Volume 1, page 26. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Three pedestrians are walking (right to left) into the teeth of a storm. In front is a very stout man with a globular figure, the lower part of his tightly buttoned coat blows backwards. He wears spurred top-boots, and his hands meet across his chest, holding a stick. He resembles caricatures of Captain Grose, see British Museum Satires Nos. 4683, 5511, 5787, 5802. The next man wears a cloak which streams behind him as does his wig; he has a laced coat and hat, with two large keys tied to his wrist. A lean man (right) puts his head down grimacing as he hastens along, his hair, queue, cravat, coat and breeches all blowing in the wind; his hands are clasped in front holding a stick which rests on his shoulder. Farther off, between the two foremost pedestrians, a man on horseback holds his nose, his bag-wig, cravat, and coat-tails blown by the wind. In front of him (left) a short man is crouching in the lee of a bush, his hat and wig have blown off, a paper flutters from his hand. The clouds extending diagonally from the upper right corner of the design indicate driving hail."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., and Mounted on page 26 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd April 19, 1782, by J.R. Smith, No. 83 opposite the Pantheon, Oxford Street
Volume 2, page 78. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Description:
Title from text below image., Sheet trimmed to plate mark., Plate from: Annals of horsemanship ... London : Printed for W. Dickinson ..., 1791., Text below title: In hoc signo vinces., For a brief mention of the illustrations to Annals of horsemanship, see page 446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Mounted on page 78 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd March 25th, 1791, by W. Dickinson, No. 25 Old Bond Street
With half-title., Last page blank., "(Price six-pence)"--Below imprint., One of the "performances" is [Horace Walpole's] Lessons for the day.--cf. pages 13., Lewis Walpole Library 49 1608 18:4: Horace Walpole's title: Letter on the abuse of Scripture terms., and Mottled calf, with Horace Walpole's manuscript list of contents.
Publisher:
Printed for J. Roberts, near the Oxford-Arms in Warwick-Lane
Volume 2, page 55. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A strip design of ten couples in different stages of the minuet, All dance in silence; the expressions of the male dancers denote anxiety, determination, or complacency. All are intended to be ugly, or awkward, or both, but the figures have charm, and even in some cases a certain grace. ... None of the men suggests a parson, most are lean and none corpulent by eighteenth-century standards."--British Museum online catalogue, description of a variant state
Description:
Title etched below image on second and third plates., Variant state, lacking the text "Bos, Fur, Sus, atque Sacerdos" above image on second plate. Cf. No. 7229 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheets trimmed within plate mark., A single design on four plates., Text in Latin below title, etched on second and third plates: Longa Tysonum Minuit Quid Velit et possit rerum concordia discors. Horace., Mounted on page 55 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Sheet annotated by Horace Walpole in ink beneath Latin text: Tyson was Master of the Ceremonies at Bath.
Publisher:
Publish'd June 25th, 1787, by W. Dickinson, engraver, Bond Street
Volume 1, page 36. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A number of men seated round a circular table over the wine manifesting sleepiness or exhaustion in different ways, while an officer in regimentals harangues them on some campaign. He sits over the table, in profile to the right, gesticulating with outstretched arms over a plan drawn on the table-cloth. Two overturned wine-glasses lie in front of him, two empty bottles stand on the table. On the farther side of the table a man stands up, stretching and yawning violently. His neighbour on his right also yawns; the man on his left supports his head on his hands, scowling at the speaker through half-closed eyes. Next him (right) a man in profile to the left holding a wine-glass yawns widely. Two others in profile to the right are asleep in attitudes of extreme weariness. A very fat man, sitting on the left. I turned away from the table, with outstretched legs in top-boots, yawns violently. From the right enters a servant with tousled hair, wearing a striped jersey; he is bringing in a boot-jack and pair of slippers, he too is yawning violently. In the foreground are two dogs."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., and Mounted on page 36 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publishd. April 25, 1782, by J.R. Smith, No. 83 opposite the Pantheon, Oxford Street
Subject (Topic):
Boredom, Dogs, Eating & drinking, Sleeping, Storytelling, and Yawning
Volume 2, page 90. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A friar standing in a landscape, a walking stick in his left hand and his hat down by his side in his right, a sack slung over his shoulder; after a drawing by Henry William Bunbury."--British Museum online catalogue
Description:
