"Portrait caricature of the murderer Thomas Simmons, a young man in shackles; whole length, standing in prison yard in profile to right, hand in pocket of coat; five prisoners standing, sitting and conversing in front of cells behind; after a drawing by Angelo."--British Museum online catalogue.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Title etched below image., and Two lines of text below title: The horrid and inhuman murderer of Mrs. Hummerstone and Mrs. Warner at the house of Mr. Boreham a Quaker at Hoddesdon in Hertfordshire on Tuesday eveninig, October 20th, 1807.
Three man stand full-length with speech balloons above each figure. On the left, a man in coat, hat, and whip with the title "Dress like a coachman". In the middle a more sturdely built man with a walking stick under his arm -- "Study boxing and bull baiting". On the right, a man also in hat, coat and walking stick -- "Speak the slang language fluently".
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"Napoleon is the London street-seller of gingerbread cakes whose wares and patter made him a long-remembered character. He stands in his bakery vigorously drawing out from the arched aperture of his oven a broad shovel (peel) on which are figures of three kings in royal robes holding orb and sceptre. They are 'Bavaria', 'Wirtembg (very fat), and 'Baden'. The keystone of the arch is inscribed 'New-French Oven for Imperial Gingerbread'. Napoleon, in profile to the right., wears a feathered cocked hat and a white apron over uniform with jack-boots. Behind him is a heap of cannon-balls, with a shovel inscribed 'Fuel'. Under the oven is a second and larger arched opening: 'Ash-hole for broken Gingerbread'. Broken and discarded cakes have been swept into it by a broom: 'Corsican Besom of Destruction', which lies on the ground against a (gingerbread) galleon flying the flag of 'Venice', a crowned skull inscribed 'Spain', a boot inscribed 'Italy', a Papal tiara, a staff and cap of 'Liberty', a figure, face downwards, showing heavy posteriors in bulky breeches inscribed 'Holland'; two fragments, 'Switzerland' and 'Netherlands'; a Habsburg eagle, inscribed 'Austria', the crowns falling from both heads; a tricolour flag, inscribed 'vive le Republique Francois' from whose shaft falls a bonnet rouge. There are also sceptres, a rosary, a coroneted skull, a fleur-de-lis. In the foreground (l.) is a round double-handled basket, from which protrude the heads of men and women puppets wearing crowns or coronets and holding sceptres. It is labelled: 'True Corsican Kinglings for Home Consumption & Exportation'. Beside it lies a cornucopia in the form of a fool's cap edged with bells and inscribed 'Hot Spiced Gingerbread! all hot - come who dips in my luckey bag'. From it pour crowns, coronets, orders, stars, sceptres, a cardinal's hat, three documents with pendent seals inscribed respectively 'Principality', 'Pension', 'Dukedom'. On the extreme right. is a solid chest with three drawers inscribed respectively 'Kings & Queens', 'Crowns & Sceptres', 'Suns & Moons'. On it stand unbaked figures crowded together: 'Little Dough Viceroys, intended for the next new Batch!' In the front row: Sheridan, Fox, Moira, Derby. Behind are Burdett [This is confirmed by Lord Holland. Stanhope, according to Wright and Evans.] and (?) Tierney. All wear coronets and hold sceptres. Behind (l.), Talleyrand, with his back to his master, bends over a large 'Political Kneading Trough' handling heaps of a yeasty mass inscribed 'Hungary', 'Poland', 'Turkey'; in the r. corner of the trough is a portion inscribed 'Hanover', which is being devoured by a crowned eagle with a collar inscribed 'Prussia'. Talleyrand wears a mitre over a tricolour cap and a bag-wig; a stole and robes looped up to show a bandy leg and a surgical shoe (incorrectly on the left foot) In his mouth is a pen; a rosary and an ink-pot hang from his waist."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burdett, Francis,--1770-1844--Caricatures and cartoons., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons., and Tierney, George,--1761-1830--Caricatures and cartoons.
"An elderly and ugly woman sings to a guitar. She sits, directed to the left, on a stool on which is a tasselled cushion. She wears the flowing hair, feathered turban with brush aigrette, and the high-waisted dress of 1795. Her fingers are sharply pointed and her angular knees are defined by her dress. The background is a wall with a panelled dado and striped wall-paper common in prints of about this date."--British Museum online catalogue.
