A sheet with 25 vignettes in roughly five rows, each with a humorous or satirical scene or a visual pun and each captioned with names of trades, industry, or arts. At the center of the page is a caricature of the Lord Chancellor, Lord Brougham in his long, curl wig and a collar, holding a broom in his left hand, with the caption "The Title page and Index" below. One of many such frontispieces of the period mocking the political and educational movements bringing information and knowledge to the working classes
Description:
Title from text at top of image., A publication date between 1833 and 1835 is suggested by Matthew Crowther; see his post entitled "Rediscovering W. Newman, fl. c. 1834-35" from The Printshop Window website (theprintshopwindow.wordpress.com; accessed 13 December 2023)., and An imitation of two satirical frontispieces by C.J. Grant for the Penny Magazine; the first is tentatively dated to October 1832 in the British Museum catalogue, and the second is dated 9 May 1833 on the print. See no. 17285 in the Catalogue of prints and drawings in the British Museum, v. 9. See also British Museum online catalogue, registration number: 1892,1021.4.
Publisher:
Pubd. by G.S. Tregear, Cheapside and Printed by R. Redman
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868
"Scene in the House of Lords at the Queen's 'trial', showing the throne against the end wall, with the two (temporary) galleries. The Queen exclaims in terror, both arms raised, at the sight of the first witness against her, Majocchi, and of the ghost of Princess Charlotte, who stands, draped in white, beside him, holding her infant, with an arm extended towards the Queen. The latter shrieks: "Theodore!! my Daughter too! ah! what have I done!!! Oh speak." The ghost, garbling Hamlet's words (III. iv, ll. 40-5; 92-4): "Such an Act good Mother, as blurs the / "Grace and Blush of Modesty, calls Virtue Hippocrite / "makes marriage vows as false as Dicers Oaths--Oh / "such a deed! to live in the rank sweat of an / ensemen'd bed stived [sic] in Corruption." Majocchi says: "Non mi Ricardo" [sic]. Beside the Queen, and on the extreme right, are Brougham and Denman, her counsel; they hold documents inscribed 'Defence of the Queen' and 'Queens Defence'. Both register astonished horror: Brougham exclaims (misquoting 'Hamlet', I. ii): "All is not well--I doubt / "some foul play!--for foul / "deeds, will rise--." Denman: "'Tis very strange!" ['Hamlet', I. ii]. The prosecuting counsel (left) are equally disturbed: Gifford, grasping the 'Bill of Pains [and P]enalties', exclaims, misquoting Horatio ['Hamlet', I. i]: "Behold it starteth like / "a guilty thing upon a shamefull "Summons." Copley: "Angels and Ministers / "of Grace defend us" ['Hamlet', I. iv]. A seated judge turns to them, pointing to the Queen, saying: "Look to the Queen!!" ['Hamlet', v. ii]. There is a background of peers, freely indicated, all startled, while spectators watch from the galleries. In the centre foreground a large green bag (see British Museum Satires No. 13735) stands on the floor, from which clouds of smoke emerge; it has a strap (unbuckled) in the form of a huge Garter, inscribed 'Ho[ni]... Pense'. On the bag is a garbled version of Macbeth's words (I. ii): "Will all great Neptune's Ocean wash this Blood clean from this Bag? No! rather shall this Bag the multitudinous Realm incarnadine making the Green one Red.""--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 31 of: George Humphrey shop album.
Publisher:
Pubd. by R.A. Fores, No. 71 Leadenhall St., Aldgate
Subject (Geographic):
England.
Subject (Name):
Shakespeare, William, 1564-1616., Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, Majocchi, Theodore, active 1820, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Gifford, Robert Gifford, Baron, 1779-1826, and Lyndhurst, John Singleton Copley, Baron, 1772-1863
Title from text in image., Numbered '9' at top., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Geographic):
Great Britiain.
