A macaroni in a monk's robe walks to the right holding a bouquet of flowers; his belt is made up of playing cards and a dice box. The title is a reference to the social club Almack's.
Alternative Title:
Macaroni's downfall, or, The pious dove's lamentation : to the tune of The babies in the wood
Description:
Title etched above image., Text below image: The Macaroni's downfall, or, The pious dove's lamentation, to the tune of The babies in the wood., Variant state without numbering; Cf. No. 4642 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark., and Watermark: Strasburg bend with initials LVG below.
Leaf 38. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A macaroni in a monk's robe walks to the right holding a bouquet of flowers; his belt is made up of playing cards and a dice box. The title is a reference to the social club Almack's.
Alternative Title:
Macaroni's downfall, or, The pious dove's lamentation : to the tune of The babies in the wood
Description:
Title etched above image., Text below image: The Macaroni's downfall, or, The pious dove's lamentation, to the tune of The babies in the wood., Initial letters of publisher's name in imprint form a monogram., Three columns of verse etched at bottom of plate: A macaroni once was I, in vice and folly try'd ..., Plate numbered "V. 2" in upper left corner and "3" in upper right corner., and Second of two plates on leaf 38.
Publisher:
Pub. by MDarly, 39 Strand
Subject (Name):
Almack's (London, England)
Subject (Topic):
Dandies, British, Playing cards, Gambling, and Monks
A young woman and a monk sit under two trees while a monk sews or embroiders a piece of fabric with floral motifs. They are being observed by a man hiding behind the trees. In the background on the left is a church
Description:
Title from item., Publication date inferred from publisher's address., Two lines of verse on either side of title: Alass! [sic] how vain religion's awful [sic] name. The drone monastic blots it o'er with shame ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for John Bowles & Son, at the Black Horse in Cornhill
Drawing of a scene from the gothic novel The Monk: A romance by Matthew Gregory Lewis. Ambrosio, a Spanish monk seemingly into his moral downfall, approaches Matilda either aggressively or lustfully with both arms raised in the air, a serious countenance on his face. Standing to his left Maltida (first known as Rosario) is wearing the same simple monks' robes as Ambrosio though she has pulled the top aside to expose her bosom and pulled of her hood to reveal her long curly blonde hair and feminine features
Description:
Title and artist's signature from inscription in brown ink on verso. and Date based on publication date of the novel: The monk: a romance / by Matthew Gregory Lewis.
"Mrs. Fitzherbert (left) in bed, supported on her right elbow, looks fixedly towards a warming-pan held by a stout woman who approaches the foot of the bed. In the perforations of the pan are stuck three ostrich feathers; a monk, holding up a crucifix, gazes down at it. Mrs. Fitzherbert wears a large frilled cap and a nightdress with ruffles. The fringed bed-curtains are looped up. On the extreme right is part of a draped table on which are a cup, bowl, and a large urn (probably materials for caudle). On the wall are three pictures: one, the 'Royal Hunt', a man galloping beside hounds; this has the motto 'Ich Ich' (in place of 'Ich dien') with three ostrich feathers. It is flanked by two profile heads facing each other: one is 'Wig', the other 'Torey', but they do not appear to be portraits. The carpet is patterned with Prince of Wales's feathers."--British Museum online catalogue
Description:
Title from item., Attribution to Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's announcement following imprint: The compleatest [sic] collection in the kingdom. Admitce 1 Shilling., and Watermark: countermark W.
Publisher:
Pub. Dec. 17, 1789 by S.W. Fores at his Caricatura Exhibition Rooms, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Fitzherbert, Maria Anne, 1756-1837
Subject (Topic):
Bedrooms, Births, Canopy beds, Crucifixes, Monks, and Rugs
publish'd according to act of Parliament 1 Nov. 1748.
Call Number:
748.11.01.01+
Image Count:
1
Resource Type:
still image
Abstract:
On the left James II, seated on a throne of "hereditary right" and holding manacles, turns left to shake the hand of a monk who tramples on an open volume labeled "Holy Bible". From under the throne dragons or serpents devour the "Magna Carta", "Toleration Act", "Common and Statute Law" and "Acts of Parliament" while slaves bow before the King and Furries with torches and whips dance before him. On an obelisk is inscribed: "The Foundation of the Roman Hierarchy; implicit faith; apostalical succession; infallibility; pardons and indulgences; decrees of council; massacres; private murders; perjury and the inquisition ..." At foot of the obelisk is the Pope preaching "Hereditary indefeasible right and my bull to sanctify thy claim" addressed to the Pretender ...
