"Bottom sits in an arm-chair directed to the left, wearing spectacles on his ass's forehead. In his right hand is a piece of charcoal in a holder, in his left is a paper, which he is studying. Above his head is etched 'Apollo'. On the left stands a man looking over Bottom's shoulder, his fists clenched. Behind (right) two students (seated) draw from the antique, a nude male statue on a pedestal just above the level of their heads."--British Museum online catalogue
Description:
Title from caption below image, a line from a speech by the character Quince, from Shakespeare's A midsummer night's dream, iii.1.121., Printmaker from British Museum catalogue., Six lines of verse below title: "W_hen Phidias or Raph'el shall chuse to repair, I_ncog to our fine modern Artists' fam'd School, L_ost in wonder to see stuck in Genius's Chair T_he Block which now fills it) a formal old Fool. O_ ff again with this sneering Remark they will go, N_o marvel your Pupils old Friend are so so". JP.", and Initial letters of each line form word 'Wilton.'
Publisher:
Pubd. Jany 1, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Wilton, Joseph, 1722-1803, Richards, John Inigo, 1731-1810, Phidias, approximately 500 B.C.-approximately 430 B.C., Raphael, 1483-1520., Royal Academy of Arts (Great Britain), and Apollo (Deity)
Subject (Topic):
Artists' materials, Artists' models, and Sculptors
Trial proof of the portrait of French sculptor Edme Bouchardon, half-length, sitting in armchair, head turned to right; in oval frame, on pedestal, with sculptor's tools; state with face only lightly sketched in, before any lettering
Description:
Title from finished state., Title and date from British Museum online catalogue, registration numbers: 10,0610.66., and Ownership stamp on verso in diamond shape frame: E.L.
"Portrait of French sculptor Edme Bouchardon, half-length, sitting in armchair, head turned to right; in oval frame, on pedestal, with sculptor's tools"--British Museum online catalogue
Description:
Title in image., Date of publication from British Museum online catalogue, registration no.: 10,0610.66., and Ownership stamp on verso, in diamond shape frame: E.L.
The collection includes photographs of many of Edmond Quinn's sculptures, including portrait busts and statues of Cass Gilbert, Edwin Markham, Clayton Hamilton, Edwin Booth, Oliver Wendell Holmes, Edgar Allen Poe, Walt Whitman, Henry Clay, Brander Matthews, James Whistler, James Stephens, Padraic Colum, and Victor Herbert. The collection also includes one photograph of Quinn in his studio with Vicente Blasco Ibáñez; a pencil sketch of James Stephens; letters from Edwina Booth Grossman, Charles De Kay, Winthrop Ames, and others; a draft biography for Who's Who; and clippings documenting the reception of Quinn's work
Description:
American sculptor and painter Edmond Thomas Quinn was born December 20, 1868, in Philadelphia, to John and Rosina McLaughlin Quinn. He studied under Thomas Eakins at the Pennsylvania Academy of Fine Art and under Jean-Antoine Injalbert in Paris. Major works include the statue of Edwin Booth as Hamlet in Gramercy Park, New York City, and the World War Memorial in New Rochelle, New York. He married Emily Bradley, of Newport, Rhode Island, in 1917 (she later married Shepherd Stephens). Quinn died in New York City in September, 1929, an apparent suicide by drowning. and In English.
Full-length standing allegorical figure of a woman whose lower portion is in mummy wrappings, and top portion is draped in ancient Egyptian apparel. It is a reduced version of a sculpture designed for the America's Making pageant held in New York in October 1921. Incised at the back of the base: "MVW Fuller" and a copyright symbol
Description:
Meta Vaux Warrick Fuller (1877-1968), African American sculptor, painter, and poet who lived and worked in Paris and Philadelphia at the turn of the twentieth century. and Title from Renée Ater, Remaking Race and History: The Sculpture of Meta Warrick Fuller (Berkeley: University of California Press, 2011).
