An American Indian male on a black horse lassoes a white horse in a herd of wild horses
Description:
Title from caption below image., "Entered according to Act of Congress in the year 1872 by John G. Wellstood, in the Office of the Librarian of Congress at Washington.", and Edition statement supplied by cataloger. Print is known to exist in two versions, monochrome and multicolored.
Lithograph reproduction of the 1888 oil painting by Albert Bierstadt, The last of the buffalo; depicts an Indigenous man on horseback spearing a buffalo; in foreground right, several dead buffalo; middle-ground right, many Indigenous men on horseback chasing buffalo; background, wide river valley with highlands and snow covered mountains in far distance
Description:
BEIN BrSides Zc10 891bi: Autograph inscription in pencil by the artist: Mrs. E.M. Ford with the compliments of Albert Bierstadt., Title from title of Bierstadt's original painting., and Signed within image: Albert Beirstadt.
Hand-colored and numbered lithographs by François Séraphin Delpech of group portraits of Osage men and women, based on paintings by Louis Boilly, 1827. The images document a visit by a group of four American Indian men and two women to France and their arrival in Paris on August 13, 1827. Each print depicts three individuals. Number 89, for which there are two examples, depicts Kishagashugah (Little Chief), his female cousin of his wife Grétomih, and Minckchatahooh (Little Warrior). Number 90 depicts Myhangah (Hawk Woman), the wife of Kishagashugah, Washingasbha (Black Spirit), and Marchanthitahtoongah (Big Warrior).
Description:
BEIN WA Prints +64: Imperfect: number 89 only. and Title devised by cataloger.
Hand-colored and numbered lithographs by François Séraphin Delpech of group portraits of Osage men and women, based on paintings by Louis Boilly, 1827. The images document a visit by a group of four American Indian men and two women to France and their arrival in Paris on August 13, 1827. Each print depicts three individuals. Number 89, for which there are two examples, depicts Kishagashugah (Little Chief), his female cousin of his wife Grétomih, and Minckchatahooh (Little Warrior). Number 90 depicts Myhangah (Hawk Woman), the wife of Kishagashugah, Washingasbha (Black Spirit), and Marchanthitahtoongah (Big Warrior).
Description:
BEIN WA Prints +64: Imperfect: number 89 only. and Title devised by cataloger.
Title from item., Date from copyright statement., From a book of reproductions of paintings from The Indian Gallery Department of War, Washington, D.C: Thomas L. McKenney and James Hall, Indian Tribes of North American, Philadelphia: Edward C. Biddle, 1936., Meta-Koosega translates to Pure Tobacco in English. He is depicted wearing an Indian Peace Medal., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Medicine, American Indian; Medicine men; Necromancy; Tobacco.
Publisher:
Published by F.W. Greenough, Philada, Drawn Printed & Coloured at I.T. Bowen's Lithographic Establishment No.94 Walnut St., and Entered according to act of Congress in the Year 1836 by F.W.Greenough, in the Clerks Office of the District Court of the Eastern District of Penna
Subject (Topic):
Ojibwa Indians, Chippewa Tribe, Indians of North America, and Warriors
A sheet divided by a "frame" of trees into a top image, two lower side images, and a lower blank space for a written message. In the top image, a group of miners in a forest clearing work at two "long tom" sluices spanning a stream, with a few small buildings in the background. The lower side images consist of a standing prospector, equipped with shovel, pickaxe, and pan, and a seated Native American
Description:
Title from caption below top image.
Publisher:
Justh, Quirot & Co.
Subject (Geographic):
California
Subject (Topic):
Gold mines and mining, Miners, Gold miners, Gold panning, and Indians of North America
Reproduction of Charles Schreyvogel's oil painting "My bunkie." Depicts a scene of battle between Native Americans and U.S. Army troops. Three soldiers on horseback in foreground with one soldier being pulled up from the ground by another
Description:
Title from the oil painting on which the print is based., Imprint devised by cataloger from an advertisement in Publishers’ Weekly (No. 1817; Nov. 24, 1906) for prints by Charles Schreyvogel of western frontier life by Moffat, Yard, & Company of New York., and Text in lower left: copyrighted 99.
Reproduction of Charles Schreyvogel's oil painting "On the skirmish line." Depicts a scene of battle between about a dozen Native Americans on horseback and a dozen U.S. Army troops on foot
Description:
BEIN WA Prints +211:, Title from the oil painting on which the print is based., Imprint devised by cataloger from an advertisement in Publishers’ Weekly (No. 1817; Nov. 24, 1906) for prints by Charles Schreyvogel of western frontier life by Moffat, Yard, & Company of New York., and Written in lower right corner of image: Copyright c. 1900. Hand printed in lower right corner of image: From painting owned by C. M. Butte Hoboken.
Photographs created by John Willis of individuals and events that document life on the Pine Ridge Indian Reservation, South Dakota, 2009, and related material, Many images document the Yellow Bull family and their home in Pine Ridge. Several images depict Andrea Reddest and Duane Reddest, as well as the Reddest family home and land at Lost Dog Creek. Other portraits include Ashley Bull Man, Gwen Bull Man, Sarah Ghostman, Karen Weasel Bear, John Swallow, and David Swallow, Jr. Portraits of unidentified individuals include residents of a housing development in Kyle, as well as a man inside a restaurant in Kadoka, Images of built landscapes include a housing development in Wanblee, a cemetery in Yellow Bear Canyon, and the Badlands National Park during the winter. Images of structures at Potato Creek, near Interior, South Dakota, include powwow grounds and the Potato Creek Episcopal Church. There is also a view of KILI Radio at Porcupine Butte. A group of photographs depicts interior views of the Stroppel Inn and Main Street in Midland, Many photographs depict roads and highways in the vicinity of the Pine Ridge Indian Reservation. Panoramas in the collection include views of Wanblee, Badlands National Park, and Yellow Bear Canyon. Several of the panoramas are collages with historic images, The collection includes a draft dummy volume for Views from the Rez (University of Chicago Press, 2010) which consists of photographs by Willis of the Pine Ridge Indian Reservation and the region, which he compiled March 2009. The volume also contains an essay by Kent Nerburn, as well as poetry and observations by Oglala Indians, and Two audio compact disks, Heartbeat of the Rez, consist of recordings in Lakota and English of spoken word, traditional songs, and contemporary music
Description:
John Willis is a documentary photographer and an instructor of photography at Marlboro College in Marlboro, Vermont., Title devised by cataloger., In 7 boxes., and Photographs signed by the photographer on verso with accompanying manuscript captions.
Subject (Geographic):
United States, Badlands National Park (S.D.), Kyle (S.D.), Lost Dog Creek (S.D.), Midland (S.D.), Pine Ridge Indian Reservation (S.D.), Yellow Bear Canyon (S.D.), South Dakota, and Wanblee (S.D.)
Subject (Name):
Willis, John, 1957-, Yellow Bull, Delores, and Stroppel Inn
Subject (Topic):
Indians of North America, Oglala Indians, and Public housing
