Manuscript on paper (sturdy; staggered thumb holes at bottom of leaves) of Antiphons for suffrages. With liturgies and offices for various occasions. Written during the 16th century presumably for Franciscan use and supplemented during the 17th century; the second portion may have been added for use of the Reform Congregation of the Spanish Discalceates of which Peter of Alcantara was the founder
Description:
In Latin., Script: Written by two scribes in a large round gothic bookhand. 1) ff. 1r-43v (16th century); 2) ff. 44r-50r (17th century). Scribe 2 attempts to replicate the work of Scribe 1, but uses 5-line staves rather than 4-line., Decoration for ff. 1r-43v: initials, with foliage designs, in rectangular frame, often with ground uncolored; colors range from vibrant blue, yellow, and orange to olive green and dark purple. Initials for ff. 44r-50r, of similar design, with more subdued shades, and no frames., and Binding: Seventeenth century. Vellum stays, contemporary paper flyleaves and pastedowns. Original sewing on five supports attached to very thick, square wooden boards. Beaded and colored endbands. Red edges. Covered in brown calf (cow?) reinforced at spine with additional leather and straps nailed to the boards. Traces of a strap and pin fastening. Vellum label with notation "Antiphonar. Com. sanctorum" nailed to lower board. The badly warped upper board is reinforced with two strips of wood placed vertically on the upper surface.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Franciscans.
Subject (Topic):
Liturgy, Antiphonaries, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Introitus for the Mass for the feast of two or more martyrs outside of Eastertide, to be inserted into a Gradual
Description:
In Latin., Script: copied by two hands, both writing Southern Gothica Textualis Formata with Spanish features. Hand A copied the four upper lines on f. 1r in a regular handwriting; hand B copied all the rest over erasure in a more artificial handwriting, which is of exceptionally large size on f. 1r. Musical notation in black nota quadrata. Red rubrics in the four upper lines on f. 1r. A large cadel D on the verso (“Deus”). F. 1r has rich decoration in a style influenced by Ghent-Bruges illumination: large historiated initial (2 staves + 2 lines of text) with the seated Virgin and the naked Christ child standing on her lap; at right a soldier in armour holding a lance (an illustration of the “Miracle of the Knight of Cologne”). Full architectural border subdivided in niches containing personages; in the left-hand border Sts. Andrew, Paul, Philip, and James the Less; in the lower section Jeremiah and Zechariah, flanking a central panel containing two angels holding a cloth displaying the Five Wounds of Christ with the motto “Miserere mei”; in the right-hand border four angels holding trumpets; in the top section a row of roses between twisted branches., and Originally the text, beginning with the initial, was that of the Antiphon “Sacerdos et pontifex”, sung at Vespers on the feast of a confessor bishop. It was erased and replaced with the current text, which is the Introitus for the Mass for the feast of two or more martyrs outside of Eastertide. The rubric at the top of the page and the initial were not erased, although they did not fit any longer the text. So the leaf originally was part of an Antiphonary, but it was removed and rewritten to be inserted into a Gradual.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Antiphonaries, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment on parchment of an antiphonary containing St. Cecilia (22 November).
Description:
In Latin., Script: written in a formal gothic bookhand (littera textualis formata)., and Decoration: musical notation in black on a five-line staff in red; on the recto there is a 2-line initial "C" in red and blue on a rectangular ground of red and blue penwork; the 2-line initial "E" on the verso and the 1-line initials are black; rubrics are written in red in the same script as the text, but in a smaller module; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of an antiphonary containing Saturday throughout the year, matins
Description:
In Latin., Script: written in a formal gothic bookhand (littera textualis formata)., and Decoration: on the recto there is a 4-line initial "C", in red and blue on a ground outlined in purple and decorated with purple foliage on red cross-hatching; 1-line initials at the beginning of the hymn and the psalm are red; rubrics written in red in the same script as the text; punctuated with the punctus and the comma; hyphenation is in the same ink as the text.
Manuscript fragments on parchment of an Antiphonary by Petrus Ferdinandez of Leon
Description:
In Latin., Script: copied by a single hand in Southern Gothica Textualis Formata with Spanish features. Nota quadrata music notation. Additions of text and music by later hands., Paragraph marks and rubrics in red. Yellow heightening of majuscules. Large plain initials (height: 1 stave + 1 text line). Cadels of the same size., and Text and musical notation on a five-line staff. Large initials in red, brown, and blue. Rubrics and liturgical instructions in red. Additional antiphons with musical notation added in margins in a hand of the 17th-18th century.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ferdinandez, Petrus., Catholic Church, and Cistercians.
Subject (Topic):
Liturgy, Antiphonaries, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on paper of Pedro Lopez de Ayala, Aves de caça.
Description:
In Spanish., Script: Written by a single scribe in a careful italic script., Crude initial and heading (in gold and subdued water colors) on f. i recto and f. 1r; other small initials, 4- to 1-line, in similar colors throughout text. Headings in red; initials of each paragraph in blue or red., Waterstained throughout., and Binding: Seventeenth century. Black goatskin, blind-tooled. Fragments of manuscripts (covered by paper pastedowns) serve as binding reinforcements.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
López de Ayala, Pedro, 1332-1407.
