A scene in a kitchen showing a French male cook on his knees beside a cross-looking female cook holding a spatula. In the background, a roaring fire in the hearth with a slab of beef on a spit
Description:
Title etched below image., Printmaker attribution to Isaac Cruikshank from Rosenbach. For the original watercolor drawing by Cruikshank, see Huntington Library object number: 71.79.72., Imperfect; sheet trimmed within plate mark resulting in loss of imprint statement from bottom edge. Imprint supplied from impression at the Bodleian Library, shelfmark: Curzon b.02(065)., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Publish'd 1st March 1794 by Robt. Sayer & Co., Fleet Street, London
Subject (Topic):
Ethnic stereotypes, Kitchens, Cooks, and Pleading (Begging)
Political satire: In a bakery, George III is shown putting into a baking oven a group of three heads wearing peers' coronets. He is assisted by Queen Charlotte and Pitt. On the table to the left are four more heads wearing coronets with more heads on the shelves to the left of the oven. Speech balloon above Pitt reads, "Blast this roll. it is the crookedest son of a bitch that ever came out of an oven." The king's speech balloon reads, "Such a batch and such a match, there never was I swear now, But how it all was brought about That's neither here nor there now. [...] doodle &c."
Description:
Title etched at bottom of image., Printmaker identified as Richard Newton in the British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: I V., and Mounted to 32 x 46 cm.
Publisher:
Pubd. Jany. 6, 1792 by William Holland, No. 50 Oxford Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Pitt, William, 1759-1806
"Satire on Bute's alleged sale of public positions paralleled with Earl Talbot's introduction of economies into the royal household. An auction is taking place in a large kitchen where, in the centre, Talbot, Lord Steward of the Household, instructs the auctioneer's clerk at a table beneath the podium. On the left, three cooks, one a Frenchman planning to leave for Calais to work for "Monsr. Grandsire", are mocked by a Scot for not being able to make haggis; another cook brandishing a gridiron and two ladles stands in front of the fireplace in which stands only a cracked pot filled with thistles. On the right, a poor man plans to bid for "old rags or broken glass", and a stout middle-class woman plans to purchase a ladle to beat her husband, while Princess Augusta and Lord Bute converse intimately; the Princess points suggestively to a large pot resting with other utensils on the floor. In the background, a chaplain laments the lack both "of victuals and of grace"."--British Museum online catalogue
Alternative Title:
Catalogue of the kitchen furniture of John Bull Esqr. leaving of house-keeping now selling by auction
Description:
Title etched above image., Questionable artist attribution to Jefferyes Hamett O'Neale from the British Museum online catalogue, registration no.: J,1.48., Date of publication from British Museum catalogue., Eighteen lines of verse in three columns below image: When Housekeeping fails which at present is true ..., "Price 6d"--Following imprint., Sheet trimmed to plate mark., and Formerly mounted on blue paper with residue on back.
Publisher:
Publish'd according to act of Parliament by J. Williams, next the Mitre Tavern, Fleet Street
Subject (Geographic):
Great Britain
Subject (Name):
Talbot, William Talbot, Earl, 1710-1782, Augusta, Princess of Wales, 1719-1772, and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Royal households, Accounting, Auctions, Cooks, and Kitchens
Title from item., Imperfect; sheet trimmed within plate mark., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published as the act directs 1st Jany. 1780 by Robert Wilkinson, at No.58 in Cornhill
Subject (Geographic):
England
Subject (Topic):
John Bull (Symbolic character), Cooks, French, Blacks, Kitchens, and Cooking utensils
In a large room, the left side being a cobbler's workshop, the right a kitchen, a cobbler sits on a bench, before an open window, his hammer in hand. Behind him, on a table are dishes and food, and to the right a woman in an apron cooks with a large frying pan over the hearth grate. On the walls are displayed a number of tools, shoemaker's lasts, flatirons and tableware. An equestrian print with a portrait of the Duke of Cumberland on horseback hangs above the mantlepiece, and a bird in a cage hangs over the cobbler. A stairway is partially visible in the background, and a dog and cat sleep on the floor in the foreground
Alternative Title:
Cobbler's hall
Description:
Undated reissue, with publisher's name changed, of a print first published by Carington Bowles most likely in 1778. Cf. Catalogue of prints and drawings in the British Museum, v. 5, p. 786: Key to ... mezzotints issued by Carington Bowles., Date of publication inferred from paper and from date of the Bowles & Carver partnership formed after the 1793 death of Carington Bowles. See Plomer., and Numbered in plate: 380.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 in St. Pauls Church Yard, London
Title from item., Place of publication derived from publisher's known location., Date supplied by curator., Published in Harper's Weekly, 13 February 1864., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Hospitals, U.S.A.
