Manuscript on parchment, composed of two distinct parts. Part I: 1) Cicero, Partitiones oratoriae. 2) Cicero, Topica. Part II: 3) P. Rutilius Lupus, De figuris sententiarum et elocutionis. 4) Aquila Romanus, De figuris sententiarum et elocutionis. 5) Martianus Capella, De figuris sententiarum et elocutionis, extracts. 6) Priscian, De figuris numerorum (quos antiquissimi habent codices), sections 1-10 only and omitting portions of the long Greek quotations
Description:
In Latin., Script: Part I (ff. 1-64): Written in a well formed round humanistic script by a single scribe, above top line. Part II (ff. 65-114): Scribe 1 wrote arts. 3-4 in a neat round humanistic script, above top line. Scribe 2 added arts. 5-6 in an upright humanistic script bordering on cursive; he also added the Greek words in the margins for arts. 3-4., Part I: Illumination in the early style of Bartolomeo di Antonio Varnucci (1410-79). Two large illuminated initials (ff. 1r and 37v), 5-line, gold on blue, green and peach ground with white vine-stem ornament, touched with green and white dots. On f. 1r a partial border incorporating a butterfly, grasshopper, moth, and a flying putto with bow and arrow who appears to be propelled by lozenge-shaped blue clouds. 25 small initials, 2-line, gold on blue, green and peach ground with white vine-stem ornament and white dots. Headings in pale red, the first on f. 1r partially obscured by the decoration. Part II: Display headings and key grammar words in majuscules; no decoration or rubrication., and Binding: Nineteenth century, France. Bound in red goatskin, blind- and gold-tooled, by L. Guetant. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Rhetoric, and Speeches, addresses, etc., Latin
Manuscript on paper (polished, except for ff. 129-136) of Passages on Asceticism by various authors, including John Chrysostom, Basil, Isidore, Theodoretus, Maximus, Nilus. With other theological texts, especially concerning monasticism
Description:
In Greek., Unidentified watermarks: anchor in circle., Script: Written by a single scribe who signed himself "Callistus the holy deacon"., Simple headpieces on ff. 1r, 34r, 58r, 60v, 74r. Initials and headings, in red, for each new passage. Crudely drawn angel hovers over top of initial, f. 34r; birds perch on others. Folios 129-136 are not rubricated., and Binding: Date? Pastedowns sewn with bookblock. Three chain-stitched supports. Endbands attached to the square-edged, flush wooden boards. Loops of thread around the edges of the quires at head and tail. The spine is square and lined all along with vellum extending onto the inside of the boards and there seem to be lining strips extending on the outside of the boards also. Two pin holes with stubs of iron pins in them in the edges of the upper board and two holes for each strap on the lower. Rebacked. Covered with 13th-century Greek manuscript fragment containing musical notation, with front flyleaf from the same manuscript, and back flyleaf from a 12th century Greek liturgical text (all badly rubbed).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Anastasius, Sinaita, Saint, active 640-700.
Subject (Topic):
Asceticism, Fathers of the church, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monastic and religious life, and Theology
Manuscript on paper of Heinrich von Sankt Gallen (c. 1350-after 1409), Passionstraktat, a treatise on the Passion. With various prayers
Description:
In German., Script: Two scribes: A, called S. Bawman (Baumann), from Nördlingen (Bavaria), writes Gothica Hybrida Libraria/Formata with calligraphic extensions on the top and bottom lines (ff. 2r-140v); B writes Gothica Cursiva Libraria/Currens (ff. 141r-168v)., Headings and names of quoted authorities in the text in red. Red stroking of the majuscules. Plain initials in red. Decorated initial (6 lines) in purple on gold background with floral engraving, in a rectangular trompe-l'oeil frame in the shape of a green and red stone slab, on f. 2r; with vegetal border (acanthuses in purple, blue, green and yellow in the four margins). On the facing page (f. 1v, art. 1) full-page miniature in a similar frame and with a similar engraved background in gold: the Annunciation, with God the Father in the upper left corner. Border decoration: at the four corners and in the middle of the sides a golden ball with sprays in ink., and Binding: Original (?) brown leather over wooden boards, blind-tooled with central panel and fillet frames with circular and lozenge-shaped stamps: one recognizes a Christ's head, an angel, birds, and a curious stamp in the form of a wooden branch. Remnants of two brass clasps fixed to the rear cover. Spine (repaired) with three raised bands, the upper and lower one over double thongs, the middle one over a single one.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Heinrich von Sankt Gallen. and Jesus Christ
Subject (Topic):
Passion, Christian literature, German, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Pauline Epistles (Epistola ad Romanos 2.27 through Epistola ad Hebreos 11.34), with commentary of Gilbert de la Porree. With Argumenta, later additions, all attributed to Hugo de Sancto Caro or Peter Lombard
