"Satire on the financial scandal of the South Sea Bubble; a composite scene in the City of London identified by the Guildhall, St Paul's Cathedral and the Monument (its inscription changed to record the destruction of the city by the South Sea); a crowd is gathered around a merry-go-round (on which ride a prostitute, a clergyman, a shoe-black, an old crone and a Scottish nobleman); to left, the Devil hacks the limbs of Fortune, while religious leaders (both Anglican and Jewish) play at pitch and hustle; to right, emblematic figures of Honour and Honesty are beaten by Self-Interest and Villainy, and Trade sleeps."--British Museum online catalogue
Description:
Title and state from Paulson., Publication information inferred from 3rd state., Verses below image: See here [the] causes why in London, so many men are made, & undone .... Guess at the rest you find out more., "Price 1 shilling."--Lower right., Sheet trimmed within plate mark with some loss to text at bottom margin., Ms. note in Steevens's hand above: South-Sea. In pencil below: See Nichol's book, 3d edit. p. 122., and On page 8 in volume 1.
Publisher:
Mrs. Chilcot and R. Caldwell?
Subject (Geographic):
Financial crises and Great Britain
Subject (Topic):
South Sea Bubble, Great Britain, 1720, History, Allegories, Clergy, Crowds, Devil, Ethnic stereotypes, Merry-go-rounds, Occupations, and Prostitutes
Two images. On the top: in an elaborate frame, the Virgin holds the swaddled Child; a bald man (monk?) looks down at the child from over her left shoulder. Below, a detail of the friar's foot, also in a frame, with a curtain pulled to the left side
Alternative Title:
Friar's foot
Description:
Title devised by cataloger., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, 1794, vol. 1, p. 127., For original print see Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum, v. 3, no. 2157., and On page 232 in volume 3. Sheet trimmed to: 20.8 x 12 cm.
Two images. On the top: in an elaborate frame, the Virgin holds the swaddled Child; a bald man (monk?) looks down at the child from over her left shoulder. Below, a detail of the friar's foot, also in a frame, with a curtain pulled to the left side
Alternative Title:
Friar's foot
Description:
Title devised by cataloger., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, 1794, vol. 1, p. 127., and For original print see Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum, v. 3, no. 2157.
Title from item., Frontispiece from: Stevens, G.A. Songs, comic, and satyrical. Oxford : Printed for the author; sold by J. Waller, in Fleet-Street; G. Robins ...,1772., Sheet trimmed to image with loss of title., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and On page 292 in volume 3.
Interior scene with the two men in disquise, one looking in the mirror; a wallshelf with plates, antlers and escutcheon decorate the walls; a heap of clothes on the floor lower left. Through the open door to the outside can be seen a man drinking from a jug seated on a stool at a table under a tree
Alternative Title:
Curate and barber disguising themselves to convey Don Quixote home
Description:
Title etched below image., Sheet trimmed to plate mark., "Page 319. Don Quixote. Pl. 8."--Above image., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 99., and On page 87 in volume 1.
IIn an alcove on the right in an untidy garret, a man in a dressing-gown scratches his head as he writes on a sheet with the title "Poverty, a Poem". In the center of the image his wife is seated as she mends a pair of breeches; at her feet a cat and her kittens are curled up on the man's coat. Under the sleeve of the coat on the floor is an issue of "Grubstreet Journall." She looks to the door on the left where she is confronted by a milkmaid who holds a lengthy tally; the daisies in her bonnet suggest Michaelmas day when bills are due; she also is shown with a yoke across her back. Just inside the doorway a dog snatches the single pork chop from a plate on a chair; the cupboard above the door stands open to show empty shelves. Behind the poet's head is a satirical print showing Alexander Pope thrashing the book-seller Edmund Curll who had published pirated editions of his letters."
Description:
Title and state from Paulson., "Price 3 shillings"--Following imprint., Verse etched below image: Studious he sate, with all his books around, Sinking from thought to thought, a vast profound! Plung'd for his sense, but found no bottom there; Then writ, and flounder'd on, in more despair. Dunciad Book I, line III., and Sheet trimmed within plate mark.
