"View inside the institution; paintings hang from walls, artists set up around sides with canvases supported by easels copying the displayed work; a table in centre of room with paints and brushes; an arch leads on to the next room with a similar set up."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 13., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 98.
Publisher:
Pub. 1st April 1808 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
British Institution.
Subject (Topic):
Galleries & museums, Interiors, Painting, and Art education
Art of painting and Short account of the most eminent painters both ancient and modern
Description:
Signatures: [pi]² a-h⁴ B-2Y⁴ 2Z²., Translation of: De arte graphica., Added title-page, engraved by S. Gribelin., Title page in red and black., Includes the original poem in Latin; translated from the French version of R. de Piles., 'A short account of the most eminent painters ... ' [by R. Graham] has special title-page., Errata: p. [356], Original panelled calf; it was quite probably a copy kept in the house in town and bequeathed to Lady Waldegrave. Mr. Harris Prior of Geneva, N.Y., also owns a copy of the edition of 1695, in which Horace Walpole's bookplate has been inserted., and Laid in is the lining paper of a copy of this edition in which Horace Walpole's bookplate had been inserted, owned by Harris Prior. No press mark was found. With four architectural sketches in pencil on front flyleaf.
Publisher:
Printed by J. Heptinstall for W. Rogers, at the Sun against St. Dunstan’s Church in Fleetstreet
Manuscript describes the career of John Francis Rigaud (1742-1810) in detail and includes discussion of his painting techniques. There are frequent mentions of the Royal Academy. Accompanied by seven related pieces concerning the Rigaud and Dutilh families
Subject (Geographic):
Great Britain
Subject (Name):
Dutilh family., Rigaud family., Rigaud, J. F. 1742-1810. (John Francis),, Rigaud, Stephen Francis Dutilh, 1777-1861., and Royal Academy of Arts (Great Britain)
"A crowded interior. An old maid, grotesquely lean, spectacled, and hideous, sits in an arm-chair beside her fire (left) on which a concoction in a saucepan boils over, surrounded by fierce flames. This she stirs with a spoon but turns to the right to pore over the recipe, which is in her left hand. One bare foot with deformed toes rests on a stool beside which are a spike-toed high-heeled shoe and a stocking. A table beside her and the floor below it are crowded with bottles, jars, and medicaments, with a pestle and mortar and a lighted candle. The candle sets fire to her cap, and the flame reaches a little bird-cage hanging from the ceiling. A cat walks under her petticoats; a tiny lap-dog lies in a cushioned band-box lid at her feet. A second cat claws towards a mouse which runs up the pole of a perch on which stands, a draggled and angry cockatoo. A pug-dog also looks up at the bird. Against the wall is a stuffed cat in a glass case; above it is a burlesque picture of Susanna and the Elders. A neat curtained bed is on the right. The chimney-piece is decorated with Diana (burlesqued) urging on the hounds to seize Actæon. On it are three peacock's feathers, bottles, spills, a shell, a Chinese mandarin, &c. The fireplace is lined with pictorial Dutch tiles."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Print signed using Frederick Marryat's device: an anchor titled diagonally., Reissue, with new imprint statement, of a print first published as the heading to a broadside entitled "Recipe for corns". For an earlier state published 4 December 1822 by G. Humphrey, see no. 14443 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., and Temporary local Medical Library subject terms: Corns.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
House furnishings, Costume, Medicine bottles, Pets, Painting, Foot, Diseases, Birdcages, Cats, Dogs, Feet, Fireplaces, Medicine, and Single women
Pug the Painter (the Idea Box of a Connoisseur) is a monkey seated on a table that is decorated with the carved face of a judge on the side. He paints a canvas supported on an easel and holds paint brushes and palette in his right hand. From a speech bubble he says: " A marvellous effect by G-d." At the left an owl is perched on a stack of books and holds a sheet of paper in his claw with the words "Catalogue of some capital pictures lately consigned from abroad" and from his mouth a speech bubble: "I think Mr. Pug you may keep down your sky a little more."
Description:
Title etched above image., After a drawing by Paul Sandby now at the British Museum. See Registration number: 1985,0223.8. Etching also attributed to him in the British Museum catalogue., Text etched below image: To the despisers of all pretended connoiseurs & all imitators (but those of nature) this plate is most humbly dedicated., See Paulson, R. Hogarth's graphic works (3rd ed.), page 155., and On page 292 in volume 3. Sheet trimmed to: 28.6 x 21.2 cm.
Pug the Painter (the Idea Box of a Connoisseur) is a monkey seated on a table that is decorated with the carved face of a judge on the side. He paints a canvas supported on an easel and holds paint brushes and palette in his right hand. From a speech bubble he says: " A marvellous effect by G-d." At the left an owl is perched on a stack of books and holds a sheet of paper in his claw with the words "Catalogue of some capital pictures lately consigned from abroad" and from his mouth a speech bubble: "I think Mr. Pug you may keep down your sky a little more."
Description:
Title etched above image., After a drawing by Paul Sandby now at the British Museum. See Registration number: 1985,0223.8. Etching also attributed to him in the British Museum catalogue., Text etched below image: To the despisers of all pretended connoiseurs & all imitators (but those of nature) this plate is most humbly dedicated., and See Paulson, R. Hogarth's graphic works (3rd ed.), page 155.
A haggard old woman carelessly mixing a recipe for corns on the fire in her sordid bedroom. As well as being cluttered with potions, the room contains an assortment of squabbling pets; on the wall hangs a painting depicting the attempted seduction of Susanna by the elders. The lettering below image, a recipe in verse, begins: "Take tacamahacca, an ounce & a half, a pound of good suet, from the skin of a calf, 3 barbicued apples, a ha'p'orth of pears, 3 dragon flies pounded, the ear wax of bears, a small peice of cheese, a little gum copal, some putrified salt with some essence of opal ..."
Description:
Title etched below image, as the heading to the recipe in verse., Print signed using Frederick Marryat's device: an anchor titled diagonally., For a later state lacking the recipe below image and with the new title "Mixing a recipe for corns", see no. 14443 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., "January 12th, 1467. Copied from the Black Letter"--Beneath recipe in verse., and Temporary local Medical Library subject terms: Corns.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
House furnishings, Costume, Medicine bottles, Pets, Painting, Panaceas, Foot, Diseases, Birdcages, Cats, Dogs, Feet, Fireplaces, Medicine, and Single women
Copy of the first state of William Hogarth's subscription ticket for "A harlot's progress" with three naked putti, one painting, one engraving, and one, along with a satyr, lifting the shift of a sculpture of many-breasted Diana of Ephesus. Enscribed on either side of Diana: "Antiquam exquirite matrem. Vir."
Description:
Title etched below image., Verse in Latin from Horace's Ars poetica below image: " ... necesse est. Indiciis monstrare recentibus abdita rerum, dabiturque Licentia sumpta pudenter. Hor.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Paulson, R. Hogarth's graphic works (3rd ed.) no. 120., and On page 57 in volume 1. With note in Steeven's hand above print: Copy.
Publisher:
Publish'd April 23d, 1782 Rd. Livesay at Mrs. Hogarths Leicester Fields
Subject (Name):
Hogarth, William, 1697-1764. and Diana (Roman deity)
Subject (Topic):
Satyrs (Greek mythology), Art, Painting, and Putti
Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:
Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints., and On page 288 in volume 3. Sheet trimmed to:
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:
Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., and Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
