"The stage, flanked by the stage-boxes, extends across the design, the base of which is the orchestra, where the new Ministry perform. George III has stepped on to the stage from the royal box (l.) and confronts Napoleon, who stands arrogantly upon clouds and points to an enormous scroll held up by Talleyrand. This stretches across the cloud to rest on the stage. The Emperor, in uniform, with spurred jackboots and wearing a large, feathered bicorne, holds a sword in his right. hand and says fiercely: "There's my Term's." The King, who wears uniform with a small cocked hat and buckled shoes, holds his sword against his shoulder. He inspects the scroll through his glass, saying: " - Very amusing Terms indeed! - and might do vastly well with some of the new-made little Gingerbread kings [see BMSat 10518] - but WE are not in the habits of giving up either "Ships, or Commerce, or Colonies", merely because little Boney is in a pet to have them!!!" The scroll is inscribed: 'TERMS OF PEACE - Acknowledge me as Emperor - "mantle your Fleet, - Reduce your Army - Abandon Malta & Gibraltar, - Renounce all Continental Connection - Your Colonies I will take at a Valuation, - Engage to pay to the Great-Nation for 7 Years annually £1.000.000. and Pace in my Hands as Hostages the Princess Charlotte of Wales, with Ten of ye late Administration whom I shall name.' Talleyrand kneels on one knee, displaying a deformed l. leg, on a cornupia which rests on the clouds that support Napoleon. He wears a long gown with a rosary (denoting the ex-Bishop of Autun); a pen is behind his ear. From the cornucopia papers, money-bags, and coin pour down on to the stage. The papers are: 'Address to the Papists'; 'Loan to the - ['Prince' implied, cf. BMSat 6945]; 'To the United Irishmen'; 'To the London Corresponding Society'; 'The Press'; 'The Argus'; 'For the Whig Club'; 'To the Army; 'To the Navy', 'To [the] Volunteers'. Money-bags are labelled: 'Maynooth [word illegible]', 'Horne Tooke', 'Morning Chronicle', '[Cobbett's] Weekly Register', 'Thelwall.' Immediately behind Talleyrand, and also on the Napoleonic clouds crouch Arthur O'Connor, looking down conspiratorially at Fox in the orchestra below. His words extend in a long label towards Fox: "Remember m Friend your Oath, - " Our Politicks are the same!"" He holds a paper: 'at Maidstone Not Guilty - N.B - my Confederate Quigley only, was Hanged there.' Behind Talleyrand and O'Connor three desiccated corpses wearing French Grenadier's uniform hold up three eagles to each of which a banner is attached: 'Army of England', 'Army of Ireland', 'Army of Scotland'. Their caps are decorated with an 'N' surmounted by a crown. Behind them bayonets recede in perspective, their holders hidden by the peace scroll. ..."--British Museum online catalogue
Alternative Title:
Flight from St. Cloud's "over the water to Charley"
Description:
Title etched below image. and Mounted on leaf 19 of volume 6 of 12.
Publisher:
Pubd. April 5th, 1806, by H. Humphrey, St. James Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Napoleon I, Emperor of the French, 1769-1821, Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838, O'Connor, Arthur, 1763-1852, Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sidmouth, Henry Addington, Viscount, 1757-1844, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Erskine, Thomas Erskine, Baron, 1750-1823, Lauderdale, James Maitland, Earl of, 1759-1839, Sheridan, Richard Brinsley, 1751-1816, Tierney, George, 1761-1830, Bedford, John Russell, Duke of, 1766-1839, Spencer, George John Spencer, Earl, 1758-1834, Ellenborough, Edward Law, Baron, 1750-1818, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Windham, William, 1750-1810, Pitt, William, 1759-1806, George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burdett, Francis, 1770-1844, Tooke, John Horne, 1736-1812, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, and Grattan, Henry, 1746-1820
"Canning, as Phaeton, drives his chariot with four horses abreast on a curving track across the heavens, slanting upwards across the design from left. to r. On this are signs of the zodiac; other constellations of the zodiac are on the darkened sky, above and below the path of Phaeton; all assail him. The base of the design is part of the northern hemisphere, showing the world in flames, and flanked by the ghosts of Pitt and Fox. In the lower left. corner is the ghost of Pitt as Apollo (half length); he weeps, dropping his lyre, and raises his shroud to gaze up at his son, Phaeton. He is surrounded by heavy clouds. In the opposite corner, the head and shoulders of Fox as 'Pluto', holding a pitchfork, emerge from flames: he looks up with sinister anxiety