A miniature of the Lady Anne Clifford. Formerly hung in the Tribune [Cabinet] at Strawberry Hill
Alternative Title:
Lady Anne Clifford
Description:
Title devised by curator., Inscribed on verso by Horace Walpole: Lady Anne Clifford., Signed by the artist with monogram in lower left., Rectangular blackened pearwood frame., and Text from the 1842 Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole: A miniature of the Lady Anne Clifford, daughter and heiress to George Earl of Cumberland, first married to Richard Earl of Dorset, and afterwards to Philip Earl of Pembroke and Montgomery. She was governess to King Charles the First's children, and wrote the memoirs of her own life, a clever picture, by Dixon. Purchased from the collection of Lady Isabella Scott, daughter to the Duchess of Monmouth.
Half-length portrait of Mary Churchill seated at a table before a plain dark backdrop. Her proper right arm and hand support her head. Her other arm rests on open book of music lying before her. She is dressed in blue and wears a transparent veil with gold ornament. On her bodice she wears an elaborate brooch with pearls and gemstones. Her identity is inscribed as Lady Mary Churchill at the upper left corner and From the 1774 edition of Horace Walpole's Description of the villa of Mr. Horace Walpole, at Strawberry Hill: Lady Maria Walpole, only child of Sir Robert Walpole and Maria Skerret, and wife of Charles Churchill, only son of general Churchill; in a veil, with a music-book before her: by Eckardt. Formerly hung in the Refectory [Great Parlour] at Strawberry Hill
Alternative Title:
Lady Maria Walpole and Lady Mary Churchill
Description:
Title and artist from 2005 Christie's appraisal., Inscription in unknown hand, in top left corner: Lady Mary Churchill., and Text from the 1842 Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole: A ditto [half length Portrait] of Lady Maria Walpole, only child of Sir Robert and Maria Skerret, and wife of Charles Churchill, only son of General Churchill. Eckardt. She is represented in a veil, with a music book before her, a very charming picture.
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the characters Manfred and Isabella shown full-length, standing on either side of the painting that is coming to life on the wall behind them. Both characters have startled looks on their faces and are drawing back in fear; the figure of Manfred's grandfather between them is stepping out of the frame, his right arm extended towards Manfred and his head also turned in that direction. Arched windows are seen in the background on the left
Description:
Title devised by curator., Signed by the artist in lower right corner., Date of production based on artist's death date., Page reference written in ink below lower right corner of image: P. 23., and Bound in opposite page 23 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
"Portrait of Margaret Lemon, half length, turned to the right, but looking towards the viewer, wearing a pearl necklace and dress, with flowers in her hair; in an octagonal frame."--British Museum online catalogue
Description:
Title devised by cataloger., Place of publication based on printmaker's country of residence., Date range for publication from the British Museum online catalogue, registration no.: 1985,0504.143., Sheet trimmed within plate mark., Mounted on page 123 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., and Sitter's name added by Horace Walpole in pencil at bottom of sheet: Mrs. Lemon.
Title from curator., Inscribed on verso with notes in Horace Walpole's hand: This portrait of Miss Mary Latham of [illegible] in Kent was drawn about the year 1750 by the celebrated James Ferguson of whom[?] see an account in the 3 vol. of Lysons's invitational of London., Oval blackened pearwood frame, cracked., and Text from the 1842 Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole: [None?].
Literam Libri Manuscripti initialem pulcherrimé ...
Description:
Title devised by cataloger., Date of publication based on printmaker's death date., Text below image: Literam Libri Manuscripti initialem pulcherrimé depictam et Authoris Icona hoc modo exhibentem., Sheet trimmed to plate mark., and Annotated by Horace Walpole in ink on verso: Trivet.
"Portrait of Richard Smalbroke, half-length, slightly turned to the left, dressed in a fur-lined cloak over his waistcoat and a matching fur-lined hat on his head, a jewelled brooch at his neck."--British Museum online catalogue, description of a variant state
Description:
Title devised by cataloger., Artist from description of variant state in the British Museum online catalogue, registration no.: 1943,0410.2486., Sheet trimmed to plate mark., and Annotated by Horace Walpole in ink at bottom of sheet: Dr. Richard Smalbroke L.L.D., Chancellor of Litchfield 1756.
