publish'd according to act of Parliament, May 1st, 1769.
Call Number:
Quarto 724 771N
Collection Title:
Page 64. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Print shows an interior view of a room; a duke has arrived home drunk at 5 a.m. (as shown on the longcase clock beside the door) accompanied by two attendants and watchman only to find his bedchamber occupied by another man. Through the open curtains around the bed can be seen a bare-breasted duchess. On the floor near the bed is an open book, "Memoirs of a woman of pleasure" (a reference to John Cleland's Fanny Hill ...) beside the chamber pot. As the duke with sword drawn, staggers forward, his rival climbs through a window in the background, leaving his clothes behind on a chair. A monkey dashes onto the table near the window on the heels of the husband's rival but pulls down the tablecloth causing the items on the table to be strewn across the floor in the foreground; a book opened to pages “Chastity in the nobility a farce. Dedicated to their Graces the Duke & Dutchess xxx”, breaking a broken mirror, and sending the bottles and jars onto the floor. The bottles have labels "Viper drops" and "Surfeit water" and the jar is labeled "Lip salve".
Description:
Title engraved below image., Text preceding publication statement: A recent transaction., "Price 1s. but given gratis to the purchasers of the Court Miscellany."--Following imprint., Eight lines of verse beneath image, four on either side of title: Persons in exalted station, Should patterns be of imitation; But if a duke must have his punk, And from the bagnio ride home drunk. What wonder if her wanton grace, Invites another in his place? He draws his sword raps out his oaths, But what redress? his rival's cloaths., Not in the Catalogue of prints and drawings in the British Museum., The reference to the duke is probably Henry Frederick, Duke of Cumberland, 1745-90., 1 print : engraving and etching ; sheet 22.2 x 33.1 cm., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., On laid paper. Folded to 22.2 x 25 cm; mounted to 32 x 26 cm., and Mounted on page 64 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
publish'd according to act of Parliament, June 1st 1769.
Call Number:
Quarto 724 771N
Collection Title:
Page 61. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
In a paneled room hung with mirrors and a clock, the master of the house, in dressing gown and nightcap, puts his hand on the bosom of a maid who serves him biscuits. Next to him a clergyman looks adoringly at the lady of the house on his left. In his hand is an open volume with text "A sermon, I am sick of love." She is dressed in a wrap and cap and, while smiling at the clergyman, surreptitiously takes a letter from a black servant boy who approaches from behind her chair. A parrot in a cage hanging above them sings, "Caesar and Pompey were both of them horned." A squirrel sits on a stool next to the table. In the foreground, a monkey sits on the floor, reading "A dissertation on winding up the clock, by Tristam Shandy." On the extreme left, a footman with a long unbraided queue is trying to push out of the room a bill collector who came in to present a tailor's bill
Description:
Title etched below image., Publisher's announcement following publication statement: Price 1s. but given gratis to the purchasers of The Court miscellany., Sheet trimmed within plate mark., Eight lines of verse in two columns on either side of the title: With touch indelicate His Grace, approaches that angelic place ..., Companion print to: High life in the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with engraving on laid paper ; sheet 22.5 x 34.2 cm, folded to 22.5 x 24.8 cm., Imperfect; sheet trimmed within plate mark with loss of publication line from bottom edge., Mounted to 26 x 32 cm., and Mounted on page 61 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
publisher not identified
Subject (Topic):
Interiors, Furniture, Mirrors, Longcase clocks, Women domestics, Clergy, Books, Servants, Parrots, Birdcages, Squirrels, and Monkeys
publish'd according to act of Parliament, June 1st 1769.
Call Number:
769.06.01.01+
Collection Title:
Page 61. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
In a paneled room hung with mirrors and a clock, the master of the house, in dressing gown and nightcap, puts his hand on the bosom of a maid who serves him biscuits. Next to him a clergyman looks adoringly at the lady of the house on his left. In his hand is an open volume with text "A sermon, I am sick of love." She is dressed in a wrap and cap and, while smiling at the clergyman, surreptitiously takes a letter from a black servant boy who approaches from behind her chair. A parrot in a cage hanging above them sings, "Caesar and Pompey were both of them horned." A squirrel sits on a stool next to the table. In the foreground, a monkey sits on the floor, reading "A dissertation on winding up the clock, by Tristam Shandy." On the extreme left, a footman with a long unbraided queue is trying to push out of the room a bill collector who came in to present a tailor's bill
Description:
Title etched below image., Publisher's announcement following publication statement: Price 1s. but given gratis to the purchasers of The Court miscellany., Sheet trimmed within plate mark., Eight lines of verse in two columns on either side of the title: With touch indelicate His Grace, approaches that angelic place ..., Companion print to: High life in the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 27 x 39 cm.
