"Satire on the government as a pack of performing dogs under the whip of John Bull presenting their homage to the Queen enthroned."--British Museum online catalogue
Alternative Title:
Degraded honoured and the honoured degraded, Black dogs under g-v-t well dressed and turned out, and Black dogs under government well dressed and turned out
Description:
Title etched below image., Date from manuscript annotation in lower right corner of sheet., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 39 x 58 cm., Mounted on leaf 23 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," "Wellington," "Liverpool," "Londondery [sic]," "Eldon," and "Sidmouth" identified in ink below image; date "Nov. 1820" written in lower right corner.
Publisher:
Published by W. Benbow, corner of St. Clement's Church Yard, Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
John Bull (Symbolic character), Politicians, Dogs, Demons, Bags, Thrones, Whips, Trained animals, Telescopes, Medical equipment & supplies, and Columns
"Satire on the Duke of Newcastle and Lord Barrington suggesting that their conduct of the war is influenced by, respectively, corruption and incompetence, with reference here to the disgrace of General Fowke and Admiral Byng."--British Museum online catalogue
Alternative Title:
Discard
Description:
Title engraved above image., Publication date from British Museum catalogue., Sheet trimmed to plate mark., Four columns of verse below image: I've heard of times (pray God defend us, we're not so good but he may mend us) ..., Temporary local subject terms: Naval uniforms: officers' uniforms -- Literature: Shakespeare., and Watermark: Strasburg lily with initials LVG below.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Anson, George Anson, Baron, 1697-1762, Barrington, William Wildman Barrington, Viscount, 1717-1793, Byng, John, 1704-1757, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Subject (Topic):
Britannia (Symbolic character), Military uniforms, British, Thrones, and Eagles
"Pitt stands in front of the throne to which he points with a hand holding a number of threads attached to the noses of his supporters, who advance through a doorway, the foremost kneeling or prostrating themselves. Across his forehead is a placard inscribed 'Interest'; he says, "Approach & Salute the Broad Bottom of Royalty!!" He holds a large flag inscribed 'Standard of venality' on which are a large earl's coronet indicating Lonsdale (see British Museum Satires No. 6579), two duke's coronets, a mitre, a baron's and a viscount's coronet, and three money-bags, each inscribed 'Cole' (cf. British Museum Satires No. 6213), followed by the words 'to be Given Away'. On the ground at Pitt's feet are the words, 'Road to Preferment'. The king kneels on the throne exposing his 'broad bottom' to the Pittites; it is irradiated and to it are attached a pair of small wings; it is further adorned with Garter star and ribbon inscribed 'Honi Soit qui mal...'. He bends forward, his body in a horizontal position, so that his head and shoulders are hidden by a curtain (left) inscribed 'Secret Influence Drying Clouts! Nursing Making toast [cf. British Museum Satires No. 7923] Rocking the Cradle, &c. &c. &c.' The crowd of Pittites advances through a doorway surmounted by a large royal crown flanked by a birch-rod and a sword. Across the doorway is inscribed 'Hall of Prerogative 1784', and over the heads of the members, 'Majority of ye New P------T We are your Devoted Slaves'. Their heads are crudely drawn and few can be identified: a man in the forefront in tartan is evidently Dundas. A man full-face in the centre of the crowd who is inscribed 'Rat Catcher' and has a rat on his forehead is John (or Jack) Robinson, see British Museum Satires No. 6427, &c. Thurlow in wig and gown kneels in profile to the left, and a man on the extreme right resembles Barré. A parson in the foreground is probably Mason, cf. British Museum Satires No. 6485."--British Museum online catalogue
Alternative Title:
First levee of the new Parliament
Description:
Title from item., Temporary local subject terms: Parliamentary levees -- Secret influence -- Members of Parliament as slaves -- Royal prerogative -- Homage -- 'Broad Bottom'., Watermark in center of sheet: J Whatman., and Mounted to 29 x 46 cm.
Publisher:
Pubd. as the act directs, May 29, 1784, by T. Hardy, Strand
Subject (Name):
George III, King of Great Britain, 1738-1820, Lonsdale, James Lowther, Earl of, 1736-1802, Melville, Henry Dundas, Viscount, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Robinson, John, 1727-1802, Barré, Isaac, 1726-1802, and Mason, William, 1725-1797
Subject (Topic):
Thrones, Buttocks, Legislators, Kneeling, Crowns, Flags, and Bribery
George III, shown as a lion holding a sceptre and seated under a canopy, receives a deputation of ganders led by a fox (Charles Fox) and a muzzled bear (Lord North). The first of the ganders reads a petition requesting the dismissal of the elephant (William Pitt) who stands to the lion's left. On the right side of the throne, a bull (John Bull) with its head lowered, appears ready to attack the deputation. The text of "The ganders address" is etched below the image, together with the text of "The lion's answer" in which the King rejects the petition
Description:
Title from item., Publication date from British Museum catalogue., The text of "The ganders address" has the same manuscript corrections as listed in George., and Mounted to 45 x 32 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820., Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., and Pitt, William, 1759-1806.
Subject (Topic):
John Bull (Symbolic character), Petitions, Bears, Elephants, Foxes, Geese, and Thrones
"The Duke of York leads his bride to the King and Queen, who are seated side by side on the throne (right), much caricatured, making gestures of eager greed. The King looks through a glass, the Queen holds out her apron to catch the coins which the Duchess holds in her apron. Behind the pair on the extreme left walks a gigantic Prussian soldier with extravagantly long moustaches, carrying a large money-bag under each arm, inscribed '£100000' and '£100 ...'"--British Museum online catalogue
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., With Horace Walpole's manuscript annotations: Duchess of York / Duke of York / Queen / King., and Mounted to 28 x 38 cm.
Publisher:
Pubd. Novr. 22d, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820
Subject (Topic):
Avarice, Coins, Dowry, Military uniforms, Prussian, Reception rooms, Royal weddings, Skull & crossbones, Telescopes, and Thrones
"The Duke of York leads his bride to the King and Queen, who are seated side by side on the throne (right), much caricatured, making gestures of eager greed. The King looks through a glass, the Queen holds out her apron to catch the coins which the Duchess holds in her apron. Behind the pair on the extreme left walks a gigantic Prussian soldier with extravagantly long moustaches, carrying a large money-bag under each arm, inscribed '£100000' and '£100 ...'"--British Museum online catalogue
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., 1 print : etching plate mark 25 x 35.2 cm., on sheet 26 x 36 cm., and On wove paper, hand-colored.
Publisher:
Pubd. Novr. 22d, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820
Subject (Topic):
Avarice, Coins, Dowry, Military uniforms, Prussian, Reception rooms, Royal weddings, Skull & crossbones, Telescopes, and Thrones
"George IV sits on the throne, surrounded by kneeling women; he takes the hand of Lady Conyngham, who proffers their address: "Loyal Address of the Married Ladies." She says: "We the humble and Loyal Married Ladies feel ourselves bound in due veneration to your most sacred person to present to you our sincere thanks for the many tokens of Love we the Loyal Married Ladies have laid under and we humbly acknowledge the favours our Husbands as [sic] experienced through the medium of us the Loyal Married Ladies!!!--" Behind her, a second lady, resembling Lady Hertford, looks startled. With them is a third, perhaps Mrs. Quentin. Behind the throne, which he clasps, stands Hertford (or Conyngham, cf. British Museum Satires No. 13847) holding a staff topped by antlers; he gapes at the speaker, saying, "I never heard a speech from a Lady so Cunning--." The King adds "Hum!" On his right stands Bloomfield, looking slyly sideways at his master. Both wear frilled muslin boudoir-caps. There is no dais, and on the right two grovelling women kiss, one the King's left foot, the other his thigh. A third kneels beside them. On the left is a black woman, who says: "God bless Massa he kiss his black servant in the kitchen at Brighton [see British Museum Satires No. 13208, &c.], my good Massa, make no distinction, Black or White, Massa Love'm all." On the extreme left is the profile of a noseless prostitute. On the King's throne is half a (bisected) crown, emblem of the repudiation of Queen Caroline, see British Museum Satires No. 13826."--British Museum online catalogue
Alternative Title:
Loyal married ladies address to the King
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Two lines of quoted text following title: "Which both by Art and Nature made is, "The sport of sense, the toy of ladies. Royal Fable., Watermark, mostly trimmed: 1819[?]., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 82 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Typed extract of thirteen lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by J.L. Marks, 28 Fetter Lane, Fleet Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Quentin, Georgina, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822, and Bloomfield, Benjamin Bloomfield, Baron, 1768-1846
Subject (Topic):
Adultery, Mistresses, Thrones, Women, Kneeling, Kissing, Antlers, Prostitutes, and Crowns
"Catherine II places in its niche the bust of Fox which is being hauled into position by a rope over a pulley held by a Russian bear, who crouches (right) beside the steps on which the Empress stands. She is in back view, very stout, wearing ermine-trimmed robes with a laurel wreath in place of the usual crown. On each side of the bust is a larger alcove for whole length statues of 'ΔΕΜΟΣΘΕΝΗΣ' and 'M.T. CICERO'. These statues are stepping down from their niches, looking apprehensively at Fox. Their eyes have the blankness of sculpture, but their faces express indignant alarm. Cicero holds a scroll: 'In Cata[linam]'. Fox's head is that of life rather than of sculpture. Above it is an oval picture or bas-relief inscribed 'Regulus'; a number of men are imprisoning a victim in a large cask lined with spikes. Demosthenes (left) steps down from his niche on to one of two large packing-cases inscribed 'Houghton Collection For The Emp[ress of] Russia' and 'Hough . . .' (Catherine having bought pictures from the collection of Sir Robert Walpole). Beside them stands a bust of Paul Jones, wearing a cocked hat and looking up at Fox with a sinister glare. Cicero steps down on to the arm of the Imperial throne, which is formed by the neck of a vulture; the legs of the throne are those of a bird of prey. On its seat lies a scroll inscribed: 'Memorial Ambassador extraordinary Sheweth That your Memorialists are attached to your Majesty and have opposed the Armament, divided against the Minister [ ? leaving him in a] small Majority, rai[led] against the Balance [of] Power, chalked up [on] the Walls in capital [letters] No Russian War.' (The right edge of the document is cut off by the margin of the design, leaving some of the words to be supplied by the reader.) Under the chair lies a dog. The vulture's claw which forms a leg of the throne is planted on a large map across the word 'Oczak[ow]'; 'The Bog', 'The Neister', and 'Black Sea' are also shown. The Russian bear is crouching on this map."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Symbols: Russian bear -- Birds -- Furnishings: Throne with vulture's heads and legs -- Statues -- Busts -- Maps: Russia's expansions westward -- Pictures amplifying subject: Regulus tortured by Carthaginians -- Art collections: allusion to Catherine II's purchase of Sir Robert Walpole's collection., and Mounted on page 73.
Publisher:
Published 15th March 1792 by Thos. Cornell, Bruton Street
Subject (Name):
Fox, Charles James, 1749-1806, Catherine II, Empress of Russia, 1729-1796, Jones, John Paul, 1747-1792, Cicero, Marcus Tullius., Regulus, Marcus Atilius, -250 B.C.?, and Demosthenes.
Subject (Topic):
Bears, Vultures, Thrones, Sculpture, Pulleys, and Maps
"Catherine II places in its niche the bust of Fox which is being hauled into position by a rope over a pulley held by a Russian bear, who crouches (right) beside the steps on which the Empress stands. She is in back view, very stout, wearing ermine-trimmed robes with a laurel wreath in place of the usual crown. On each side of the bust is a larger alcove for whole length statues of 'ΔΕΜΟΣΘΕΝΗΣ' and 'M.T. CICERO'. These statues are stepping down from their niches, looking apprehensively at Fox. Their eyes have the blankness of sculpture, but their faces express indignant alarm. Cicero holds a scroll: 'In Cata[linam]'. Fox's head is that of life rather than of sculpture. Above it is an oval picture or bas-relief inscribed 'Regulus'; a number of men are imprisoning a victim in a large cask lined with spikes. Demosthenes (left) steps down from his niche on to one of two large packing-cases inscribed 'Houghton Collection For The Emp[ress of] Russia' and 'Hough . . .' (Catherine having bought pictures from the collection of Sir Robert Walpole). Beside them stands a bust of Paul Jones, wearing a cocked hat and looking up at Fox with a sinister glare. Cicero steps down on to the arm of the Imperial throne, which is formed by the neck of a vulture; the legs of the throne are those of a bird of prey. On its seat lies a scroll inscribed: 'Memorial Ambassador extraordinary Sheweth That your Memorialists are attached to your Majesty and have opposed the Armament, divided against the Minister [ ? leaving him in a] small Majority, rai[led] against the Balance [of] Power, chalked up [on] the Walls in capital [letters] No Russian War.' (The right edge of the document is cut off by the margin of the design, leaving some of the words to be supplied by the reader.) Under the chair lies a dog. The vulture's claw which forms a leg of the throne is planted on a large map across the word 'Oczak[ow]'; 'The Bog', 'The Neister', and 'Black Sea' are also shown. The Russian bear is crouching on this map."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Symbols: Russian bear -- Birds -- Furnishings: Throne with vulture's heads and legs -- Statues -- Busts -- Maps: Russia's expansions westward -- Pictures amplifying subject: Regulus tortured by Carthaginians -- Art collections: allusion to Catherine II's purchase of Sir Robert Walpole's collection., 1 print : etching and aquatint on wove paper ; plate mark 38.9 x 27.7 cm, on sheet 40.2 x 28.8 cm., and Mounted on leaf 53 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 15th March 1792 by Thos. Cornell, Bruton Street
Subject (Name):
Fox, Charles James, 1749-1806, Catherine II, Empress of Russia, 1729-1796, Jones, John Paul, 1747-1792, Cicero, Marcus Tullius., Regulus, Marcus Atilius, -250 B.C.?, and Demosthenes.
Subject (Topic):
Bears, Vultures, Thrones, Sculpture, Pulleys, and Maps
"Catherine II places in its niche the bust of Fox which is being hauled into position by a rope over a pulley held by a Russian bear, who crouches (right) beside the steps on which the Empress stands. She is in back view, very stout, wearing ermine-trimmed robes with a laurel wreath in place of the usual crown. On each side of the bust is a larger alcove for whole length statues of 'ΔΕΜΟΣΘΕΝΗΣ' and 'M.T. CICERO'. These statues are stepping down from their niches, looking apprehensively at Fox. Their eyes have the blankness of sculpture, but their faces express indignant alarm. Cicero holds a scroll: 'In Cata[linam]'. Fox's head is that of life rather than of sculpture. Above it is an oval picture or bas-relief inscribed 'Regulus'; a number of men are imprisoning a victim in a large cask lined with spikes. Demosthenes (left) steps down from his niche on to one of two large packing-cases inscribed 'Houghton Collection For The Emp[ress of] Russia' and 'Hough . . .' (Catherine having bought pictures from the collection of Sir Robert Walpole). Beside them stands a bust of Paul Jones, wearing a cocked hat and looking up at Fox with a sinister glare. Cicero steps down on to the arm of the Imperial throne, which is formed by the neck of a vulture; the legs of the throne are those of a bird of prey. On its seat lies a scroll inscribed: 'Memorial Ambassador extraordinary Sheweth That your Memorialists are attached to your Majesty and have opposed the Armament, divided against the Minister [ ? leaving him in a] small Majority, rai[led] against the Balance [of] Power, chalked up [on] the Walls in capital [letters] No Russian War.' (The right edge of the document is cut off by the margin of the design, leaving some of the words to be supplied by the reader.) Under the chair lies a dog. The vulture's claw which forms a leg of the throne is planted on a large map across the word 'Oczak[ow]'; 'The Bog', 'The Neister', and 'Black Sea' are also shown. The Russian bear is crouching on this map."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Symbols: Russian bear -- Birds -- Furnishings: Throne with vulture's heads and legs -- Statues -- Busts -- Maps: Russia's expansions westward -- Pictures amplifying subject: Regulus tortured by Carthaginians -- Art collections: allusion to Catherine II's purchase of Sir Robert Walpole's collection., and Mounted.
Publisher:
Published 15th March 1792 by Thos. Cornell, Bruton Street
Subject (Name):
Fox, Charles James, 1749-1806, Catherine II, Empress of Russia, 1729-1796, Jones, John Paul, 1747-1792, Cicero, Marcus Tullius., Regulus, Marcus Atilius, -250 B.C.?, and Demosthenes.
Subject (Topic):
Bears, Vultures, Thrones, Sculpture, Pulleys, and Maps