A half-length portrait of Sir Edward Walpole dressed in a blue coat and waistcoat with a red sash. He wears on his breast the insignia of the Order of the Garter
A small scale, full-length portrait in landscape format. Husband and wife gather around an ornate table in an architecturally setting with columns and empty niches that is open to the exterior grounds of the country estate. Sir Robert Walpole in ceremonial robes sits at left. The Chancellors seal and the busts of King George I and King George II signifiy Walpole’s role as first Minister to them. Lady Walpole stands at the opposite end of the table where flowers, shells, a palette and pencils mark her love of the arts. Their hounds in the left foreground are painted by the sporting artist John Wooton who may also have painted the view of Walpole’s Norfolk estate, Houghton, in the distance. The posthumous portraits are based on lifetime miniatures by Zincke
Alternative Title:
Double portrait of Sir Robert Walpole, 1st Earl of Orford (1776-1745) and Lady Walpole (circa 1682-1737)
Description:
Title devised by curator., Title from 2005 Christie's appraisal: Double portrait of Sir Robert Walpole, 1st Earl of Orford (1776-1745) and Lady Walpole (circa 1682-1737)., From the 1774 Description: ... over the chimneypiece ... In a frame of black and gold carved by Gibbons, Sir Robert Walpole and Catharine Shorter; small whole lengths; by Eckardt, after Zinck: the hounds and view of Houghton by Wootton. Sir Robert is sitting; by him, on a table, is the purse of chancellor of the exchequer, leaning against busts of George 1st. and 2d. to denote his being first minister to those kings: by lady Walpole are flowers, shells, a pallet and pencils, to mark her love of the arts. Formerly located in the Blue Bedchamber at Strawberry Hill., In an ornate black and gold frame deeply carved with fruit and flowers by a follower of Grinling Gibbons. The family coat of arms set at center top. Walpole attributed the frame to Gibbons himself., Text from the 1842 Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole: A very interesting and valuable picture, Portraits of Sir Robert Walpole and Catherine Shorter, Lady Walpole, small whole lengths, the former in his robes sitting, on a table near him is the purse of the Chancellor of the Exchequer leaning against busts of George I. and II., to denote his being First Minister to those kings; near Lady Walpole are flowers, shells, a pallet and pencils to mark her love of the arts; their favourite hounds in the foreground and a view of Houghton in the distance. This painting is from the united efforts of Eckardt and Wootton, and is considered a masterpiece of art; the Portraits of Sir Robert and Lady Walpole are from the miniatures by Zincke, the hounds and view of Houghton by Wootton. The black and gold frame enclosing the picture, one of the finest specimens carving, is by Gibbons, displaying with wonderful effect the arms of the family, enriched with Cupid figures as supporters, birds, fruit, grapes and foliage, most beautifully designed and perfect as a work of art. Eckardt and Wootton., and For further information, see library staff.
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745, and Walpole, Catherine, Lady, 1681 or 1682-1737,
A three-quarter length portrait of Sir William Killigrew. He stands before large columns on the left and a treed landscape on the right. He wears 17th century court attire and Text from both the 1774 and 1784 editions of Description of the villa of Mr. Horace Walpole, at Strawberry Hill: Over the chimney, an original half-length of Milton, aet. 45, in black, a ring tied to one of his button holes
Alternative Title:
Portrait of John Milton
Description:
Title from 2005 Christie's appraisal., Horace Walpole incorrectly, or aspirationally, believed this to be a portrait of John Milton whose name is inscribed on the frame., Unknown creator., Copy after Anthony Van Dyck., and Text from the 1842 Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole: A Portrait of Milton.
Subject (Name):
Strawberry Hill (Twickenham, London, England) and Killigrew, William, Sir, 1606-1695,