Alternative Title:
Time has not thinned my flowing hair
Description:
Possibly by O'Keefe. See British Museum catalogue., Questonable year of publication from British Museum catalogue., and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"An elaborate composition, divided by the arc of a rainbow which supports a woman who stands at a large dark canvas daubing at a goblin-like bearded figure intended for Titian. She holds a palette and brushes, but her paints are mixed together in an earthenware pot like those used by house - or sign-painters (as in BMSat 7770); this stands on the rainbow at her feet; an ass with the wings of Pegasus kneels to drink greedily from it. His wings are covered with words: 'Review', 'Magazines', 'Advertis[er]', 'Squib', 'Herald', 'Times', 'True Briton', 'Puff' [repeated many times], 'World', 'Morning Chronicle', 'Evening Post', 'Star', 'Sham Abuse', 'Squibbs', 'Oracle', 'Courier'. Above the canvas, and at the apex of the design, is an eagle surrounded with flames, and the centre of rays which illuminate black clouds in the upper part of the print; in its claws is a scroll: 'Venetian. Manuscript'. The artist is poised on high-heeled shoes, her quilted petticoat is ragged, but from her waist hangs a vast train which drapes the rainbow and terminates in peacock's feathers. This is held up by three naked Graces. Along the rainbow is etched: 'redeunt Titianica regna, jam nova progenies coelo demittitur alto'. Part of a reflected rainbow issues from the painting on the canvas, with a fainter version of the inscription '. . . va pro[gen]ies . . . demittitur alto', letters being concealed by the hair of the artist and by a flamboyant winged figure seated on the rainbow; he blows his trumpet, from which issue the words: 'You little Stars, hide your diminish'd Head[s].' These words terminate in thick clouds from which five stars fall like meteors, leaving trails inscribed: 'Rubens', 'Correggio', 'Michael Angelo', 'Raphael', 'Parmegiano'. Beneath the rainbow is a paved floor. In the foreground (left) the head and shoulders of (the ghost of) Sir Joshua Reynolds emerge, pushing up one of the stones; he is draped in a shroud, but wears spectacles; in his right hand is his ear-trumpet, his left is raised admonishingly ..."--British Museum online catalogue.
Alternative Title:
Seven-wise-men consulting the new Venetian oracle
Description:
Text above image: Ah! ha! Ah! ha! Messrs. Van-Butchell! Ireland! Charles! Lane & Lackington! What are you now? ah! ha! ah! ha! ha! ha! ha!!! and Title etched below image.
Publisher:
H. Humprey, St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Boydell, John,--1719-1804--Caricatures and cartoons., Farington, Joseph,--1747-1821--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Opie, John,--1761-1807--Caricatures and cartoons., Reynolds, Joshua,--Sir,--1723-1792--Caricatures and cartoons., Titian,--approximately 1488-1576--Caricatures and cartoons., West, Benjamin,--1738-1820--Caricatures and cartoons., and Westall, Richard,--1765-1836--Caricatures and cartoons.
"Thurlow, in his Chancellor's wig and gown, kicks with much vigour the back of a bishop whom he urges along a road in the direction of a signpost (right) pointing 'To Durham' (the only title of the print). The bishop wears a mitre, a gown, and extravagantly large lawn sleeves; his left hand is raised deprecatingly, his right is behind his back as if to ward off the Chancellor's kick. Thurlow's arms are raised above his head; in his right hand is his hat. In the background (left) is a cathedral; a devil flying over it indicates that it is Lincoln. Beneath the design is engraved a dialogue between the two brothers: 'Græcari Nescio - Apage Thomas, Græcari non est Græci Loqui, sed est Epulari, Saturari, Expleri, Satiari, Helluari - Epulas quadrifariam vel Centifariam dispertire - In Capite, fortunisque hominum Te longe longeque honestiorum dominari - Ohe! Græcus Sum - Salve Græcule frater fraterrime - '."--British Museum online catalogue.
Alternative Title:
Graecari nescio
Description:
Questionable attribution to J. Baldrey from the British Museum catalogue. and Title derived from signpost in the top right of image. See British Museum catalogue.
Publisher:
I. Baldrey, No. 19 Holborn
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Baldrey, Joshua Kirby, 1754-1828, publisher., Harvey, Francis--Ownership., Thurlow, Edward Thurlow,--Baron,--1731-1806--Caricatures and cartoons., and Thurlow, Thomas,--1737-1791--Caricatures and cartoons.
"Dedication sheet 'To the Queen' from the singer Harriet Abrams; three cherubs sitting facing right, singing, on clouds which curve up and support a lyre and laurel above them, below a crown in rays of light; for an unidentified publication."--British Museum online catalogue.
Description:
Print possibly designed as the frontispiece or title page for a musical work dedicated to Queen Charlotte. See Wright. and Title from text in image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, artist., and Harvey, Francis--Ownership.
"He has lost his stirrups and leans back; his body and the taut reins bisect the dotted circle horizontally. Two other riders are in difficulties. St. Paul's on the left."--British Museum catalogue.
Alternative Title:
Mathematical horsemanship ; plate 4
Description:
Date of publication from Grego. and Title etched below image; series title etched above image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