Title etched below image., "Second published state, after publication line altered"--British Museum online catalogue, registration no.: 1878,0511.823., Sheet trimmed to plate mark., Text below title: It was one of those heads which Guido has often painted mild, pale, penetrating, free from all common place ideas of fat contented ignorance looking downwards upon the Earth, it look'd forwards, but look'd as if it look'd at something beyond this world. Vide Sterne., Illustration to Laurence Sterne's A sentimental journey through France and Italy., and Mounted on page 90 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published March 8th, 1794, by S.W. Fores, No. 3 Piccadilly
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 3d Jany. 1782.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 14. Etchings by Henry William Bunbury, Esq. and after his designs. Page 97. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"In front of the sign of the (Hapsburg) Spread Eagle on a vertical post, a lady and gentleman stand together in back view, their attitude reflecting that of the bird with its two necks. She stands (left) slightly behind him taking his arm and looking to the left, holding up a closed fan. He bends to the right holding out his hand as if to greet an acquaintance. In the background (right) is the side of a building."--British Museum online catalogue
Description:
Title etched below image; the letter "s" in "spread" is etched backwards., Digit "3" in "3d" and digit "2" in "1782" are etched backwards in publication statement., Sheet trimmed to plate mark., Temporary local subject terms: Emblems: Hapsburg spread eagle., Mounted on page 97 of: Bunbury album., 1 print : etching with drypoint on laid paper, with brown wash ; sheet 25.1 x 16.6 cm., and Imperfect; sheet trimmed within plate mark with loss of publication statement from bottom edge.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 3d Jany. 1782.
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 14. Etchings by Henry William Bunbury, Esq. and after his designs. Page 97. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"In front of the sign of the (Hapsburg) Spread Eagle on a vertical post, a lady and gentleman stand together in back view, their attitude reflecting that of the bird with its two necks. She stands (left) slightly behind him taking his arm and looking to the left, holding up a closed fan. He bends to the right holding out his hand as if to greet an acquaintance. In the background (right) is the side of a building."--British Museum online catalogue
Description:
Title etched below image; the letter "s" in "spread" is etched backwards., Digit "3" in "3d" and digit "2" in "1782" are etched backwards in publication statement., Sheet trimmed to plate mark., Temporary local subject terms: Emblems: Hapsburg spread eagle., and Mounted on page 14 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
"Lord Lansdowne sits at a small writing-table, pen in hand, a number of papers before him. Three Jews (left) stand obsequiously on his right, but he turns with his enigmatic smile towards a French post-boy (right), a grotesque dwarfish man with long queue and jack-boots holding his whip and hat, who holds out to him with a cunning smile a paper inscribed: 'My dear Lord Paris 7th Jany 1783 I am happy to hear you have so nearly concluded your Alley Arrangements. The Preliminaries shall be signed coute que coute by the Time you desire, & you may rely on the Courier's arrival on the Eve of the 23d yours truly Billy Paradice [William Eden.]' Under Lansdowne's elbow is a paper inscribed 'Memorandums Pay off the Mortgage on Jesuits Colledge in Berkeley Square - Pay off Solomons any for 500£ pr Annm Inquire what Tayt will take for my Bond for 3000£ given for furniture sold at Christyes'. The foremost Jew holds out to Lansdowne a paper ... On a shelf, inscribed 'Waste Paper', in the upper right corner of the design, are three large bundles of papers: 'Ordnance Estimates', 'State of the National Debt', and 'Civil List'; two piles of documents hang from the shelf. On the wall above Lansdowne's head are two bust portraits: 'John Calvin', wearing a steeple-crowned hat, gown, and bands, and 'Ignatius Loyola', a profile portrait of Burke wearing a Jesuit's biretta as in British Museum Satires No. 6026, &c. 12."--British Museum online catalogue
Description:
Title etched below image., Counterfeit signature; print by Gillray. See British Museum catalogue., Sheet trimmed to within thread margins of plate mark., and Temporary local subject terms: Treaties -- Commerical Treaty with France -- National debt -- Civil list -- Military Ordinance -- Allusion to J. Bond -- Allusion to St. Ignatious Loyola -- Allusion to John Calvin -- French post-boy -- Jesuits -- Allusion to William Eden, 1st Baron Auckland, 1744-1814.
Publisher:
Pubd. March 12th, 1787, by R. Phillips, Southwke., London
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Burke, Edmund, 1729-1797
Subject (Topic):
Jews, Ethnic stereotypes, Tables, Writing materials, Boots, and Whips
Page 164. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Alternative Title:
Noted butcher hollering at the Westminster Election 1782
Description:
Title and statement of responsibility from contemporary annotation in ink on verso. and Mounted on page 164 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
