A portrait of James Caulfield, head and shoulders looking to the left, glancing towards the viewer with a smile, wearing a plain coat, cravat and dark queue wig; after Hogarth
Alternative Title:
Right Honourable James Caulfield Earl of Charlemount of the Kingdom of Ireland
Description:
Title etched below image., Ms. note in Steevens's hadn in pencil above print: See ibid., Sheet: 24 x 17.6 cm., and On page 215 in volume 3.
A portrait of James Caulfield, head and shoulders looking to the left, glancing towards the viewer with a smile, wearing a plain coat, cravat and dark queue wig; after Hogarth
Alternative Title:
Right Honourable James Caulfield Earl of Charlemount of the Kingdom of Ireland
Ford, Michael, active 1746-1765, printmaker, publisher
Published / Created:
[approximately 1746?]
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Abstract:
Portrait after Hogarth, full-length standing in a landscape, right hand on a stone ledge, hat and cane in his left, looking at and bowing slightly to the viewer with right foot advanced, wearing a suit with a high sheen, the coat open to reveal a long waistcoat decorated with flourishes
Alternative Title:
Right Honorable Gustavus Lord Viscount Boyne Baron of Stackallen and Gustavus, Viscount Boyne
Description:
Title etched below image., "Price 5s. 5d"--Following imprint statement., and Formerly on page 128 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Publish' d and sold for Mich. Ford painter and print seller on Cork Hill
Portrait after Hogarth, full-length standing in a landscape, right hand on a stone ledge, hat and cane in his left, looking at and bowing slightly to the viewer with right foot advanced, wearing a suit with a high sheen, the coat open to reveal a long waistcoat decorated with flourishes
Alternative Title:
Right Honorable Gustavus Lord Viscount Boyne Baron of Stackallen and Gustavus, Viscount Boyne
Description:
Title etched below image., Questionable date from local card catalogue., "Price 2s. 8 1/2d"--Following imprint statement., Ms. note in pencil in Steevens's hand beneath print: Sold for £2..13..0 at Mr. Gulston's sale., and On page 129 in volume 2.
Publisher:
Sold by Andw. Miller on Hog Hill near Round Church
A young woman (shown whole-length) wearing a simple dress and bonnet, stands in a room by a fireplace singing with a wistful look on her face as she plays the hurdy-gurdy. On the right, a fireplace decorated with tiles and inside with andirons and tools; above hangs a cocked hat and a broken mirror. A sword leans against the edge of the fireplace and behind the girl
Description:
Title engraved below image., A later state of: Savoyard. Published by G. Sherlock May 12th 1798., The print refers to the affair between the Duke of Cumberland and a hurdy-gurdy player. For a full account see E. Einberg, 'Music for Mars, or the Case of the Duke's Lost Sword', The Huntington Library Quarterly, LVI, 1993, pp. 181-9., On page 227 in volume 3., and Ms. note in pencil in Steevens's hand: Not in Nichols's book.
"Satire on Mary Toft, the "rabbit breeder" and those who were duped by her fraud. The interior of a large room, presumably intended as Lacy's bagnio in Leicester Fields, in the centre of which Toft reclines on a chair attended by a doctor, John Howard, while a gentleman identified by Stephens as Nathaniel St André, wearing a hat, has laid down a walking stick and kneels to lift a rabbit that is emerging from below her skirts. On the left, three men enter through an open door, the foremost, evidently John Maubray, holding up a specimen bottle and grasping by the shoulder another doctor, who points towards Toft; another holding a staff aplpears to be a constable. Other men (one perhaps intended as her husband) gather behind Toft's chair; Samuel Molyneux, wearing a hat and holding a walking stick turns away in disgust as a midwife holds up a "new-born" rabbit. On a table in the background lie a hat, ink stand and specimens of Toft's rabbits; the walls are hung with five paintings and a large map of Surrey."--British Museum online catalogue
Description:
Title etched below image, between two columns of verse., Artist and printmaker from later state: Geo. Vertue del. Jas. Vertue sculp., Date based on advertisement in the Daily journal, 23 December 1726., "Pr. 6d."--Price following imprint., Two columns of verse on either side of title: The Surrey Rabbet-Breeder here behold, Imposture greater than appear'd of old, ... Tis hop'd will bring forth pillory and ears., Sheet trimmed to plate mark., On page 42 in volume 1., and Ms. note in Steevens's hand above: The plate is said to have given offence to Frederick Prince of Wales who is here represented. His note below the print: Vertue was employed as the engraver.
Publisher:
Sold by Jon. Clark, engraver & printsellr. in Grays-Inn
Etched design with figures numbered in the image etched below. In the center front Hogarth holds on his knees a volume of "The analysis of beauty" which bears on its cover the pyramid and "Line of beauty". It is supported by a prop which bends to resemble the "Line of beauty". Hogarth looks with horror at the irradiated ghost of Lomazzo, the author of the treatise to which the artist refers in his "Analysis" as an authority but whom his enemies say he stole his ideas. A lean dog barks at the figures of a deformed man who is weeping. Hogarth's dog standing by his side looks up with sympathy. An old man (probably Dr. Morell), Hogarth's friend seems affected by the smell proceeding from the artist, looks up with astonishment at the ghost. See British Museum catalogue for further description
Alternative Title:
Analyst beshitten, in his own taste
Description:
Title etched above image., Price following title: Pr. 1s., Printmaker and publication date from British Museum online catalogue., A satire on Hogarth by Paul Sandby., Key to numbers in the image below it: 1. An author sinking under the weight of his Saturnine analysis ..., and On page 288 in volume 3. Sheet trimmed to: 26.3 x 18.3 cm.
Etched design with figures numbered in the image etched below. In the center front Hogarth holds on his knees a volume of "The analysis of beauty" which bears on its cover the pyramid and "Line of beauty". It is supported by a prop which bends to resemble the "Line of beauty". Hogarth looks with horror at the irradiated ghost of Lomazzo, the author of the treatise to which the artist refers in his "Analysis" as an authority but whom his enemies say he stole his ideas. A lean dog barks at the figures of a deformed man who is weeping. Hogarth's dog standing by his side looks up with sympathy. An old man (probably Dr. Morell), Hogarth's friend seems affected by the smell proceeding from the artist, looks up with astonishment at the ghost. See British Museum catalogue for further description
Alternative Title:
Analyst beshitten, in his own taste
Description:
Title etched above image., Price following title: Pr. 1s., Printmaker and publication date from British Museum online catalogue., A satire on Hogarth by Paul Sandby., and Key to numbers in the image below it: 1. An author sinking under the weight of his Saturnine analysis ...
Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
Description:
Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints., and On page 288 in volume 3. Sheet trimmed to:
Publisher:
publisher not identified
Subject (Geographic):
Great Britain., England, and London.
Subject (Name):
Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