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868
Title from text in image., Plate from: Series of original portraits and caricature etchings / by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. ii., Numbered "338" in lower right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868
"Four barristers fight, all having oval shields and using rolled documents as weapons. Brougham, armed with 'Truth', and Denman with 'Justice', vanquish Gifford and Copley (Attorney-and Solicitor-General), one with a shield inscribed 'Pains' and a document inscribed 'Filth', the other with a shield inscribed 'Penalties' and a document inscribed 'Lies'. Below: 'Broomo's and Denny's judgmatical fire, Laid Giffo, with Coppo and Co. in the mire.'"--British Museum online catalogue, description of a variant state
Alternative Title:
Queen's alphabet
Description:
Title engraved above image; alternative title engraved at top of plate: The Queen's alphabet., Attributed to Theodore Lane in the British Museum catalogue., Variant state, with differences in engraved text above image, of no. 13948 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Publisher and date of publication from description of variant state in the British Museum catalogue., Sheet trimmed within plate mark with probable loss of imprint statement from bottom edge., Frontispiece to: Rosco. Horrida bella. London : G. Humphrey, 1820., Quoted text below title: "Arma virumque cano"., Mounted on page 8 of: George Humphrey shop album., and Mounted with eight sheets of letterpress text, for letters A-H, meant to face the corresponding plates in bound copies of Horrida bella.
Publisher:
G. Humphrey
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Gifford, Robert Gifford, Baron, 1779-1826, Lyndhurst, John Singleton Copley, Baron, 1772-1863, and Rosco.
"The King and Queen are tied together back to back, by a ribbon inscribed 'The Matrimonial Knot. Keep thee only.. unto her, so long as ye both shall live.' The Queen (left), richly dressed and with three feathers in her hair, stands looking towards Justice, who takes her right hand. She says, her hand on her breast, "Nothing but death shall e'er divorce my dignities" ['Henry VIII', III. i]. Justice stands among clouds; she says: "Your exemplary conduct is worthy imitation, as during your husband's ill treatment every effort you exerted to reclaim him, which failing, the world must approve your seeking refuge in the wholesome and protecting laws of your country.--I will be your guide." Brougham stands on the extreme left, poorly characterized but holding a rolled document inscribed 'To Mr Brougham'; he says: "Let slanderous tounges [sic] say what they will they are "Trifles light as air" ['Othello', III. iii] for "She is every inch a Queen." [Adapted from 'Lear', IV. vi]." The King leans against the bond that joins them, straining hard to break it; he puts his hands on the shoulders of Castlereagh who holds him round the waist, the first of a chain of three who pull hard to help him to break loose. The King: "Heigho! how to get un-married; thats the question! There is but little trouble in tying the knot, but your quizzes of the cloth draw it so d----nd tight, Pull away Derry, Pull away Deary Pull away Doctor." Sidmouth tugs at Lady Hertford (or Conyngham) whose arms are round Castlereagh. Castlereagh answers: "If we could entice that blind Lady from her, we might do some good." Sidmouth: "A long pull and a Strong pull and a pull alltogether.""--British Museum online catalogue
Alternative Title:
How to get unmarried
Description:
Title etched below image., Month of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Turn over-"--Lower right margin., and Mounted on page 21 of: George Humphrey shop album.
Publisher:
Pubd. by J.L. Marks, No. 2 Sandy's Row, Bishopsgate
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834
