Consists of the "interior of a dispensary where the viscount has brought his child-mistress to visit M.de la Pillule whose remedy has not cured her venereal disease; a large, well-dressed woman (perhaps a procuress) looks angrily at the young man and opens a knife, while the quack polishes his glasses; the room contains numerous medical and scientific objects, including machines for straightening shoulders and for drawing corks, a dried crocodile, a narwhal's tusk, and two mummies."--British Museum online catalogue and After Hogarth's painting "The Inspection" in the National Gallery, London
Description:
Title engraved below image., In lower left corner: Size of picture 3 ft. by 2 ft. 4 in., Sheet trimmed to plate mark., No. 3 in a series of 6 images, known as "The inspection.", Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2717., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 160., and Copy of: Paulson, R. Hogarth's graphic works (1st ed.), no. 230.
Publisher:
Published Jany. 1, 1798, by J. & J. Boydell, N. 90, Cheapside ; & at the Shakspeare Gallery, Pall Mall, London
Subject (Topic):
Children, Crocodiles, Medical equipment & supplies, Nobility, Physicians, Prostitutes, Quacks, Rake's progress, Scientific equipment, Sexually transmitted diseases, and Skeletons
"A magistrate sits behind his table listening intently to the angry harangue of a naval officer (right) who faces the accused (left), demure-looking, plainly-dressed woman, wearing a checked apron tucked round her waist, but evidently a prostitute. She is supported by two keen-looking lawyers. The officer, who is paunchy and wears very wide white trousers, stands with legs apart, right arm extended with pointing forefinger. He shouts: No. No. I've found my Breeches, but consider your Worship how I shall be Quized--The L--d H--h-A--l knows all about it. I never was before the Public but once, shant forget that in a hurry--Yes--yes I found the breeches, but where's my Silver Gilt Trafalgar Medal eh? I'll have it if it costs me a Thousand Pounds. I could'ent live without it. Ay Ay she's the Thief but I will not hang her unless your worship wishes it--If I had her aboard my Ship D--n me I'de give her a round dozen--I would. Behind him stand a footboy in livery and two rough-looking men. The woman extends both arms and says pathetically I never robbed you Sir. The lawyer says: There's no proof you cant Harm--her."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., Sheet trimmed: 26 x 37 cm., Watermark: J. Whatman Turkey Mill 1827., and Numbered in manuscript at top of sheet: 71.
Publisher:
publisher not identified
Subject (Name):
William IV, King of Great Britain, 1765-1837.
Subject (Topic):
Aprons, Boys, Judges, Lawyers, Military officers, Prostitutes, and Servants
"A magistrate sits behind his table listening intently to the angry harangue of a naval officer (right) who faces the accused (left), demure-looking, plainly-dressed woman, wearing a checked apron tucked round her waist, but evidently a prostitute. She is supported by two keen-looking lawyers. The officer, who is paunchy and wears very wide white trousers, stands with legs apart, right arm extended with pointing forefinger. He shouts: No. No. I've found my Breeches, but consider your Worship how I shall be Quized--The L--d H--h-A--l knows all about it. I never was before the Public but once, shant forget that in a hurry--Yes--yes I found the breeches, but where's my Silver Gilt Trafalgar Medal eh? I'll have it if it costs me a Thousand Pounds. I could'ent live without it. Ay Ay she's the Thief but I will not hang her unless your worship wishes it--If I had her aboard my Ship D--n me I'de give her a round dozen--I would. Behind him stand a footboy in livery and two rough-looking men. The woman extends both arms and says pathetically I never robbed you Sir. The lawyer says: There's no proof you cant Harm--her."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., and Watermark: J. Whatman Turkey Mill 1827.
Publisher:
publisher not identified
Subject (Name):
William IV, King of Great Britain, 1765-1837.
Subject (Topic):
Aprons, Boys, Judges, Lawyers, Military officers, Prostitutes, and Servants
Title from item., Engraved, with letterpress imprint and ornamental border and with a vignette above showing a street scene at night, with one man vomitting as he is supported by two companions. Across the street under a street light, a prostitute waves at the men., and For further information, consult library staff.