Description:
Title engraved in cartouche below image., Later state, with publisher's address erased and date altered to 1748. Originally published by J. Collyer in Ludgate Street, 1 November 1745., Sheet trimmed to plate mark on sides., and Mounted to: 31 x 39 cm.
Publisher:
publisher not identified
Subject (Name):
James II, King of England, 1633-1701, George II, King of Great Britain, 1683-1760, James, Prince of Wales, 1688-1766, Louis XV, King of France, 1710-1774, and Benedict XIV, Pope, 1675-1758
Subject (Topic):
Britannia (Symbolic character), Animals, Clergy, Demons, Justice, Martyrs, Monks, Shackles, and Enslaved people
A scale is depicted in which Lord North, dressed as a washerwoman, is weighed down with the assistance of Fox (a fox on the cross beam). Or the right, Lord Shelburne, depicted as a Jesuit in monastic garb wearing the ribbon of a Knight of the Garter and holding a money bag signed "Blessings of Peace" in his right hand, sits in the upper pan of the balance, with his tombstone below. The attacks of the North-Fox coalition eventually led to Shelburne's stepping down in February 1783
Alternative Title:
Up with the Jesuit
Description:
Title from item.
Publisher:
Pubd. March 1st, 1783 by A. Killingbeck, Dover Street
Subject (Geographic):
England
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Scales, Laundresses, Monks, Foxes, Obesity, and Clothing & dress
Manuscript on paper of 1) Aeneas Gazaeus, Theophrastus, translated into Latin by Ambrogio Traversari. 2) Life of St. Helenus, monk in Egypt. Text is an extract (incomplete) taken from the Latin translation by Rufinus of the Historia monachorum, ch. 11.
Description:
In Latin., Watermarks: Briquet Fleur 6306, and unidentified shrub, ff. i-viii, in gutter; Briquet Tete humaine 15617., Script: Written in humanistic script by a single scribe, above top line., One large illuminated initial, 5-line, of modest quality, in gold with black accents on a multicolored ground of red, blue and green with white vine-stem ornament and white dots. One smaller initial (unfinished), parchment color on blue ground with white vine-stem ornament. On f. 1r, in lower border an unidentified coat of arms: vert a chief sable (?), overall a lion (?) rampant gules (or purpre?) on the main field and or in chief and with bend (tincture undetermined) overall; the whole shield overpainted in black. Headings in red., and Binding: Fifteenth century, Italy. Vellum stays are adhered in and outside the paper gatherings. Original sewing on three tawed skin, kermes pink, slit straps which go through tunnels in the edges of wooden boards to channels on the outside where they are pegged. The primary endband, sewn on a tawed skin core, is gilt with traces of a red secondary endband. A design is scratched on the gilt edges. Covered in brown sheepskin with corner tongues and blind-tooled with progressively taller concentric frames alternately decorated with five small tools. Five flower-shaped bosses on each board, some wanting, and four fastenings, leaf-shaped catches on the lower board, the upper board cut in for the clasp straps which are attached with star-headed nails. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gazaeus, Aeneas.
Subject (Topic):
Biography, Desert Fathers, Dialogues, Greek, Illumination of books and manuscripts, Medieval, Literature, Medieval, Manuscripts, Medieval, and Monks
Ferdinand VII, seated on a throne on a low platform inscribed "TIRANIA", is flanked by two advisers, the Devil on the left and a friar on the right. At the friar's feet, in the foreground, a demon burns newspapers with a firebrand. Tortures of the Inquisition are seen in the background
Description:
Title from text in image., A close copy, with same imprint but with other inscriptions translated into Spanish, of a print by George Cruikshank entitled "The curse of Spain". Cf. No. 13009 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Six lines of text below image: En tanto que los bravos españoles, Derramaban su sangre por Fernando, El á Napoleon felicitaba, Por las victorias que en el suelo hispano, Sus sanguinárias huestes conseguian-- Ved las hazañas de este Monstruo infando. La Ferdinanda. Lib. 1. v. 129., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 1303., Cf. Reid, G.W. A descriptive catalogue of the works of George Cruikshank, 868., and Watermark: J. Whatman 1818.
Publisher:
Washington
Subject (Name):
Ferdinand VII, King of Spain, 1784-1833 and Napoleon I, Emperor of the French, 1769-1821.
