Depiction of George IV in a rage against family members (Frederick and William) who are unwilling to lend their support for his divorce from Caroline; he kicks a man (Bloomfield?) while pursuing his brothers, who are in uniform and seen fleeing on the right side of the design. Papers inscribed "Protocol" and "No devorce [sic]" fly in the air. A toppled chair rests on the floor to the left of the King; a bottle of wine falls off a table behind him, upon which fruit (including pineapples) rests. A John Bull figure watches the scene from the background on the left, an astonished look on his face
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 50 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bloomfield," "P. Leopold," and "D. York" identified in ink at bottom of sheet; date "30 July 1820" written in lower right corner.
Publisher:
Pub. by H. Fores, Panton St., Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Divorce, Adultery, Anger, Kicking, Brothers, Pineapples, Military uniforms, and British
"An adaptation of British Museum Satires No. 11904 (1812), by Cruikshank, reversed, with Lady Conyngham replacing Lady Hertford. The open barouche, with four galloping horses and the Cupid postilion, is closely copied. Behind the carriage, as footman, General Bloomfield replaces McMahon. Conyngham replaces Hertford on the donkey, with the antlers, dress, and (incorrectly) the staff of office of his predecessor. He says: "How fortunate am I to have a Handsome and Cunning wife or I should not wear those marks of Distinction!" Lady Conyngham repeats Lady Hertford's words: "We have had a glorious ride my Love! It is worth Half a Crown" [cf. British Museum Satires No. 13826]. George IV: "My Cunning-one I have not Half a Crown to give thee, Would that I had." The Devil drives, as before, but sits alone, instead of beside Lord Yarmouth; a long barbed tail has been added. The 'Female Asylum' (for discarded mistresses) is similarly drawn but less ramshackle; the women looking from the windows are altered; Lady Hertford replaces Mrs. Fitzherbert: the words are as before, but '. . . his Poor F' becomes 'his Poor H'. On the roof, in place of two cats as supporters of the inverted feathers and coronet, are three cats with a (heraldic) scroll and a chamber-pot. The tail of the procession (Sheridan and the wagon 'For Yarmouth . . .') is omitted. The signpost points 'To Brighton'; Ragley is replaced (left) by the domes and minarets of the Pavilion, burlesqued."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Three lines of quoted text following title: "For trifling sports I quitted grave affairs," "And let not wine or anger wrest," "Th' intrusted secret from your breast.", Mounted to 39 x 58 cm., Mounted on leaf 16 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Ld. Conyngham," "Geo. IV," and "[Lady] Conyngham" identified in ink below image; date "Nov. 1820" written in lower right corner. Typed extract of twenty-six lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by J.L. Marks, 28 Fetter Lane, Fleet St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Conyngham, Henry Conyngham, Marquess, 1766-1832, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, and Royal Pavilion (Brighton, England),
Subject (Topic):
Adultery, Mistresses, Carriages & coaches, Donkeys, Antlers, Devil, Pitchforks, Asylums, Cats, Chamber pots, Traffic signs & signals, and Official residences
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Regent, very tipsy, one leg on the supper-table, leans back in his chair, putting a hand under the chin of each of two very fat maidservants who stand one on each side. One (left) stands with her back to the fire where a large steak is grilling; she holds a pair of steak-tongs and a glass of wine. He says to her: "Dolly I admire your Chops and now for your Rump I shall find out the beauties of the Kremline in time! Dolly I have a great mind to make you a Dutchess you'll make a nice fat Dutchess, and Cis here shall be a Countess. Should you like to be a Dutchess Dolly?" She answers: "Any thing your Hiness chuses to make me!" General Bloomfield has risen from his chair (right) to hand a glass of wine to the other, saying, "Come Cis take a glass of Claret my girl Countesses [sic] a countess should drink nothing but Claret." Men cooks and soldiers crowd in a doorway (right) to watch. One (? Carême) says: "Got tam! vat he go do Dolly? My Dolly!" Another says to him: "Ah ha! I think you are done with Monr Fricasee." On the table are decanters, &c., and two candelabra. See British Museum Satires No. 13208, &c. The Pavilion, with its onion domes, was called the little Kremlin."--British Museum online catalogue
Alternative Title:
Beauties of grease, or, Luxuries of the Kremlin and Luxuries of the Kremlin
Description:
Title etched below image; the letters "as" in "grease" have been scored through and the letters "ec" etched above, forming the word "Greece.", Printmaker and date of publication from British Museum catalogue., Plate numbered "335" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 41 in volume 5.