"Queen Caroline as Lucifera sits in a coach made up of objects which figured in the evidence against her. The driver is Bergami, whip in hand (thus representing Satan) on a high box seat; he turns to hand a bottle of wine to the Queen who holds a sack inscribed '50,000' [see British Museum Satires No. 14145]. The beam or chassis is a cannon (see British Museum Satires No. 13850), on this rests the body of the open coach, the front part being the prow of a boat (the polacca, see British Museum Satires No. 13818), the centre part a tub, representing the bath, see British Museum Satires No. 13819, the back part, half of the body of a travelling-coach, is surmounted by half a conical tent (see British Museum Satires No. 13818), the whole making a canopy over the Queen. On the tub-section a coat-of-arms is represented by a diamond-shape blank (hatchment-wise) with two supporters, Bergami and the Devil. Motto: 'Ama et Aude'. The six animals harnessed single file and their riders are adapted from the 'Faerie Queene', relevant quotations being etched below, in eight compartments. The procession advances from the right, down a slope towards a slough, on the verge of which the leading animal, an ass, has fallen, throwing its rider, Alderman Wood in his livery gown, who has dropped two large stacks of papers: 'Addresses ready made' [cf. British Museum Satires No. 14119] and 'Plate Subscription' [see British Museum Satires No. 14196]. Below: 'Ignorance Might seem the Wain was very Evil led, When such an One had guiding of the way, That knew not whether right he went or else astray.--' [I, iv. 19.] [He replaces the 'Idlenesse' of the original.] The next four carry banners, each topped by a bonnet rouge; the leader is Dr. Parr on a large pig, as 'Gluttony the second of the crew'. He smokes his accustomed pipe, holds an open book; on his banner is 'Un-Sunned Snow' [see British Museum Satires No. 13975]. Below: 'And next to him rode loathsome Gluttony, deformed Creature, on a filthy Swine' [ibid. 21]. Next, on a goat, is Lord Grey, holding a banner inscribed 'Purity' and a staff topped by a burning heart. He wears a garland of white roses over his shoulder. Below: '--Sir G Rat-- In a Green Gown he cloathed was full fair, And in his hand a burning heart he bare' [ibid. 25]. (He is the 'lustfull Lechery' of the original.) He is followed by Brougham riding a wolf (fifth in the original), in wig and gown, holding a broom and a banner inscribed 'Innocence'. Below: 'And next to him malicious Envy rode upon a ravenous Wolf .....He doth backbite and spitefull poison spews' [ibid. 30, 32]. Next (last in the original), riding a fierce lion, is Burdett wearing makeshift and partial armour, a small red cap, and a tricolour sash; he holds up a firebrand and a red flag inscribed 'Victory or Death' [cf. Hunt's motto in 1819, see British Museum Satires No. 13279]. Below: 'And him beside ride fierce revenging Wrath, Upon a Lion loath for to be led, And in his hand a burning brand he hath, The which he brandisheth about his head' [ibid. 33]. Last (fourth in the original) a stout man mounted on a camel holds before him a copy of 'The Times', from a stack of the papers on his knee. He wears an apron with rolled-up shirt-sleeves (like a pressman) and top-boots, and is clearly Barnes (a fair portrait). Large saddle-bags are inscribed 'Hush Money, Pub[lic] Money', and '£500 Weekly'. Below: 'And greedy Avarice next him did ride, Upon a Camel, loaded all with Gold For of his wicked Pelf his God he made, And unto Hell himself for money Sold' [ibid. 27]. The last two inscriptions (right) describe Bergami and the Queen: 'And after all upon the waggon beam Rode Satan with a smarting Whip in hand, With which he forward lashed the lazy Team, As oft as Ignorance ['Slowth' in original] in the Mire did stand [ibid. 36]. So forth She comes and to her coach does climb [ibid. 17] The which was drawn by six unequal Beasts, On which her six sage Counsellors did ride' [ibid. 18]. Queen Caroline is compared to Lucifera: That made her selfe Queene, and crowned to be, Yet rightfull kingdome she had none at all, . . . [ibid. 12]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 46 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Parr, Samuel, 1747-1825, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, and Spenser, Edmund, 1552?-1599.