Description:
In Latin., Script: Written in fine early gothic bookhand in two sizes of script, above top line., Three illuminated initials at beginning of first three Epistles of excellent quality, ff. 34v, 69v, 86v, 8- to 5-line, with descenders extending into margins, red, blue, green and beige against gold ground. Bodies of initials filled with stylized scrolling foliage, bright blue, red, green, orange, silver and yellow with white highlights against gold ground. Descenders serve as a trellis for similar scrolls, some ending in biting animal's heads or fantastic birds. Scrolling foliage, f. 86v, inhabited by beasts of a canine variety, white with red shading. The decoration of manuscript is unfinished; f. 99r pen and ink underdrawing for an initial as above, with only touches of red added; blank spaces left for initals for remaining Epistles. Small initials, 3-line, gold with red penwork, for beginning of commentary for each Epistle. Headings in red or alternating red and blue majuscules. Plain initials touched with red. Running titles, later addition, in red., and Binding: Twentieth century, United States (?). Half bound in dark red goatskin with gold-tooled lettering on the spine ("St. Paul/ Epistulae cum commento/ MS. 12th Cent."), marbled paper sides, and yellow edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gilbert, de La Porrée, approximately 1075-1154., Hugh, of Saint-Cher, Cardinal, approximately 1200-1263., and Peter Lombard, Bishop of Paris, approximately 1100-1160.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment of 1) Plato, Phaedo, translated into Latin by Leonardo Bruni and preceded by his prefatory letter to Pope Innocent VII. 2) Xenophon, Hiero (Tyrannus), translated into Latin by Leonardo Bruni and preceded by his prefatory letter to Niccolo Niccoli
Description:
In Latin., Script: Written by a single scribe in a somewhat angular humanistic bookhand., Decorated in the early style of Gioacchino de' Gigantibus. On f. 1r a partial border in upper, lower and inner margins, white vine-stem ornament on blue, green and dark pink with grey dots on blue grounds, blue dots on pink grounds, and gold balls. In lower border, medallion framed by gold interlace bands and supported by two putti wearing red necklaces, with a coat of arms, now erased, on green ground. Four illuminated initials, 7- to 5-line, in gold, framed in yellow, on blue, green and red grounds, with dots as above. Initial on f. 1r, inhabited by standing putto wearing a red necklace, is joined to the border. Other initials have vine-stem decoration extending into the margins and terminating with groups of three gold balls. Headings and names of interlocutors in red., and Binding: Between 1800 and 1810, Italy. Rigid vellum case with the title gold-tooled on a label on the spine: "Leon. Aret. Opus". Gilt edges and faint lettering on the head edge.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hieron I, Tyrant of Syracuse, -467 B.C. or 466 B.C., Innocent VII, Pope, 1336-1406., Niccoli, Niccolò, approximately 1364-1437., and Plato.
Subject (Topic):
Biography, Dialogues, Greek, Illumination of books and manuscripts, Medieval, Literature, Medieval, Manuscripts, Medieval, and Philosophy, Ancient
Manuscript on parchment of Lucan's De bello civili (Pharsalia).
Description:
In Latin., Script: copied by various hands writing a small late Carolingian script. Folios 24v-25r have been erased, ruled again in lead and rewritten by a 13th century hand using Southern Gothica Textualis Libraria; the top 10 lines of f. 41r appear to be rewritten over erasure by one of the main hands. Headings, explicits and incipits in display script heightened with red. Red heightening of the opening majuscules of the verses and of the paragraph marks., Lucan's De bello civili (Pharsalia). The text is incomplete due to the loss of two quires in the middle and two leaves at the end. Marginal and interlinear glosses and corrections date from the 12th-15th centuries. There are running headlines “I”, “II”, “III” etc. on the recto pages up to f. 56. The manuscript also contains a fictitious epitaph of Lucan., The manuscript contains two maps: (1) in the outer margin of f. 21v: schematic drawing coloured in red and yellow illustrating the fauces, lingua and cornua of the harbour of Brundisium; (2) in the outer margin of f. 87v: erased T-O map with the winds, uncoloured, illustrating the description of the world beginning., and Binding: English 19th century binding: brown leather over cardboard; on the spine the gold-tooled title “LUCANI / PHAR./ SALIA”. Marbled endleaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lucan, 39-65.
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Narrative poetry, Latin
Manuscript on paper of 1) Sonnet by the Franciscan Alessandro de Ritiis, or by his compatriot from L'Aquila, Buccio di Ranallo, lamenting the loss of a loaned book. 2) Polistorio, attributed to the Dominican Bartolomeo da Ferrara (1308-1444).