Publisher:
Pubd. by T. Tegg, No. 111 Cheapside, London
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Bloomfield, Benjamin Bloomfield, Baron, 1768-1846
"Ministers, horribly griped, sit on a vast Green Bag (see British Museum Satires No. 13735), trying to hatch eggs. The King hits the kneeling Bloomfield in the face, saying 'They shall hatch by G--d!' John Bull and a soldier (see British Museum Satires No. 13850) watch derisively. Behind him is the Pavilion."--British Museum catalogue
Alternative Title:
Sitting committee and Shitting committee
Description:
Title etched below image; the letter "i" in "sitting" is formed from the letter "h" with its left side scored through, suggesting the word "shitting.", Sheet trimmed within plate mark., "Plat [sic] 7"--Upper left corner., and Mounted on page 25 of: George Humphrey shop album.
Publisher:
Pubd. July 1820 by Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Royal Pavilion (Brighton, England),
Subject (Topic):
John Bull (Symbolic character), Politicians, Bishops, Military officers, Bags, Defecation, and Soldiers
"Ministers, horribly griped, sit on a vast Green Bag (see British Museum Satires No. 13735), trying to hatch eggs. The King hits the kneeling Bloomfield in the face, saying 'They shall hatch by G--d!' John Bull and a soldier (see British Museum Satires No. 13850) watch derisively. Behind him is the Pavilion."--British Museum catalogue
Alternative Title:
Sitting committee and Shitting committee
Description:
Title etched below image; the letter "i" in "sitting" is formed from the letter "h" with its left side scored through, suggesting the word "shitting.", Sheet trimmed within plate mark., "Plat [sic] 7"--Upper left corner., 1 print : etching ; sheet 27.1 x 42.1 cm., Printed on wove paper with watermark "Ivy Mill 1817"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 40 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bloomfield," "Liverpool," "Wellington," "Eldon," "Londondery [sic]," and "Sidmouth" identified in ink at bottom of sheet; date "July 1820" written in lower right corner. Typed extract of three lines from the British Museum catalogue description is pasted to the left of print.
Publisher:
Pubd. July 1820 by Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Royal Pavilion (Brighton, England),
Subject (Topic):
John Bull (Symbolic character), Politicians, Bishops, Military officers, Bags, Defecation, and Soldiers
"Heading to an engraved broadside. A servants' ball in the Pavilion, the musicians in the gallery being Ministers (left to right): Sidmouth and Liverpool play a duet at a square piano, gaping at each other; Eldon blows bagpipes; Castlereagh plays a harp. George IV waltzes with a fat, plainly dressed cook; he says: "How poor a thing may do a noble office!" A black footman dances with a fat lady; another lady dances amorously with a fat footman. One courtier (Bloomfield) dances with and embraces a fat cook, another has a more elegant partner. In the foreground stands Lady Conyngham (left), distressed and alarmed, her husband's antlered profile is just behind her; both wear coronets. She says: "Ah! with his scullion! Titles & rank are my defence But what can save her insolence!" He says: "If he has turn'd up my Wife I indeed may say--[citing Wolsey] "Farewell a long farewel to all my greatness!"" The wall and gallery are patterned with Chinese figures. The verses begin: 'Releas'd from all the toils of State . . .' The 4th, 5th, 6th, and 10th of 12 verses: '"I've supp'd within my kitchen range, "But I'll descend no more;* "The scene this night I'll wholly change, "Upstairs--invite uproar. "No virtuous women visit me-- "They dread to lose their name-- "I'll condescend--with those make free "Who never blush'd with shame. "Twas wrong when C--e eat perchance, With Vassali and Bergami-- "I'll eat with Cooks, with Scullions dance-- "I can't do wrong [see British Museum Satires No. 14133], G--d d--n me." . . . And Cunning-one moved not a limb, But stood amazed with wonder! To see the K--g's disgraceful whim, And, Vow'd she'd pull 'm asunder. . . ."--British Museum online catalogue
Alternative Title:
Humours of the great baby at B***ht*n and Humours of the great baby at Brighton
Description:
