Printed by J. Darby for D. Brown at the Black Swan and Bible without Temple-Bar, J. Harris at the Harrow in Little Britain, and Andr. Bell at the Cross-Keys and Bible in Cornhil
Manuscript on paper (sturdy; staggered thumb holes at bottom of leaves) of Antiphons for suffrages. With liturgies and offices for various occasions. Written during the 16th century presumably for Franciscan use and supplemented during the 17th century; the second portion may have been added for use of the Reform Congregation of the Spanish Discalceates of which Peter of Alcantara was the founder
Description:
In Latin., Script: Written by two scribes in a large round gothic bookhand. 1) ff. 1r-43v (16th century); 2) ff. 44r-50r (17th century). Scribe 2 attempts to replicate the work of Scribe 1, but uses 5-line staves rather than 4-line., Decoration for ff. 1r-43v: initials, with foliage designs, in rectangular frame, often with ground uncolored; colors range from vibrant blue, yellow, and orange to olive green and dark purple. Initials for ff. 44r-50r, of similar design, with more subdued shades, and no frames., and Binding: Seventeenth century. Vellum stays, contemporary paper flyleaves and pastedowns. Original sewing on five supports attached to very thick, square wooden boards. Beaded and colored endbands. Red edges. Covered in brown calf (cow?) reinforced at spine with additional leather and straps nailed to the boards. Traces of a strap and pin fastening. Vellum label with notation "Antiphonar. Com. sanctorum" nailed to lower board. The badly warped upper board is reinforced with two strips of wood placed vertically on the upper surface.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Franciscans.
Subject (Topic):
Liturgy, Antiphonaries, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Introitus for the Mass for the feast of two or more martyrs outside of Eastertide, to be inserted into a Gradual
Description:
In Latin., Script: copied by two hands, both writing Southern Gothica Textualis Formata with Spanish features. Hand A copied the four upper lines on f. 1r in a regular handwriting; hand B copied all the rest over erasure in a more artificial handwriting, which is of exceptionally large size on f. 1r. Musical notation in black nota quadrata. Red rubrics in the four upper lines on f. 1r. A large cadel D on the verso (“Deus”). F. 1r has rich decoration in a style influenced by Ghent-Bruges illumination: large historiated initial (2 staves + 2 lines of text) with the seated Virgin and the naked Christ child standing on her lap; at right a soldier in armour holding a lance (an illustration of the “Miracle of the Knight of Cologne”). Full architectural border subdivided in niches containing personages; in the left-hand border Sts. Andrew, Paul, Philip, and James the Less; in the lower section Jeremiah and Zechariah, flanking a central panel containing two angels holding a cloth displaying the Five Wounds of Christ with the motto “Miserere mei”; in the right-hand border four angels holding trumpets; in the top section a row of roses between twisted branches., and Originally the text, beginning with the initial, was that of the Antiphon “Sacerdos et pontifex”, sung at Vespers on the feast of a confessor bishop. It was erased and replaced with the current text, which is the Introitus for the Mass for the feast of two or more martyrs outside of Eastertide. The rubric at the top of the page and the initial were not erased, although they did not fit any longer the text. So the leaf originally was part of an Antiphonary, but it was removed and rewritten to be inserted into a Gradual.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Antiphonaries, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment on parchment of an antiphonary containing St. Cecilia (22 November).
Description:
In Latin., Script: written in a formal gothic bookhand (littera textualis formata)., and Decoration: musical notation in black on a five-line staff in red; on the recto there is a 2-line initial "C" in red and blue on a rectangular ground of red and blue penwork; the 2-line initial "E" on the verso and the 1-line initials are black; rubrics are written in red in the same script as the text, but in a smaller module; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of an antiphonary containing Saturday throughout the year, matins
Description:
In Latin., Script: written in a formal gothic bookhand (littera textualis formata)., and Decoration: on the recto there is a 4-line initial "C", in red and blue on a ground outlined in purple and decorated with purple foliage on red cross-hatching; 1-line initials at the beginning of the hymn and the psalm are red; rubrics written in red in the same script as the text; punctuated with the punctus and the comma; hyphenation is in the same ink as the text.