at the conflict in the heavens. Canning's head is the centre of an irradiated sun: 'The Sun of Anti-Jacobinism.' He is heroic, youthful, and naked, except for floating draperies. Above him (l.) is a crescent moon. His horses have human heads set behind equine jaws and nostrils which jet flame. They are (l. to r.): Hawkesbury, Perceval, Castlereagh (with a profile expressive of nobility), Eldon (sub-human). Flame streams backwards from the chariot wheels; the wheels pass over the (dismantled) scales, 'Libra-Britannicus' [British justice], one scale inscribed 'Copenhagen'. Close behind the chariot the British Lion, 'Leo Britannicus', rushes furiously; on the chariot's track, facing the horses, is the Ram (faintly sketched). Behind this is Taurus, a ferocious Irish bull, snorting fire at the horses. His collar is inscribed 'Erin go Bragh'; from it flies a rosary; to his tail is tied a pot inscribed 'Emancipation'. The most conspicuous assailant of the horses is 'Scorpio Broad-Bottom', with the head of Grenville, the words inscribed on the two ferocious claws, in which his arms terminate. (He is the Scorpion who 'bends out his arms into two bows, . . . [and] spreads over the space of two signs'.) The body spirals into a barbed tail, emitting names close to Fox. Smaller claws terminate in human heads (below, l. to r.): Temple, Spencer (both spitting fire), Bedford; (above, l. to r.): Moira, Tierney. Covering Grenville's posterior is an irregular circle. In its centre is an irradiated ring enclosing a chalice with the Host; round this are irradiated heads: Grafton, Stanhope, Derby, Carlisle, Norfolk, Holland. Flame and a barbed tongue issue from Grenville's mouth. ..."--British Museum online catalogue
Alternative Title:
Phaeton alarmed
Description:
Title etched below image., Six lines of quoted text following title: "Now all the horrors of the heav'ns he spies, "and monstrous shadows of prodigious size ..., and Mounted on leaf 50 of volume 6 of 12.
Publisher:
Publish'd March 22d, 1808, by H. Humphrey, 27 St. James's Street
Subject (Name):
Canning, George, 1770-1827, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Perceval, Spencer, 1762-1812, Eldon, John Scott, Earl of, 1751-1838, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Spencer, George John Spencer, Earl, 1758-1834, Bedford, John Russell, Duke of, 1766-1839, Tierney, George, 1761-1830, Smith-Stanley, Edward, 1752-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Stanhope, Charles Stanhope, Earl, 1753-1816, Carlisle, Frederick Howard, Earl of, 1748-1825, Holland, Henry Richard Vassall, Baron, 1773-1840, St. Vincent, John Jervis, Viscount, 1735-1823, Erskine, Thomas Erskine, Baron, 1750-1823, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Whitbread, Samuel, 1764-1815, Lauderdale, James Maitland, Earl of, 1759-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Ellenborough, Edward Law, Baron, 1750-1818, Grey, Charles Grey, Earl, 1764-1845, and Napoleon I, Emperor of the French, 1769-1821
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[1800?]
Call Number:
Drawings W87 no. 51 Box D215
Image Count:
1
Abstract:
On the left, the Duke of Bedford, in a farmer's smock, unloads deer from a wagon in front of an open gate to a park. One of his deer, with a French cockade outlined behind its ear, faces a royal deer with a crown sketched on its shoulder. The King watches Bedford through a spy-glass from a window of the gatehouse on the right. Alarmed that the new arrivals will ruin his herd, he orders foreign deer out and the gates closed immediately. In the wall below the window is a closed door with a knocker in shape of a face, possibly Pitt's.
Description:
Date of execution based on the publication date of the print. and Original drawing for print no. 9521 in The catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Subject (Name):
George III, King of Great Britain, 1738-1820 and Bedford, John Russell, Duke of, 1766-1839
On the left, the Duke of Bedford, in a farmer's smock, unloads deer from a wagon in front of an open gate to a park. One of his deer, with a French cockade outlined behind its ear, faces a royal deer with a crown sketched on its shoulder. The King watches Bedford through a spy-glass from a window of the gatehouse on the right. Alarmed that the new arrivals will ruin his herd, he orders foreign deer out and the gates closed immediately. In the wall below the window is a closed door with a knocker in shape of a face, possibly Pitt's.
Description:
Title etched below image. and British Museum catalogue suggests Cawse as the printmaker. Woodward attribution based on the original drawing in The Lewis Walpole Library, Yale University (Drawings W87 51).
