The quadrangle at Tattersalls (1823) is filled with groups of betting men, 'the greater part ... are portraits' (p. xx). The three men on the extreme left are Mr. Tanfield, Lord Sefton, and Colonel Hylton Jolliffe. In the extreme right corner is Sir L. Skeffington; near him, but not identifiable, is John Gully the ex-pugilist. A Jew sells wares from a basket-tray. Over the doorway: Houses must not be taken away without being paid for
Alternative Title:
Heroes of the turf paying & receiving at Tattersals and Heroes of the turf paying and receiving at Tattersals
Description:
Title from caption below image., Sheet trimmed within plate mark., and For published state see, no. 14944 in: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Published March 1, 1824 by Sherwood, Jones, & Co.
Subject (Geographic):
Great Britain.
Subject (Name):
Gully, John, 1783-1863., Skeffington, Lumley St. George, Sir, 1771-1850., and Tattersalls (Firm)
Subject (Topic):
Jews, Horse buyers, Horse trading, Crowds, and Street vendors
Depicts a well-dressed lady approaching a table where a striped chair is being held for her by a young black serving boy. At the table are seated a bald and bearded man, and on his left, seated on a sofa, a lady wearing an ermine trimmed robe. The table holds a silver urn and various dishes on a tray. On the walls are two paintings of what appear to be seduction scenes and a wall sconce with mirror
Alternative Title:
One of the tribe of Levi, going to breakfast with a young Christian
Description:
Title from item.
Publisher:
Printed for R. Sayer & J. Bennett ... No. 53 Fleet Street
Subject (Geographic):
England. and England
Subject (Topic):
Jews, Judaism, Relations, Christianity, Sofas, Furniture, Sconces, Paintings, Tableware, Black people, Servants, Interiors, and Clothing & dress
A view of wartime merriment: A procession of sailors and their women, escorted by fiddlers, passes a background of shops towards a gateway across the end of the street (left). The purveyor of the jollification, a sailor who has inherited money, sits astride a cask of 'real Jamaica' supported on poles carried by sailors, who wave hat and tankard towards the crowded first-floor windows. Men and women dance along the street. There are many incidents. A Jew, talking to another Jew outside a shop placarded 'Moses Slop-Shop', has his hat twitched off by the cane of a sailor who leans from above the doorway. The sailors carry an Ensign flag and a flag inscribed 'Leander, and are making for the Point
Alternative Title:
Coxswain's carousal
Description:
Title from caption below image., Date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Year of publication altered. Ms. '6' added over last digit of 1825.
"A jewish pedlar carrying a box of wares on straps around his neck, holding out his hand to take money from a school boy who stands on the right counting his coins; townscape with a dome and two towers behind."--British Museum online catalogue
Alternative Title:
Jew merchant and school boy
Description:
Title engraved below image., Plate numbered '223' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Jewish merchants.
Publisher:
Published 12th May 1794 by Laurie & Whittle, 53 Fleet Street, London
"Satire on Lord Bute in the form of a reply to Henry Howard's bawdy ballad, "The Queen's Ass" (BM Satires 3870): the zebra kicks Howard, who has fallen to the ground, behind him a group of men comprising John Fielding, the three Cherokee chiefs who visited London in 1762, and another who may be identified as the man referred to in the verse below as "M-re [who] sally'd forth the fair Sex to relieve"; on the right, Bute, dressed in tartan and wearing a boot, riding a tamed British Lion; a Jewish stockbroker in the stocks; and George Whitfield looking into a mirror which reflects the image of an ass. In the background Charles Churchill, wielding a stick, chases off Bute's supporters, the journalists Arthur Murphy and Tobias Smollett, who raise their hands in surprise. Engraved inscriptions, title and verses in two columns by "Fartinando", to be sung to the tune of "The Ass in the Chaplet"."--British Museum online catalogue
Alternative Title:
Answer to Harry Howard's ass
Description:
Caption title below etching., Engraved broadside poem illustrated with etching at top of sheet (late mark 30.1 x 20 cm). Etching signed: J. Jones delin et sculpt., Harry H----d's = Henry Howard., Publication date from British Museum catalogue., The lion bears some resemblance to those designed by Jefferyes Hamett O'Neale for the Ladies Amusement (first published by Sayer in 1760), especially plate 108, and was perhaps copied from his work. Cf. British Museum online catalogue., Ten stanzas of verse below title: Permit me good people (a whimsical bard) and snarl not [the] critical class ..., and Mounted to 35 x 41 cm.
Publisher:
Publish'd according to act of Parliament by J. Williams, next the Mitre Tavern, Fleet Street
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Whitefield, George, 1714-1770, Fielding, John, Sir, 1721-1780, Murphy, Arthur, 1727-1805, and Smollett, T. 1721-1771 (Tobias),
Subject (Topic):
Cherokee Indians, Jews, Clergy, England, National emblems, British, Stocks (Punishment), and Zebras
"The interior of Sir Robert Taylor's rotunda in the Bank of England when it was used as a stock exchange with the arc of the pilastered wall and part of the domed ceiling forming a background. The floor is covered with groups of small figures, only three ladies among them, who are drawn realistically with a certain humourous intention. On the left is a Jew who talks to a fashionable young man in top-boots. On the right a man wearing a cocked hat and holding a staff and waving a rattle stands above a crowd of excited bidders. On the wall above his head is the notice: 'No clerk to act as broker.' Behind is a table at which men stand to write. On the wall above it is the inscription: Navy &c. £5 pr. ctr. amnt."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., For an earlier state before the addition of Fores's name at the end of imprint, see no. 8204 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 306., and Bookseller's stamp: S.W. Fores, in lower right of plate.