Publisher:
Harper & Brothers
Subject (Name):
United States Sanitary Commission.
Subject (Topic):
United States, History, Medicine, Military, Military hospitals, Convalescence, Hospitals, Soldiers, Kitchens, and Medical aspects of war
A young maid seated by the kitchen table is admiring in a small mirror her coiffure as it is being arranged by a footman. A little girl playing by the window is mimicking his work on her rag doll. In the foreground on rihgt, an old woman is washing clothes in a large tub. On the other side of the kitchen an maid plays a mandolin while singing together with a footman seated by her side. A small shaggy pet dog sits on an open music book by their feet, howling in accompaniment. A kitten plays with the ribbons of a hat left leaning against the table leg on the floor. In the background is a large fireplace with dishes and candlesticks on the mantle and a bird-cage from which a large black bird peeks curiously at the hairdressing in progress
Description:
Title from item., After painting by Collet titled: High taste in low life, exhibited at the Society of Artists in 1765. Cf. Catalogue of the paintings, sculptures ... exhibiting by the Free Society of Artists, 1765, no. 63., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Townhouse kitchen -- Containers: Warming pan.
Publisher:
Printed for Robt. Sayer, No. 53 Fleet Street, & J. Smith, No. 35 Cheapside, publish'd as the act directs
Subject (Topic):
Candlesticks, Cats, Dogs, Interiors, Irons (Pressing), Kitchens, and Music
"Interior of a kitchen showing servants at leisure: a stout woman dances with a black man in the centre accompanied by a man with a wooden leg who sits playing a violin on the left; watched by others on the right, a young woman standing on a chair and supported by a young man, while a seated man wearing a tricorn smiles and points at her and an elderly woman stands with her arms folded under her apron, a dog at her heels; two posters pasted on the wall behind, shelves, bellows and other kitchen implements in the background."--British Museum online catalogue, description of a print of the same design
Description:
Title engraved below image., Publisher and approximate date of publication from smaller version in the British Museum; see British Museum online catalogue, registration no.: 2010,7081.344., Description based on imperfect impression; sheet trimmed within plate mark., A depiction of a scene from a performance of High life below stairs (1759), the popular Georgian comedy by James Townley., For a related drawing, attributed to Francis Grose, see Lewis Walpole Library call no.: Drawings G877 no. 1., and Laid down on stiff sheet.
publish'd according to act of Parliament, July 1st 1769.
Call Number:
Quarto 724 771N
Collection Title:
Page 55. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Social satire, with references to the Duke of Grafton and Nancy Parsons and Lord Bute and Princess Augusta."--British Museum online catalogue
Alternative Title:
Quality dinner hour
Description:
Title etched below image., Publisher's announcement following publication statement: Price 1s. but given gratis to the purchasers of The Court miscellany., Sheet trimmed within plate mark., Eight lines of verse in two columns on either side of the title: The great in one eternal round, of folly and excess are found ..., Companion print to: High life at noon., Temporary local subject terms: Architectural details: staircase -- Furnishings -- Dishes: covered dishes -- Hams -- Roasted fowl -- Pets: lapdog -- Male dress, 1769 -- Female dress, 1769., 1 print : etching with engraving on laid paper ; sheet 21.5 x 32.1 cm., Imperfect; sheet trimmed within plate mark with loss of publication line from bottom edge., Mounted to 26 x 32 cm., and Mounted on page 60 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, and Maynard, Annabella Parsons, Viscountess, d. 1814 or 15