Publisher:
Publish'd Feby. 27, 1800 by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820 and Bedford, John Russell, Duke of, 1766-1839
"A sequel to BMSat 10540. George III, as a farmer in a smock, drives his pigs, now very plump, out of his farmyard and down a cliff into a turbulent sea. They have burst through a rotten paling; the foremost are struggling in huge waves, the last, the reluctant Sheridan, is propelled by the farmer's boot. The King says: "O you cursed ungrateful Grunters! - what, after devouring more in a twelve-month, than the good old Litter did in twelve years, you turn round to kick and bite your old Master! but if the Devil or the Pope has got possession of you all - pray get out of my Farm yard! - out with you all - no hangers behind! - you're all of a cursed bad-breed; so out with you altogether!!!" Behind him is the old sow in front of a thatched hovel, backed by trees. Among pigs who have already reached the sea is Howick, on his back on a billowing wave; beside him floats a paper: 'Repeal of the Test Act'. Behind him the head of Lord Holland looks up wistfully. Lord Grenville is carried downwards, one forefoot on a paper: 'Emancipation of the Catholic Army and Navy', while the (torn) 'Catholic Bill' floats before him. His body is covered with a distended skin of guineas, in reference to his two highly paid offices, see BMSat 10543, &c. Next, the hind-legs and vast rump of Lord Temple project from the water; beside him is a paper: 'Last Stake of the Broad Bottom Family', see BMSat 10721. Beside him is an almost submerged barrel of 'Whitbread's Entire' [see BMSat 10421], from which project the hind-legs of the drowning Whitbread. Next behind these, and about to plunge into the waves, are Lord St. Vincent, wearing a naval coat, Buckingham in spectacles and Garter ribbon, Bedford (Lord-Lieutenant of Ireland), from whose neck falls a ribbon inscribed 'Erin-Go-Bragh'. Just behind St. Vincent and Buckingham are Windham, Fitzpatrick (on his back), and Petty; next above these: the Duke of Norfolk, Erskine wearing his Chancellor's wig, Lauderdale, his body covered with tartan, and Spencer, with Moira close behind Bedford. The latest pigs to leave the ground are Ellenborough in his wig, Courtenay, Sidmouth, Derby, Carlisle, and Tierney; a little apart from the others Sheridan (cf. BMSat 10697), his body covered with Harlequin's chequered coat (cf. BMSat 9916), still has his hind-legs on the edge of the cliff. Portions of six other pigs appear in the mélée. A rosary floats on a swirling wave in the foreground."--British Museum online catalogue
Alternative Title:
Broad bottom'd litter running headlong into [the] sea of perdition
Description:
Title etched below image., Text below title, in lower right: A supplement to More pigs than teats, 1806., and Mounted on leaf 42 of volume 6 of 12.
Publisher:
Pubd. April 18th, 1807, by H. Humphrey, 27 St. James Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Grey, Charles Grey, Earl, 1764-1845, Holland, Henry Richard Vassall, Baron, 1773-1840, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Whitbread, Samuel, 1764-1815, St. Vincent, John Jervis, Viscount, 1735-1823, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Bedford, John Russell, Duke of, 1766-1839, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Fitzpatrick, Richard, 1747-1813, Erskine, Thomas Erskine, Baron, 1750-1823, Lauderdale, James Maitland, Earl of, 1759-1839, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Spencer, George John Spencer, Earl, 1758-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Sidmouth, Henry Addington, Viscount, 1757-1844, Sheridan, Richard Brinsley, 1751-1816, Tierney, George, 1761-1830, Smith-Stanley, Edward, 1752-1834, Carlisle, Frederick Howard, Earl of, 1748-1825, Courtenay, John, 1738-1816, and Ellenborough, Edward Law, Baron, 1750-1818
"Satire on the dispute about whether peace should be forced on Britian. Britannia turns away, her "Bowels are all in an uproar", as a politician (presumably the Duke of Bedford, negotiator with France) holds out a phial containing the "Compostion of Peace"; behind him others discuss whether she should take it; Pitt is concerned that "she is but a Woman and her Constitution is weak", but Bute (dressed in tartan with a large jack boot) suggests that they form the medicine into "a Bolus [and] Gild it"; Cumberland warns that Bute could be answerable if Britannia is destroyed."--British Museum online catalogue
Description:
Title from caption etched at top of image., Reduced and reversed copy of The political cramers, or, Political quacks. See Stephens 3923., Two columns of verse below image: Britania [sic] tormented wth sic] discord & strife, And almost in danger of loosing her life ..., Plate numbered '15' in upper right corner., Plate from: The British antidote to Caledonian poison : consisting of the most humorous satirical political prints, for the year 1762. ... [London] : Sold at Mr. Sumpter's bookseller , [1763]., and Mounted to 28 x 42 cm.
Publisher:
E. Sumpter
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, and Bedford, John Russell, Duke of, 1766-1839
"Satire on the dispute about whether peace should be forced on Britian. Britannia turns away, her "Bowels are all in an uproar", as a politician (presumably the Duke of Bedford, negotiator with France) holds out a phial containing the "Compostion of Peace"; behind him others discuss whether she should take it; Pitt is concerned that "she is but a Woman and her Constitution is weak", but Bute (dressed in tartan with a large jack boot) suggests that they form the medicine into "a Bolus [and] Gild it"; Cumberland warns that Bute could be answerable if Britannia is destroyed."--British Museum online catalogue
Alternative Title:
Political quacks
Description:
Title from item. and Reduced and reversed copy, without verse and with changes to speech balloons, of No. 3923 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4. Not the same as a reduced and reversed copy published in The British antidote to Caledonian poison.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, and Bedford, John Russell, Duke of, 1766-1839
Title etched above image., Following imprint: Pr. 6 pence., Sheet trimmed to plate mark., and Four columns of verse below image: See here my good masters a fine raree show, will please ev'ry one from the high to the low ...