Description:
In Italian., Watermarks: Briquet Arbalete 746., Script: Written in fere-humanistic script by a single scribe, above top line., Fully illuminated title page, f. 6r. Floral border in inner and upper margin, black inkspray with blossoms, green, blue and purple with white highlights and gold balls. Bar border between text columns, gold and red, extends from buds (mauve, green and blue with white highlights) with stylized foliage, purple, blue and green and gold with white highlights; surmounted in upper margin by half-length figure of Virgin with Child. In outer margin, elaborate partial border of stylized foliage and flowers, green, blue and purple with white and yellow highlights and gold balls, framing central wreathed medallion with triton blowing a curved horn, on gold ground with penwork filigree. In center of lower border, arms of the Marcello family of Venice (azure, a bend wavy or) on deep red ground within wreathed medallion, both with yellow highlights. Arms symmetrically flanked by 2 putti plucking fruit from wreathed medallion and holding rods, green, blue, and purple with scrolls bearing the mottoes "sola virtus" and "dulcia poma" in red, and two triton-putti, one playing a flute, the other a stringed musical instrument. One historiated initial, 6-line, of stylized foliage in green, purple, and blue with white filigree on gold ground, with a half-length figure of a crowned and bearded man, perhaps the Emperor Augustus. The design of the upper and inner border and of the historiated initial is conservative in style and close to the work of Leonardo Bellini., and Binding: Fifteenth century, Italy. Parchment stays are adhered inside the quires. Rear pastedown (now lifted): parchment leaf from a lectionary, Italy (North?), 1050-1100; a parchment leaf, perhaps from the same manuscript, is concealed under front paper pastedown. Each leaf, with a stub, is folded around the front and back flyleaves, sewn, and glued down under the pastedowns. Original sewing on five tawed skin, slit straps laid in channels on the outside of beech boards and nailed. Yellow edges. Plain wound, natural color endbands are sewn on leather cores. Covered in brown calf with narrow corner tongues. There is a large, eight-petalled fitting in the central blind-tooled panel and four corner fittings have flower and agnus dei designs on them. The concentric outer frames are filled with rope interlace or small roses. The Marcello arms were stamped on each board on an inlaid leather shield which is wanting on the upper board. Spine: bands outlined with triple fillets, an X of three fillets in the panels. Four fastenings, the catches on the lower board, the upper one cut in for red fabric straps, attached with star-headed nails.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bartolomeo, da Ferrara.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature, and Manuscripts, Medieval
Manuscript on parchment of an atlas produced by the Genoese cartographer Battista Agnese (1514-1564) in Venice
Description:
In Latin and Italian., Script: inscriptions in black or red ink in Humanistica Cursiva under Gothic influence, and in Capitalis (the latter sometimes in gold)., Shield in yellow and blue with "Cosmo-Grra-Phia" in red. The maps show varying degrees of colouring., An atlas produced by the Genoese cartographer Battista Agnese (1514-1564) in Venice. Includes 23 maps in various colors, with many representations of people, ships, and landmarks., and Binding: de luxe binding, 19th or 20th century, by Rivière & Son: gold-tooled red morocco over pasteboard; gold-tooled title on spine:"PORTOLANO / DA / BATTISTA / AGNESE", and at the bottom: "1559".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Agnese, Battista, active 16th century.
Subject (Topic):
Atlases, Cosmography, Illumination of books and manuscripts, Medieval, Manuscript maps, and Manuscripts, Medieval
Manuscript on parchment of Nicolaus de Lyra, Postilla super psalterium; Postilla super libros prophetorum
Description:
In Latin., Script: copied by two scribes: A copied ff. 1r-95r (with the exception of f. 40) in Gothica Cursiva Antiquior Libraria; and B copied ff. 97r-272r in the same type of script, but closer to Anglicana., Decoration: Illuminated initials in red, purple, blue, and gold leaf. Elaborate marginal vine-and-floral ornamentation at beginnings of chapters in red, blue, green, brown, and gold leaf. Occasional multi-colored pictures and diagrams. Traces of indexing tabs on the first leaf of every book. See catalog description for further detail., and Binding: 19th century parchment over pasteboards. Each cover has a central embossed design of an interlocking lozenge and rectangle in red and black with floral ornamentation in gold and blue. Red leather labels on spine with embossed gold letters.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicholas, of Lyra, ca. 1270-1349.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Nicolaus de Lyra, Postillae on Genesis, Exodus, Leviticus, Numbers, Deuteronomy, Joshua, Judges, Ruth, and I-IV Kings
Description:
In Latin., Script: Written by several scribes in gothic bookhand., 19 pen-and-ink drawings with washes in red, green, blue and pale yellow, some inserted into the text column, others up to half-page size dealing with the Tabernacle in the Desert and the Temple of Solomon: the drawings serve to clarify the written text by depicting differences in interpretations between Jewish and Catholic exegesis; contrasting drawings are usually juxtaposed and labelled with the respective source for each., Many fine flourished initials, red and blue divided, 9- to 3-line, with penwork designs in red, blue and/or purple; somewhat smaller less ambitious initials alternate red and blue with designs in the opposite color. The minor decoration appears inconsistently, with running headlines, rubrics, paragraph marks and underlining of Biblical texts, in various colors or totally absent., and Binding: Modern restoration? Limp vellum case with earlier title (mostly illegible) running lengthwise on spine and later title added at top of spine: "Fr. Nicolai de Lyra ord. min. Commentaria in Libro historico Sacrae Scripturae".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicholas, of Lyra, ca. 1270-1349.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholasticism
