The collection consists of a set of five bronze portrait plaques issued by the Grolier Club between 1892 and 1911 to commemorate American authors. The authors include: Nathaniel Hawthorne (1892, modeled by Désiré Ringel d'Illzach, 17.2 cm. in diameter, issued in an edition of 173 copies in bronze and 3 in silvered bronze); James Russell Lowell (1896, modeled by Charles Calverley, 17.5 cm. in diameter, issued in an edition of 372 copies in bronze and 3 in silvered bronze); Edgar Allan Poe (1909, modeled by Edith Woodman Burroughs, 18 cm. in diameter, issued in an edition of 277 in bronze and 3 in silver); Ralph Waldo Emerson (1909, modeled by Victor D. Brenner, 18.5 cm. in diameter, issued in an edition of 300 copies in bronze and 3 in silver); and Henry Wadsworth Longfellow (1911, modeled by John F. Flanagan, 19 x 14.5 cm., issued in an edition of 300 copies in bronze and 3 in silver). There are two copies each of the Emerson and Longfellow plaques, and one copy each of the Hawthorne, Lowell, and Poe plaques
Description:
The Grolier Club was founded in New York on January 23, 1884, by Robert Hoe and eight other bibliophiles to foster the study, collecting, and appreciation of books and works on paper, and their art, history, production, and commerce., Title supplied by cataloger., and Captions in English.
Subject (Name):
Brenner, Victor D. 1871-1924. (Victor David),, Burroughs, Edith Woodman, 1871-1916., Calverley, Charles, 1833-1914., Emerson, Ralph Waldo, 1803-1882, Flanagan, John F., 1865-1952., Hawthorne, Nathaniel, 1804-1864, Longfellow, Henry Wadsworth, 1807-1882, Lowell, James Russell, 1819-1891, Poe, Edgar Allan, 1809-1849, Ringel d'Illzach, Jean Désiré, 1847-1916., and Grolier Club.
Collection of correspondence, writings, and other papers growing out of Shawn's collaboration with Brooks on a collection of essays, Lulu in Hollywood (New York: Alfred A. Knopf, 1982), about her life as a film actress. Correspondence features a large production file of approximately 130 letters between Brooks, Shawn, and others, including Brooks's agent Robert Lantz, Robert Gottlieb and others at Knopf, and Jean-Pierre Sicre. There are typescript drafts (or clean copies) of over a dozen essays by Brooks, originally published from the mid 1950s through late 1970s, and copies of writings by others. Brooks appears to have submitted the essays to Shawn; several essays also have corrections by Shawn. Other papers include clippings, consisting chiefly of reviews of Lulu, material relating to production of the book, a photograph of the book cover, and printed ephemera
Description:
Louise Brooks (1906-1985), American dancer, actress, and author., William Shawn, editor of The New Yorker (1952-1987)., and Chiefly in English; some material in German.
Subject (Geographic):
California, Los Angeles., and Hollywood (Los Angeles, Calif.)
Subject (Name):
Brooks, Louise, 1906-1985., Gottlieb, Robert, 1931-2023., Lantz, Robert., Shawn, William., and Sicre, J. P. (Jean-Pierre)
Subject (Topic):
American literature, Authors, American, Motion picture industry, Motion picture actors and actresses, and Social life and customs
Autograph manuscript, signed by Clarise Merino, in which Merino defines the goals of Americanization and cultural assimilation of immigrants in the United States. Merino proposes several methods for American women to befriend and mentor immigrant women, who, in Merino's opinion, struggled to learn English and fully assimilate because they rarely socialized outside their homes and immediate families. Merino suggests several methods for "home teachers" to teach immigrant women basic English vocabulary, including visting them in their homes, establishing mothers' clubs, providing health and hygiene advice, and taking an interest in the cultures and customs of the immigrant women
Description:
Clarise Merino (1905- ) was a teacher born in Arizona., In English., and Title from cover.
Subject (Geographic):
United States, United States., and West (U.S.)
Subject (Name):
Merino, Clarise, 1905-
Subject (Topic):
English language, Study and teaching, Foreign speakers, Immigrants, Cultural assimilation, Education, Teachers, Women, and Women immigrants
The collection consists of three drawings by Greville Rickard: "Sherry-Netherland Fire" (circa 1927, crayon on paper mounted on board, 51 x 34.5 cm.), "Residence of Dr. Charles V. Paterno, Greenwich, Conn." (circa 1937, ink on card, 56 x 32 cm.), and an aerial view of Paul Martinot house, Mt. Harmony Road, Bernardsville, New Jersey (circa 1946, crayon, ink, and watercolor on paper). The drawings were signed by Rickard
Description:
Greville Rickard was born in Denver, Colorado, on December 8, 1889, the son of Stephen Rickard. He received a BS degree from Sheffield Scientific School at Yale University in 1912, and studied afterward at the Yale School of Architecture. Rickard practiced architecture in Colorado and, from 1923, in New York. He died in El Paso, Texas, on May 3, 1956., The fire at the Sherry-Netherland, a hotel-apartment building at 781 Fifth Avenue in New York, occurred in April 1927 while the building was under construction. The residence on the Paterno estate, "Round Hill," on John Street in Greenwich, was completed in 1940., Title devised by cataloger., and Captions in English.
Subject (Geographic):
United States.
Subject (Name):
Paterno, Charles, 1878-1946, Martinot, Paul, and Rickard, Greville, 1889-1956.
Robertson, Harold L. (Harold Lloyd), 1918-2012, compiler
Published / Created:
[circa 1920s-1960s]
Call Number:
JWJ MSS 351
Image Count:
168
Resource Type:
still image
Abstract:
Photograph album compiled by Harold L. Robertson, containing over 1000 photographs, circa 1920s-1960s, most undated, many with manuscript annotations on versos. Most photographs are black and white, with a few color images, 1940s-1960s. Photographs are of Robertson; his family, friends, and military colleagues; and images made by Robertson and others documenting his experiences in the United States Army. Family photographs include portraits and informal images relating to his childhood in New York City, 1920s-1930s; Vicki Robertson and their children, many made in Harlem, New York City, 1930s-1960s; and Helena Jaroslawzewa Robertson, their wedding, and her family, in Germany, 1950s. Photographs from Robertson's military career include images of military operations and informal images of soldiers, most in the 10th Cavalry Regiment at Fort Riley Kansas, 1930s, including cavalry drill, and the 547th Engineer Combat Battalion in Darmstadt, Germany, 1950s, including bridge building and other military construction. Other photographs date from military service in Italy and Germany during World War II and postwar administrative work in Washington, D. C. Also present are photographs and documents relating to a German shepherd dog trained by Robertson in Germany, 1950s
Description:
Harold L. Robertson (1918-2012), was born in New York City and served in the United States Army, 1930s-1950s. In the 1930s Robertston enlisted in the 10th Cavalry Regiment, a segregated unit of African Americans known as Buffalo Soldiers, and he was later reassigned to the 547th Engineer Combat Battalion, which was desegregated in 1953. During the 1940s-1950s, Robertson was stationed in Germany, where he trained as a noncommissioned officer and was promoted to Master Sargeant. Robertson married Vicki Robertson, circa 1930; she lived in New York City with their children, Harold L. Robertson, Jr. (1942-), Terry Roberson (circa 1945-), and Ronald Robertson (1947-). Robertson married Helena Jaroslawzewa Robertson, a German, in 1960. They lived in Germany and later in Teaneck, New Jersey, where Robertson died in 2012., Annotations in English., Title devised by cataloger., Date of creation supplied by cataloger., Original album disbound for conservation, and album cover discarded. Accompanied by printed images of album pages, showing original arrangement of photographs., and Box 1: printed images of album pages, showing original arrangement of photographs; photographs from pages [3-55]; Box 2: photographs from pages [56-99]; Box 3: photographs from pages [100-145]; Box 4: photographs from pages [146-161].
Subject (Geographic):
Germany., Germany, United States, United States., Italy, Darmstadt (Germany), Harlem (New York, N.Y.), Kansas, New York (N.Y.), and Washington (D.C.)
Subject (Name):
Robertson, Harold L. 1918-2012. (Harold Lloyd),, Robertson, Harold L. 1918-2012 (Harold Lloyd),, Robertson, Harold L. 1942- (Harold Lloyd),, Robertson, Helena Jaroslawzewa, Robertson, Ronald, 1947-, Robertson, Terry, approximately 1945-, Robertson, Vicki, active approximately 1930-1950, United States. Army, United States. Army. Cavalry Regiment, 10th (1866-1950), and United States. Army. Engineer Combat Battalion, 547th
Subject (Topic):
African American officers, African American troops, African American soldiers, Military construction operations, Photographers, African American photographers, African Americans, Segregation, Armed Forces, Non-commissioned officers, German shepherd dog, Training, Interracial marrige, Military bases, Military bridges, Design and construction, Photography, Military, World War, 1939-1945, and History
The collection consists of seven portrait drawings of noted African Americans and Haitians by the artist Amy Einstein Spingarn. The sitters include scientist George Washington Carver (1935) and authors Langston Hughes (1930), Zora Neale Hurston (circa 1935), James Weldon Johnson (undated), René Piquion (undated), George S. Schuyler (1933), and Philippe Thoby-Marcelin (undated). The portrait of Carver is pastel on paper; the others are charcoal and graphite on paper. Each portrait is identified by the artist's inscriptions and signature
Description:
Amy Einstein Spingarn was born in New York on January 29, 1883, the daughter of American businessman and manufacturer David L. Einstein (1839-1909) and Caroline Fatman Einstein (1852-1910). In 1905 she married Joel Elias Spingarn (1875-1939), a Columbia University literature professor and a founder of the National Association for the Advancement of Colored People (NAACP). In addition to being an artist herself, Amy Einstein Spingarn was a patron of the Harlem Renaissance and supported the work of many black artists and writers; she also served on the board of directors of the NAACP for nearly forty years. Spingarn died at her home, Troutbeck, in Amenia, New York, on June 25, 1980., Title devised by cataloger., and Captions in English.
Subject (Geographic):
United States.
Subject (Name):
Carver, George Washington, 1864?-1943, Hughes, Langston, 1902-1967, Hurston, Zora Neale, Johnson, James Weldon, 1871-1938, Piquion, René, Schuyler, George S. 1895-1977 (George Samuel),, Spingarn, Amy Einstein, 1883-1980., and Thoby-Marcelin, Philippe, 1904-1975
A portrait of the American academic and editor Norman Holmes Pearson by Deane Keller. The painting is oil on canvas, and is signed at the upper right: "Deane / Keller / 1976." Included in the portrait (hanging on the wall behind Pearson) is a painting titled "Arabella!" by D. H. Lawrence, which was in Pearson's personal collection of art works created by authors; the collection, called by him "Art for the Wrong Reason," is now at Beinecke Rare Book and Manuscript Library along with Pearson's papers
Description:
Deane Keller (1901-1992), American artist, academic, soldier, and preservationist. He earned a BA from Yale University in 1923 and a BFA from the Yale School of Fine Arts in 1926. Keller taught for forty years at the Yale School of Fine Arts, and during World War II was an officer with the Allied Forces's Monuments, Fine Arts and Archives Section., Norman Holmes Pearson (1909-1975, Yale 1932, 1941 PhD), professor of English and American Studies at Yale University and officer in the United States Office of Strategic Services during World War II. Pearson collaborated with Yale University Library curator Donald Gallup to develop the Yale Collection of American Literature, playing an instrumental role in the library's acquisition of the papers of H. D. and Bryher., and Title devised by cataloger.
Subject (Geographic):
United States.
Subject (Name):
Keller, Deane, 1901-1992., Lawrence, D. H. 1885-1930. (David Herbert),, and Pearson, Norman Holmes, 1909-1975
Two undated crayon drawings by Don Freeman of African American artist Beauford Delaney. Each is signed "DF" at lower right and mounted on a sheet of blue paper. One drawing portrays Delaney seated at a table with a coffee cup and pot; the other is a bust-length portrait
Description:
Don Freeman (1908-1978), New York illustrator., Beauford Delaney (1901-1979), New York artist., and Title devised by cataloger.
Subject (Geographic):
United States.
Subject (Name):
Delaney, Beauford, 1901-1979 and Freeman, Don, 1908-1978.
Subject (Topic):
African American artists, Artists, and Illustrators