Publisher:
Publish'd by T. Rowlandson, Strand, Jany. 1792, & S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
England.
Subject (Name):
Bank of England.
Subject (Topic):
Jews, Banks, Crowds, Interiors, Pilasters, Rotundas, and Stock exchanges
"A man dressed as a Turk plays a harp, while a woman seated beside him, puts her arm round him, pointing to an open music-book inscribed 'Black Joke [a coarse song]. Fol de rol lol &c.' Behind them is a berth let into the wall of the cabin. She says: "Macher [sic] Amie you play dot charming tune again, and den we go to bed!!" He sings: "Fol de rol lol, . . ." [&c.]. She is Louise Demont, a Swiss femme-de-chambre, a leading witness against the Queen; her evidence, like Majocchi's, was much damaged in cross-examination. She called herself Colombier, from her native place, and had been styled while in England 'Countess Colombier'. She was with the Princess on the Syrian journey, and was cross-examined (1 Sept.) as to her personal knowledge of the sleeping-place of a Jew harper who went on board the polacca at Tunis. 'Parl. Deb.', N.S. ii. 1158 f., 1166. See British Museum Satires Nos. 13864, 14121."--British Museum online catalogue
Alternative Title:
Jew harper and demi-rep countess
Description:
Title etched below image., Mounted to 58 x 39 cm., Mounted on leaf 83 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Caroline" is incorrectly identified in ink below image; date "Sept. 1820" written in ink in lower right corner. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published September 1820 by John Fairburn, Broadway, Ludgate Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821. and Demont, Louisa, active 1814-1820
Subject (Topic):
Jews, Witnesses, Staterooms, Harps, and Ethnic stereotypes
Title from first line of poem engraved below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., and Former tutle: Legless Jew and fop.
Publisher:
Printed for J. Sharpe
Subject (Geographic):
England. and England
Subject (Topic):
Fathers and sons, Jews, Dandies, British, Peg legs, and Clothing & dress
Title from item., Sheet trimmed to and within plate mark., Publisher's advertisement following imprint: ... where may be seen a compleat model of the guilotin 6 feet high also the head and hand of Ct. Streuenzee, books of caracaturs &c. Admitance 1 Sh., and Temporary local subject terms: Shops: pawnbroker's shop -- Mayors: Lord Mayor of London -- Emblems: mace -- Arms of the City -- Scots.
Publisher:
Pub. May 5, 1793 by S.W. Fore [sic], No. 3 Piccadilly
Subject (Name):
Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Melville, Henry Dundas, Viscount, 1742-1811
"An engraving, which is in some respects the sequel to "The Addressers", British Museum Satires No. 4273, and "The Battle of Cornhill", British Museum Satires No. 4274, showing a party of workmen and tradesmen assembled in a room of the Merchant Seamen's Office, which was over the Royal Exchange. They are grouped about a large table, on which lies a long scroll or address. The president is a butcher, with a naked knife hi his hand; a tray at his feet contains a shoulder of mutton; doubling his fist, he cries: -- "I shall stick my Knife in Magna Charta, & cut up the Carcase of the Sill of Rights." A lean, hungry -looking man, sits grinning behind the butcher; next to the sitter stands a porter who declares: -- "D--mn his swivel Eyes I wish he may sink under his load." This refers to the marked squint of John Wilkes, who was at this time in prison and strongly opposed to the Court; see "John Wilkes Elected Knight of the Shire", British Museum Satires No. 4189, and "The Scotch Victory. (A.)", British Museum Satires No. 4196. A Dutchman, probably Mr. Muilmann, see "The Addressers", British Museum Satires No. 4273, declares: -- " Ah ! de gross Scrip for Mynheer too"; this is in reply to a Jew who exclaims: -- " Oh for a large portion of Scrip.", i.e. probably subscription scrip to Government loans, which was very profitable to the lenders, and often alleged to be used as a bribe by the ministry; see "The Battle of Cornhill", British Museum Satires No. 4274, and "Frontispiece to the Middlesex Petition", British Museum Satires No. 4289. A barber, with a shaving dish and napkin under one of his arms, and holding a wig in one hand, stands before the scroll, signing his name to it; he says: -- "I've got an order for a new Wig, only for signing my Name." A gaunt Scotch pedlar, with a bale at his back, and carrying a wand, declares: -- "Saumy mun sign too, gin it be to the Deel, for my gued laird's sake", i.e. for the sake of the Earl of Bute, the reputed patron of Scotchmen, see "We are all a comeing", British Museum Satires No. 3823. A baker, with a basket of bread on his shoulders, approaches the table and says: -- "Brother Merchants follow my example & you'll never want Bread." A meagre chimney-sweep, clad in sooty garments, advances to the table and remarks: -- "Who knows but I may be appointed to a Chimney at Court.""--British Museum catalogue
Alternative Title:
Principal merchants and traders assembled at the Merchant Seaman's Office ...
Description:
Title etched below image., Publication place and date inferred from those of the periodical for which this plate was engraved., Sheet trimmed within plate mark at bottom., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 2 (1769), page 134., Temporary local subject terms: Interiors: Merchant Seamen's Office -- Food: loaves of bread -- Petitions: Address of the Merchant Trades of London, March 1769 -- Peter Muilman., and Mounted to 32 x 42 cm.
