V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A night scene, broadly burlesqued. Napoleon, in profile to the left, strides in furtive haste towards a massive gate, directing the beam of a dark lantern against it. From between his coat-tails a long white feather (see British Museum Satires No. 12613) floats behind him, emerging from a cluster of shorter ones. He wears an enormous bicorne, with a plume set in an ornament composed of a crown and olive-twigs (as in British Museum Satires No. 11998), a sash and sabre over his long coat, tasselled Hessians with huge spurs. A head wearing a night-cap looks through the bars which form the top of the gate under a stone arch, to say: "Rap--Rap--Ra--Who comes there--what Midnight disturbers are you." An officer (actually Caulaincourt) crouches at the gate holding the knocker which is set in a great lion's mouth, and beckons towards Napoleon, answering, "It's only Count Vincen"--Alias--Little Boney. the Imperial Fugitive--returned from Victory." The gate-keeper: "Alias-- who"--Alias the Divil you mean." In front of Napoleon's foremost foot a large frog leaps forward; behind him a lean fierce cur barks: "A Russian Cur-- Bow--Wow--Wow." A large label floats back from Napoleon's mouth, inscribed: "hist--is that the Croaking of Frogs I hear--I mistake--its' only the Sycophant Lads in Paris--hurra-ing at My unexpected and precipate [sic] return. thank my Luckey Stars--I have got out of the clutches of them Damd Cossack Curs"--or I should have been food for Bears--long before this time." Beside the gate is a sentry-box, in which a sentry completely muffled up and wearing a night-cap, sleeps, seated with folded arms, clasping his musket. A frog looks from behind the box."--British Museum online catalogue
Alternative Title:
Little Boney sneaking into Paris
Description:
Title etched below image., Plate numbered "186" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shillin [sic] coloured.", Watermark: 1817., and Leaf 39 in volume 3.
Publisher:
Pubd. by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Caulaincourt, Armand-Augustin-Louis de, duc de Vicence, 1773-1827
"Napoleon (left) and Joseph sit side by side on low seats or stools, both with a hand on each knee. They have large, elongated heads broadly caricatured (as in British Museum Satires No. 10604, &c.) and look sideways at each other with drawn-down mouths and wrinkled foreheads. Napoleon is in uniform, wearing a feathered bicorne; Joseph wears a crown with Spanish dress, ermine-trimmed robe, and the order of the Golden Fleece. His seat is, very inconspicuously, a commode. At his feet is a sceptre with a scroll inscribed 'Servata Fides Cineri'. Napoleon says: "A pretty piece of Business we have made of it Brother Joe." Joseph: "I always told you Nap, what would come of makeing too free with the Spaniards.""--British Museum online catalogue
Alternative Title:
King Nap and King Joe in the dumps
Description:
Title etched below image., Printmaker identified as Charles Williams in the British Museum catalogue., Tentative artist attribution to Woodward from the British Museum catalogue., Sheet trimmed., and Watermark: J. Whatman.
Publisher:
Pubd. Augt. 1808 by Walker, No. 7 Cornhill
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Joseph Bonaparte, King of Spain, 1768-1844
Subject (Topic):
Military uniforms, French, Hats, Stools, Robes, Crowns, and Scepters
"Napoleon stamps in fury, right arm outstretched with clenched fist, left fist on his forehead. His frantic gestures have overturned table (left), 'Consular Chair', and terrestrial globe, both on the extreme right. His huge plumed cocked hat lies on the floor; his (sheathed) sabre is broken. From his head issue swirling words: (left) "English Newspapers- \ English Newspapers!!! \ Oh, English Newspapers!!! \ hated & Betray'd by the French! - Despised by the English! \ & Laughed at, by the whole World!!! \ Treason! Treason! Treason! Georges! [Cadoudal] Arras! de Rolle! Dutheil! O Assassins!! \ O! Sebastiani! Sebastiani! Oh! \ English calumniating Newspapers! \ British Trade & Commerce! - Oh! Oh! Oh! \ Treaty of Amiens! - damnation \ Insolence of British Parliament \ Oh cursed Liberty of y British press! \ Malta! Malta! Malta! \ O Diable \ the Riches! Freedom! & Happiness, of the British Nation!!! \ ha Diable! \ Diable! \ Diable \ O- Egypt! Egypt! Egypt! \ Oh St Domingo! Oh! \ Oh! the Liberty of the British Press \ English Blood-hounds! \ Wyndham! Grenville! Pitt! \ Oh! I'm Murder'd! - I'm Assassinated!! \ London Newspapers! Oh! Oh! Oh! \ Revenge! Revenge! \ come Fire! Sword! Famine! \ Invasion! Invasion! \ Four Hundred & Eighty Thousand Frenchmen \ British Slavery - & everlasting Chains! \ everlasting Chains." Under the overturned writing-table are Napoleon's ink-stand and pen and papers: 'Scheme'; 'List of Future Conquests, Turkey - Persia China'; 'pour le Expedition a la Lune' [see BMSat 9988]; 'Pour Mettre le Thames en Feu dedié a mi Lord Stanhope' [as Francophil Jacobin and inventor of steam navigation, see BMSats 8448, 8640, &c]; 'Pour le Hamburg Gazette'; 'Pour le Moniteur'; 'Pour le Argus'. Against his hat lies a large 'Plan for Invading Great Britain with a list of ye Members of the British Republic'. On other papers he is stamping frantically: 'Wyndham's Speeches'; 'Cobbett's Weekly Journal'; 'Parliament[ary] Debates'; 'Anti-Jacobin Review' [see BMSat 9243, &c.]; 'de Peltier'; 'Lloyds'; 'True Briton'; 'Mor . . . Herald'; 'Times'; 'Wilson's Egypt'; 'Debates'. The globe is damaged: a jagged hole fills the place of Europe, leaving the British Isles untouched. The back of the ornate 'Consular Chair' is decorated with Medusa's head, the snakes in violent action."--British Museum online catalogue
Alternative Title:
Little Boney in a strong fit
Description:
Title from text in top part of image., Mounted to 37 x 56 cm., and Watermark: J. Whatman 1811.