Fourth page of a monthly magazine that consisted of four pages; included on this page are five individually-titled images, "MADRID, - A FALSE ALARM (British Museum Satires No. 17269): Ferdinand VII lies on his back in bed, his crown and a huge pot of 'Holy Water' beside him. He calls 'Quick! fetch the Holy Petticoat I once embroidered. St. Peter will sure admit me in that disguise'. Behind his bed-curtains a procession hurries forward, headed by a friar holding two huge candles. An acolyte swinging a censer walks before a bishop in his robes who holds up an embroidered petticoat hanging from a cross. Behind is another bishop. (Ferdinand VII's death was expected and had been reported. He recovered and died on 29 Sept. 1833. For the petticoat, reputedly embroidered for the Virgin during his internment at Valençay, see British Museum satires no. 12508, &c.)."--British Museum online catalogue, "DIETING IN GERMANY. (British Museum satires no. 17270) 'Liberty' is represented by the flames coming from big candle-ends placed on the ground; Francis I and Nicholas (out of place in the German Diet) are putting huge extinguishers over them. Five of the candles are 'Franckfort, Hesse-Cassel, Brandenburg, Hanover, Baden'. The Tsar: 'Extinguish it in one place it blazes in another'. He is back to back with the senile Francis who puts his extinguisher over 'Brandenburg', saying, 'Why the extinguisher itself appears to be igniting'. (See British Museum satires no. 17212, &c. Revolutionary movements in Europe, cf. No. 16535, had in fact been suppressed or had subsided. For the extinguisher cf. Nos. 12588, 14145.)."--British Museum online catalogue, "DUTCHMEN BLOCKING UP THE NAVIGATION OF THE SCHELDT. (British Museum satires no. 17271) A row of fat Dutchmen sit on the water, buoyed up by bulky and inflated breeches. All are smoking long pipes; one says 'Yau Mynheer'. Behind them are small ships. Two frogs watch from a bank in the foreground. (The obstinacy of the King of Holland in claiming control over the navigation of the Scheldt, including the right of preventing ships from passing to or from the high seas, was a main obstacle in the settlement of the Dutch-Belgian question. Camb. Hist, of Br. Foreign Policy, ii. 146 ff. See British Museum satires no. 17295, &c. Van Stolk, no. 7170. )."--British Museum online catalogue, "PORTUGAL (British Museum satires no. 17272) An ugly infant, Queen Maria (left), and a crowned ape, Miguel, face each other across a chasm. On the plain below and between them scattered forces are fighting. The child, who has dropped her coral and bells, holds out her arms, screaming 'Ah you've got my crown! I will have my crown'. The ape, who presses a foot on human bones, grimaces savagely. Below each protagonist is a supporter. A man waving a cocked hat shouts 'Fight for your illustrious Queen'. A monk holds up both arms, shouting 'Fight for your August King!!' Below the title: '"Oh its a mighty pretty Quarrel" (Sir Lucius O'Trigger)' [Sheridan, The Rivals]. (For the civil war in Portugal see British Museum satires no. 17179, &c.)."--British Museum online catalogue, and "PERFECTS AND IMPERFECTS, OR DREADFUL TIMES. (British Museum satires no. 17273) 'The Times' newspaper is represented by a man whose body from neck to hips is covered by a sheet of 'The Times'; across the columns of the paper are the words: 'Horrible! \ Dreadful!! \ Frightful!! \ Mare's Nest \ discovered near \ Hammersmith'. The square head, with fierce angular features and a pen stuck in it, is seemingly an ink-pot. The limbs are those of a vigorous man, who lunges fiercely with outstretched arms, holding a huge ink-ball in each hand. With one he knocks backward and blackens the face of an elderly man dressed like the Duke of Cumberland who watches from the left. 'The Times': 'I should not have known how to make any thing of the Duke's apology; because a short-sighted man might ride nearer than he intended, and seeing people so much more frightened than hurt, might possibly smile:--But you I have at my mercy. Where's the mustachoes Sir? Where's the mustachoes?--There, Sir-- there, have you any mind for another dose'. Cumberland, stooping aggressively, exclaims: 'Oh! you officious blockhead, you will get freely belaboured for your pains'. A young lady, who watches mincingly from the right, cries, 'Oh! I am quite positive as to the mustachoes!!'."--British Museum online catalogue
Description:
Titles from text below images., Printmaker from British Museum online catalogue., and Publisher from publisher's statement "London, Published by Thos. McLean, 26 Haymarket" on first page of magazine; date of publication from series numbering "Vol. 3rd, Octr. 1, 1832" on first page of magazine. See British Museum online catalogue, registration no.: 1868,0808.12322.