Manuscript fragments on parchment of an Antiphonary by Petrus Ferdinandez of Leon
Description:
In Latin., Script: copied by a single hand in Southern Gothica Textualis Formata with Spanish features. Nota quadrata music notation. Additions of text and music by later hands., Paragraph marks and rubrics in red. Yellow heightening of majuscules. Large plain initials (height: 1 stave + 1 text line). Cadels of the same size., and Text and musical notation on a five-line staff. Large initials in red, brown, and blue. Rubrics and liturgical instructions in red. Additional antiphons with musical notation added in margins in a hand of the 17th-18th century.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ferdinandez, Petrus., Catholic Church, and Cistercians.
Subject (Topic):
Liturgy, Antiphonaries, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on paper of Pedro Lopez de Ayala, Aves de caça.
Description:
In Spanish., Script: Written by a single scribe in a careful italic script., Crude initial and heading (in gold and subdued water colors) on f. i recto and f. 1r; other small initials, 4- to 1-line, in similar colors throughout text. Headings in red; initials of each paragraph in blue or red., Waterstained throughout., and Binding: Seventeenth century. Black goatskin, blind-tooled. Fragments of manuscripts (covered by paper pastedowns) serve as binding reinforcements.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
López de Ayala, Pedro, 1332-1407.
Subject (Topic):
Falconry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Spanish literature
Manuscript on parchment of Durand of Huesca (ca. 1160-1224?), Biblical Distinctiones, an early 13th-century revision of Peter of Capua's (d. 1214) Alphabetum in artem sermocinandi. Marston MS 266 is apparently the only known witness to Durand's revision. With Rhymed life of Peter of Capua , in quatrains, composed by Durand of Huesca
Description:
In Latin., Script: Written in a fine early gothic bookhand by several scribes, above top line., Nice penwork initials, 7- to 3-line, for each letter of the alphabet, blue with red or vice versa. Smaller initials, 2-line, in similar but less intricate designs for chapter divisions. Chapter numbers, some initials, plain line fillers, and text divisions in red. Ornamental border, in red, encloses common ending for verses on f. 1r-v. Spaces for rubrics left unfilled. Majuscules in text stroked with pale yellow., Beginning and end of codex worm and rodent damaged., and Binding: Date? Fragmentary binding. Resewn with a chain stitch and the spine lined with coarse cloth. Plain, wound endbands and paste boards (composed of paper and parchment fragments of manuscripts), that once were covered with brick red tawed skin. Traces of two ties. Outline of rectangular label, now missing, on upper cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Durand, of Huesca. and Peter, of Capua, Cardinal.
Subject (Topic):
Biography, Manuscripts, Medieval, and Scholasticism
Santillana, Iñigo López de Mendoza, marqués de, 1398-1458
Published / Created:
[between 1550 and 1600]
Call Number:
Beinecke MS 489
Image Count:
3
Resource Type:
unspecified
Abstract:
Manuscript on paper, composed of two segments, formerly separate books. Part I: 1) Letter from Inigo Lopez de Mendoza, Marques de Santillana (1398-1458), to his nephew Pedro de Mendoza, Senor de almacan. Santillana promises to send a copy of his own sonnets, some proverbs, and sayings of the philosophers and of Seneca which Mendoza had requested, and discusses a translation of a letter of Seneca sent to him by Mendoza. 2) Reply of Mendoza to Santillana, about Santillana's Sonnets. Artt. 3-25: sonnets by Santillana. Part II: 26) Pseudo-Seneca, Proverbia, Castilian tr. perhaps by Pedro Diaz de Toledo (d. 1499), Counsellor to Juan II of Castile, Chaplain to the Marques de Santillana, and later first bishop of Malaga. Each proverb is followed by an explanatory text. 27) Dichos de filosofos, in 29 parts, mostly lists: 4 things a king should do, 3 sorts of friends, etc. 28) Tacitus, Annales 14.52-56, in an unidentified Castilian translation
Description:
In Spanish., Watermarks: Part I: similar in design to Briquet Homme 7582. Part II: unidentified Latin cross in elongated, pointed oval., Script: Part I (ff. 1-120): Text written in large size italic with headings in less cursive bookhand. Part II (ff. 121-330): Written in a more compact italic script than Part I, but with similar types of headings., and Binding: 16th-17th centuries. Original sewing on three small, tawed tapes laced into limp vellum case. Small pieces of unidentified Latin manuscript glued in as spine reinforcements. Two tawed thong fastenings. Inscription on spine: "Prouerb. Moral [?]".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Santillana, Iñigo López de Mendoza, marqués de, 1398-1458. and Tacitus, Cornelius.
Subject (Topic):
Literature, Medieval, Manuscripts, Medieval, Philosophy, Medieval, and Spanish poetry