Cooper, Richard, approximately 1730-1820, printmaker
Published / Created:
[1 April 1810]
Call Number:
Portraits D157 no. 1
Image Count:
1
Resource Type:
still image
Abstract:
A three-quarter length portrait of Mrs. Damer, with sculptor's tools at the base
Alternative Title:
Honourable Mrs. Damer
Description:
Title etched below image., Artist identified as Angelica Kauffmann in the Catalogue of engraved British portraits., Frontispiece to: La Belle assemblée, April 1810., and Sheet trimmed within plate mark.
Cooper, Richard, approximately 1730-1820, printmaker
Published / Created:
[1 April 1810]
Call Number:
810.04.01.01 Object Room B:D
Image Count:
1
Resource Type:
still image
Abstract:
A three-quarter length portrait of Mrs. Damer, with sculptor's tools at the base
Alternative Title:
Honourable Mrs. Damer
Description:
Title from item., Artist identified as Angelica Kauffmann in the Catalogue of engraved British portraits., Plate engraved for the frontispiece to La Belle assemblée, April 1810., and With plate maker's name stamped on verso: G. Harris No. 31 Shoe Lane, London.
Oval drawing of Nicholas Stone Senior (1586-1647), leading sculptor, master mason, and architect, in London in the mid-17th century
Description:
Title from inscription in ink, below image., Drawing that was used as a basis for an engraving of Stone in: Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 23., and George Vertue, English artist, 1684-1756.
Oval toned plaster plaque reproducing in low relief an engraved portrait of African American poet Phillis Wheatley used as the frontispiece of Wheatley's Poems on Various Subjects, Religious and Moral (London: Printed for A. Bell, bookseller, Aldgate; and sold by Messrs. Cox and Berry, King-Street, Boston, 1773). The engraving was made after a portrait attributed to African American slave and artist Scipio Moorhead. As in the engraving, the words "Phillis Wheatley, Negro Servant to Mr. John Wheatley of Boston" appear around the perimeter of the plaque. It is not signed or dated; the attribution to Meta Warrick Fuller was made by Grace Nail Johnson, sister-in-law of the donor
Description:
Meta Vaux Warrick Fuller (1877-1968), African American sculptor, painter, and poet who lived and worked in Paris and Philadelphia in the early twentieth century., Phillis Wheatley (1753-1784), African American poet in Boston, Massachusetts., Lettering in English., and Title from lettering on plaque.
Subject (Geographic):
United States.
Subject (Name):
Fuller, Meta Warrick, 1877-1968. and Wheatley, Phillis, 1753-1784
Subject (Topic):
African American sculptors, African American women poets, Poets, American, and Sculptors
"Mrs. Damer, seated in profile to the left, chisels the posterior of a large and realistic Apollo standing in profile to the left holding a spear, the left arm extended. A little girl (left) in 'profil perdu', gazes at the Apollo in astonishment. On a pedestal (left) are two nude figures, one full-face, the other in quasi-back view, drawn with extreme realism. Beside them (left) is an armless torso on a terminal pillar. These three statues are 'Studies from Nature'. On the right is a bust of a child's head in profile to the left, on a pedestal inscribed 'A Model to make a Boy from'. Beside it lie a book, 'Sketches of Different Parts'. Behind Mrs. Damer (left) is a grinning whole length figure of 'Pan'. There are also two figures on tall pedestals: a Hercules and a headless figure, and a bust. All the figures in the studio are completely nude. Mrs. Damer wears gloves; her mallet is raised to strike her chisel."--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., Mounted to 29 x 39 cm., and Watermark: countermark, letter V.
Publisher:
Pub. by Wm Holland, Garrick's Richard, No. 50 Oxford Street
Subject (Name):
Damer, Anne Seymour, 1748 or 1749-1828 and Pan (Greek deity)
Subject (Topic):
Artists' studios, Sculptors, British, Sculpture, and Spears