Publisher:
T. Mclean
Subject (Geographic):
Antwerp (Belgium) and Great Britain
Subject (Name):
Maria II, Queen of Portugal, 1819-1853, Ferdinand VII, King of Spain, 1784-1833, William I, King of the Netherlands, 1772-1843, Anglesey, Henry William Paget, Marquis of, 1768-1854, Francis I, Emperor of Austria, 1768-1835, Wellington, Arthur Wellesley, Duke of, 1769-1852, Spencer, John Charles Spencer, Earl, 1782-1845, Russell, John Russell, Earl, 1792-1878, Nicholas I, Emperor of Russia, 1796-1855, Newcastle, Henry Pelham Fiennes Pelham Clinton, Duke of, 1785-1851, Ellenborough, Edward Law, Baron, 1750-1818, Maltby, Edward, 1770-1859, Derby, Edward George Geoffrey Smith Stanley, Earl of, 1799-1869, Denman, Thomas Denman, Baron, 1779-1854, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Karl II, Duke of Brunswick-Lüneburg-Wolfenbüttel, 1804-1873, Knight, Charles, 1791-1873, Quentin, George Augustus, 1760-1851., and Georg V, King of Hannover, 1819-1878
Subject (Topic):
Siege, 1832, Catholics, Public opinion, Monkeys, and Arcimboldesque figures
"The Green Bag, see British Museum Satires No. 13735, &c., is transformed into a hillock covered with grass and foliage, but keeping the contour of a sack; it is inscribed in large letters: 'Commons Green Bag'. On the left it is watched by a group of Ministers, on the right by the Queen and her supporters. The foremost of the latter is Brougham, in wig and gown, who points a rod inscribed 'Queens Attorney General' towards the bag; a mouse crouches in a little hollow at its base. Under his arm is a large document inscribed 'Resolution ..... [Ma]jesty'. The Queen, her hands extended towards him, turns to a second barrister who stands in back-view, saying, "I should make a brave Queen to be frightened at a Mouse." The barrister, Denman, the Queen's Solicitor-General, answers: "A good Conscience is a Wall of Brass, your Majesty will not shrink at a Royal Tiger." On the extreme right, Wood, in an alderman's gown, is speaking to a lady, evidently Lady Ann Hamilton. On the extreme left is a curtain from behind which the King, his head and most of his person being hidden, speaks to Lord Eldon (who like his colleagues is gaping at the bag-mountain): "Why Bags! what's all this!" Eldon, in wig and gown, holding a large document and the Purse of the Great Seal, answers: "The Cat's out of the Bag Sire thats all." Canning exclaims: "Pro-di-gi-ous! as my Friend Domine Sampson [in Scott's 'Guy Mannering', 1815] says!" Castlereagh, very scared, says to Sidmouth: "Doctor could you not prevented [sic] this untimely Birth!" Sidmouth stoops forward, squirting a clyster-pipe at the mouse; in his right hand, like a doctor's gold-headed cane, is a constable's staff. He exclaims: "A Delivery without Nurse or Doctor by Heaven." From his pocket hangs a paper: 'Foreign Circular' [cf. British Museum Satires No. 13282]. After the title: 'When mountains cry out, people may well be excused the apprehension of some prodigious Birth, this was the case the Public were all at their wits end, to consider what would be the Issue, and instead of the dreadfull Monster that they expected, out comes at last a contemptible Mouse--The Moral. Much ado about Nothing.-- Reflection. What are all the extravagant attempts and enterprises of weak Men, but morals more or less of this Fable what are mighty pretences without consideration or effect, but the vapours of a distemper, that like sickly Dreams have neither issue nor conection. and the dissapointment is not all neither, for men make themselves ridiculous instead of Terrible, when this Tympany shall come to end in a Blast, and a Mountain to bring forth a Mouse, vide L'Estrange's Esop.--'."--British Museum online catalogue
Alternative Title:
Mountain in labour
Description:
Title etched below image. and Sheet trimmed within plate mark at top edge.
Publisher:
Pubd. June 28th, 1820, by Richd. Fores, 74 Leadenhall St., Aldgate
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Eldon, John Scott, Earl of, 1751-1838, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Sidmouth, Henry Addington, Viscount, 1757-1844
Subject (Topic):
Bags, Draperies, Wigs, Judges, Robes, Medical equipment & supplies, and Staffs (Sticks)
Lord Brougham shown in an apron and mopping his brow doing the work of a road mender. He holds a sledge hammer and faces a pile of rocks is labeled "Reform."
Description:
Title etched below image., Series title etched above image., Text etched within image above the figure digging: This is poor work after all I see you are tired of it Frank besides we have not improved the High Ways a bit - getting very hungry could swallow a whole batch of rolls., Paul Pry is the pseudonym of William Heath., and Not in the Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum.
Publisher:
Pub. June 12 1829 by T. McLean 26 Haymarket sole publisher of P. Pry caricatures - none are original without his name
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868