Publisher:
Pubd. May 24th, 1803, by Js. Gillray, St. James Street
The text of the broadside is printed inside a rectangle, 26.8 x 13.3 cm., set inside a black mourning border, 39.5 x 25 cm., and surrounded by cuts depicting Napoleon and his family., A slightly different version of Hazlitt's text on Napoleon from his Preface to Political essays, (2, 1, 3), followed by a quotation from Thomas Moore's The Fudge family in Paris, 1818, Letter VII, lines 145-157 (in Godley's ed. of The poetical works, 1910)., Colophon: By J. M'Creery, Tooks Court., Mounted, edges of sheet obscured., and For further information, consult library staff.
Four scenes in one plate, each with a separate title; the subjects are Napoleon's defeat in Russia, the Prince Regent, a domestic scenes, each characterised by a disaster, the first shows a man in a bedroom beside a coffin, dancing, and last, a man on the floor being beaten by his wife after upsetting the tea table (shown with two demons). catalogue
Description:
Title from text at center of plate., Four separately titled images on one plate, each signed by the printmaker., Date of publication from the British Museum online catalogue., Sheet trimmed within plate mark on two sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1815.
Publisher:
publisher not identified
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and George IV, King of Great Britain, 1762-1830
Williams, Charles, active 1797-1830, printmaker, artist
Published / Created:
[27 January 1804]
Call Number:
804.01.27.01.1+
Image Count:
1
Alternative Title:
Rector's hopes confirmed by John Bull's discovery
Description:
Title from item., Printmaker from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Furniture: Chair -- Costume: Clergy Rector -- John Bull -- Male Costume: 1804 -- Port -- Furniture: Table -- Biblical Reference: Ezekiel 35.1 -- Medical: Dermatalogical Disease., and Watermark: G. Jones 1803.
Title from item., Later state with S.W. Fores imprint replacing C. Knight imprint [scratched through]., Publication date inferred from earlier state., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Furniture: Chair -- Costume: Clergy Rector -- John Bull -- Male Costume: 1804 -- Port -- Furniture: Table -- Biblical Reference: Ezekiel 35.1 -- Medical: Dermatalogical Disease.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A scene on the wild and rocky shore of Elba where Napoleon has just landed. He stands on the beach in deep dejection, in profile to the right, looking down, and saying: "Ah Woe is me seeing what I have and seeing what I see" ['Hamlet', III. i]. A dog befouls his boot. He is the centre of attraction to uncouth peasants who surround him, while many more approach through a defile in the mountains. A gross and hideous woman, holding a long tobacco-pipe, puts her hand on his shoulder, saying, "Come cheer up my little Nicky I'll be your Empress." A man beside her points to a ship at anchor; a boat filled with people is rowing out to her. The peasants all grin broadly. Near Napoleon (left) is seated a hideous, barelegged woman suckling an infant and smoking a long pipe. An almost naked child clings to her shoulders, putting out his tongue at Napoleon, as does a man standing just behind him. In the foreground, Napoleon's Mameluke, Ali, sits on the ground, beside a pile of portmanteaux inscribed 'Boneys Baggage'; he averts his head from the humiliating spectacle; his sabre lies beside him. An odd ape-like creature squats on the extreme left. On the extreme right a fisherman, staring over his shoulder at Napoleon, is about to jump ashore or push off in his boat. In the background two boats, one with a furled lateen sail, lie against the rocky coast."--British Museum online catalogue
Alternative Title:
His grand entry in the isle of Elba
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "328" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 28 in volume 5.
Publisher:
Pubd. April 25th, 1814, by Thos. Tegg, No. 111 Cheapside
An anti-Napoleon broadside including an engraved, cartographic bust of Napoleon above two columns of letterpress in Dutch, German, English and French. The face of Napoleon is formed of carcases of war victims: on the collar are waves of the sea; a "hand" is placed as the epaulet while on the cuff is 'R' (for Regent), round the wrist 'Honi Soit ', on the fingers are the letters 'A', 'R', 'P', 'S', 'E' (for the Allies). A drawing the Rhenish Confedracy [sic] under the flimsy symbol of the cobweb: and the "spider" is a symbolic emblem of the vigilance of the Allies
Description:
Title from letterpress caption above text., The name "Napoleon" appears four times below image, above each section in Dutch, English, French, and German. Text in English begins: The first, and last, by the wrath of Heaven Emperor of the Jacobins ..., Engraved image of Napoleon: plate mark 22.7 x 15.9 cm., The satirical Napoleon portrait is a copy of the original by Voltz; Cf. No. 12177 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Place and date of publication based on English-language version of the print published in London by Ackermann in 1814; Cf. No. 12202 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Portrait of Napoléon Bonaparte as First Consul, bust-length, looking to the right; wearing a buttoned double-breasted coat with high collar, and dark neckerchief, with part of a white garment showing underneath; in an octagon."--British Museum online catalogue
Description:
Title from text below image., Date range for publication from the British Museum online catalogue, registration no.: 1902,1011.5735., Bound in opposite page 626 (leaf numbered '64' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., and With contemporary signature in ink at bottom of plate: John William Stearne[?].
Publisher:
Published Feb. 23 by Mr. Turner, 50 Warren Street, Fitzroy Square, London