Publisher:
publisher not identified
Subject (Topic):
Interiors, Furniture, Mirrors, Longcase clocks, Women domestics, Clergy, Books, Servants, Parrots, Birdcages, Squirrels, and Monkeys
Title engraved below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Dancing lessons -- Costume: female child's costume -- Furniture -- Trades: dancing masters -- Expressions of speech: tol lol de rol., and Imprint partially altered: publication day changed from '2' to '1' in contemporary hand. '91' in 1791 also appears to have been changed.
Publisher:
Publish'd by W. Fores, 1 April 1791, No. 3 Piccadilly
"An elderly invalid sits in an armchair, his gouty legs swathed, a shawl over his head, a pair of bands shows that he is a parson. He turns to his visitor, an elderly lady seated next him in a similar armchair, wearing a hooded cloak over her cap, and holding a muff. Both talk emphatically, their faces and gestures rendering the subject very expressively. An elderly footman (left) hands two glasses of wine on a salver. Beside the host is a circular table with a bowl; behind the armchairs is a folding screen. Two windows, an oval mirror, a chair and low circular table (left) complete the design. In the manner of a pen drawing."--British Museum online catalogue
Alternative Title:
Comfort & relief often found in relating one's complaints and Comfort and relief often found in relating one's complaints
Description:
Title etched below image., Text in bottom part of image: Comfort & relief often found in relating one's complaints., "Possibly etched by Rowlandson"--Curator's comments, British Museum online catalogue, registration no.: 1932,0226.13., Sheet trimmed within plate mark., and For a probable earlier state, before the title "How d'ye do?" was etched in lower margin, see no. 7088 in the Catalogue of prints and drawings in the British Museum, v. 6.
Publisher:
Publish'd 20 Octr. 1786 by E. Jackson, Mary-le bone Street, Golden Square
Subject (Topic):
Gout, Visiting the sick, Muffs, Older people, Clergy, Sick persons, Visiting, Complaining, Servants, Interiors, Screens, and Mirrors
"Satire on ageing macaronis; an elderly man wearing an elaborate wig stands whole-length to front in a fashionable interior, his right hand to his chin, his left in his breeches pocket."--British Museum online catalogue
Alternative Title:
How do you like me
Description:
Title engraved below image., Imperfect; publication date erased from end of imprint statement. Missing text supplied from impression in the British Museum., Plate numbered '260' in lower left corner., and Temporary local subject terms: Bag wig -- Furniture: oval mirror in gold frame -- Furniture: upholstered chair -- Furnishings: window curtain.
Publisher:
Printed for Carington Bowles, Map & Printseller, No. 69 in St. Pauls Church Yard, London
Hudibras is beaten with clubs by two masked men dressed as devils; a third man with mask in hand gestures to the young widow in the doorway on the left. A fourth, smaller masked man holds a large torch as he lights the way in the room. Ralpho hides behind a curtain on the far left. The room is decorated with a large wardrobe, an oval portrait, and large mirror; a footstool and urn in the right corner partially seen in the right corner
Alternative Title:
Hudibras catechized
Description:
Title engraved below image., State, publisher, and date from Paulson., Numbered "4"--Upper right corner., Number 9 in the series. See Paulson., One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6., and Caption on either side of title begins: "No sooner was he come t' himself, But on his Neck a sturdy Elf ..."
Hudibras is beaten with clubs by two masked men dressed as devils; a third man with mask in hand gestures to the young widow in the doorway on the left. A fourth, smaller masked man holds a large torch as he lights the way in the room. Ralpho hides behind a curtain on the far left. The room is decorated with a large wardrobe, an oval portrait, and large mirror; a footstool and urn in the right corner partially seen in the right corner
Alternative Title:
Hudibras catechized
Description:
Title engraved below image., State, publisher, and date from Paulson., Numbered "4"--Upper right corner., Number 9 in the series. See Paulson., One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6., Caption on either side of title begins: "No sooner was he come t' himself, But on his Neck a sturdy Elf ...", and On page 36 in volume 1. Plate trimmed to: 26.6 x 35 cm.
Hudibras is beaten with clubs by two masked men dressed as devils; a third man with mask in hand gestures to the young widow in the doorway on the left. A fourth, smaller masked man holds a large torch as he lights the way in the room. Ralpho hides behind a curtain on the far left. The room is decorated with a large wardrobe, an oval portrait, and large mirror; a footstool and urn in the right corner partially seen in the right corner
Alternative Title:
Hudibras catechized
Description:
Title engraved below image., After Hogarth., Caption on either side of title begins: "No sooner was he come t' himself, but on his neck a sturdy Elf ... And that which was prov'd true before prove false again two hundred more.", Copy of no. 512 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., and See Paulson, R. Hogarth's graphic works (3rd ed.), no. 90.