Title etched in center of plate, below image and above verses., Printmaker attribution to Marks from the British Museum catalogue., Twelve stanzas of verse in two columns below title, beginning: Releas'd from all the toils of state, From care and sorrow free ..., Text in lower margin, beneath verses: *See Marks's caricature of "He stoops to conquer, or, R-l George sunk" [British Museum Satires No. 13210]., Mounted to 58 x 39 cm., Mounted on leaf 48 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Conyngham," "Ld. Bloomfield," and "George IV" identified in pencil at bottom of image; figures of "Sidmouth," "Liverpool," "Eldon," and "Londonderry" idenfied in pencil above print on mounting sheet. Date "24 Jan. 1821" written in ink in lower right corner of sheet. Typed extract of ten lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. by J.L. Marks, No. 28 Fetter Lane, Fleet Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry Conyngham, Marquess, 1766-1832, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, and Royal Pavilion (Brighton, England),
Subject (Topic):
Interiors, Balls (Parties), Adultery, Musicians, Servants, Dance, and Antlers
"A companion plate to British Museum Satires No. 13989 by the same artist, and with the same imprint. A Chinese interior resembling that of British Museum Satires No. 13986. George IV as a mandarin, languid and ill, sits cross-legged on a low settee. Peacock's feathers (cf. British Museum Satire No. 13299) decorate his round hat. Sidmouth as a Chinese doctor feels his pulse with concern. At the King's feet is a long rolled document headed 'List of Addresses presented to Caroline Queen of [Engla]nd'. Behind (right), a melancholy Chinese messenger hands Bloomfield (a Chinese wearing a large sword) a paper: 'Bill Thrown Out'. The latter registers dismay with raised arms. There is a slanting cloud of smoke as in British Museum Satires No. 13986. On the wall is a picture of the Queen, with sword and shield, fighting a dragon. Carved dragons decorate the King's settee (or throne), and there is a big dragon jar on the right; all the dragons look menacingly towards the King, who rests his right hand on a table on which are decanter, pill-box, &c."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Approximate month of publication from the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Moments of pleasure., and Mounted on page 37 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, and Sidmouth, Henry Addington, Viscount, 1757-1844
Subject (Topic):
Costumes, Chinese, Interiors, Furniture, Draperies, Medical equipment & supplies, Physicians, Documents, Smoke, Messengers, Vases, Figurines, and Dragons
"A companion plate to British Museum Satires No. 13989 by the same artist, and with the same imprint. A Chinese interior resembling that of British Museum Satires No. 13986. George IV as a mandarin, languid and ill, sits cross-legged on a low settee. Peacock's feathers (cf. British Museum Satire No. 13299) decorate his round hat. Sidmouth as a Chinese doctor feels his pulse with concern. At the King's feet is a long rolled document headed 'List of Addresses presented to Caroline Queen of [Engla]nd'. Behind (right), a melancholy Chinese messenger hands Bloomfield (a Chinese wearing a large sword) a paper: 'Bill Thrown Out'. The latter registers dismay with raised arms. There is a slanting cloud of smoke as in British Museum Satires No. 13986. On the wall is a picture of the Queen, with sword and shield, fighting a dragon. Carved dragons decorate the King's settee (or throne), and there is a big dragon jar on the right; all the dragons look menacingly towards the King, who rests his right hand on a table on which are decanter, pill-box, &c."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Approximate month of publication from the British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Moments of pleasure., 1 print : etching ; plate mark 27.6 x 21.5 cm, on sheet 28.9 x 22.7 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 6 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Sidmouth" identified in ink below image; date "Nov. 1820" written in lower right corner. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, and Sidmouth, Henry Addington, Viscount, 1757-1844
Subject (Topic):
Costumes, Chinese, Interiors, Furniture, Draperies, Medical equipment & supplies, Physicians, Documents, Smoke, Messengers, Vases, Figurines, and Dragons
