscribed '£4.000'; on this are two cups and an urn inscribed 'Cordial Tea'. [6] 'Croaking-Frog--' Croker sits, pen in hand, in profile to the left; on his head is a frog. At his shoulder is a flag inscribed Dry . Rot . In . Navy' above two broken anchors. He says "Fal de Raltit," and before him is a paper: 'Talavira [sic] Algiers 2000'. He has an oddly shaped seat, resting his arm on a 'Quarterly Review', above a longer (curved) block inscribed 'Couriers'. (He was Secretary to the Admiralty, see British Museum Satires No. 12310, author of 'Talavera', a leading contributor to the 'Quarterly', and (with Arbuthnot) manager of the Press for the Ministry.) [7] 'Dunderass--' Lord Melville (First Lord of the Admiralty), in tartan, is in profile to the left, holding a pinch of snuff. Across his chest is a broad band: 'Pickings of Dad 60.000 [see British Museum Satires No. 10377, &c.] Place 10.000.' He wears a curious head-dress topped by a man-of-war surrounded by smoke. [8] 'Waterloo-Man--' Wellington, so styled by Hone, see British Museum Satires No. 13302, stands in profile to the left, wearing a cocked hat on which stands a cannon. He holds a dagger transfixing a bleeding heart; behind his back is a bundle inscribed 'Iquisition' [sic], across his chest is a placard: 'Coruption [sic] Prize . Money £60.000 Allowances £200.000 &c &c.' The text is a savage attack, e.g.: His soldiers 'sav'd the Spanish nation'; | Sav'd them--to send them to perdition | By 'Ferdinand's' crust [sic] 'Inquisition' [see British Museum Satires No. 13009] and (on Waterloo): The 'General' he'd not aught to do | But scenes of triumph to review [having lingered in Brussels]. For the campaign against pensions see British Museum Satires No. 12781, &c. [9 and 10] 'Chere-Amie', Lady Hertford in profile to the right, holds a sceptre and wears a crown-like coronet. She offers the Regent a large goblet of 'Noyau', saying, "Take another sup my Jewel. Grand-Lama--" The Regent leans back tipsily, his eyes almost closed. A little demon, holding a firebrand, flies towards him, flinging a noose at his head. See British Museum Satires No. 11853."--British Museum online catalogue
Description:
Title etched below image., Attribution to George and Robert Cruikshank from pencil annotation on the British Museum impression; see British Museum catalogue., Frontispiece to: Asmodeus, J. A political lecture on heads, alias blockheads!! A characteristic poem ... London : J. Fairburn, [1819], Approximate month of publication from the British Museum online catalogue, registration no.: 1865,1111.614., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 53 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and All figures except Lady Hertford (bottom row, second from the right) identified in ink beneath their respective caricatures. Typed key to the figures (with Lady Hertford misidentified as "Caroline") pasted above print.
Publisher:
John Fairburn
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Croker, John Wilson, 1780-1857, Melville, Robert Saunders Dundas, Viscount, 1771-1851, and Wellington, Arthur Wellesley, Duke of, 1769-1852
"Lord Conyngham stands by the counter of Benbow's shop holding out an open book to the shopman with a terrified gesture: "Mr Benbow, Pray who is this!" Benbow, behind the counter, touches the antlered figure of British Museum Satires No. 14029, and one of the fat ladies, answering, "This is Lady H----d and this is Lady C----m." His right hand rests on a pile of caricatures on the counter. A grinning shopman behind the L-shaped counter (right) holds up two fingers to simulate horns above Lord Conyngham's head. The walls of the shop are lined with books; by the counter three bills are displayed, one above the other: [1] 'Just Published 1s 6d Sultan Sham and his Seven Wives' [British Museum Satires No. 14029]; [2] 'Cobbett's Register Sold here also Peep at the Peers' [? British Museum Satires No. 14108]; [3] 'The K. the determiner of the Q'; [4] 'Queen & her Pawns agains the King and his Pecc' [sic, British Museum Satires No. 13946]."--British Museum online catalogue, description of a different version of the same design
Alternative Title:
Cuckold Cunningham frightened at his wife's caricature
Description:
Title etched below image; the word "Cuckold" is partially scored through., Date from that assigned in the British Museum catalogue to another version of the same design., Sheet trimmed within plate mark., Four numbered stanzas of verse below title: 1. Twas the eye of a cucold [sic] of fame and renown ..., For another version of the same design, etched by J.L. Marks and published by W. Benbow, see No. 14030 in the Catalogue of prints and drawings in the British Museum, v. 10., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 90 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and "Ld. Conyngham" identified in pencil below image; date "1820" written in ink beneath lower right corner of image.
Publisher:
publisher not identified
Subject (Name):
Conyngham, Henry Conyngham, Marquess, 1766-1832, Conyngham, Elizabeth Conyngham, Marchioness, -1861., Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834., and Benbow, William, 1787-1864.
Subject (Topic):
Adultery, Stores & shops, Interiors, Counters, Caricatures, Bookcases, and Books
The King sits on a couch with Lady Conyngham on his left knee, the large feathers of her headdress extending over their heads. The couple gaze at each other amourously as a woman holding a candle (a maid?) enters through a doorway on the left. On the wall behind the woman hangs a picture of an estate with the name "[C]unningh[am]" written on the frame. Another picture on the wall to the right shows a man, probably Lord Conyngham, full-length and facing away from the viewer, antlers on his head and the speech bubble "I dont see it" in the upper left. A document on the floor to the right of the couch reads "Hertford," with a speech bubble to the immediate left reading "The right owner is." A canopy bed is seen through the open door on the left side of the design
Alternative Title:
Cunningham outwitted, Conygnham outwitted, and Fair play at Brighton
Description:
Title etched below image., Description based on an imperfect impression; sheet trimmed within plate mark and also mutilated in lower right corner, with portions of the imprint statement lost. Missing text supplied from ink annotations on the repaired corner., Not in the Catalogue of prints and drawings in the British Museum., Window mounted to 24.1 x 34.1 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 49 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and The figures of "Lady Conyngham" and "Ld. Conyngham" are identified in ink at bottom of sheet; date "24 July 1820" written in lower right corner.