Subject (Topic):
Falconry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Spanish literature
Santillana, Iñigo López de Mendoza, marqués de, 1398-1458
Published / Created:
[between 1550 and 1600]
Call Number:
Beinecke MS 489
Image Count:
3
Resource Type:
unspecified
Abstract:
Manuscript on paper, composed of two segments, formerly separate books. Part I: 1) Letter from Inigo Lopez de Mendoza, Marques de Santillana (1398-1458), to his nephew Pedro de Mendoza, Senor de almacan. Santillana promises to send a copy of his own sonnets, some proverbs, and sayings of the philosophers and of Seneca which Mendoza had requested, and discusses a translation of a letter of Seneca sent to him by Mendoza. 2) Reply of Mendoza to Santillana, about Santillana's Sonnets. Artt. 3-25: sonnets by Santillana. Part II: 26) Pseudo-Seneca, Proverbia, Castilian tr. perhaps by Pedro Diaz de Toledo (d. 1499), Counsellor to Juan II of Castile, Chaplain to the Marques de Santillana, and later first bishop of Malaga. Each proverb is followed by an explanatory text. 27) Dichos de filosofos, in 29 parts, mostly lists: 4 things a king should do, 3 sorts of friends, etc. 28) Tacitus, Annales 14.52-56, in an unidentified Castilian translation
Description:
In Spanish., Watermarks: Part I: similar in design to Briquet Homme 7582. Part II: unidentified Latin cross in elongated, pointed oval., Script: Part I (ff. 1-120): Text written in large size italic with headings in less cursive bookhand. Part II (ff. 121-330): Written in a more compact italic script than Part I, but with similar types of headings., and Binding: 16th-17th centuries. Original sewing on three small, tawed tapes laced into limp vellum case. Small pieces of unidentified Latin manuscript glued in as spine reinforcements. Two tawed thong fastenings. Inscription on spine: "Prouerb. Moral [?]".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Santillana, Iñigo López de Mendoza, marqués de, 1398-1458. and Tacitus, Cornelius.
Subject (Topic):
Literature, Medieval, Manuscripts, Medieval, Philosophy, Medieval, and Spanish poetry
Manuscript on parchment of Carta Ejecutoria, or letter of nobility, issued in the names of Lope Goncalez de Valdes and Pedro Goncalez de Valdes, by the authority of Charles V, Emperor of the Holy Roman Empire, dated 12 September 1550 in Granada. Seal missing
Description:
In Spanish., Script: Written in round gothic by one scribe who added decorative designs in upper and lower margins. Addition on ff. 52v-53v by Don Antonio Larrillo is in a similar hand., The ornamentation of the codex is poorly executed. Folio 1v: miniatures representing the crowning of the Virgin (upper left) and the arms of the Goncalez de Valdes family; f. 2r: miniature of Justice, with scales (lower half of page). Both folios have elaborate decorative borders in gold and colors that are badly rubbed. Folios 4v and 52r have historiated initials with portraits of a seated king (Rey Don Iohan?). Twenty-five small painted initials, 7- to 5-line; gold letters with black pen designs on white-decorated blue and dark red backgrounds., and Binding: Bookblock laid in a contemporary vellum wrapper with an envelope flap.
Subject (Geographic):
Connecticut, New Haven., Spain., and Granada (Spain)
Subject (Name):
Charles V, Holy Roman Emperor, 1500-1558.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Nobility
Manuscript on parchment of a letter of nobility granted to Juan and Hernando Gallego by the authority of King Philip II of Spain, dated Granada, 12 August 1585, 24 December 1585 and 15 January 1586
Description:
In Spanish., Script: Written well above the lines in a bold and round Southern Gothica Textualis Formata with typical Spanish features. The scribe added decorative designs in upper and lower margins., The illumination consists of 7- to 10-line initials on a square background (ff. 2v , 10v, 25r, 27r, 28v) and the following pictures: f. 1v, full-page miniature showing a couple and their five children in adoration for the Virgin in the Sun, in a decorative frame; f. 2r, full-page miniature, showing a victorious king (Philip II) on horseback, with his army in the background, trampling upon a defeated enemy; below is an oval shield containing three rocks and three trees, the whole in a decorative frame; f. 6r (Alonso Perez, witness), 10-line historiated initial with St. Alphonsus; f. 8r (Alonso Martin Garrido, witness), 9-line historiated initial with St. Alphonsus; f. 17r (Hernando Verdugo, witness), 9-line historiated initial with the Holy Spirit as a dove; f. 20v (Francisco de Robles), 9-line historiated initial with St. Francis receiving the stigmata., and Binding: Red velvet over cardboard. The pastedowns are two large engravings, one picturing the Beatitudes, the other the Creed.
Subject (Geographic):
Connecticut, New Haven., and Spain
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Politics and government
Manuscript on paper of Pedro de Medina, Coloquio de cosmographia and Regimiento del altura del sol y del Norte. Addition, in another hand, by a friend of Pedro de Medina and taken from a treatise in Italian on cosmography by a Florentine member of the Compagni family
Description:
In Spanish., Watermark: compare with Briquet 7567, 7578, 7584, 7601, 7602 (?)., Script: Written by one hand in Spanish Gothico-Humanistica. Headings in Capitalis., Majuscules heightened in dark yellow. Flourished initials in liquid gold with red penwork. Diagrams in pen and ink., and Binding: Sixteenth century. Blind-tooled brown leather over cardboard, both covers decorated with frames of rolls and single stamps in the center; two green silk ties.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Medina, Pedro de, 1493?-1567?
Subject (Topic):
Cosmography, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