IIn an alcove on the right in an untidy garret, a man in a dressing-gown scratches his head as he writes on a sheet with the title "Poverty, a Poem". In the center of the image his wife is seated as she mends a pair of breeches; at her feet a cat and her kittens are curled up on the man's coat. Under the sleeve of the coat on the floor is an issue of "Grubstreet Journall." She looks to the door on the left where she is confronted by a milkmaid who holds a lengthy tally; the daisies in her bonnet suggest Michaelmas day when bills are due; she also is shown with a yoke across her back. Just inside the doorway a dog snatches the single pork chop from a plate on a chair; the cupboard above the door stands open to show empty shelves. Behind the poet's head is a satirical print showing Alexander Pope thrashing the book-seller Edmund Curll who had published pirated editions of his letters."
Description:
Title and state from Paulson., "Price 3 shillings"--Following imprint., Verse etched below image: Studious he sate, with all his books around, Sinking from thought to thought, a vast profound! Plung'd for his sense, but found no bottom there; Then writ, and flounder'd on, in more despair. Dunciad Book I, line III., Sheet trimmed within plate mark., Ms. pencil note in Steevens hand: See Nichols's Book, 3d edit, 235. Repaired losses to corners., and On page 79 in volume 1. Trimmed to: 350 x 397 mm.
A scene in London, possibly near St. Martin's-in-the-Fields, shows a musician at an open window holding his ears against the noise of the street; a pregnant ballad-seller chants while her baby cries and a parrot above her head on the lamp post squawks; a milkmaid and other street-traders cry their wares; one small boy plays a drum while another urinates under the startled gaze of a small girl who holds a rattle and stands by a house made of toy blocks; an itinerant oboist plays; a dustman carries his basket and a bell; a knife-grinder sharpens a cleaver, a dog barking at his feet; on the roof at the right two cats fight (both shown with arched backs) just beyond the chimney from which a chimney sweep emerges. A sign to the left of the musician's window advertises The Beggar's Opera. A sign on the building to the right reads "John Long Pewterer." In this state the horse on the extreme right is black (white in the earlier state), the boy's slate trailing on the ground was only half shaded in the earlier state, but is now darkened
Description:
Title from published state of the print., Ink trasing of the trial proof of: The enraged musician., Inscribed in pencil by the artist above drawing: A sketch from Mr. Crickett's Impression (formerly Mr. Ingham Foster's.) See John Ireland's Hogarth Illustrated, p. 342. & Mr. Nichols's Book, 3d edit, page 257., Tracing of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 152., and On page 101 in volume 2.
Subject (Topic):
Blocks (Toys), Cats, Children, City & town life, Chimney sweeps, Dogs, Musical instruments, Musicians, Noises, Occupations, Parrots, Street vendors, and Urination
A scene in London, possibly near St. Martin's-in-the-Fields, shows a musician at an open window holding his ears against the noise of the street; a pregnant ballad-seller chants while her baby cries and a parrot above her head on the lamp post squawks; a milkmaid and other street-traders cry their wares; one small boy plays a drum while another urinates under the startled gaze of a small girl who holds a rattle and stands by a house made of toy blocks; an itinerant oboist plays; a dustman carries his basket and a bell; a knife-grinder sharpens a cleaver, a dog barking at his feet; on the roof at the right two cats fight (both shown with arched backs) just beyond the chimney from which a chimney sweep emerges
Description:
Title based on published original., Date based on Dent's years of activity., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 152, Ms. note in pencil in Steevens's hand above print: Specimen of Trusler's book., and On page 103 in volume 2.
Publisher:
publisher not identified
Subject (Topic):
Blocks (Toys), Cats, Children, City & town life, Chimney sweeps, Dogs, Musical instruments, Musicians, Noises, Occupations, Parrots, Street vendors, and Urination
The interior of a farmer's cottage, with the farmer seated in an armchair next to a table looking at his wife (right) whose jug in her left hand spills out. To the left of the farmer, on either side of the table, are their two children, a son and daughter (gesturing in surprise as she looks at her mother). The hearth on the left is equipped with a pot hanging above a large fire; a rifle above the mantel piece, a cat on the floor gazing at the fire
Description:
Title from another copy, signed by the printmaker Basire., Plate to: Nichols's Genuine works of Hogarth. Ms. list in copy 3 makes notes of an “admirable copy by the same artist”., Original used as a frontispiece to: Garrick, D. The farmer's return from London. London : Printed by Dryden Leach, for J. and R. Tonson, in the Strand, MDCCLXII [1762]., Sheet trimmed to plate mark., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 240., Ms. note in pencil in Steevens's hand in above print: See Mr. Nichols's book, 3d edit, p. 374. Ms. note in pencil in Steevens's hand below image: Copy., and On page 189 in volume 2.