Publisher:
Davison, printer, Alnwick
Subject (Geographic):
Great Britain
Subject (Topic):
Temperance, Intoxication, Prostitutes, and Street lights
The Tom and Jerry stand arm in arm, watching a scene of 'drunkenness, beggary, lewdness and carelessness-a complete picture of "Low Life" (in Wych Street, Strand). A woman climbs over the back of a bench to fight another as mugs and plates fly. On the fire (right) is a huge pot with a tap, at which a man fills a mug. A battered prostitute toasts a muffin. One man, of 'shabby-genteel' appearance, 'was once one of the gayest young swells upon the town'. Over the fire are cracked pictures: Innocence and Virtue. Mugs are stacked on shelves
Alternative Title:
Midnight Tom and Jerry at a coffee shop near the Olympic
Description:
Title from caption below image., Sheet trimmed within plate mark., Plate from: Egan, Pearce. Life in London. London: Printed for Sherwood, Neely and Jones, 1821, page 181., and Sheet trimmed to plate mark, with loss of imprint: 13.4 x 21.3 cm
A well-dressed woman lounges on a sofa inside a tent in a military camp; behind her is a sword and a gorget. Behind the sofa is a screen with the same embroidered design; the ground is covered with an ornate rug. She holds a letter in her right hand and a riding crop in her left hand as she looks up at the viewer with a seductive smile. Her blouse is unbuttoned to expose her breasts. At her feet is a vase with flowers
Description:
Title engraved below image., Numbered '168' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Robert Sayer, No. 53 Fleet Street as the Act directs
Subject (Topic):
Military camps, Prostitutes, Screens, Sofas, and Tents
A well-dressed prostitute lounges on a sofa inside a tent in a military camp; behind her is a sword and a gorget. Behind the sofa is a screen with the same embroidered design; the ground is covered with an ornate rug. She holds a letter in her right hand and a riding crop in her left hand as she looks up at the viewer with a seductive smile. Her blouse is unbuttoned to expose her breasts. At her feet is a vase with flowers
Description:
Title engraved below image., Sheet trimmed within plate mark with loss of imprint. Imprint and dimensions supplied from impression in the British Museum online catalogue. See British Museum number 2010,7081.1306., Verse in two columns below image: "In the tent how engageing the charmer reclines, the stoutest of hero's to love she inclines; she's a trap, to catch captain's; you're lost & undone, if once you attack her, as sure as a gun.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., No. 54 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering., and Sheet 34.3 x 25.0 cm.
Subject (Topic):
Military camps, Prostitutes, Rugs, Screens, Sofas, and Tents
"A woman (whole length) walking to the left full face. Her hair is dressed high with tight curls at the side. She wears a fur-bordered cloak with a hood over a frilled and flounced petticoat with a looped-up train. Her hands are in a muff trimmed with frills of ribbon. A double row of pearls or beads is round her neck. A well-known house of ill-fame in the Piazza, Covent Garden, was known as Lovejoy's."--British Museum online catalogue
Description:
Title from caption below image., Initial letters of publisher's name in imprint form a monogram., and Plate numbered "12" in upper right corner.
Publisher:
Pub. accor. to act, Feby. 9th, 1772, by MDarly, Strand
Leaf 68. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A woman (whole length) walking to the left full face. Her hair is dressed high with tight curls at the side. She wears a fur-bordered cloak with a hood over a frilled and flounced petticoat with a looped-up train. Her hands are in a muff trimmed with frills of ribbon. A double row of pearls or beads is round her neck. A well-known house of ill-fame in the Piazza, Covent Garden, was known as Lovejoy's."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 2" in upper left corner and "12" in upper right corner., For an earlier state, see no. 4995 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Female costume: Muffs trimmed with lace -- Demi-reps -- Jewelry -- Cloaks: Fur trimmed with hood., and Third of three plates on leaf 68.
Publisher:
Pub. accor. to act, Feby. 9th, 1772, by MDarly, Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Prostitutes, Muffs, and Capes (Clothing)
Reversed copy of the first print in the Hogarth's series "Four Times of the Day. The setting is a morning in Covent Garden; in the center of the image, a middle-aged woman walks from the right towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." There is a fight in the doorway, one man losing his wig as it flies out the door. In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman; two large baskets with vegetables sit behind the women, with carrots and mushrooms in the right foreground. To the right, in the middle distance, a small crowd, including two small boys with school bags on their backs, surrounds a man holding a placard advertising a remedy known as Dr. Rock's.
Alternative Title:
Matin
Description:
Title engraved below image., Date from Paulson: Publish'd 23d June 1740., Sheet trimmed to plate mark., and Matted to 380 x 280 mm.
Publisher:
publisher not identified
Subject (Geographic):
Covent Garden (London, England)
Subject (Topic):
Beggars, Children, City & town life, Couples, Crowds, Fighting, Food vendors, Prostitutes, Quacks, Servants, Signs (Notices), Taverns (Inns), and Women
