published according to act of Parliament, Feb. 1, 1751.
Call Number:
Hogarth 751.02.01.05.1+ Box 200
Collection Title:
Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., 1 print : etching on laid paper ; plate mark 383 x 319 mm, on sheet 473 x 380 mm., and Pencilled note on verso: '2nd state'.
Publisher:
Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., 1 print : etching and engraving on laid paper ; plate mark 38.6 x 31.9 cm, on sheet 59 x 46 cm., and Plate 78 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., and On page 156 in volume 2. Sheet trimmed within plate mark to: 37.8 x 30.4 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
Plate [169] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Illustration to Bowyer's edition of Hume's 'History of England'; the archbishop, dragged from carriage, is attacked by a gang, as his daughter rushes forward to protect him but is pulled back by one of his murderers."--British Museum online catalogue
Alternative Title:
Death of Archbishop Sharpe
Description:
Title from text below image., Sheet trimmed within plate mark on three sides., and Plate [169] in a volume bound to 50 cm.
Publisher:
Published by R. Bowyer, Historic Gallery, Pall Mall
Subject (Name):
Sharp, James, 1613-1679, and Sharp, James, 1613-1679
"Broadside with four columns of prose and three woodcuts, one along the top with a line of 19 hanged persons, and in the centre two scenes, one of a man slitting the throat of a boy, the other of a man in prison surrounded by his weeping family."--British Museum online catalogue and "The text describes 14 different cases heard in April 1827, that resulted in the hanging of the person found guilty. None of the cases seems to have any relation to the two scenes in the woodcuts."--Curator's comments, British Museum online catalogue
Description:
Caption title., First lines: Execution of Richard Thomas, for murder. Richard Thomas was indicted for the muder of Mary Ann Matilda Taylor ..., and For further information, consult library staff.
Publisher:
J. Catnach, printer, 2, Monmouth-Court, 7 Dials
Subject (Geographic):
England and London.
Subject (Topic):
Murderers, Executions and executioners, Hangings (Executions), Homicides, Prisoners, and Cells (Rooms & spaces)
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., and Formerly on page 118 in volume 2. Removed in 2012 by LWL conservator.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 20 in: Album of William Hogarth prints.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., and After the painting "The Bagnio" in the National Gallery, London.