Publisher:
Sold at Sumpters Political Printshop, Fleet Street
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1766-1839, Pitt, William, Earl of Chatham, 1708-1778, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Holland, Henry Fox, Baron, 1705-1774, Hogarth, William, 1697-1764, Churchill, Charles, 1731-1764, Beckford, William, 1709-1770, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Whitefield, George, 1714-1770, and D'Urfey, Thomas, 1653-1723.
Subject (Topic):
Seven Years' War, 1756-1763, Britannia (Symbolic character), Bagpipes, Clergy, Devil, Hangings (Executions), National emblems, French, Scottish, Newspapers, Puppet shows, Signs (Notices), Theatrical productions, and Wheelbarrows
"Satire on the negotiations leading to the Peace of Paris in response to Hogarth's "The Times Part 1", but also with visual echoes of his much earlier print, "Southwark Fair". In the centre is a large theatrical booth advertising "The Full and Whole Play of Dido and Aeneas" with a show-cloth on which the lovers are depicted taking shelter in a cave; below is platform on which stand Bute and Princess Augusta accompanied by a zany, a drummer (Arthur Murphy) and a trumpeter (Tobias Smollett). Hogarth, portrayed as an ape, stands on a ladder painting a sign-board with a portrait of Pitt (echoing the sign painter in "Beer Street"); at the foot of the ladder another ape, representing the Duke of Bedford, ambassador to Paris, sits on a small table holding a sheet marked "Prelim Peace". Henry Fox looks out of a window at the top of the booth. On the left, Bute stands on stilts playing the bagpipes with a large bag of money hanging from his neck; he is supported by admiring Scotsmen and adored by a group of bishops. Behind him is an inn with the sign of the thistle advertising "Geud Scrubbing for Mon and Horse"; an ass peers throuh a window and an ass's skull hangs above. Beyond, Scotsmen rejoice as buildings burn, while three fireman sleep beside their engine; an owl representing the French ambassador, the Duke de Nivernois, flies overhead carrying on olive branch (in place of Hogarth's dove with the olive branch) . In the foreground a mastiff urinates on an impression of Hogarth's "The Times Part 1"; Charles Churchill gestures towards a bonfire on which is burning "The Wandsworth Epistle" and "The Briton" (Smollett's newspaper) while a sailor, watched by Britannia, brings a wheelbarrow laden with other journals (echoing the barrow containing "The North Briton" in Hogarth's print). Behind this group, William Beckford draws the attention of Pitt, Temple and Newcastle to the happy Scots; Cumberland, bald-headed, shakes his fist. The British lion grasps a dead French cock in his jaws and looks angrily at a Frenchman who hands coins to a Dutchman leaning on a bale marked "Neutrality" (a similar Dutchman in Hogarth's print sits on a bale smoking contentedly). Behind the lion, George Whitefield, arms outspread and a devil blowing with bellows into his ear, preaches from a three-legged stool to an old woman with a prayer-book and a man with the head of an ass. On the left, three further show-cloths hang on the wall of a house, referring to performances at "Punch Political Poppet Show with a Scotch Uproar": "Then", with the figure of Fame crowning a British commander; "Now", with a Scotsman at the prow of a boat foundering on the rocks of "New Lost Land"; "Alive from France & England" with a clown raising his fist and his foot at a Frenchman (echoing the sign, "Alive from America", in Hogarth's print); at the top of the house a Spaniard and a Frenchman, both grinning, look out of a window."--British Museum online catalogue
Description:
Variant state without imprint and with different price, added in top right corner. See British Museum catalogue., In upper right corner: Price 1 sh., and Four columns of verse below image: See here my good masters a fine raree show, will please ev'ry one from the high to the low ...
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1766-1839, Pitt, William, Earl of Chatham, 1708-1778, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Holland, Henry Fox, Baron, 1705-1774, Hogarth, William, 1697-1764, Churchill, Charles, 1731-1764, Beckford, William, 1709-1770, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Whitefield, George, 1714-1770, and D'Urfey, Thomas, 1653-1723.
Subject (Topic):
Britannia (Symbolic character), Bagpipes, Clergy, Devil, Hangings (Executions), National emblems, French, Scottish, Newspapers, Puppet shows, Signs (Notices), Theatrical productions, and Wheelbarrows
