A fashionably dressed man holding an egg cup in his left hand, knocks over his breakfast table as he turns away in disgust, upsetting his tea urn and tea set. His dog looks on with concern. The floor is covered in an elaborately decorated rug
Description:
Title from caption below image., Sheet trimmed within plate mark on three edges., and Watermark: J. Whatman Turkey Mill 1825.
Title from text above and below image., Shortshanks is the pseudonym of Robert Seymour., Sheet trimmed within plate mark., Two lines of verse below image, in lower right: I go; I go; look, how I go; Swifter than arrow from the Tartar's bow., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted.
Title from old catalogue card., Date and place of publication supplied by curator., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Foot baths.
Publisher:
publisher not identified
Subject (Topic):
Hell, Christianity, Burns and scalds, Sick persons, Servants, Pitchers, Basins (Containers)., and Tea services
Page 133. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A fashionably dressed lady and gentleman are seated facing each other, a tea-table between them. She wears an enormous 'derrière' and a projecting bosom; a round hat with a huge brim surrounded by a curtain frill of lace, through which her eyes and much-curled hair are visible. He wears a tight-fitting coat with a high collar, large buttons, and projecting shirt-frill. His hair or wig is in a looped queue with large side-curls. He looks at himself in a pocket-mirror with a satisfied air. His cane and round hat are on a chair behind him. The 'antient' dresses are those of the three quarter length portraits on the wall: in the centre are a gentleman and lady standing together in early Georgian dress, each holds a crook, a bird sits on the lady's finger. This is flanked by a lady (left) in quasi-Elizabethan dress, wearing a conical hat, a ruff, and a hooped petticoat in the form of a cylinder; and a man (right) wearing a high hat, cloak, slashed doublet, and breeches, holding a hooded hawk."--British Museum online catalogue
Alternative Title:
Dresses antient and modern
Description:
Title etched below image., Temporary local subject terms: Ladies' costume -- Men's costume -- Pocket mirror -- Pictures that amplify subject., 1 print : etching with stipple on laid paper ; sheet 23.7 x 28 cm., Sheet trimmed to plate mark; mounted to 26 x 32 cm., and Mounted on page 133 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Pubd. May 16, 1786, by G.T. Stubbs, Peters Court, St. Martins Lane
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Mirrors, Tea services, and Chairs
Page 133. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A fashionably dressed lady and gentleman are seated facing each other, a tea-table between them. She wears an enormous 'derrière' and a projecting bosom; a round hat with a huge brim surrounded by a curtain frill of lace, through which her eyes and much-curled hair are visible. He wears a tight-fitting coat with a high collar, large buttons, and projecting shirt-frill. His hair or wig is in a looped queue with large side-curls. He looks at himself in a pocket-mirror with a satisfied air. His cane and round hat are on a chair behind him. The 'antient' dresses are those of the three quarter length portraits on the wall: in the centre are a gentleman and lady standing together in early Georgian dress, each holds a crook, a bird sits on the lady's finger. This is flanked by a lady (left) in quasi-Elizabethan dress, wearing a conical hat, a ruff, and a hooped petticoat in the form of a cylinder; and a man (right) wearing a high hat, cloak, slashed doublet, and breeches, holding a hooded hawk."--British Museum online catalogue
Alternative Title:
Dresses antient and modern
Description:
Title etched below image. and Temporary local subject terms: Ladies' costume -- Men's costume -- Pocket mirror -- Pictures that amplify subject.
Publisher:
Pubd. May 16, 1786, by G.T. Stubbs, Peters Court, St. Martins Lane
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Mirrors, Tea services, and Chairs
"A lady, stout and plain, her knees awkwardly apart, sits behind a small round tea-table filling a cup from a large urn. Seven other ladies sit on her right and left, in a semicircle, on upright chairs, in silent boredom. A child sits by its ugly middle-aged mother on the extreme right. A black servant in livery hands a tray on which are cups, cream-jug, and small (?) rolls. The room is bare except for table, chairs, and a narrow curtained window."--British Museum online catalogue
Description:
Title etched below image., Print attributed to Alphonse Roehn in the British Museum catalogue., Date from British Museum online catalogue., and Sheet trimmed to plate mark on lower edge.
Publisher:
Chez Martinet, Libraire, Rue de Coq St. Honoré
Subject (Topic):
Black people, Children, Eating & drinking, Servants, Tea services, Tea tables (Tables), and Women
Burford, Thomas, approximately 1710-approximately 1779, printmaker
Published / Created:
[between 1752 and 1764]
Call Number:
741.00.00.15+
Image Count:
1
Resource Type:
still image
Abstract:
"A cleric taking tea with a young woman in morning dress, who sits on a sofa pouring the tea for him, while a maid stands on the left holding a piece of lace ready to help dress her mistress; after Lancret; from a set of the four Times of Day."--British Museum online catalogue, description of an earlier state
Description:
Title from item., Later state with altered imprint statement. For an earlier state from 1741 with the publication line "Sold by I. Bowles at the Black Horse in Cornhill, London," see British Museum online catalogue, registration no.: 2010,7081.2718., Date of publication based on publisher's name in imprint; John Bowles partnered with his son Carington Bowles and traded as "John Bowles & Son" from approximately 1752 to 1764. See British Museum online catalogue., Four lines of verse in two columns on either side of title: This early visit to the beauteous fair ..., and One of four plates in an untitled series on the times of the day.
Publisher:
Sold by I. Bowles & Son at the Black Horse in Cornhil [sic]
Two ladies and two gentlemen play at cards in a richly furnished room while another lady and a gentleman look on. In the background on the left a serving maid prepares tea with the help of a black boy in livery
Description:
Title from item., Sheet trimmed within plate mark resulting in loss of imprint., Publisher inferred from another print in the series: The king and miller of Mansfied., One of a series of engravings made from the paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743., and Temporary local subject terms: Furniture: card table -- Furnishing: carpet -- Domestic service: serving maid -- Black child -- Card playing: quadrille -- Reference to Vauxhall Gardens.
Publisher:
Robert Sayer
Subject (Topic):
Interiors, Card games, Tea tables (Tables), Floor coverings, Tea services, Servants, and Women domestics
A woman sits with her hand to her head with a rueful look on her face, a tea setting on the table before her. Behind her to the left, her husband sits slumped in his chair, eyes closed
Description:
Title etched below image., Four lines of verse below title: "An evening téte a téte you next shall see," "No friendly chat succeeds departed Tea," Blue burn the Candles & the Nymph looks blue," "And ruminsation serves them but to rue.", Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A companion print to British Museum Satires No. 9804. An ugly and elderly woman (the old maid of caricature) stands vomiting into a bucket which stands on a stool. She wears night-cap, stays, and petticoat. A kettle boils on the fire (right). A cat prepares to imitate its mistress. The setting is the corner of a neat, bare sitting-room."--British Museum online catalogue
Description:
Title from item., Sheet mostly trimmed to plate mark., Temporary local subject terms: Sitting room -- Women: old maids -- Medicine - Furniture: tea table -- Containers -- Pets., and 1 print : etching on laid paper, hand-colored ; plate mark 312 x 220 mm.