Publisher:
Pubd. July 24, 1820, by Be[nbow], corner of St. Clements Church [Yard]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834.
Subject (Topic):
Adultery, Mistresses, Couches, Candles, Headdresses, Feathers, Antlers, and Canopy beds
"Three fat, bedizened women (? Ladies Hertford, Conyngham, &c.), dance in a ring, holding hands. The background is a curtain hanging in festoons. P. 5: D, for the Devils, with infamy fraught, Who first gave the Archer this cowardly thought ... The Archer had venom enough in his reach, But found the most potent exude from the Leech ..."--British Museum online catalogue
Alternative Title:
D, for the devils, with infamy fraught, who first gave the archer this cowardly thought ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 9 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Leach, John, 1760-1834., Conyngham, Elizabeth Conyngham, Marchioness, -1861, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, and Rosco.
"Lady Hertford, seated regally on a small sofa, cuts locks from the head of the Regent who reclines against her knees, asleep. The locks already cut are on the ground inscribed respectively 'Sheridan', 'Norfolk', 'Moira', 'Holland', 'Erskine'. She is about to shear off one inscribed 'Grenville'; the last, 'Grey', is still on his head. The Prince, who is conventionally handsome, and wears uniform, holds a paper signed '[Gren]ville / Grey'; his garter, inscribed 'Honi so . . .', is loose, and his left hand hides the star on his breast. Lord Yarmouth (right) stands holding a guttering candle; he points to the uncut lock, saying, "Don't forget that lock laying [on] the shoulder its Grey dy'ye see!" In his pocket is a pamphlet: 'Art of Milling' [see British Museum Satires No. 11842]. To leave no doubt as to his identity, a basket of fish is beside him inscribed '[Y]armouth Herrings'. Lady Hertford is heavily handsome; a small crown, which might pass as a tiara decorates her head; one foot rests regally on a footstool. A pillar and drapery behind her suggest regal state. On the sofa beside her is a rolled document headed 'Road to Hertford from Pall Mall'. On the ground (left) are empty wine-bottles; on a book by the Prince's feet, 'Economy of Human Life', lies a broken bottle from which wine pours. Behind (left) stands Perceval in his Chancellor of the Exchequer's gown, watching from behind a curtain which he holds aside; Castlereagh stands behind him, saying, "By Jasus, but she's as pretty a Barber as ever I clap't my eyes upon." Perceval answers: "Hush! Hush! you'l wake him before they are all cut."."--British Museum online catalogue
Alternative Title:
Delilah depriving Sampson of those locks in which consisted his strength
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed., and Album paper pasted over edge of plate at top.
Publisher:
Pubd. Feby. 1812 by Walker and Knight, No. 7 Cornhill
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842, Castlereagh, Robert Stewart, Viscount, 1769-1822, Perceval, Spencer, 1762-1812, Erskine, Thomas Erskine, Baron, 1750-1823., Grey, Charles Grey, Earl, 1764-1845., Sheridan, Richard Brinsley, 1751-1816., Grenville, William Wyndham Grenville, Baron, 1759-1834., Norfolk, Charles Howard, Duke of, 1746-1815., Holland, Henry Richard Vassall, Baron, 1773-1840., Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826., Samson (Biblical judge), and Delilah (Biblical figure)
"The King and Queen are tied together back to back, by a ribbon inscribed 'The Matrimonial Knot. Keep thee only.. unto her, so long as ye both shall live.' The Queen (left), richly dressed and with three feathers in her hair, stands looking towards Justice, who takes her right hand. She says, her hand on her breast, "Nothing but death shall e'er divorce my dignities" ['Henry VIII', III. i]. Justice stands among clouds; she says: "Your exemplary conduct is worthy imitation, as during your husband's ill treatment every effort you exerted to reclaim him, which failing, the world must approve your seeking refuge in the wholesome and protecting laws of your country.--I will be your guide." Brougham stands on the extreme left, poorly characterized but holding a rolled document inscribed 'To Mr Brougham'; he says: "Let slanderous tounges [sic] say what they will they are "Trifles light as air" ['Othello', III. iii] for "She is every inch a Queen." [Adapted from 'Lear', IV. vi]." The King leans against the bond that joins them, straining hard to break it; he puts his hands on the shoulders of Castlereagh who holds him round the waist, the first of a chain of three who pull hard to help him to break loose. The King: "Heigho! how to get un-married; thats the question! There is but little trouble in tying the knot, but your quizzes of the cloth draw it so d----nd tight, Pull away Derry, Pull away Deary Pull away Doctor." Sidmouth tugs at Lady Hertford (or Conyngham) whose arms are round Castlereagh. Castlereagh answers: "If we could entice that blind Lady from her, we might do some good." Sidmouth: "A long pull and a Strong pull and a pull alltogether.""--British Museum online catalogue
Alternative Title:
How to get unmarried
Description:
Title etched below image., Month of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Turn over-"--Lower right margin., and Mounted on page 21 of: George Humphrey shop album.
Publisher:
Pubd. by J.L. Marks, No. 2 Sandy's Row, Bishopsgate
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834