"George IV, seated in an armchair, plays a 'cello. Bloomfield stands behind, playing a flute; in his pocket is a paper: 'Farmer's Boy' [for this identification cf. (e.g.) that of Orger in British Museum Satires No. 11940]. Lady Conyngham stands beside the King, saying blandly: "Play Here we go Up Up Up." On the right is a dancing bear, facing a stout jovial man (identified, A. de R. xviii. 4 as Sir L. Neagle, i.e. Sir E. Nagle, appointed Groom of the Bedchamber on George IV's accession). No one notices John Bull (wearing top-hat and top-boots) who enters, shouting: "Rome's on fire, Haste Haste Help Help the People 's Roused, Perjurys allowed Conspirators are suffered to Escape, the Directors are impeached-- the World's in Arms." Behind the King hangs a large placard: Estimate of Expenses at the Chinese Temple One Million--Building Repairing & Furnishing Mark Anthonys State Barges Building two New ones . . . £150,000 Cottage seat Como [Countess Cowper (25 Sept. 1820): 'They say the story is really true of blundering Sir E. Nagel saying in the boat on the Lake near the New Cottage, "We have also got our little Lake of Como"--the King and Ly C present.' Airlie, 'Lady Palmerston', 1922, i. 67; 'The King laughed very much...' 'Journal of H. E. Fox', 1923, p. 38; cf. British Museum Satires No. 13857] formerly called V-g-o [sic] Water . . . 40,000 New Cottage at O-P Q . . . 20,000. Presents to Cleopatra. Horse 150 Diamond Necklace . . . 30,000. Pearl Ditto . . . to Cleo's Daughter 15000. Sinecure to Cleo's Boy Pr Anm 3000.' Above Lady Conyngham's head is a painting of a nude woman in bed; below this is an unframed print, a bust portrait of 'Caroline' with the head torn off."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Male costume: 1820., Watermark: J. Whatman 1820., and Manuscript "265" in upper center of plate.
Publisher:
Pub. Oct. 11th, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Nagle, Edmund, Sir, 1757-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and Nero, Emperor of Rome, 37-68.
Subject (Topic):
John Bull (Symbolic character), Adultery, Musical instruments, Violoncellos, Flutes, Trained animals, and Bears
"George IV, seated in an armchair, plays a 'cello. Bloomfield stands behind, playing a flute; in his pocket is a paper: 'Farmer's Boy' [for this identification cf. (e.g.) that of Orger in British Museum Satires No. 11940]. Lady Conyngham stands beside the King, saying blandly: "Play Here we go Up Up Up." On the right is a dancing bear, facing a stout jovial man (identified, A. de R. xviii. 4 as Sir L. Neagle, i.e. Sir E. Nagle, appointed Groom of the Bedchamber on George IV's accession). No one notices John Bull (wearing top-hat and top-boots) who enters, shouting: "Rome's on fire, Haste Haste Help Help the People 's Roused, Perjurys allowed Conspirators are suffered to Escape, the Directors are impeached-- the World's in Arms." Behind the King hangs a large placard: Estimate of Expenses at the Chinese Temple One Million--Building Repairing & Furnishing Mark Anthonys State Barges Building two New ones . . . £150,000 Cottage seat Como [Countess Cowper (25 Sept. 1820): 'They say the story is really true of blundering Sir E. Nagel saying in the boat on the Lake near the New Cottage, "We have also got our little Lake of Como"--the King and Ly C present.' Airlie, 'Lady Palmerston', 1922, i. 67; 'The King laughed very much...' 'Journal of H. E. Fox', 1923, p. 38; cf. British Museum Satires No. 13857] formerly called V-g-o [sic] Water . . . 40,000 New Cottage at O-P Q . . . 20,000. Presents to Cleopatra. Horse 150 Diamond Necklace . . . 30,000. Pearl Ditto . . . to Cleo's Daughter 15000. Sinecure to Cleo's Boy Pr Anm 3000.' Above Lady Conyngham's head is a painting of a nude woman in bed; below this is an unframed print, a bust portrait of 'Caroline' with the head torn off."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Male costume: 1820., 1 print : etching ; sheet 24.6 x 34.9 cm., Printed on laid paper with watermark; hand-colored., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 98 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Conyngham" and "George IV" identified in pencil at bottom of sheet. Typed extract of eleven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pub. Oct. 11th, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Nagle, Edmund, Sir, 1757-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and Nero, Emperor of Rome, 37-68.
Subject (Topic):
John Bull (Symbolic character), Adultery, Musical instruments, Violoncellos, Flutes, Trained animals, and Bears
